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Thomas Calculus Thirteenth Editions

Ὁ Ρωσοτουρκικὸς πόλεμος τοῦ 1828-1829 δὲν ἀποτέλεσε παρὰ ἕναν κρίκο στὴν μακρὰ ἀλυσίδα τῶν ρωσοτουρκικῶν πολέμων ἀπὸ τὰ χρόνια τοῦ Πέτρου μέχρι τὶς μέρες μας. Βεβαίως, ἀποτέλεσε ἕναν ἰδιαίτερα σημαντικό, ἕναν χρυσὸ κρίκο θὰ μποροῦσε κανεὶς νὰ πεῖ. Αὐτὸν τὸν χρυσὸ κρίκο γιὰ τὴν Ρωσία κατέστησε ὁλόχρυσο γιὰ τὴν Ἑλλάδα ὁ Ἰωάννης Καποδίστριας, ὁ ὁποῖος μὲ τὴν διπλωματικὴ εὐφυία του καὶ τὴν πολιτικὴ προνοητικότητά του κατόρθωσε ὥστε αὐτὴ ἡ σπουδαία ρωσικὴ νίκη νὰ ἀποφέρει περισσότερα στὴν Ἑλλάδα παρὰ στὴν ἴδια τὴν Ρωσία, καθὼς συνετέλεσε καθοριστικὰ -σίγουρα περισσότερο ἀπὸ κάθε ἄλλη ξενικὴ παρέμβαση- στὴν μερικὴ ἔστω ἐπιτυχία τῆς Ἑλληνικῆς Ἐπανάστασης.

A Deus, por sempre estar presente na minha caminhada e guiando meus passos.

2024

This document introduces into the key concepts and instruments of Data Solidarity

Emotion Review, 2023

An introduction to a collection of nine papers on contempt, bringing contemporary philosophical approaches to the phenomenon into relation with its construction and presentation in the four classical cultures of China, Greece, India, and Rome. The introduction offers a brief summary of the papers and places the issues that they explore in the wider research context of the historical and cross-cultural study of emotion.

British Journal for the History of Philosophy, 2023

The section on “The Negative, or Freedom, or Crime” is considered by many to be the most important part of Hegel’s 1802/3 System of Ethical Life, the one in which Hegel begins to become specifically Hegelian. The reason why this section is so important is because it comprises Hegel’s first attempt at systematically integrating ‘negativity’ or conflict and difference into his framework as an essential, dynamic element, instead of dismissing it as a threat to some alleged ethical unity. But why does Hegel identify freedom with ‘the negative’, and why are both associated with crime? This paper seeks to answer that question by analysing the roles of possession and property in the System of Ethical Life, the relation to Kant and Fichte’s theories of right, and the ‘system of need’ in general. Among other things, I argue that theft represents a negative assertion of freedom against the abstract norms of recognition governing the exchange of property, an act which ultimately enables more normatively complex modes of interaction to develop.

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All welcome to the round-table discussion Aspects of the cult of Isis in Roman Greece, by Silvana Blazevska, Dafni Maikidou-Poutrinou and Barbette Spaeth. Discussant: Eleni Fassa. The event is co-or­ga­nized by the Ro­man Sem­i­nar – an Athens-based ini­tia­tive host­ing lec­tures on the ar­chae­ol­ogy and her­itage of Ro­man Greece – and the Athens Greek Re­li­gion Sem­i­nar - a forum for discussion on all things related Ancient Greek religion. Wednesday, March 29, 2023, at 17.00 (Athens time) in a hybrid format with live presence at the Swedish Institute at Athens, Mitseon 9, and via Zoom link.

Palladio, 2024

The article reconstructs the formative years of the American architect Michael Graves (1934-2015), with a particular emphasis on his research experience in Italy as a recipient of the Rome Prize in Architecture at the American Academy in Rome in 1960-1962. The analysis of Mediterranean references is consistent in his career and starts, indeed, from Graves’s first discoveries of Greek and Italian architecture in the context of a modernist education at the universities in Cincinnati and Harvard, up to the thoughtful selection and interpretation of architectural references and models during his Rome Prize in Italy. Based on the analysis of unpublished archive materials and thanks to exclusive interviews and conversations with renowned scholars and collaborators of Graves, the ambition of the essay is to understand how Italian references are classified, interpreted, and manipulated by the architect. The analysis of a variety of graphic material produced during his Rome Prize – photographs, drawings, inks, etc. – would finally suggest possible keys to deciphering his work and his aesthetics. Therefore, the final objective of the paper is to outline the crucial influence of Italian architectural culture on Graves’ methodology and compositional approach in order to acquire historiographical and critical tools that can guide a deeper and less prejudicial reading of his works.