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2017, Actas Dermo-Sifiliográficas (English Edition)
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3 pages
1 file
2012
This study presents energy saving in general-purpose pumps widely used in industrial applications. Such pumps are normally driven by a constant-speed electrical motor which in most applications must support varying load conditions. This is equivalent to saying the loading conditions mismatch the designed optimal energy consumption requirements of the intended application thus resulting in substantial energy losses. In the held experiments it was indicated that combination of mechanical and electrical speed drives can contribute to lower energy consumption in the pump without negatively distorting the required performance indices of a typical centrifugal pump at substantially lower energy consumption. The registered energy savings were recorded to be within the 15-40% margin. It was also indicated that although VSDs are installed at a cost, the financial burden is balanced against the earnings resulting from the associated energy savings.
2024
El lanzamiento será el lunes 14 de octubre a las 12.00 hrs. en el Salón Portaluppi de la Facultad de Derecho de la Pontificia Universidad Católica de Chile Registrarse en el siguiente link de inscripción: https://forms.office.com/pages/responsepage.aspx?id=-tn1Xz_4wUqk0utI6goA0ug8YQOacG5Hvi0P0wMV8HhUQVhSOUZKRzJKQllMS0szQTdVVVdWTENRVy4u&route=shorturl
Commissioned by the national theatre and obtained from a design report by Howarth Tompkins, the brief entails the construction of a temporary theatre in absence of the cottesloe theatre in order to allow the continuation of artistic developments and cultural life contributions of theatre in the south bank and London. In addition, this transitory installation aims to attract attention from Queen’s Walk and alleviate the fatigue of the on going construction. The intended auditorium should have the capacity for 450 seats and contains a temporary foyer. The foyer will operate as the NT box office for period of 6 months. This is after the closure of the temporary theatre. Both elements of the design are selected to be temporary and will be removed after a period of 18 months. Therefore, components must be chosen in a way to allow full flexibility and demountablility and leave minor traces after the final detachment. In order to meet the floating essence of the architectural proposal, it was decided to elevate the theatre. This was done not to only avoid the blockage of the main passageway but also to enhance this route. However, this would immediately rise major structural and environmental considerations. The structure has to be made as light as possible without jeopardising the thermal properties as well as acoustic performance of the theatre. Elevating the structure to be as efficient as possible without occupying a large foot print area. And last but not least, ensuring that aesthetic of the structure is in tact. Consequently, materials are designed in such a way to provide maximum reflective quality in order to eliminate the high urban noise level and provide a high thermal quality. Cluster columns would ensure that minimum foot print area would be occupied at ground level as columns are chosen to be converging at single points to the ground level. These convergent points were then architecturally modified by provision of seating areas. Inclination and the mid-span growth of these columns would not only create a unique shadow effect during nighttime but will also increase the buckling capacity of the column by increasing the depth of the columns where its actually needed to satisfy the structural integrity and feasibility. Also, the the semi-parasitic quality of the structure would mean that the building will take advantage of sanitation systems and avoid unnecessary pipe works which responds well to the temporary design criteria.
ENGINEERING AND TECHNOLOGY, for his guidance and care taken by him in helping us to complete the project work successfully.
Only when history is viewed from the perspective of apocalypse does ideology reach its climax. Ideology is always only a means to other ends. This is why its resemblance to religion, as a surrogate mode of finding one's way in a world lacking sure strongholds, is only fitting. All the powerful ideologies of the 20 th century, from communism and fascism and all forms fundamentalism or nationalism, are deeply permeated with religious or millennial fever, elaborates Zarko Paic.
Media Theory, 2023
How might we map the different horizons, questions, topics and concerns that come into view when we bring together the signifiers “critique”, “postcritique” and the “present conjuncture”? The canvas suggested by the question might seem impossibly broad and disorderly, but the different contributions to this special issue of Media Theory share a common desire to confront the question of what critique means today. This editorial introduction identifies different political and cultural developments which justify discussion of this topic now. None seem more salient than the rise of a culture of reactionary media politics that normalises its own image of critical thinking, sometimes in forms that stage a wholesale authoritarian attack against different critical theoretical traditions. Our introduction reflects on the political and cultural resonances of “postcritique” as a provocative keyword for work in literary studies and other fields that questions critique’s reliance on a “hermeneutics of suspicion”. The postcritique literature has been read by some as symbolising a simple renunciation of critique: an antagonist that the defenders of critique need to polemically combat. We approach it instead as an insightful theoretical perspective for illuminating how critique can potentially take repetitive, predictable and regressive forms, both in scholarly work and in cultural contexts that go well beyond the world of the academy. Inspired by this journal’s expansive conception of media theory, we also explore how the postcritique literature’s attention to the affective disposition(s) of critique speaks to the notion of critique as a medium of communication. Far from wanting to disavow a commitment to critique, we affirm the importance of asserting a democratic vision of critique in a conjunctural context where the political valences of critique are more ideologically confusing. We conclude with a brief preview of the different contributions to the special issue.
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