Matias, C. E. (2005) Getting Connected LAJ Vol3

los angeles JOURNAL july 2005 Vol.3 A Vandal's Vision Joe Escalante' on the State of Punk Rock also: in bl a ck a n d whit e wit h Le wis Bl a ck Out sour cing: How t o Buil d a Bombay Smar t bomb ALSO: An Eye on Pinoy Upcoming novellas New Beverly Cinema Finding Film Fun....Again Young Ca sua l Sex gone sa va gel y wr ong.      letters www.anysoldier.com....your new willing audience. from the editor: -447 )/)16 7=:<0 7. =4A 1; 2=;< ):7=6, <0- +7:6-: ; A7=: 8)<:17<1;5 ;<144 :1,16/ 76 A7=: *=58-: 6 5A 8:-+17=; 6-?;8:16< +)6>);  ;0)44 67< )<<-58< <7 8)16< A7= ) .:-;0 7816176 76 <0- ?): !)<0-:  ?7=4, 8716< A7= 16 5A .)>7:1<- ;74=<176 8-:0)8; ) :-.:-;0-: .7: <07;- 7. 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(&' :=;<A.16/-:*76-;A)077+75  %!" :81:5)68)+*-446-<  XXXMPTBOHFMFTKPVSOBMDPN table of contents art page open letters 4 5 around town QJFDFT GSPN ZPVS -" Young Casual 6 Sex Gone Wrong features PAGE 8 CZ 3PCFSU /FCFM One of the breakout comics of "The Daily Show" speaks out on his latest tour. A unique brand of Black humor. 7 Feelin' the Squeeze PAGE 9 fellow man XIBU ZPVS OFJHICPShT CFFO VQ UP Wild About Denial 13 But Is It Contagious 14 Lewis Black: In Black and White Outsourcing CZ #BSBCSB 8IJUF Take the first flight to Bombay and start showing Ramar the ropes. How India outsourcing is trapping the rat race. Cover Story: globetrotting A Vandal's Vision "SPVOE UIF XPSME JO UXFOUZ NJOVUFT Da Struggle Kontinues My Life in Israel fiction folio 15 16 17 0VS GBWPSJUF DSFBUJWF PVUMFU 'FBUVSJOH QPFUSZ BOE TIPSU TUPSJFT entertainment CZ "WFMJOB 4FFMFZ PAGE 10 Taking in the film and music biz with punk veteran Joe Escalante. GSPOU DPWFS JMMVTUSBUJPO CZ $ISJTUPQIFS 6NBOB $PSSFDUJPO +VOFhT DPWFS BSUJTU XBT DPNQMFUFE .VOJTI "TBOJ NVOJTIBTOBOJ!ZBIPPDPN "EKVTUJOH ZPVS DVMUVSBM EJBM literature: A Syndrome of Smilie and Metaphor Author­ity Inisight: An Eye on Pinoy art: Gallery Walking: Highland Park film: Venue: New Beverley Cinema music: Antidote for File Sharing This Month In Music listings 21 22 24 25 26 28 30 wanna writ e?wanna draw? *MMVTUSBUPST BOE "SUJTUT 4FFLJOH GSFTI TUZMFT 5IF FYQFSJNFOUBM BOE NJYFE NFEJB BSF WFSZ XFMDPNF -JOLT QSFGFSSFE 1MFBTF MJNJU BUUBDINFOU UP B +1&( PS UXP UPUBMJOH LC 5IJOHT UIBU FTQFDJBMMZ JOUFSFTU VT 6OEFSHSPVOE CBOET  TFOE VT ZPVS SFWJFXT PS IBWF ZPVS NVTJD SFWJFXFE CZ VT 5FMM VT BCPVU ZPVS GBOCBTF TFOE VT ZPVS XFC MJOL *OEFQFOEFOU -PX CVEHFU GJMNT BOOPVODF UIFN XJUI VT BOE HFU UIFN SFWJFXFE UPP "SU HBMMFSJFT  TFOE VT ZPVS BOOPVODFNFOUT BOE FWFOUT -FDUVSFT 3FBEJOHT BOE 4QFDJBM &WFOUT o MFU VT LOPX XIBU OFFET UP CF IFBSE TBJE PS EPOF JO ZPVS OFJHICPSIPPE 'JDUJPO o TIPSU -POH 1FSTPOBM PS iMPPTFMZw BVUPCJPHSBQIJDBM 4DJ GJ BOE FSPUJDB PL y "MM HPFT TUZMF JU ZPVSTFMG CVU UIF NPSF VSCBO BOE -"DFOUFSFE UIF CFUUFS 1PFUSZ TFF 'JDUJPO 4QPSUT  -" PSJFOUFE PQJOJPOT OPU TUBUT "MM TVCNJTTJPOT NBZ CF TFOU UP TVCNJTTJPOT!MPTBOHFMFTKPVSOBMDPN $VSSFOUMZ DPNQFOTBUJPO JT MJNJUFE UP DPWFS TUPSJFTBSU art humor in ink.. comic page !        #    "  ! !    #  ! " $  !  $ !     #    $ !       4  ! Journal july vol. 3 Los Angeles open listings letters Fondly remembering the pigskin.... Only a matter of time before the football question would rear its head in print. A frustrated fan sounds off... %!1 /2 .'%,%2 The L.A. Sports Scene / 8/4 6!.3 &//3"!,, ). 8/41 #)38 /1 ./3 392 /"5)/42 3(%  6!.32 3/ "1).' !3 ,%!23 /.% 3%!- "!#+ 3/ 8/4 "43 )2 3(!3 2/-%3().' 8/4 1%!,,8 6!.3 /4 !1% 3(% 2%#/.$ ")''%23 3%,%5)2)/. -!1+%3 !.$ 3(%1% !1% 0,%.38 /& 0,!42)",% ,/#!3)/.2 &/1 !.  3%!- 24#( !2 3(%   /,)2%4- .!(%)- 3!$)4- !.$ 3(% /2% /6, 5%. 3(/4'( 8/4 (!5%.93 (!$ !.  3%!- &/1  8%!12 3(% 3!,+ !"/43 ! 3%!#/-).' "!#+ 3/ 8/4 .%5%1 %.$2 !+% 40 8/41 -).$ 2 3(%  *423 "%).' '1%%$8 /1 !1% 8/4 1%!,,8 ./3 ).3%1%23%$  *423 $/.93 4.$%123!.$ (/6 8/4 #/4,$ "% ).3%1%23%$ /4 +./6 8/4 !1% '/).' 3/ '%3 (413 /4 !,6!82 $/ /6 -!.8 3)-%2 6),, 8/41 (%!13 "% "1/+%. 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(%!13"%!3 %392 &!#% )3 (!392 (/6 /2 .'%,%2 )2 .%6 3%!- 6/4,$ !,2/ 14). 3(% "!,!.#% /& 3(% %)'(3 3%!- $)5)2)/.2 3(!3 3(%  1%#%.3,8 %23!",)2(%$ (%1% 6/4,$ 3(% /2 .'%,%2 3%!- &)3 ). & /.% $)5)2)/. 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F0B =>F 8= 0 2064 F8C7 B8G >5 C74< 5C4A 0= 4?8B>34 >5 D=34C42C43 A42:;4BB 3A8E8=6 F4 0;; <034 8C 102: C> C74 BCD38> 0?0AC<4=C +78=6B B44<43 70IH 74A4 0=3 C74A4 8B=JC 0 ;>C C> 14 A4<4<14A43 +74 3AD6B 6A4F 740E84A 0=3 2;>C78=6 1420<4 B20A24 45>A4 ! :=4F 8C C74A4 F4A4 B4E4= >5 DB 3>F= C> >DA 10A4 4BB4=C80;B 0=3 D=34AF40A >A 0C ;40BC C74 >=4B F40A8=6 0=H  A>>< >5 18B4GD0; BCA8??4AB F8C7 0;C4A43 0=3 CF8BC43 <8=3B >5 4D?7>A82 1>3H 7867B F74A4 C74 54<0;4 <0;4 A0C8> 8B  8B 0 5>A<D;0 6>>3 4=>D67 5>A B4GD0; 0??4C8C4 +74 78=3B867C 8= C78B 20B4 F0B 50A 5A><   0B <H <8=3 4E4=CD0;;H 010=3>=43 <H 1>3H C> F70C ?A>101;H F4A4 B70<45D; B4G 02CB 0=3 1470E8>A >5 C74 83 +7>D67 C74 34C08;B ! 20= A420;; F>D;3 >=;H 14 A4?40C43 85 C78B F4A4 DBC;4A <060I8=4 != 0=H 20B4 ! 0F>:4 C74 =4GC <>A=8=6 F8C7 <8=3 B70CC4A8=6 7403 0=3 1>3H 0274B 8= 0 A>>< A4B4<1;8=6 B><4C78=6 >5 C74 05C4A<0C7 >5 0 6A>BB  %>C;4H AD4 7>C4; ?0ACH *> ! 586DA43 <H C8<4 74A4 F0B C8<4 4=>D67 ! ;45C 0 6>>31H4 =>C4 5>A <H BCA8??4A 5A84=3B 0=3 ;4C 8C B08; 3>F= >=C> C748A BC8;; B;44?8=6 =0:43 1>384B >= C74 20A?4C !JE4 144= 8= C78B 28CH =>C  7>DAB 0=3 ;>>: F70C >DC2><4B 20= >22DA F8C7 F8;3 5A84=3B 0=3 C74 A867C 3AD6B !C 6>C <4 C78=:8=6 102: C> C74 !* 38;4<<0 B 103 0B C74 !* =D<14AB 0A4 =>F 8<068=4 8= C4= H40AB F74= 0 64=4A0C8>= >5 B74;C4A43 1BC8=4=24 '=;H 278;3A4= 6A>F C> ?0AC0:4 8= C74 B0<4 20BD0; B4G 02CB C70C F>D;3 B20A <8=3 F0=34A8=6 50C74AB 0=3 2><4 B> 40B8;H 8= $>B =64;4B />D=6 ?4>?;4JB 38BA4B?42C 5>A 0 =867C >5 2;0BBH F8;3 0=3 3AD=:4= B4G 70B 4;4E0C43 C> 0 3403;H ;4E4; >5 7867 =D<14A43 3>><43 0=3 86=>A0=C 2>A?>A0C4 F>A:8=6 A0CB ;>>:8=6 5>A 0=>C74A 6>>3 C8<4 5C4A 0;; :=>F;4364 8B ?>F4A 1BC8=4=24 24AC08=;H 8B=JC :=>F;4364 5>A <D27 !JE4 6A>F= C8A43 >5 C74B4 C7>D67CB >3JB <4A2H >= C74 BF8=4 1;8=3;H 8=542C8=6 C748A H>D=6 0=3 4064A ?44AB +74 F40C74A 8B BC8;; ADC7;4BB 0=3 C74 BD= 8B 10A4;H BC0AC8=6 8CB A418AC7 !CJB C8<4 5>A C74 A0E4= C> 5;0? C74B4 F8=6B 0=3 64C C74 74;; >DC >5 3>364 %H F44:4=3 70B 144= B70:4= 1H C78B 2AD34 7018C0C >5 C0BC4;4BB B4G 7D=C8=6 !CJB C8<4 5>A B><4 6>>3 AD< 0=3 20;< 140274B Los Angeles Journal july vol. 3 7 An Interview with Lewis Black It wouldbeanunderstatement tosaythat "TheDailyShowwithJonStewart"correspondent LewisBlackisangry.Hiscurrent tomefromSimonSpotlight Entertainment titled"Nothing's Sacred"isa testament tothat characterization.Beyondtheboldhumor isadown-to-earthgentlemanwhosimplytellsit likeit is. Whether it ispharmacistsrefusingtofillbirthcontrolprescriptionsor LAtrafficandsmog,Blackhashisownset ofopinionsonthesesubjectsbecauseheseesthe worldthroughhisspecialprism. Eventhoughhehasbeeninshowbusinessfor years,the57-year-oldcomedianiscurrentlyexperiencingthepeakofhiscareer and thereseemstobenoendinsight. Asheplaystosellout crowdsandcontinuestobringthehousedownon"TheDailyShow,"Blackisalsobuildinguponhisfilm resumewithanappearanceinthenewB.D.Wongfilm"SocialGrace." BlackrecentlyspokewithLosAngelesJournalcontributor Robert J.Nebel duringhisstand-uptour. " > >995 + A236/ 09< C9? >9 038. C9?< 1<99@/ += + -97/.3+8 *9? ./=-<3,/ =/@/<+6 =>9<3/= A2/</ 89 98/ A+= :+C381 +>>/8>398 >9 C9? 38 =7+66 -6?,= (2/8 .3. C9? 23> C9?< =><3./  %2/ 03<=> ,</+5>2<9?12 2+::/8/. A2/8  A+= A9<5381 -6?,= 38 /A *9<5 +8.  =>+<>/. >9 031?</ 3> +66 9?> %2/8  23> >2/ <9+. +8. >2381= =>+<>/. >9 2+::/8 > =//7/. 635/ 3> A9?6. >+5/ 09</@/< >9 1/> 3> +66 .9A8 " (+= ./+.638/ 3> >9?12 A<3>381 >2/ ,995 >9 1/> 3> 38 98  > A+= >9?12 ,/-+?=/  A+= 98 >9?<  A+= </+66C A<3>381 3> 98 + ,?= (/ A/</ 98 + >9?< ,?= 19381 -3>C >9 -3>C  A9?6. .9 + =29A 2+81 9?> +8. A+5/ ?: >2/ 8/B> 79<8381 2+@/ + -?: 90 -900// +8. =>+<> A<3>381 " :38398= +,9?> >2/ -?<</8> =>+>/ 90 9?< /8/<1C =?::6C   635/ 29A A/ +</ >96. >2+> A/ +</ 19381 >9 A+< A3>2 + -9?8><C >2+> 2+= 936 +8. >2+> >23= A366 7+5/ 09< ?= 38 >/<7= 90 936 %2/ :<3-/ 2+= .98/ 89>2381 ,?> 19 ?: =38-/ A/ 2+@/ 198/ 38 >9 0312> >2/</  +6=9 038. 3> :2/897/8+6 >2+> >2/C ./-3./. A/ A/</ 19381 >9 6+=5+ >9 .31 09< 936 %2/ 936 -97:+83/= .98E> A+8> >9 .31 >2/</ 0 >2/C .3. .<366 >2/C A9?6.8E> 1/> /89?12 >9 7+5/ + ./8> 38 3> !?> >2/ >37/ +8. /8/<1C 38>9 -97381 ?: A3>2 +8 +6>/<8+>3@/ /8/<1C :6+8 C9? 0?-5381 3.39>= (/ A+8>/. >9 1/> >9 >2/ 7998 A/ 19> >9 >2/ 7998 %23= 3= /+=3/< >2+8 1/>>381 >9 >2/ 7998 97/ ?: A3>2 +8 /8138/ >2+> ?=/= 6/== 1+= >E= 89> ,<+38 =?<1/<C %2/C +</ 9?> 90 >2/3< 0?-5381 738.= " ?> +--9<.381 >9 6+=5+ :963>3-3+8= 635/ $/8+>9< %/.  !/9:6/ +</8E> 19381 >9 -2+81/ >2/3< 2+,3>= +C,/ 30 3> 1/>= >9   + 1+6698 3> 7312> 1/> :/9:6/ >9 =>+<> >2385381 +,9?> >23= =>?00 &=/. >9 ,/ >2+> + 1?C +> >2/ 1+= =>+>398 A9?6. 19 ?: >9 >2/ =318 +8. -2+81/ >2/ 8?7,/<= /@/<C 9>2/< 798>2 A2/8 :<3-/= A9?6. -2+81/ 9A >2/C 5//: >2/ 1?C ?: >2/</ +8. >2/C >2<9A 8?7,/<= +> 237 / 3= 89A ?: >2/</ 6981/< >2+8 +@3. 6+38/ A+= ?: " *9? A/</ >2/</ 38 >2/  = +8.  = A2/8 >2/ -9?8><C A+= /7,<936/. 38 '3/>8+7 9 C9? =// =>?./8>= >9.+C A29 +</ 4?=> += :+==398+>/  %2/C 2+@/ >2/7 38 + .9?,6/ ,38. 3.= +</ -+?12> ,/>A//8 (/66 3= 3> ,/>>/< A3>29?> $+..+7 ?==/38 +8. 995 +> 29A 1</+> /79-<+-C 3= 89A 98/=>6C 3> +66 6995= </+66C 199. 98 :+:/< ,?> 38 </+63>C A/ .98E> 589A A2+> +8C 90 >23= 7/+8> 8 9<./< 09< 53.= >9 ,/ 79</ :<9+->3@/ 38 :<9>/=>381 >23= A+< >2/C 8//. 6/+./<=23: +> >2/ >9: A29 3= 38>/</=>/. 38 =>9::381 >23= A+< +8. >2/C +</ 89> %2/ 53.= +</ 19381 >9 <+66C ,/238. A2+> > >23= :938> +8. >37/ A2/8 >2/ /-9897C 3= >2/ A+C 3> 3= >2/C +</ A98./<381 30 >2/C +</ 19381 >9 2+@/ >9 19 >9 97,+C >9 1/> + 49, " 9A +</ C9? .9381 98 >23= =>+8.?:,995 >9?<  >E= + ,3> 79</ 1<?/6381 ,/-+?=/ E7 .9381 >2/=/ ,995 =318381= 8-/ C9? A<3>/ >2/ ,995 C9? 19> >9 =/66 3> E7 =>366 89> -988/->/. >9 >2/ 0+-> >2+>  A<9>/ + ,995 +8. E7 =318381 -9:3/= 90 3> >E= 635/ + .</+7 " */= +8. >2/ -9@/< >9 C9?< ,995 6995= 635/ 3> 3= =2-<90> +::<9@/.  E7 =?</ >2/C 635/ 3> " 8 E9>2381E= $+-</.E C9? .9 89> >/66 ?= 29A C9? 19> 98 $>/@/8= >2/ (# :6+8 A366 -</+>/ 49,= %2/ +36C $29A  */+2 /B+->6C 3> -</+>/= 49,= ,/-+?=/ A2+> /6=/ A366 >2/C .9 ?: >2/</ 2+=/ +<3,9? +<9?8.  */= >2+> 3= 38 >2/ 8/B> ,995 +8. 3> A366 2+@/ 79</ :3->?</= " (2+> -+8 A/ .9 += 7/<3-+8= >9 2/6: A3>2 >23= .36/77+ $29?6. A/ .<3@/ 79</ 2C,<3. @/23-6/= 9< 1/> >2/ =9--/< 797= 9?> 90 >2/3< $&'= E66 +6=9 2+@/ 7/8?= 23126312>/. A3>2 >2/ 099. >2+>  +>/  19> 98 %2/ +36C $29A ,/-+?=/ 3D (38=>/+. A29 ,+=3-+66C =>+<>/. 3< 7/<3-+ +=5/. 7/ >9 .9 >2/ =29A 0<97 >2/ @/<C ,/1388381 $>/@/8 96,/<> +8.  2+@/ ,//8 >2/</ >2/ 6981/=> " 9A .9/= 3> 0//6 >9 2+@/ >2+> =/-98. !/+,9.C A+<.  > 0//6= 1</+>  .98E> 1/> + !/+,9.C  1/> + -900// 7?1 >2+> =+C= !/+,9.C 98 3> :9==3,6C =+C >E= 38=?6>381 >9 >2/ & +8. >9 >2/ 7/<3-+8 :/9:6/ *9? >/66 >2/ </=> 90 >2/ A9<6. >2+> C9? A+8> >9 A9<5 A3>2 >2/7 +8. C9? =/8. >23= 1?C (2C .98E> C9? ><C >9 7+5/ 3> A9<5 (/ 63@/ 38 + A9<6. A2/</ >23= 3= >2/ 98/ :6+-/ A2/</ C9? -+8 =3> .9A8 A3>2 /@/<C,9.C +8. 38=>/+. 90 ,+.79?>2381 3> +66 >2/ >37/ ><C >9 7+5/ 3> A9<5 (/ .98E> 13@/ 3> 798/C +8CA+C +8. A/ :3== +66 9@/< 3> " > A+= 38-</.3,6/ >2+> $/8+>9< /67= @3=3>/. >2/ & +> >2/ /8. 90 23= >/8?</ +8. /@/8 =?::9<>/. /009<>= >9 0312> $ %23= A+= + ,3> 635/ /9<1/ (+66+-/ 98 23= ./+>2 ,/.  / >29?12> 2/ 2+. + 69>  */= 3>E= 635/ " 9A .9 C9? 0//6 +,9?> -9<:9<+>/ 8/A= >9.+C   ) /A= 3= 4?=> >/66381 /@/<C98/ >2+> /@/<C>2381 3=  %2/ !9:/E= .C381 .98E> A9<<C 2/E66 ,/ ,+-5 %9 >2/7 3>E= 635/ /@/<C>2381 3= 038/ *9? 589A 7/8 .3/. 38 <+; >9.+C .98E>E =A/+> 3> (/ +</ <312> 98 >+<1/> !+<> 90 >2/ </+=98 %2/ +36C $29A 3= =?-2 + =?--/== 3= >2+> 89 98/ 3= .9381 8/A= +8C79</ $?../86C A/ 6995 635/ 8/A= +8. A/ +</ 89> 8/A= " <// =://-2 2+= ,//8 ?8./< +==+?6> >2/=/ .+C= 0<97 -98=/<@+>3@/= A29 =+C >2+> ?=>/< =29?6. 89> @3=3> + 6/=,3+8 0+<7 >9 $:981/ 9, ,/381 1+C (2+> -+8 A/ .9 >9 1+38 9?< 0<// =://-2 <312>= ,+-5 A3>29?> ,/381 ?8./< +>>+-5   .98E> 1/> A2C >2/ 19@/<87/8>= A+8>= >9 7+<-2 ,+-5 C/+<= %2/C +</ 89> 19381 >9 ,/ =?--/==0?6 +> 3> 9< /@/<C +->398 >2/</ 3= +8 /;?+6 +8. 9::9=3>/ </+->398 Los Angeles Journal july vol. 3 " +@/ C9? ,//8 09669A381 >2/ 928 96>98 2/+<381=  / 2+= =+3. /@/<C>2381 ./<91+>9<C +,9?> >2/ & >2+> +8C98/ -9?6. */= +8. 366 E#/366C >29?12> 2/ 2+. + !/+,9.C " 8 *9? -+8 ><C >23= +66 C9? A+8> 0 3> .9/=8E> ,?=> 9?> 98 <+.39 3> A366 =>+<> +1+38 98 >2/ 8>/<8/> %2/C 5//: ><C381 >9 =3> 98 =>?00 >2+> >2/</ 3= 89 </+=98 >9 =3> 984?=> 7+5/= 3> A9<=/  .98E> 589A 29A 7+8C >37/= C9? 2+@/ >9 19 >2<9?12 >23= >9 6/+<8 3> %2/C +</ 89> >2/ :<38-3:+6 90 >2/ =-2996 98E> >/66 7/ A2+> =29?6. ,/ 98 >2/ 79<8381 +889?8-/7/8>= 4?7: =29> =/-98.= >9 19 38 >2/ 1+7/ +8. C9? +</ </+.C >9 7+5/ + " *9? +</ +8 +--97:63=2/. :6+CA<312> (2+> 538. 90 +.@3-/ A9?6. C9? 13@/ >9 + C9?81 :6+CA<312>   A9?6. >/66 >2/7 >9 -98=3./< 731<+8> A9<5 > :+C= 79</ 8. C9? 1/> @/1/>+,6/= +> >2/ /8. 90 >2/ .+C " (236/ C9? A/</ 38 =-2996 +> & C9? =+A =97/ 90 >2/ ,/=> :/<09<7/<= 38 >2/ 2/C.+C 38-6?.381 >2/ 667+8 <9>2/<= +8. +7/= %+C69<  > A+= +8 +7+D381 >37/ >9 ,/ 38 =-2996 +8. 2+@/ >2/=/ 1?C= =29A ?: > A+= ?8,/63/@+,6/ " 8 >2/ ,995 C9? =+3. >2+> C9?< 79>2/< A+= >2/ 98/ A3>2 >2/ =/8=/ 90 2?79< 38 >2/ 0+736C $2/ A9?6. =2?> :/9:6/ .9A8 A3>2 2/< ;?3-5 A3>  $2/ =>366 .9/= 3>  .3. >23= -981</==398+6 </:9<>/<= .388/< +8. :/9:6/ -+66/. -98> Outsourcing 1.//(-& 3'$ .,! 8 , 13 .,! !8 .1# 22."( 3(.- :++ 2 8 6.1# -# 6$:++ 2$$ '.6 8.4 1$ "3 432.41"(-&  2 6 8.4 2'(5$1 %.1 &..# 1$ 2.- 432.41"(-& (2 !.43 3'$ 2" 1($23 3'(-& 2(-"$ 3'$  + (1 (3"' 1.)$"3 '$ 24!)$"3 ' 2 !$$".5$1$# 2. ,4"' + 3$+8 3' 3 .-$ 6.4+# 224,$ 3'$1$ 6 2 -.3'(-& -$6 3. +$ 1- !.43 $+ !.1 43 (- " 2$ 8.4 ' 5$ !$$- +(5(-& .- 3./ .% ,.4-3 (%.1 3'$ + 23 ".4/+$ .% 8$ 12 6$:++ 1$5($6 .1/.1 3(.-2 !(& -# 2, ++ 1.4-# 3'$ ".4-318 1$ 3 *(-& #5 -3 &$ .% 3 7 +../'.+$2 -# 3 7 !1$ *2 -# 2$-#(-& +.3 .% 6'(3$ ".++ 1 ,$1(" ).!2 3. /+ "$2 +(*$ +"433 .1 .,! 8 .3 3' 3 3'(2 (2 %1(&'3$-(-&+8 -$6 31$-# 23$$+ /1.#4"3(.- 3$73(+$2 -# #.9$- .3'$1 !+4$ ".++ 1 (-#4231($2 +$%3 3'$2$ 2'.1$2 #$" #$2 &. +$ 5(-& 3'.42 -#2 .% ,$1(" -2 6(3'.43 ).!2  &4$22 !+4$ ".++ 1 6.1*$12 )423 #(#-:3 , *$ $-.4&' -.(2$ !.43 (3 '$- 6'(3$ ".++ 1 &482 23 13 &$33(-& + (# .%% 3'$8 204$ + +.-& -# +.4# .1$(&- 6.1*$12 1$ 6(++(-& 3. 6.1* %.1 36. !4"*2 -# ! & .% %(&2  *(-& (-3. "".4-3 3'$ "411$-3 31 #(-& /1("$ .% %(&2 3'$2$ -$6 6.1*$12 $,$1&$# +(*$ $ &$1 #1.-$2 $ &$1 3. 2423 (- 3'$ ".1/.1 3$ !.33., +(-$ $1$ (2 6'$1$ (3 &$32 6$(1# - , -8 ".,/ -($2 (3 (2 ".1/.1 3$ /.+("8 3. 2$-# 3'$ 2..- 3. !$ 1$/+ "$# ,$1(" - 6.1*$12 .5$12$ 2 3. 31 (- 3'$(1 1$/+ "$,$-32 ' 3 (#  ,(22 2.,$3'(-& 3 (2 ".1/.1 3$ /.+("8 3. 2 8 3. 2.,$.-$%.1&(5$ ,$ .- +#.4:1$ %(1$# -# 3'$- 3. ## (23$- (% (3 6.4+#-:3 !$ 3.. ,4"' 31.4!+$ 6.4+# 8.4 ,(-# &(5(-& 42 ' -# 31 (-(-& 3'$ &48 6'. (2 &$33(-& 8.41 ).! $ 6.4+#-:3 2* !43 8.4 2$$ '$ #.$2-:3 ' 5$ "+4$ 6' 3 6$ #. '$1$ $++ '$ " - ' 1#+8 2/$ * 3'$ + -&4 &$ -!$+($5 !+$ -# 3' 3 (2-:3 3'$   , 9(-& / 13 $(3'$1 . ' 3:2 1$ ++8 , 9(-& (2 3' 3 3'$2$ +.8 + 2..-3.!$4-$,/+.8$# $,/+.8$$2 2 8 41$ 1.-& ++ 61.-& % ++ 3'$ 1$2/.-2$2 8.4 ".4+# , *$ -# 3'$1$ 1$ , -8 41$ (2 3'$ 6.123 5$- (% 3'$8 1$ '.+#(-& 8.41 2/.42$ "'(+#1$- -# 3'$ % ,(+8 #.& '.23 &$ 8.4 #.-:3 &(5$ 3'$, ,.1$ 3' - 2.+(#  8!$ '. (- '(2 1(&'3 ,(-# (2 &.(-& 3. '$+/ $-&(-$$1 '(2 .6- #$,(2$ . 6$ 2* #$ 3' 1.6 (-, 3$ 3. 2'..3 '(,2$+% 4/ 6(3' 3'$ #$ #+8 "."*3 (+ .1 % 2'(.- '(2 .6- -..2$ % ".412$ -.3 -#  /1$2$-"$ .% ,(-# 3. 2 8  $ +1$ #8 *-.6 3' 3 3'(2 (2-:3 !.43 $3'("2 $3:2 -.3 $5$- 1 (2$ 3'$ 04$23(.- .% 6' 3 2.13 .% 4-%$$+(-& " # 6.4+# 2* 24"' 3'(-& .% $,/+.8$$ ' 3 6.4+# !$ - <5$ '(2 (2 ++ !.43 3'$ %.1$,$-3(.-$# !.33., +(-$ ".1/.1 3$ $7$" &$32 / (# %.1 !(& /1.%(3 !.33., +(-$ -# -.3'(-& (-"1$ 2$2 /1.%(3 +(*$ / 8(-& 6.1*$12 2+ 5$ 6 &$2 1! 1 '(3$ "In the Los Angeles area alone, the loss of IT jobs to foreign workers is into the thousands..." ++4231 3(.- !8 #,4-#.  -"'$9 1.!+$, (2 ,$1(" -2 *$$/ #$, -#(-& +(5(-& 6 &$ 1 3 +$ 23 6' 3 "411$-3+8 / 22$2 %.1 +(5(-& 6 &$ '$ % "3 .% 3'$ , 33$1 (2 3' 3 (- 3'(2 ".4-318 3'$ +.22 .% ).!2 3. .432.41"(-& ' 2 1$ "'$# $/(#$,(" /1./.13(.-2 -# 3'$1$ (2 -. $-# (- 2(&'3 - 3'$ .2 -&$+$2 1$ +.-$ 3'$ +.22 .%  ).!2 3. %.1$(&- 6.1*$12 (2 (-3. 3'$ 3'.42 -#2 -.6  3 +*$# 3. 8.4-& 6., - 6'. ' # !$$- 2$-3 3. -#( 3. 31 (- '$1 1$/+ "$,$-3  ,$3 '$1 6.1*(-& (- $-#8:2 (-   '$ /1.!+$, ' 2 !$$'(&'+(&'3$# (- 3'$ ,$#( %.1 2.,$ 3(,$ * 8 2. 8.4:5$ )423 !$$- " ++$# (- -# 3.+# 3' 3 8.4 1$ !$(-& .432.41"$# .41 '$ # (2 1$$+(-& -# !$%.1$ 8.4 ' 5$ 3(,$ 3. 1$".5$1 3'$8 '(3 8.4 (-"$ 3'$8 1$ %$$+(-&   !.43 3'1.6(-& 8.4 .43 (- 3'$ 231$$3 3'$8 ' 5$ +(33+$ /1./.2(3(.%.1 8.4 .6 !.43 3 *(-& 2(7 6$$*2 -# &.(-& 3. .,! 8 3. 31 (- 8.41 1$/+ "$,$-3  , 1 3'$ +$/' -3 .8 '$ 31(/ 6(++ !$ ++ $7/$-2$2 / (# -# 8.4 6(++ &$3 - $731 2(7 6$$*2 2 + 18 -# 2.,$ 1$ ++8 &1$ 3 / 13(-& &(%32 .4 #.-:3 *-.6 6' 3 3. #. .4 #.-:3 ' 5$ -8 ).! .%%$12 6 (3(-& -# 3'$ , 1*$3 (2 3(&'3 -# 8.41 ,.13& &$ (2 2+(&'3+8 +$22 3' - ' +% 3'$ - 3(.- + #$!3 -# 8.41 *(#2 -$$# !1 "$2 .4 2'.4+# 2 8 -. !43; .3 2. % 23 41$ 8.4 2'.4+# 2 8 -. '$ 3143' (2 8.4 2'.4+#-:3 !$ (- 3'(2 /.2(3(.- (- 3'$ %(123 /+ "$ .4 #. 8.41 ).! 6$++ .4 *-.6 6' 3:2 &.(-& .- .4 2'.4+#-:3 !$ .43 .% 6.1* 3 ++ -# 8.4 2'.4+# #$%(-(3$+8 &1$$ 3. 31 (- 8.41 1$/+ "$,$-3 43 8.4:1$ 3'(-*(-& 8.4 )423 2 (#; .1&$3 !.43 3' 3 '(2 (2 8.41 "' -"$ 3. &$3 $5$- + 8 8.41 " 1#2 1(&'3 -# 8.4 ".4+# $5$&$3 '$ # '(-* !.43 (3 ' 3 #.$2  , 1 *-.6 !.43 8.41 ).! .3'(-& -# 8.4 , *$ 241$ (3 23 82 3' 3 6 8 3 (2 3'$ !42(-$22 /$12.-:2 $04(5 +$-3 .% 2, 13 !.,! .4 1$ !.43 3. 4-+$ 2' #$2314"3(..% +$&$-# 18 /1./.13(.-2 .- 3'$ 5$18 36$1/2 6'. #$"(#$# 8.4 ".4+# !$ "'$ /+8 1$/+ "$# $6(2 + "* ".-3  3 6 2 - , 9(-& 3(,$ 3. !$ (- 2"'..+ -# ' 5$ 3'$2$ &482 2'.6 4/ 3 6 2 4-!$+($5 !+$  - 3'$ !..* 8.4 2 (# 3' 3 8.41 ,.3'$1 6 2 3'$ .-$ 6(3' 3'$ 2$-2$ .% '4,.1 (- 3'$ % ,(+8 '$ 6.4+# 2'43 /$./+$ #.6- 6(3' '$1 04("* 6(3  '$ 23(++ #.$2 (3  #(# 3'(2 ".-&1$22(.- + 1$/.13$12 #(--$1 -# /$./+$ " ++$# 4/ 3. , *$ 241$ 3' 3  6.4+# -.3 ! 2' 3'$ /1$2(#$-3  2 (# .4 #.-:3 ' 5$ 3. 6.118 !.43 ,$ !43 ,8 ,.3'$1 (2 &.(-& 3. !$ 3'$1$ -# 2.,$!.#8 !$33$1 *$$/ - $8$ .- '$1  * 2. .43 .% 3' 3 2$33(-& #. 8.4 3'(-* 42' .43 .% 3'$ 2$33(-& (2 -  &48  *$ 3'$ %(123 %+(&'3 3. .,! 8 -# 23 13 2'.6(-&  , 1 3'$ 1./$2 $ "' '(, $5$183'(-& '$ -$$#2 3. *-.6 3. 341- 8.41 .%%("$ (-3. 433$1 "' .2 % ".412$ 8.4 #.-:3 3$++ '(, 3' 3:2 6' 3 8.4:1$ #.(-& $ 3'(-*2 8.4 1$ 2'.6(-& '(, '.6 3. 24""$$# $ 3'(-*2 3' 3 " 1$%4++8 #$+$3(-& (-%.1, 3(.- $5$18 2(7 ,(-43$2 (2 )423 6' 3 3'$ !.22.1 2 '$ +(*$2 3. " ++ '(, 3'$  (&  '(!.1#$1$# $ "' '(, 3' 3 6'$- (3 ".,$2 3. ".#$ 3'$ ,.1$ ".-5.+43$# 3'$ !$33$1 % 8.4 ' 5$ 3. "'..2$ !$36$$- 3'$ 2(,/+$ -# #(1$"3 -# 2/ &'$33( ".#$ +6 82 /("* 3'$ / 23  %3$1 2(7 6$$*2 .% " 1$%4+ 31 (-(-&  , 1 (2 1$ #8 3. 3 *$ .- '(2 -$6 ).! .4 / "* 4/ ++ 8.41 +.5$+8 2.45$-(12 -# '$ # ! "* '.,$ - 3'$ %+(&'3 8.4 " - "+.2$ 8.41 $8$2 -# /("341$ 3'$ &+.1(.42 ' 5." 8.4 1$ !.43 3. 61$ * 41$ 8.4 , 8 -.3 ' 5$ -8 ).! .%%$12 6 (3(-& -# 8.4 , 8 -.3 *-.6 '.6 8.4 1$ &.(-& 3. / 8 3'$ ,.13& &$ -# 3'$ *(#2: 3$$3' 6(++ -$5$1 !$ 231 (&'3 !43 %.1 +(33+$ 6'(+$ 8.4 " 2,(+$ ' -*2 3.  , 1 8.4 6(++ 3 23$ 26$$3 1$5$-&$ .,!2 6 8   3'(-* 3' 3 '$ (2 314$ !$+($5$1 3 "1$ 3$2 !(3 .% 3'$ /1.!+$,2 3' 3 6$ ' 5$ $:2 &.3 3'(2 5(2(.- -# '$ (2 &.(-& 3. /42' (3 3. 3'$ $-# $ -# .5$ 1$ &1$ 3 3 2/(--(-& 234%%  +(*$ '.6 3'$8 2 8 3' 3 6$ " --.3 1 (2$ 3'$ ,(-(,4, 6 &$ !$" 42$ (3 6(++ '413 3'$ /$./+$ 6'. 1$ .- ,(-(,4, 6 &$  . 3'$ + /3./ (2 %(7$# -# 1$ #8 3. &. '$- 6(++ 8.4 23 13 6.1* .- 3'$ -$73 !..*   -$$# !1$ *  6(++ !$ (-  /  ++$8 -#  , 8 -.3 ".,$ ! "* %1., 3'$1$  , 8 )423 23 8 -# &. %1., .-$ 3 23(-& 3. -.3'$1 4-3(+  $7/+.#$                     Los Angeles Journal july vol. 3 9 A VANDALI ZED vI SI ON punk pioneer joe escalante f ills us in on his latest BYAVELINASEELEY rock solid projects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os Angeles Journal july vol. 3 87 <1. =9;<*:< *5<.:7*<2>. :*-28 ;<*<287 7-2.   *->2;270 ,*55.:; 87 <1. 27;*7-8=<; 8/ ;18? +2B 5.0*52<2.; ; 1. ;9.*4; .7<1=;2*;<2,*55A *+8=< 12; 5*<.;< /256 9:83.,< *4. 8A 8. ;18=5- +. :.,8072B.- *; <1. 27*->.:<.7< *:,12<.,< /8: <1. 9=74 68>2. 0.7:. *4. 8A ?*; * /256 ,:.*<.- +A * /.? 6.6+.:; 8/ <1. '*7-*5; 8. -2:.,<.- /256.- .-2<.- *7- /27*7,.*4. 8A =7-.: 12; 8?7 =70 = :.,8:-; 5*+.5 ?125. <1. <2<5. ;<*: *7- ?:2<.: 2; '*7-*5C; 0=2<*:2;< (*::.7 2<B0.:*5- %1. /52,4 *5;8 ;<*:; =70 = 5*+.5 6*<.; 8 &;. 8: * *6. *7- *5;8 1*; *99.*:*7,.; /:86 /:2.7-; 8/ 8.C; *7- (*::.7C; 27,5=-270 A5. *;; %.7*,28=;  8+ -.742:4 *7- $,8<< =,4.:6*7 : $18? !*<<87 ;?*5< 270 8/ "=..7; *7- :2*7 !8;.17 =;< $188< . *4. 8A ?*; * 9:83.,< <1*< <884 8>.: A.*:; <8 6*4. ?2<1 /256270 -87. 87 7201<; *7- ?..4.7-; +.<?..7 <8=:; *7- ;18?; <C; :*? *7- 27<.7-.- /8: *7 *=-2.7,. ?18 478?; 9=74 :8,4 ?18 524.; ,86.-A *7- ?18C; 875A .@9.,<*<287 2; <8 1*>. * 088- <26. >.:A<1270 ?.C>. .>.: -87. ?1.<1.: 2< ?*; <1. '*7-*5; 8: =70 = 1*; +..7 /8: <1. 68;< 9*:< 0.*:.- <8?*:-; * ;9.,2*5 *=-2.7,. <1*< ?. 524. *7- ?. 478? *7- ?. <1274 ?. 478? ?1*< <1.A ?*7< *7?.C:. * 9*:< 8/ <1*< *=-2.7,. <88 ;8 ?. 6*4. ;<=// /8: <1.6 :*<1.: <1*7 <:A270 <8 6*4. 2< /8: * 7.? *=-2.7,. *7- /8:0.< *+8=< <1. *=-2.7,. <1*< ?. *5:.*-A 1*>. ;*2- 8. 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A8= 52<<5. 9=7424. 2<C; * +*- <1270 7 <8-*AC; ;8,2.<A .>.:A<1270 1*; * 5*+.5 * ;<*7-*:- ?1.:. <1. :=5.; *:. 78< ?:2<<.7 78: <*=01< <1.AC:. 3=;< 478?7 (. 5*+.5 8=: ;.7;. 8/ ;<A5. ?. ,*<.08:2B. 8=: 9.7,1*7< /8: 6=;2, ?. 95*,. 8=:;.5>.; 27<8 * 920.87185. ?*A 8/ 52/. ?1.:. .>.:A<1270 ?. -8 ;*A ?.*: *7- .>.7 +.52.>. /*55; =7-.: ;86. ;8,2.<*5 ,*<.08:A <1*< ?. *,,.9< <C; 3=;< =7-.:;<88- <1*< ?1*<.>.: 2< 2; <1*< A8= 524. ?1*<.>.: 2< 2; <1*< A8= -8 /8: /=7 /*55; =7-.: ;86. ,*<.08:A / A8= 524. <8 <8=,1 9.895. <1.7 A8=C:. * 685.;<.: 8: * 989 ;<*:A8= 478? ?18 A8= *:. 2/ A8= 524. =;1 A8=C:. * #.9=+52,*7 8:DC6 78< 0877*C 08 <1.:.C6 * 088- 02:5 *7- 2/ A8= 524. 9=74 6=;2, ?.55 <1.7 A8=C:. * 9=74.: %1. 9=74 :8,4 ?*A 8/ 52/. 2; * ,5*;; ,87;2;<270 8/ ,12./ ,86987.7<;  )8= 6=;< 52;<.7 <8 9=74 6=;2, *7-  )8= 6=;< /..5 8: 1*>. /.5< 62;=7-.:;<88- *< 87. 9827< 27 A8=: 52/. ?12,1 ,8=5- +. <1. :.*;87 ?1A A8= ?.:. -:*?7 <8 9=74 6=;2, 27 <1. /2:;< 95*,. %1. ,86+27*<287 8/ +8<1 <18=01 +.270 9=74 2; /*: <88 ,8695.@ /8: 6A ;2695. -.;,:29<287 2; <1. /8=7-*<287 /8: <1. $<*<. 8/ !=74 #8,4 D 95.-0. *55.02*7,. <8 <1. $<*<. 8/ !=74 #8,4 7,. =987 * <26. * 9*5. 62;0=2-.- 02:5 *7- * ;4277A *70:A +8A 08< <80.<1.: *7- 0*>. +2:<1 <8 * ;8,2*5 68>.6.7< * 7.? ?*A 8/ 52/. /255.- ?2<1 ;*/.<A 927; +*7- <;12:<; *7- 0:=// 6=;2, *+8=< +.270 62;=7-.:;<88- %1.AC:. 78< *7 =:+*7 6A<1 *7- <1.AC:. 78< 08270 <1:8=01 * 91*;.9=74 :8,4.:; -8 .@2;< *7<1.AC:. <*4270 8>.: <1. ?8:5- 87. ;8,2*5 =7-.:-80 *< * <26. %1. 9=74 :8,4 27;=::.,<287 2; * /8:,. <1*< 1*; 0:8?7 27 ;2B. ;27,. 2<; :.,8072<287 27 <1. 5*<.  ; %1.A ?.:. 87,. 478?7 <8 +. ;8,2.<*5 8=<,*;<; +.,*=;. 8/ <1. ?*A <1.A 5884.- +.1*>.- *7- -*7,.- +=< <1.2: :*? 2712+2<287; 1*>. ;58?5A <:2,45.- 27<8 <1. 78:6; 8/ ;8,2.<A $8 78? <8-*AC; ;8,2.<A *,478?5.-0.; 9.895. ?18 1*>. ?.2:- 1*2: %8-*AC; ;8,2.<A 58>.; 2< ?1.7 9.895. <1274 8=<;2-. 8/ <1. +8@ *7- <8-*AC; ;8,2.<A *,,.9<; <1. /*,< <1*< ;86. 9.895. :*6 .*,1 8<1.: /8: <1. ;*4. 8/ .738A270 <1.2: 6=;2, ; 8/ 78? <1.A 1*>. <1.2: 8?7 6=;2, <1.A 1*>. <1.2: 8?7 /*;1287 ;<A5. *7-<1.A 1*>. <1.2: 8?7 68>2.; <C; 78:6*5 .78=01 <8 1*>. * 0:8=9 8/ 42-; ;*>270 <1.2: ,*;1 <8 +=A (*:9.- %8=: <2,4.<; 8: 1*70270 27 /:87< 8/ <1. #8@A ,5*- 27 <1.2: +.;< 9=74 0.*: +=< <8 5.*:7 <1*< <1.A 1*>. * 68>2. 0.7:.D ?1*<C; 7.@< 92<<270 -=:270 <1. ,58;270 ,:.-2<; *< <1. 58,*5 <1.*<.: (2<1 <1. .6.:0.7,. 8/ <1.2: 8?7 68>2. 0.7:. 8=: 9*:.7<C; ?8:;< 7201<6*:. 6201< +. ,86270 <:=.!=74; *:. <*4270 8>.: <1. ?8:5- $8 ?1*< 2; <1. 9=74 :8,4 68>2. 0.7:.  68>2. *+8=< 9=74; 7 * ?*A  68>2. ?2<1 9=74 6=;2, *A+. %1. 9=74 :8,4 68>2. 0.7:. 2; <A92,*55A 58? +=-0.<.- :*? *7- 27<.7-.- /8: ;6*55 *=-2.7,.; <C; * ) /256 6*4270 9:8,.;; * :.+.55287 *0*27;< 6*27;<:.*6 *:,1.<A9.; /8: ?1*<C; ,87;2-.:.- 088/256 ?125. ,:.*<270 * 7.? ;<*7-*:- /8: ?1*< ;18=5- +. ,87;2-.:.- /=7 /256 7 <1. 9=74 :8,4 /256 0.7:. <1.:. 2; 78 27<.7<287 <8 6*4. 687.A %1.:. 2; 78 27<.7<287 <8 27/5=.7,. <1. 6*;;.; 8: ?27 +*5-1.*-.- <:8912.; %1.A 3=;< ?*77*C 1*>. /=7 ;18?,*;. ;86. 9=74 +*7-; *7- *,< 8=< <1. /=77A ?1*< 2/ ;,.7*:28; <1*< *:. =;=*55A ,873=:.- =9 -=:270 =7.>.7</=5 */<.:7887; ?2<1 /:2.7-; <C; <8<*55A 7-2. %1*< 2;D 2<C; 27-.9.7-.7< 8/ 6*27;<:.*6 >*5=.; $2695A 9=< <1. 9=74 68>2. 2; 78< *7- ?255 68;< 524.5A 7.>.: +. * ,87< ILLUSTRATIONBYCHRISUMANA  "'4*'2A9 "/9/54 )54: (25)1(;9:+8 ./: '4* :8;+ 6;419 9;). '9 5+ '8+ ,/4+ =/:. /: .+ ,5);9 5, ' 6;41 85)1 35</+ 9;). '9 '1+ 5? /4+</:'(2? )+4:+89 54 :.+ 6;41 85)1 2/,+9:?2+ #+A8+ 3'/42? )54)+84+* =/:. +4:+8:'/4/4- :.+ )58+ ';*/+4)+ :.': =+ */8+): /: :5 5 8+'). ' (85'*+8 ';*/+4)+ =+ =5;2* .'<+ :5 96+4* 358+ 354+? '4* 3'81+: /4 ' */,,+8+4: ='? =./). 8+'22? /94A: :.+ 65/4: 4* :.+4 ?5; =5;2* 259+ 953+ 5, :.+ )58+ 6+562+ ?5; =+8+ 58/-/4'22? 3'81+:/4- /: ,58 '4?='?9 5 =+ 0;9: 3'*+ ' 35</+ ,58 :.+ 6+562+ =+ 14+= =+8+ '28+'*? :.+8+ ;41+89 '8+ 5,:+4 658:8'?+* /4 35</+9 '9 '4-8? )'8+ ,8++ /4*/</*;'29 =.5 *5 =.': :.+? ='4: =.+4 :.+? ='4: :5 .+ )53354 3/9)54)+6:/54 '(5;: ' 6;41 85)1+8 /9 :.': :.+? '8+ 3/4*2+99 /4*/</*;'29 =.5 8+(+2 '-'/49: '4?:./4- 95)/+:'2 ,58 :.+ 2')1 5, .'</4- '4? 8+'2 6'99/54 ,58 '4?:./4-  .':A9 45: 4+)+99'8/2? :.+ 6;41 85)1 2/,+9:?2+ (+)';9+ /, ?5; *5 =.': ?5; ='4: =.+4 ?5; ='4: 68+::? 9554 ?5; *5 953+:./4- :.':A9 45: 6;41 85)1 4 :.+ 9+49+ :.': 6;41+89 *+6+4*/454 =.+8+ :.+? -85= ;6 :+4* :5 (+ '4 ;4*+8*5- /4 :.+ 4+/-.(58.55* .+? *54A: ,/: /4 (;: :.+?A8+ 358+ /4:+22/-+4: :.'4 :.+ '<+8'-+ 3;9/) ,'4 4 ,'): :.+ 6'99/54 :.': :.+ 6;41 85)1+8 .'9 ,58 :.+/8 3;9/) '4* :.+/8 2/,+9:?2+ /9 +</*+4: /4 :.+ ,/23 '1+ 5? .+ :/:2+ ).'8'):+8 /9 9:;)1 /4 ' =582* :.': .+ *5+94A: ,/: /4 :.': .+A9 45: )53,58:'(2+ /4 '4* :.': .+A9 2551/4- :5 +9)'6+.+4)+ :.+ 6;41 85)1+8 +>/9:+4)+ +A9 93'8:+8 :.'4 +<+8?54+ '85;4* ./3 (;: .+A9 '4 ;4*+8*5- '4* .+A9 .'62+99 :A9 1/4*'A 2/1+ .+ .'66+49 :5 (+ /4 :.+ 6;41 85)1 =582* 6;41 85)1 :9./8:9 ,8/+4*9 :.': 3'4'-+ 6;41 ('4*9 (;: .+A9 45: 5(9+99+* =/:. /: .+A9 5(9+99+* =/:. ('1/4- "Everything we've ever done has been geared towards a special audience that we like and we know...we make stuff for them, rather than trying to make it for a new audience and forget about the audience that we already have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os Angeles Journal july vol. 3 11 (top, right) Joe indulges his latest hobby. (middole right) Cakeboy star and vandal's guitarist warren fitzgerald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os Angeles Journal july vol. 3 my fellow man ฀ ฀ ฀ ฀ ฀ ฀ ฀ Everyday value of your body.. by Katherine Luck “W ill you just write the word already? It’s not dirty, it’s just “It’s sweeps week. He’s doing it for ratings.” a body part. Every guy’s got one—nobody’s gonna care what *** you call it!” I took the director off of speaker phone five minutes ago. People were starting to come up from the costume shop to stare into my cubicle and snicker. “I’m so massively in debt, it’s not even cute anymore. I actually had to refer myself to this non­profit financial counsel­ ing service to get the bill collectors to stop stalking me. I used our agency letterhead and made one of the other social workers put her name down as my caseworker. How sick is that?” “No way! I refuse to write anything about the…y’know. The unit. No girth or length or whatever. We can’t even call it ‘the unit!’ It’s probably an obscenity or something, and the theater’ll The coffee shop is in the last non­Starbucks establishment in get fined.” town. It’s in the ghetto, down the block from the homeless shelter where Wanda works. Wanda gets testy when I call it I’m on the phone with the director of our theatre’s upcoming production of The Naked Guy. I’m three days late placing the “the ghetto.” She was an idealist in college. casting call for the lead character on the online callboard. I need to find a good­looking guy in his twenties who’s comfort­ “It’s all those damned loans for that damned master’s degree. I’m still only making ten bucks an hour, since the agency lost able with full frontal male nudity for the entirety of ninety the big federal grant last spring, remember that fiasco? Lucky minutes. For the play. to still have a job, I guess. This coffee’s costing me half my grocery budget for the week.” I hope she’s exaggerating. “Oh come on, Janie! It’s the in­ter­net!” Somehow, he Maybe I should pick up the tab. But I’m broke too. manages to make ‘in­ter­net’ sound sleazy. “You can write anything—there’s freakin’ porn links on that site! Half the actors work as escorts in the off season. And I don’t mean—” “I had to record myself as a successful social service referral in my tracking database and turn it in to my boss. She’s probably gonna be pissed off. Wasting agency time and resources. Oh “Forget it! I’ll write ‘athletic build,’ but I’m not going beyond well, whatever. Things should get better once I get the Section that.” 8 voucher. I applied for food stamps last week, too. After they repossessed my car, I got eligible for a lot of low­income Toby thrusts his head over the rim of my cubicle. Another programs.” interloper from the depths of the costume shop. But he’s not smirking like the others were. “Rick broke up with me on national radio today.” “Janie, Janie—turn on the radio. Your boyfriend’s breaking up Wanda swirls her cappuccino vigorously to loosen the last with you.” dregs of the milk clinging to the sides of the cup. Rick, said boyfriend, lives in Chicago these days. Rick has “I should have become a welder. Or a general contractor. I dreams of becoming the next Howard Stern. Right before I referred this smack junkie client of mine to an apprentice graduated from college, he moved to Chicago, changed his program about a year ago. Chick’s got no high school diploma, professional name to Dick Mann, and went to work at a radio no GED, barely speaks English, and now she’s an apprentice station. He’s got the drive­time slot these days. I stopped plumber pulling in sixty grand a year. That’s exactly how much listening to him when he began using our sexual doings as material for his show. I figure it’s better for our relationship if I my damned Masters cost! How depressing is that?” don’t know what he’s up to professionally. He sure doesn’t *** know that I spend my working hours hustling naked Equity actors. I haven’t listened to the Dick Mann show since that charmed One of the joys of the in­ter­net is the ability to listen to far­off morning when my nickname at work became “freaky girl.” I turn off my computer and steady myself. I pick up a pen and a radio stations online. Toby hisses at me until turn up the blank legal pad. These are just props to disguise my gleeful volume; loud enough for everyone in the office to hear. nerves. Somewhere in the windy city, Dick Mann initiates a prerecorded whip sound effect. I get to assist in the auditions for The Naked Guy. The auditions, that is, for the Naked Guy himself. There will be “That’s what I’m sayin’! Whipped no more, baby! Me an’ fourteen actors trying out for the role today. Young men in their freaky­girl are cashed out! Consider your ass kicked to the mid­twenties, naked and glorious and athletically­built. All curb, yeah!” parading around the stage for my benefit. I glance up at Toby, who’s still hanging over the top of my I never doubted the timeless brilliance of this play. It is art. I cubicle like a gargoyle. will never speak ill of it again. “Are you sure he’s breaking up with me?” When Rick and I met in college, he was heavy into this type of postmodern performance art. He worked for the college radio, and I was getting my degree in dramaturgy, which Rick had never heard of. He thought it was cool that I wanted to sculpt new scripts into works of genius. Help create the next Shakespeare or Voltaire. He was supportive. Rick wanted to Toby nods and swoops down out of sight. He reappears within discover the next Yngwie Malmsteen, whom I’d never heard of. He used to go to all the open mic nights at every dive bars my cubicle, perching on the edge of my desk. Toby likes the within thirty miles of the college, searching for talent to Dick Mann show. They listen to it down in the costume shop showcase on his show. It aired at three a.m. I used to stay up everyday. Toby’s probably the only gay fan ol’ Rick will ever to listen to it every night. have. I’ve always had a hard time understanding Rick when he’s doing his Dick Mann voice. He affects some kinda deep south drawl shot through with a jibbering, hysterical hyena cackle that bursts through on every fifth word. (where are Janie and Rick from? Where did they go to college?) Onstage, a firm­chested, oh­so­naked actor is butchering a “So, here’s the thing, sluts. Dick Mann’s free game. Open monologue from Death of a Salesman. He moves vigorously season, whores! Come and bag me! And I’ll tell y’all what: the first twenty skanky, super­fine porn stars who call in before around the stage, gesturing hard. I’m not leering at him. we go to break can have a crack at me. On air. Tell me what Really. I’m not. you’re gonna do to me, and make it nasty!” Maybe Dick Mann is auditioning a girl for the role of slut Toby shakes his head and grabs my mouse to mute down girlfriend right now. She will be naked, blaring out Willy the volume. illustration by erick gomez Loman’s lines at full volume. On the radio. It can’t possibly have as much impact as seeing it live. I’m really not leering. “I hear his ratings are way up. Some local celebrity stripper called in on Friday. The FCC had to cut the show off half­way through. They’re fining the station for obscenity. They might syndicate his show, put him in a national mid­morning slot in six months.” Toby and I are in his favorite gay bar, hunkered down over cheap beer. Pabst blue ribbon. So chic. “Has he called?” “Nope.” “Huh. Maybe you should call in. Call his show. He’d put you on the air for sure. You’d get your fifteen minutes.” “I’ve had my fifteen minutes, thanks.” The last time I was in this bar with Toby was for the Valentine’s Day drag queen contest. Both of us were broke and needed the prize money. He dressed up as Liza Minelli. I went as Lara Croft, Tomb Raider. Toby got third place and twenty­five dollars. I didn’t even make it to the second round. I overheard clusters of queens cattily murmuring, ‘Now, that boy’s got no flair! He couldn’t pass for a girl in a room full of linebackers.’ One of them bought me a pink girlie drink to boost my inadequate femininity. Those were my fifteen minutes. “So, I hear the director wants to get the playwright’s permission to cast a woman in the role of the Naked Guy. He wants a broader appeal. He thinks the donors’ll be put off by having to watch a naked man walk around the stage for an hour and a half.” “Why? I sure won’t be put off! It’s the only thing that I have to look forward to these days!” “Oh, same here, honey! But the director wants to increase the attendance of potential donors. Big donors. You know. Going for the straight, forty­year­old doctor and lawyer crowd. Avoid the wage gap and target the big boys who need the tax ride­offs.” I think that I should have become a welder. Or a general contractor. Then I’d have all the shirtless, firm­chested men I could ever want. Building doorframes and roofs and things. I could holler obscenities at them from the sky­high girders.” “I wonder how the director’ll want to word the casting call this time. I refuse to write anything about the, y’know. The jugs.” Los Angeles Journal july vol. 3 13 my fellow man Infectious writing worth catching. )# 1 * .+ 2* #  $ + &+) % + ++ -  %,)&#& # &% + &% +* *0$'+&$* )*$# % *&$+ % +.%  % &,)++2* 0%)&$ %')) * + $ # +)$ &) + * )&%  % *& ##0  # ++ % # + &% ,+ + * $&) &$$&%#0 "%&.% * & %  ## $*2 **  ## $* )+ %#0 *%2+ +  )*+ ')*&%  %&* . + +  *&)) ,+ 2* + $&*+ $&,* *,)) & %')) .  $%* /** - ) %  *) ,$&) * &. )#+ +& '&'# 2$ ,*+&$ +&  % + #  & + ')+0 &,%+ ,'&% &) . ++0 )+&)+* %  $')** &%* **,$ ++ %+)),'+ %  *&,)* +.% ##,*+)+ &% 0 ) " ' )$% ) %* +& %*)+ *)*$ % . # *+,)* .* .#&$ % $,* % 0 ) %* - #.0* #, %&,) % $ &% % &% &. ,%)*+%  %##0 ,%)*+% ++ $0 &$',#* &% +&.) 0')$,*$%+ *%2+  ')*&%# +0 ')" +2*  * "%** .+ & %  ## $* 2&%+) ,+2 * &% & + #) +0 '%# &% ## )2* #+&%+) +#" *&. 0 + + $ + 2. ,#*2 *$%+ .* ,%).0 %  $,#+ +, & &,+,)*+* % *&,% +* #+) .%+ +& " ##  ## $* &+ (, "#0 . +  ,% &)  )&**&. &+ -% . + * '##+* .%+ +& +  $ +& + *& ++ . + -)0 )" &  * *",## 2 "%&. .0 + #,&% %  &$ ,'&%  $ .%+  $ +& ,%)*+% ++ 2* %& #&%) ,%%0 &) ,+ &) % % +  * %+) *  *),'+ - % %%&0 % + #  *%2+ &% #&% % $0 ) ,%)*+&& ++ % + .%+ +& ,*+ $0 &.%  &'% &) *,!+ % $0 ) %* +& + -)0 *$ &%&/ &,* + % &,+ *%0 -&  &-)   ** * 2- &*)- +* )-* &  ## $*2 )) % ')*&% ')&)*** ),##0 % )#0 &% '')* +&  %&+ % $&) ++ )$ % . + ,+ * 0)* & 0  %&+ # # % % )#-% &,)* % .+ .) &%  #) &,* )+) 1+ &%* & &*** '&# +  %* #) + * % &+) &!+* & )  ,# - &$ ) +% % &,+,)*+**)$* % ),%+* &%+&)+ /')** &%* %&%*%* #  +* & %& *$" % -&# %&%+ %% 2- .+  ## $* -&#- )&$  ) ## %+ &$  +#%+ %+&  '&*+) &0 &) ,#+&& - &)#  *&))*  ,* +&  + $% .& %-) $ **  +  ) % & ',% # %* # "  *+ ) *+ $ % ,% &.  )*$#* +  +0 &0 % $0 + ) ) #** .& +)%*)) +&  *' # *&&# &+  ') -+ *&&# &) % %*+ +,+ &% &) +  + ,+  '# . + *0) %* ,## & #&&# % &)1 % 2$ *+ ## % + $ ##0 *)&%  *+ & +  ** ,+ &% 1 .+ % + &% &)# &)" %&. % + -% *+* *  *+),#* % *'* &) *$## *)'* & ++%+ &% .+ ) % % "%&. % + * * $0 ,+,) $ + -  - &) +% 0)* #+ $0  &&  0)* #+ & ')&'&* . ++  *$* % $'#0 + $ '% ,+ + 0 . ## &$ .% .&%2+  ,%%0 %0$&)  2## *+ ## )- ++%+ &% %  - +& $" % $# %& ** % )$' + )+* +& + + . ## ,+ 2## - %&  &. )  ,#&,* #&&" % + %- ++ &%* +& ''0 &,) % &"+ # ')+ * . %# %+&  $+##  * #% % + &% *0 % ),&,* #,+) * $'% 0 $))** * * % 0 )&## % .&%2+ + + +2* + %*  &,* %+,) & +  **  )'* +&  ' %,# % ,$# % % + )*,#+ % % $&*+ ** )&$  +) #,%+ &) +),$ &) ')&#&% *) *&" %%+* )&,+ +& +) # &) - % * #% + #** #&.% - -&  &%- + &% '# % *#%* 02- &%- % !,) * ++ + ) # -* .) % $$ + ') # ,* !,*+ $ %,+* &) + ++" ## +  ) .*  % *," &,+ & + )&&$ 2-  )+ $0 ) %* +& %+)-% .% + + $ &$* 0 ) +& *+,)+ $ . + %0 ')#0+  &) *+ - +0 % + + ) %* &% &$+ % %0+ % +& % + ,) +& %+)+ % $ %&+ +&  %&,) +& ')&0 &) *+ ) 1 % & % #&&# . ##  & # $ +* %) %&  ),$*+%* $ +& $ + &$$%+)0 & %0 " % ++ $%* %& *)*$ %& $&")0 %& *),% * &) *&. 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(7, $6>5 /07 /67B: :,*65+ >(=, $/, 796-03, 6- ;/, :,*65+ >(=, 6- (7, $6>5 /07 /67 *(4, ;6 05*69769(;, 469, -,4(3, ,4*,,: C 5 ;/, ():,5*, 6- ( )3(;(5;3@ 6779,::0=, 7630;0*(3 +0:7,5:(;065 05 ;/, >(@ ;/(; ;/, (7(9;/,0+ .6=,954,5; >(: ;/, *9,> ,?;,5+: ;/, -09:; >(=,B: 5(;065*65:*06<: (.,5+( )@ -6*<:05. 65 ;/, 4(5@ :6*0(3 (:7,*;: ;/(; ;/9,(;,5 *644<50;@ (+=(5*,4,5; Los Angeles Journal july vol. 3 15 globetrotting not all sunshine and dancing at this club scene & 12/" &# 6,2 4&))  /&!6 +&$%1 &+ 1%" *&!!)" ,# 1%" 02**"/ *,+1%0  %,,) &0 ,+ 3 1&,+ 1%" 4"1%"/ &0 "21&#2) 1%" , "+ 41"/ &0 /0%&+$ $&+01 1%" 0%,/")&+" -/,!2 &+$ + "+ %+1&+$ +,&0" #,/ )) 1, %"/ +! 6,2 /" 01+!&+$ ,210&!"  +&$%1 )2 4&1%  $/,2- ,# 6,2/ ),0"01 #/&"+!0 0 1%" )&+" 0%,/1)6 -/"00"0 #,/4/! 6,2 +! 6,2/ #/&"+!0 01+! 1%"/" !/"00"! #,/ 1%" +&$%1 &+ 6,2/ #)0%6 ),1%&+$ "5 %+$&+$ ',("0 +! '201 "+',6&+$ 1%" #/""!,* +! 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fiction folio ฀ ฀ ฀ ฀ The day i parked my car by Jessica Teague I can’t remember the day I started hating Los Angeles again. It must have been the day I got here. Or perhaps the day before. You see, I can’t really remember because the moment you try to think here you find that you’ve lost the ability to hold a thought for more than half a minute. Thirty seconds and it’s time for the next commercial break – an ad for an iPod fourteen stories tall on the side of an old deco building reminding you that you are not dancing, but sitting in your car. And either way, you are isolated. The only thing better about dancing with your iPod is that at least you’re moving. I’m trapped in my car again and find that in order to get anywhere quickly here, you have to sit absolutely still. You tap your foot up and down on the break to a rhythm you’ll never hear. As I’m sitting here, looking at the gigantic purple iPod ad, the sun is setting a glowy orange over everything and the palm trees are in silhouette against the skyline. It’s a very “LA” moment. A friend of mine always says that the thing about LA is that you’re constantly having these very “LA” moments wherever you go. There’s something nostalgic about living right here in the present and you long for the moment just as it’s passing you by. I’ve never understood how it does that to you. I’ll be hating LA and then suddenly it will give you an LA moment that wrenches your heart out of your chest and makes you feel like a bastard for not being grateful, getting out of your car, and kissing the greasy pavement because it’s February and the goddamn palm trees are silhouetted against an orange sky like in some movie. That’s the problem. There are plenty of books and movies about New York, but there is plenty of LA that is about movies and books. The nostalgia is inescapable because movies and books create moments that never really existed in the first place. When I think about it, I’m not sure whether Los Angeles even exists, which is why I really hate it. I was supposed to be meeting my friend Rudy for coffee in 15 minutes, but then I wondered if that was even relevant when the place didn’t really exist and thus neither did the distance between two places within it. Regardless, there was no way I was going to make it and so I decided to do something desperate. I turned on my emergency blinkers, pulled my car to the shoulder, and parked. This was probably illegal but the thought of sitting there another LA moment was unbearable. Walking down the exit ramp, I knew that walking on the moon must have felt like this. Damn, this was better than any walk I’d ever had, and I could tell by the smiles on the faces of people in their cars that they wish they had thought of the idea first. Within 10 minutes I had reached Evelina’s, which at first glance looks like an upscale home-store with all these retro-styled green glasses and coffee table books about Thailand. In the back there is a heavy oak bar where they serve up imported coffee and tea in heavy cream porcelain. It’s a big thing these days – these combo shop/cafés. It’s meant to give you that nostalgic departmentstore-cafeteria-feel just like the palm tree silhouettes, but I refused to let that ruin the un-LA moment I had created for myself. I would even try talking to the barrista who was attentively taking my order. “So…” I trailed off to casually break the silence. “The people who come in here – do they buy more stuff or do they buy more coffee. Is it a coffee shop with stuff, or a …a stuff shop with coffee?” I’d never really thought about it that way before. I’m only here two days a week, but I guess I’d probably say it’s a stuff shop that happens to also sell coffee. The coffee is really good enough to stand on its own, but the people who wander in and have a cup of coffee usually get it in a to-go cup, which, to be honest, defeats the purpose because we have all these imported mugs and cups, which are made for really savoring a good cup of coffee. And I haven’t yet decided whether having a shop that does two things at once is a good thing or a bad thing, but…” “but from a simple marketing stand point, it does open you up to greater markets…” “Exactly. However, I meant more… the idea of a shop itself.” “the theoretical shop” “Sure.” But she stopped there and I wasn’t sure why. She seemed a bit embarrassed. “Ok. The idea of the shop itself. What about it?” I said hopefully. “Oh, I don’t really know. It doesn’t really matter. A shop’s a shop. People come in and buy stuff. Sometimes that stuff includes coffee. The end.” It was as though she had written the words in big pink letters in the air, leaving me completely dissatisfied. It was one of those stupid things they do at the end of movies when they’re just tired of going on and they give you a big The End, which you knew was actually a tickler to the sequel that would come out next spring. Damn it. I hate people in LA – they always want a “the end” to things. I started folding up the left-over paper sugar packet and began to worry about my car. Would they tow it? Maybe I shouldn’t have left it there. “Do you know if they tow your car or give you a big fine if you just leave your car parked on the shoulder of the freeway?” “What?” she said as though these were the first words I’d spoken. “Well, I kinda-sorta left my car parked on the shoulder of the freeway down the street, and...” “Did you break down? Do you have a cell? Do you need to use the phone to call AAA or somebody. You should have mentioned that before, you poor thing!” “Oh no. No. The car’s fine, I just decided it would be easier to leave it there and walk. I was supposed to meet a friend here about 5 minutes ago.” “Hm. Well, that’s certainly original. I have no idea what they do to your car, although, I’ve often wondered whether all those cars you see parked on the side of the freeway actually broke down, or whether the people inside were broken down by the traffic and gave up. And whether the car is broken or the person is broken, I guess it shouldn’t make a difference, but you might get in more trouble if there’s nothing wrong with the car.” I couldn’t take it. This girl just lapsed into these half-philosophical thoughts and then retreated. Stop. Thirty second interludes. Attempt number 2. “So, you say you only work here two days a week. What is your main thing?” “I don’t have a main thing.” “No?” “Not really.” And finally Rudy showed up – grinning and bobbing his head. “Gin, what are you bothering this nice girl about?” “Nothing.” I said wryly. Rudy is one of my only friends in LA who consistently loves LA and vows never to leave. “Yes, you are bothering this nice girl.” She smiled. “I was just saying that I don’t have a main thing. I don’t believe people really have main things.” “Yes they do,” said Rudy matter of factly. “My main thing is having coffee as often as possible with Gin, but, incidentally, we cannot stay here and have coffee.” Los Angeles Journal july vol. 3 “Why not?” the barista and I said simultaneously. It was awkward and it made me wish that I hadn’t involved her in the conversation. “Because, Gin. Your car is being towed from the freeway shoulder.” 17 fiction folio ฀ ฀ ฀ ฀ Classified I Was There by Middlepoet ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ 17 ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ By Byron L. Smith ฀ ฀ ฀ ฀ ฀ Pleasant Dreams ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ By Stephan B Delbos ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ Purgatory By Anastasia Sakelaris ฀ ฀ ฀ What I Like Best About the Death of Hope ฀ ฀ ฀ ฀ By Josette Lager ฀ ฀ ฀ ฀ ฀ ฀ Los Angeles Journal july vol. 3 ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ ฀ fiction folio ฀ “Why not?” the barista and I said simultaneously. It was awkward and it made me wish that I hadn’t involved her in the conversation. “Because, Gin. Your car is being towed from the freeway shoulder.” “What?! Already?! How could they even tell that I had stopped?” With my fantasy eroding quickly, I ran out of the shop-thing, down the street, through the flashing hand, and up the freeway off-ramp to where the tow truck was about to lock my car down. “Is this your car, ma’am?” the blue button-down man said with a lilting accent. “Yes. Yes, this is my car. Please don’t tow it. I was just leaving it for a little bit – I had to get out. I’m really sorry, I’ll move it now, just please don’t tow it, please.” I looked at him desperately and out of breath. “But ma’am, you can’t just leave your car like that, you know.” “I know, but the other cars weren’t moving. Were you going to tow them?” “I don’t know. I don’t think so. I think the people were probably still in those cars, you know, and I was just told to come get this car here…” “Nevermind…” I said feeling defeated. “But you know, if you’re in the car here before I tow it, I don’t think I can tow you. So… you could, you know, get in the car and then I’ll just unlock this here and we’ll just say you were in the car, you know.” I nodded my head and smiled. Yes, I knew. Finally, someone who understood! As I got into my car and the tow truck driver pulled away, I saw Rudy and the barista girl walking up the ramp. I turned around to grab my keys, but when I turned to wave back there was no one there. The last bit of orange glow was draining out of the sky and the exhaust fumes made the air like liquid. Had I just seen a mirage? Stunned, I got back into my car and pulled into the motionless traffic, but I could not get their image out of my head and I imagined how it might have went. “We were worried about you,” the barista girl would say, extending a to-go cup to me. “Mind giving us a lift?” Rudy would ask. And we would pull onto the trafficless freeway and sail down the ramp. We’d talk about how ridiculous I had been. Thinking I could park my car on the freeway, honestly! And maybe the barista girl and I would become friends because women never meet women in Los Angeles. The three of us would meet up for yoga or yogurt. It would be very LA. But things like that don’t happen in LA because it would have been more than an LA moment, it would have been an LA lifestyle, and somehow I haven’t ever made it there. Sitting there again, I got to thinking about this exhibit I once saw where video images were presented on plasma screens in such slow motion that you could not even tell that they were moving. It felt like that, being in the car. In an LA moment you can’t decide whether you are in a still frame or in a moving picture. One strings along to the next. But, I suppose, it doesn’t really matter. In thirty seconds it will be over and the next one will be ready to begin. ฀ ฀ ฀ Untitled By Katherine Gates One cold October years ago, my husband fell ill. His leukemia had come out of remission and he had but three months to live. He refused, understandably, tospend his last days in a hospital bed, so we tried to make his end a pleasant one. We packed up everything from our apartment on West Sixty-Eighth and Amsterdam, piled it all into my '94 Camry, and settled in a tiny cottage in Woodstock. It was a modest place with a tin roof that sang every time it rained and a hill and forest just behind us we carved with trails on cool afternoons. Beyond that, there was a reservoir we suspected was good for swimming during the summer, but we didn't talk about that. Around us, the leaves changed, then slowly died as Michael fell to his illness. We took long walks through our woods and discussed philosophy. Neither he nor I had ever believed in God, but in his last few months, Michael confessed that he did. "I can't stand the thought of rotting in the dirt for eternity," he rationalized. "So get cremated." Michael just shook his head. "I have to feel like I have a future," he said simply. I could understand that. We spent many quiet afternoons in that house, he jamming on the upright piano we had bought soon after our arrival, I typing away at my latest novel and mailing it off, piece by piece, to my editor. The profit from my last wouldn't stretch forever, after all. When it snowed, we built a snow man and woman and put them together, stick arms intertwined, on our hill. The reservoir froze over and we enjoyed our rural winter wonderland, carving our modest Thanksgiving turkey as snow fell in flurries outside our window. One afternoon while we ice skated on the reservoir, Michael fainted. I helped him to his feet and led him back to our house. I made tea and as we drank, he told me his secret. "When I was a child," he said, "I bumped into an old woman on the street. She dropped her groceries, so I helped her up, gathered her things, and carried them up to her apartment for her. She told me she wanted to thank me for what I had done and made me a hot chocolate. 'Drink it all at once,' she said, 'then leave and don't look back.' The hot chocolate warmed me all through my walk out of her apartment. I reached the street and saw a vendor across the street selling roses, and they were red. I mean, real red. At first, I thought it was a dream or I'd imagined it or something, but then, I saw a taxi drive by and it was yellow. Real yellow. I've seen real colors since then. The trees here were so beautiful, you wouldn't believe." I tried to understand, but for someone who had never seen true colors, like the rest of the world, it was difficult to wrap my mind around. I nodded slowly, then washed the dishes. Michael and I enjoyed a quiet Christmas together and by that point, he was bedridden. I sat at his side as he told me that I had to move on. "I want you to be happy when Los Angeles Journal july vol. 3 I'm gone," he said. 18 fiction folio listings ...and you thought your job was great. Do I Look Thinner? by Nara Vidal  ;%7 8,-2/-2+ 8,) 38,)6 (%=-8?7 ,%7 &))2 % ;,-0) 7-2') ,)%08, 36+%2->%8-327 %2( 8,) +3:)621)28 ,%:) &))2 86=-2+ 83 -140)1)28 1)%796)7 83 (634 '327-()6%&0= 8,) 291&)6 3* 3&)7) 4)340) -2 8,) "  796:)= 49&0-7,)( )%60= 8,-7 =)%6 ,%7 7,3;2 %2 -2'6)%7-2+ 291&)6 3* 4)340) 74)'-%00= ;31)2 %7 :-'8-17 3* ;)-+,8 +%-2 &0%1)( 32 8,)-6 ,)'8-' 0-*)78=0) %2( 19', ()1%2(-2+ ;36/ %2( ,397),30( 630)7 ''36(-2+ 83 8,-7 796:)=  3* 6-8-7, ;31)2 238 -2'09(-2+ 1=7)0* 3* '3967) ,%:) 7))2 8,)-6 ;)-+,8 6)%', 8,) 7/= 0-2) ;,-0) .9++0-2+ 138,)6,33( '%6))6 %2( 8,) *-)6') 46)7796) *631 73'-)8= 83 /))4 36 -1463:) 8,)-6 033/7 278)%( 3* +%-2 '32*-()2') ;31)2 8)2( 83 *))0 ()46)77)( ;,)2 8,)= *%-0 83 /))4 94 ;-8, 8,) ()1%2(-2+ 1%6/)8 3* &)%98= 2 6-8%-2 320= -8 -7 )78-1%8)( 8,%8 3:)6 ;))/0= 1%+%>-2)7 32 ')0)&6-8= %6) 49&0-7,)( 83 % +6394 3* 3:)6 1-00-32 4%68 *631 8,) *%1397 %2( 8,)-6 0-:)7 8,-7 /-2( 3* 1%8)6-%0 8%0/7 %&398 %238,)6 79&.)'8 8,%8 -7 ):)6=&3(=7 '96-37-8= ;)-+,8 0377 "79%00= ')0)&6-8= ;)-+,8 0377!,) ;,30) 2)8 ;36/7 -28)+6%8-2+ ,)%:= 49&0-'-8= 1%6/)8-2+ %2( 8,) '32791)67 &9=-2+ &),%:-36 8,%8 138-:%8)7 32) -2 73'-%0 '90896%0 47=',303+-'%0 %2( 4)6732%0 0):)07 327'-397 36 238 6)%()67 3* ')0)&6-8= 1%+%>-2)7 ;,3 %6) +6)%80= 6)46)7)28)( &= ;31)2 78%68 &9=-2+ 8,) -1437-8-32 *631 8,) 1)(-% %2( 7332 7)) 8,)17)0:)7 86%44)( -2 % 4-'896) 8,%8 7)007 &)%98=  ,%44-2)77 96)0= %00 3* 97 7,390( 94 83 % ')68%-2 43-28 ;366= %&398 *-2(-2+ 8,) 6-+,8 78-190%8-32 8,%8 ;390( ,)04 97 83 6)%', ,%44-2)77 3;):)6 ;) 2))( 83 &) %;%6) 3* ,3; 70%:)7 ;) &)'31) 3* 8,) ;,30) 4%'/%+) 3* &)%98= *-82)77 8,%8 ()0-:)67 7%8-7*%'8-32 0)%7)  6)%( 6-8-7, )(-8-32 3* @0%1396A 1%+%>-2) 8,) %68-'0) %&398 *-2(-2+ =396 ,%44= ;)-+,8 -28)2(7 83 6)78 ;31)27 1-2( %&398 8,) '3278%28 '32')62 32 32) 36 8;3 -2',)7 0378 36 +%-2 98 -2 *%'8 8,) &)%98= *-82)77 (-'8%8-32 -7 73 3&:-397 -2 8,) %68-'0) * ;) ;)6) 83 &) 3:)6 %00 8,%8 7368 3* )<86)1) &),%:-36 8,)2 ;,= 32 )%68, %6) ;) 78-00 8%0/-2+ %&398 -8 %2=;%= 6%2/0=  92()678%2( %7 % 46-36-8= 8,) *))0-2+ 3* ;)00 &)-2+ 8 7,390( 238 &) 8,) 2361 )%8-2+ &96+)67 %2( ',-47 -2 % (%-0= &%7-7 %2( -+236) 8,) ;32()67 %2( 46-:-0)+) 3* )%8-2+ 8,) ;360( -2 *69-8 %2( :)+)8%&0)7 3;%(%=7 ;) '%2 ,%:) 7;))8 36%2+)7 *631 4%-2 8,)2 &%2%2%7 *631 378% -'% 36 1%=&) 86= 8,) 79''90)28 -'-0-%2 831%83 %2( % 8)2()6 4-)') 3* ); $)%0%2( 0%1& 3 ;,= (3 ;) /))4 789**-2+ 3967)0:)7 ;-8, '6-747 ',3'30%8) %2( 8%78)0)77 6)%(= 1)%07 )'%97) 8,)= %6) 796)0= 8)148-2+ 3 ,%:) ;) *36+388)2 ,3; 396 +6%22-)7 97)( 83 )%8 !,)= ;390( ,%:) 8,) 30( 4=6%1-( 3* '%6&7 :)++-)7 *69-87 79+%6 *3003;)( 786-'80= 2( +9)77 ;,%8 8,)= ;)6) 6%8,)6 70-1 !,) *%'8 -7 ;) %6) -2 8,)7) (%=7 743-08 &= 348-327 731) ,)%08,= 32)7 38,)6 238 73 19', 7 % 6)7908 ;) )2( 94 )%8-2+ ):)6= 7)'8-32 *631 8,) 794)61%6/)8 2 1908-'90896%0 40%')7 79', %7 32(32 ;) '%2 ,%:) % 0%88) %2( '63-77%28 83 /-'/ 3** 8,) (%= *3003;)( &= % &%6 3* ',3'30%8) 36 % &%+ 3* '6-747 %7 % 1-( 1362-2+ 72%'/ %2( )2( 94 8,) (%= -2 % '966= *)%78 *3003;)( &= 8;3 36 8,6)) +0%77)7 3* 6)( 36 ;,-8) !,%8 ;390( &) 59-8) %2 %:)6%+) )%8-2+ ,%&-8 -2 (%-0= 32(32 * '3967) 8,) '32')62 %&398 ,3; *%8 ;) %6) +)88-2+ )<-787 98 ;,= 4336 4)340) 8)2( 83 &) *%88)6 36 0%6+)6 8,%2 ;)%08,= 32)7 -140= &)'%97) ;-8, 4)2') =39 '%2 %**36( % &%6 3* ',3'30%8) &98 =39 '%2238 %**36( % 4%'/ 3* 786%;&)66-)7 %8-2+ ;)00 7,390( &) '31132 7)27) 98 +6))( 74)%/7 039()6 (-7+9-7)( %7 0%'/ 3* 8-1) 83 )%8 4634)60= %2( 8,) '32:)2-)2') 3* 34)2-2+ % 4%'/ 3* %2= .92/ %2( *-00 396 7831%',7 %2( *%8 ()437-87  2); &33/ 32 ;)-+,8 0377 @#,= 6)2', ;31)2 (328 +)8 *%8A 86-)7 3&:-3970= 83 +3 8,639+, 8,) ,%&-87 3* 8,) 6)2', /23;2 %7 % 70-1 4)340)  1=7)0* ;32()6 #,= 8%0-%2 ;31)2 (328 +)8 *%8 32') 8,)= )%8 %00 8,) 8%78= %2( *36&-(()2 *33( %7 ;) 0)%62 #,= %4%2)7) ;31)2 %6) -2 1%.36-8= 7/-22= %2( )0)+%28 2( ;,= 6-8-7, ;31)2 %6) +)88-2+ &-++)6 ):)6= (%= 20 Los Angeles Journal july vol. 3 !,)2  '%1) 94 ;-8, %2 %27;)6 6)2', ;31)2 )%8 6)2', *33( 8%0-%2 ;31)2 )%8 8%0-%2 *33( %4%2)7) ;31)2 )%8 %4%2)7) *33( 6-8-7, ;31)2 )%8 8,) ;360( literature Remember your love for grammar? 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These excerpts remain only teasers; check out the author's contact to find out the latest details. Filipina Perspective, 2005. 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'#0+0) 6*'4' +5 # .16 1( 0'9 2''25 9' %#0 /''6 6*75 %100'%6+105 76 +6=5 -+0& 1( 2#6*'6+% 61 5'' #.. 6*'/ +.+2+0#5 9#56'& #5 *'.. 18'4 10' "+/# *#6'8'4  -019 6*'; #+0=6 #.. 9#56'& (6'4 &4+0-+0) 10' 9+0' %11.'4 +6 )+8' 6*'/ 6;2+%#.5&10=6 9144;                    Los Angeles Journal july vol. 3 23 galleries Discovering the artwalk in your city. this month: highland park '45? ?<1/5-8 /A8@A>1 /;8A9: 5? - :1C 21-@A>1 45348534@5:3 8;/-8 ->@ 3-881>51? 5: @41 5348-:0 $->7 ->1- '41?1 .-?@5;:? ;2 /A8@A>1 -:0 <A>B1E;>? ;2 8;/-8 @-81:@ ->1 <->@ ;2 @41 59<;>@-:@ 9;B191:@ ?A<<;>@5:3 @41 >5?5:3 ?@-@A? ;2 @45? ?@;>510 ?1/@5;: ;2 ;? :3181? 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   Los Los Angeles Angeles Journal Journal july july vol. vol. 33 37 FREE CLASSIFIEDS (310) 670­4452 www.losangelesjournal.com los angeles JOURNAL Los Angeles Journal Publication Delivery (Once a month) Local publication seeks delivery drivers to drop off bundles of newspapers to various locations once a month in LA, OC, and IE including libraries, retail stores, coffee shops, etc. Drivers will be paid $2 per location and can set up routes to their convenience. Newspaper pick up location is near LAX. If you are interested in this job, please email resume and letter of interest to [email protected] or fax all info to (310) 356­3197. Los Angeles Journal Intern The Los Angeles Journal is seeking talented interns to help with writing and researching articles, content management, editing, and business operations. Ideal candidate has experience with Adobe InDesign. Send resumes to [email protected]. Los Angeles Journal Publication Administrative Assistant Looking for receptionist/admin to handle billing, invoicing, send out mail, welcome visitors, answer phone calls for local publication. Admin will also assist in production of newspaper by reviewing articles and illustrations. We are looking for someone to add value to our organization on all levels. Job is part time. Please fax resume to (310) 356­3197 or email resume to [email protected]. Los Angeles Journal Publication Advertising Sales Representatives Sales Representatives will have responsibility of acquiring new advertising sales from major corporations, retail stores, mom and pop shops, local and government and community. This is a commission only position, and there are several positions to fill. Commissions stand at 50% per transaction. For example, if representative sells full page ad for $899, representative is entitled to $449.50 commission. If you are interested in this job, please email resume and letter of interest to [email protected] or fax all info to (310) 356­3197. 38 Los Angeles Journal july vol. 3 Photoshop Artist & Tutor available for work in LA I am a Graphic Designer/ Photoshop Artist with extensive experience. I am Seeking Freelance, Part ­Time or Fulltime creative design or production work in the West Hollywood, Hollywood or West LA areas. I specialize in Photoshop Digital Imaging and Retouching, color correction, montage, as well as Illustrator, QuarkXpress, Dreamweaver and intermediate HTML. Have been a Photoshop Tutor for some time now as well. Please check out my Online Portfolio: http://imagebliss.home.mindsp ring.com/ THE UNIVERSITY OF HOMELESS SERVICES The University of Homeless Services was founded in the year 2000 by Brandie Barrie Weston. The intent of this newly established university is in an effort to boost the human condition’s economy. In the tradition of American President Roosevelt, students of the University of Homeless Services are paid to attend and participate in university structured classes, whether they have issues of homelessness or not. The current major project production from The University of Homeless Services; WESTON films DREAMCATCHER studios/ animation studios. This project is greatly interested in FINANCIAL BACKING, and in the other areas of production, ie; acting, script writers, design technical, and so forth. Interest should be submitted to e­mail address­ weston_ [email protected] I look forward to hearing from you. Room for Rent Diamond Bar $550 – 1 bedroom for rent in newly remodeled home 2500 square foot home. Home has a beautiful view of Diamond Bar, sub­zero appliances, pool table, plenty of parking, and spacious common areas. Call (310) 748­ 7997. Rooms are available in the end of July. Video Editor (One Month Project) Video editor wanted to produce final cut, introduction graphics, and end credits for short film as an independent contractor. Video editor will work on project for one month contract. Professional(s) with sample portfolio or capable student(s) with sample portfolio would be adequate. Please send sample reel with resume and contact information to 6033 West Century Blvd., Suite 1280, Los Angeles, CA 90045. ADS AS LOW AS $9. CALL (310) 670­4452 Independent T­Mobile Sales Reps (Telecommute) Seeking independent sales representative to sell T­Mobile plans to major corporations, small business, and individuals. Representatives are encouraged to go after corporate accounts and set­ up booths at major fairs in public places. Commissions start at a minimum of $100 per activation. This is a commission only position. Rep must have internet and phone access and can work from home. Online T­Mobile training required. Email resume and letter of interest to [email protected]. Words for the wise... puzzles
RYPTOGRAMS Los Angeles Journal july vol. 3 39 los angeles JOURNAL www.losangelesjournal.com Visit our brand new website. Our website is meant to act as a forum for our readers to discuss thought provoking issues. Please use it as you would use a bulletin board by posting ideas, article submissions, classifieds, and anything you can possibly think up. Help our website and our news­ paper succeed. Please spread the word about us and contibute your material as a submission. If you know worthy publication investors, send them our way also. Our goal is to grow and get out of the start­up mode. SUPER ADS! Call (310) 670-4452 Black/White & Color We reserve the right to change abbreviations, or order of the text to fit our standard formats and improve readabil­ ity and to reject any advertisement for any reason. Super Ads in excess of the the paid­for space will be edited at our discretion. CREDIT will be granted for significant errors only. There will be a service charge on all returned checks. Vist our website to download display advertising media kit. Half Page Color: $399 Full Page Color: $899 Major Competitors Price: $2898 Major Competitors Price: $1682 Half Page BW: $299 Major Competitors Price: $1182 Half Column Color: Full Page BW: $599 Major Competitors Price: $2148 $399 Half Column BW: $299 Quarter Page Color: $249 Major Competitors Price: $637 Third Column Color:$329 Third Column BW: $229 Quarter Page BW: $149 Major Competitors Price: $300 Quarter Column Color: $249 Quarter Column BW:$149 Other BW Only: 9/square inch Please Make Check and Money Orders Payable to Los Angeles Journal. Visit our website to download display advertising media kit.