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Τhis is a paper presented at a meeting of "Nationless", a common project involving artists and scholars from Skopje, Belgrade and Thessaloniki. http://isshs.edu.mk/index.php?newsinfo=376 In it, I attempt to read the 20th and 21st century national(ist) conflicts in the South Balkans as an expression of a desire to not belong in a nation state, rather than to belong to one
This book examines the de/re/construction process of the image of the Balkans as a space embedded in the European discourse in different media from 1830 to the present days. According to the author, the Balkans have served as a stereotypical media paradigm for a simulacrum of particular western and eastern phantasms. Those phantasms had and continue to have effects on the process of recreating new cultural and political concepts of identity and space in the Balkans. Zimmermann analyses literature, travelogues, paintings and scientific writing to guide us between the different poles of the creation of predominantly negative and secondary Balkan stereotypes. As the Great Ottoman Empire slowly dissolved by the mid-19th century, two of the Great Powers (Russia and Austro-Hungary) saw an opportunity to increase their imperial influences. However, they discovered small, corrupt and bankrupt states at odds with each other. Soon this region would be called the Balkans Powder Keg. It is interesting to learn that the initial interest by both Western and Eastern imperial states were not the Balkans but the liberated Greece. However, for the travellers who met Greek liberation fighters, the fighters did not mirror the pre-constructed stereotype of Hellenic civilization, but were instead perceived as disorganized combatants and robbers. Hence, Pan German and Pan Slavic antagonistic discourses created a stereotype of fatalistic, primitive, devious and bloodthirsty Balkans. For instance, Alexander Sergejewitsch Puschkin and Michał Czajkowski sent their fictional characters to disappear into the Balkans void. When Bosnia became part of Austro-Hungarian Protectorate, the image of the Balkans slowly altered through e.g. travelogues, doctors' anecdotes and Freud's visit to " a space beyond the pleasure principle " , where pathological eroticism unites with thanatological phantasm. Later in the book Zimmermann links such Balkan phantasms with Baudrillard's theory of simulacra hyper-reality and video installations of Marina Abramović.2 The longest chapter is devoted to the analysis of Yugoslav identity creation under Tito and is well-founded on abundant media materials. As a reaction to the 1948 conflict between Tito and Stalin, the creators of Yugoslav identity tried to counter accusations of being primitive and backward by turning them into an affirmative multicultural model. Miroslav Krleža and Otto Bihalji-Merin, the leading intellectuals of that time, tried to construct Yugoslav identity based on a heretic sect of Bogomils, medieval religious dualists, who did not belong either to the Catholic or Orthodox Church. They converted to Islam by the mid-15th century and anticipated Bosnian multiculturalism. Bogomil symbolism reflects Yugoslav neither West nor East oriented religious-belief as well as Yugoslav position being related neither to Western Capitalism nor Eastern Communism. Zimmermann aptly succeeds in explaining how the ideas and concepts used to create this original, positive, and alternative image of Yugoslavia transmuted and then created the fertile ground for the break-up of Yugoslavia. The focus on peoples' folk art (e.g. Bogomil tombstones, medieval Macedonian frescos, naïve paintings, autodidacts, archaism, etc.) turned in the case of Serbia into nationalistic populism through the reawakening of the epics about Kosovo. Zimmermann analyses the transformation of the Kosovo myth that was used for the creation of the first Yugoslav project in detail. For instance, Ivan Meštrović's model for the Kosovo Tempel from 1915 was converted into a nationalistic Serbian propaganda instrument in the late 1980s. The author presents how the newly constructed, affirmative third way ended up in death and destruction. Subsequently the last chapter deals with thanatological phantasms and its post-Bosnian war (1992-1995) implications on visual media (self)perception that was caught between reality and fiction. Zimmermann's primary focus is on the influence of foreign images on the construction of identity among Slavic people who lived on the territory of the former SFRY. The author succeeds in presenting the Balkans' duality in a multidisciplinary way (literature, history, art history, memory and media studies), while her art-historic background (her first doctorate is in art history) offers the reader a superb analysis of various media examples of " inbetweenness " , such as Danatti all'inferno/The Damned Cast into Hell by Luca Signorelli as a source of Freud's simulacrum or Ron Haviv photo from Bijeljina in 1992 that inspired/provoked many artists and philosophers to write about it.
Balkan studies, 2000
Some English and American publishers of recent studies on the Balkans have chosen a picture with an "Ottoman touch" for their cover page or jacket illustration: a mosque, a bazaar, armed locals with "traditional" costumes, kilts, woollen cloaks, and rustic boots. Apparently Orientalism still sells in the West even in the days of postmodernism. Pluto Press publishers and Jane Cowan opted for a fez-wearing elderly man walking speedily, hands crossed on his back, along what appears to be an unpaved wet town street surrounded by low provincial houses. The man's face is not visible but he must be very worried judging by his lowered head. Had it not been for the two Renault 4Ls coming from the opposite side, the reader would have been unable to venture a guess as to the location of this Muslim neighbourhood was. This is by all means an excellent shot in the deem light of dusk and indeed a surprising choice for an edited volume with five out of its seven articles dealing with Northern Greece i.e. the Greek part of Macedonia. Considering its title, Jane K. Cowan's Greek-based expertise might con stitute a good reason for this uneven distribution of the topics, yet, I think, not the primary reason. For various reasons, and not simply academic ones, most scholars who have recently focused on Macedonia (at least those who made a name as "Macedonologists"), have been attracted by Greek Macedonia, espe cially its northwestern part. The prefecture of Fiorina, in particular, has be come a kind of Trobrian island, an ethnographic laboratory for 20th century European scholars. Indeed, the Greek flavour of the book becomes obvious starting from the informative note on names and terms. The editor is fully aware of all the versions and nuances of self-identification in Greek Mace donia and its diaspora but does not go into the same depth when it comes to similar terms used in FYROM-even less in Bulgaria. If this book is about Greece, then this should be openly acknowledged so that, at the very least, librarians may be able to classify it. It goes without saying that one could hardly expect to find the final verdict on the Macedonian Question in a book on the politics of identity prepared
Contemporary Art and Nationalism: Critical Reader, (eds.) Henriksson, Minna & Boynik, Sezgin, Institute for contemporary art 'Exit' & MM - Cnter for Humanistic Studies 'Gani Bobi', Prishtina, pp. 214-233, 2007
2014
Naming and naming practices take place at various sites associated with international politics. These sites include border crossings, migrations, diasporas, town halls, and offices of political parties representing minorities. This project is an investigation of these and other sites. It takes seriously questions of names and naming practices and particularly asks how people participate in these practices, often doing so with states and state authorities. It not only looks at and discusses how people proceed in these practices but also assesses the implications for people regarding how and when they can be at home as well as how and where they can move. Through an ethnography of Aegean Macedonians involving interviews, participant observation, and archival research, I find that naming practices occur well beyond the sites where they are expected. Names themselves are the result of negotiation and are controlled neither by their bearers nor those who would name. Similarity of demonyms with toponyms, do not ensure that bearers of such demonyms will be at home in the place that shares there name. Changes in names significance of names occur rapidly and these names turn home into abroad and hosts into guests. ii DEDICATION This work is dedicated to my wife Anjeanette who, without hesitation or thought for her own wellbeing, encouraged the pursuit of my passion. When this pursuit took me to a far away land she, with considerable grace, helped me to uproot our small family and accompanied me there. Thank you for your belief. I also dedicate it to Aidan and Eliana, our much loved children. iii ACKNOWLEDGMENTS Much debt is owed to each of my committee members: Roxanne Doty, Richard Ashley, and Leif Jonsson. They read and gave useful comments on various drafts of the chapters of this dissertation. Not only did they provide critical feedback and encouragement during the writing of the dissertation but they all provided graduate courses that made it possible to even think of my topic in the sort of context in which I treat it here. Without the help of Georgi Donevski, my fieldwork would not have been remotely as rich and rewarding as it was. He introduced me to his lifelong friends and allies in the movement of refugees from the Aegean part of Macedonia. His kindness and generosity made this work possible. While his demise happened long before this work took the shape that it has, his insistence that I finish it provided inspiration and encouragement during the labor required to complete it. Special thanks is also due to Jessica Auchter who regularly read and provided comments on my work. Also thanks to Eyal Bar and participants and discussants at the "Fanaticism and the Abolition-Democracy: Critical Theory in the Spirit of Joel Olson" conference that took place in January 2013, and the ISA North East Conference in Providence in 2013. These forums were critical to the development of this dissertation.
History and Anthropology, 2008
2005
Der spezifische sozio-politische Rahmen sowie der Kontext in der Bundes-republik Jugoslawien (SRJ) war nach mehreren Merkmalen einzigartig in Europa. Die Art wie der soziale Raum seit der Mitte der Achtziger Jahre in der ehemaligen Sozialistischen Foederativen Republik Jugoslawien (SFRJ) zur Zeit der stark ausgepraegten oekonomischen und politischen Krise, und auch spaeter in den nach ihrem Zerfall entstandenen unabhaengigen Republiken erzeugt wurde, war ausser-ordentlich krass. Die neue Bundesrepublik (SRJ) entwickelte sich in einem ganz spezifischen Kontext, bedingt durch die Sanktionen der UN, eingefuehrt im Jahre 1992, waehrend der feindlichen Zusammenstoessen in Bosnien und Berichten von Faellen der ethnischen Saeuberung. Einer von den Gruenden fuer die Erzeugung eines so krassen sozialen Raumes koennte man in der staerkesten Welle des Ethnonationalismus in der neueren Geschichte Europas, begleitet von einer aehnlich intensiven Welle des Populismus, suchen. Interessant dabei is...
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