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Far from the madding crowd of the city which is confined by the humongous grey walls and unfettered from all the extravagant luxuries of archaic governed palace, there lived a meek and small group of bushmen for whom forest was their abode. Hunting was the chief code of life of these bushmen. They were called and known by the city dwellers as 'Nishadhas'. The Nishadhas lead a life of peace by enjoying each and every-day of their life. These Nishadhas would have been long forgotten and their past wouldn't be etched in our minds if it wasn't for Ekalavya who is the most cherished and yearned warrior of all time.
Literature is the true reflection of our Society. An author gives words to his thoughts and mentality in his creation. But he draws its elements from the Society itself. The sole aim of a literature is not only to delve the readers deep into a romanticizing imaginative world. The vivid picture of our day to day life is picturised through his dramatic plot and conversation. In the field of aestheticism, the two core element that binds a literature are - (i) conflict and (ii) Crises John Gesner in his book “Natyatatter Ruprekha” States that - “Literature represents humanity in moments of maximum tension conflict and crises”. It is evident from his philosophy that the prime success of a literature depends upon its characterisation. William Henry Hadson thus says - “Characterisation is the really fundamental and lusting element in the greatness of any dramatic work”. The characters itself is the reflection of the dramtists idealism, humour and overall social outlook.
The idea of writing my Mahabharata studies in English occurred to me first when friends and pupils in the U.S.A. showed an interest in the subject. This venture has at last been completed, thanks mostly to my American and Indian daughters, Maxine, Jai and Gauri. Thanks also to Prof. Brown for the consistent interest he took in the work and for his foreword. Prof. Bender of the University of Pennsylvania made many valuable suggestions. Sincere thanks to my colleague Prof. Kalelkar for providing a scheme of pronunciation of the Sanskrit names and going through the manuscript. I am thankful to Mr. R. B. Sapre for preparing the line drawings from the photographs of the sculptures.
Yuganta: The End of an Epoch by Irawati Karve. Poona: DESIIMUKH PRAKASHAN. 1969. , 1969
The idea of writing my Mahabharata studies in English occurred to me first when friends and pupils in the U.S.A. showed an interest in the subject. This venture has at last been completed, thanks mostly to my American and Indian daughters, Maxine, Jai and Gauri. Thanks also to Prof. Brown for the consistent interest he took in the work and for his foreword. Prof. Bender of the University of Pennsylvania made many valuable suggestions. Sincere thanks to my colleague Prof. Kalelkar for providing a scheme of pronunciation of the Sanskrit names and going through the manuscript. I am thankful to Mr. R. B. Sapre for preparing the line drawings from the photographs of the sculptures.
Psychological, philosophical and spiritual traditions emphasized regarding the quality of consciousness to maintain the wellbeing of an individual. An individual also requires prescriptive nutriments supply in the surrounding environment to escalate wellbeing. The traditional theory of well-being says, it is having two broad categories-one is hedonic well-being, which is related to the happiness and the other is eudaimonic well-being, that relates to human potential. Another theory on wellbeing says that an individual who lives according to their own daimon or true self will contribute to wellbeing. Realization of their true nature is considered to be the eudaimonic concept of wellbeing and this contributes to happiness (hedonic well-being). People who tend to exhibit immoral, malicious and surreptitious acts will suffer mentally and physically. All these psychological principles of wellbeing were compared with the stories of the Hindu epics-Ramayana and Mahabharata.
International Journal of English Language, Literature and Humanities, 2015
Having an epic scale grandeur attached with it Mahabharata occupies a great volume in the Hindu culture across the boundaries. Even though it comments on almost every possible aspects of society it also, at the same time, reflects the bitter truth of what society stands for. The epic actually compels us to confront the bitter reality of life - the essential fact that there is not essentially always lie a happy ending after every chapter of life, or even if the life ends altogether.With a technique of “a-tale-within-a-tale” it is difficult to pin down any single protagonist in the epic. Yet there are some important characters that occupy significant space in the epic and lead the plot with them.Despite such an ensemble cast there remain certain characters who are not much talked of and are cautiously sidelined not only in their portrayal but also in the course of action in the epic.The paper analyses two such characters: Ekalavya and Karna from the Mahabharata, comparing their individual situations amidst the grandeur of the epic and what essentially makes them marginalized despite being empowered in their own rights. Establishing the characters in the framework of Tragic Heroes, as defined by Aristotle, the paper also analyses the characters with Arjuna, the Pandava prince, as the epicenter.
Trumpeter, 2009
Without doing violence to Vyaasa, the Mahabharata (Vyaasa 3102 B.C.E.) can be properly viewed through an ecological prism, as a story of how "Dharma" came to be established as a result of a conflict over social policies in response to on-going environmental/ecological crises. In this version, the first to recognize the crises and to attempt to address them was Santanu, King of Hastinapur (a town established on the banks of the Ganges). His initial proposals evoked much opposition because they were draconian and oppressive, and were rescinded after his death. Subsequently, one of Santanu's grandsons, Pandu, and his children, the Pandavas, agreed with Santanu that the crises had to be addressed and proposed more acceptable social policies and practices. Santanu's other grandson, Dhritarashtra, and his children, the Kauravas, disagreed, believing that nothing needed to be done and opposed the proposed policies. The fight to establish these policies culminated in the extended and widespread "Great War" (the "Mahaa-Bhaarata") that was won by the Pandavas. Some of the proposed practices/social policies became core elements of "Hinduism" (such as cow protection and caste), while others became accepted elements of the cultural landscape (acceptance of the rights of tribes to forests as "commons"). Still other proposals may have been implied but never became widespread (polyandry) or may have been deemed unacceptable and immoral (infanticide). The Pandavas' proposals helped the culture survive and became the "Dharma" for the new age that followed the war. As elements of Hindu orthodox religion, they continue to the present day. What follows from here on in this article is based on a speculative re-telling of one of the core texts of the modern world, exhibiting pointed artistic license rather than traditional narrative fidelity.
The research paper titled "The Retelling of The Mahabharata in Shashi Tharoor's The Great Indian Novel" will study the appropriation (the use of borrowed elements) of the epic of The Mahabharata by Shashi Tharoor (b. 1956) for the creation of a new work namely The Great Indian Novel (1989). In The Great Indian Novel, the author recasts the major events of India's traditional mythology and contemporary history in such a way that it offers new insights into both. The author retells a two thousand year old tale in the context of contemporary times. The research paper will attempt to elucidate the strategy that the new literary work, The Great Indian Novel, uses to re-contextualize whatever it borrows from the epic, The Mahabharata. It will examine 'intertextuality' as a strategy used to appropriate the epic. The paper will explore the various aspects of intertexuality in the context of the novel. It will also analyse the influence of the form of the literary texts on their content in rendering the meaning of the texts.
Myocarditis has been recognized as a possible rare complication of COVID-19 mRNA vaccination. It concerns between 0.3 and five vaccinated people per 100,000 in the general population, with increased incidence in adolescent and young adult men. Most often, cases of myocarditis have been reported in the days following the second dose of vaccine mainly in younger male patients. This complication of vaccination usually resolves within days or weeks. However, the pathophysiological events responsible for the increase in frequency of myocarditis after COVID-19 vaccination remain unclear. Recent reports have highlighted that free spike proteins circulating in patients' blood at high levels appear to play a major role in myocarditis. Here, we review the most recent data that partly lift the veil on the molecular mechanisms of the induction of myocarditis following mRNA-based COVID-19 vaccination. We hypothesize that a mechanism of molecular mimicry of the viral spike triggers transient dysregulation of angiotensin-converting enzyme 2, leading to increased soluble angiotensin II binding to the transmembrane receptor angiotensin II type I receptor, similar to what is observed during SARS-CoV-2 infection. We suggest to standardize the management of suspected cases of mRNA-based COVID-19 vaccine-induced myocarditis, including the monitoring of angiotensin II and spike antigenemia
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