New Europe College
Yearbook 2001-2002
AXINIA CRASOVSCHI
ANCA CRIVÃÞ
CONSTANÞA GHIÞULESCU
LUMINIÞA MUNTEANU
NONA-DANIELA PALINCAª
LAURA PAMFIL
COSIMA RUGHINIª
DIANA STANCIU
LEVENTE SZABÓ
BOGDAN TÃTARU-CAZABAN
MIRCEA VASILESCU
Editor: Irina Vainovski-Mihai
Copyright © 2005 – New Europe College
ISSN 1584-0298
NEW EUROPE COLLEGE
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023971 Bucharest
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E-mail:
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CONTENTS
NEW EUROPE COLLEGE
7
AXINIA CRASOVSCHI
RUSSIAN OLD BELIEVERS (LIPOVANS)
IN ROMANIA: CULTURAL VALUES AND SYMBOLS
15
ANCA CRIVÃÞ
LE MERVEILLEUX DANS LES ENCYCLOPÉDIES
LATINES MÉDIÉVALES
61
CONSTANÞA GHIÞULESCU
HOMMES ET FEMMES DEVANT LA JUSTICE
L’EXEMPLE DE LA VALACHIE AU XVIIIe SIÈCLE
95
LUMINIÞA MUNTEANU
MARGINAUX ET MARGINALITÉ DANS L’EMPIRE OTTOMAN
165
NONA-DANIELA PALINCAª
ON CLASSIFICATION IN ARCHAEOLOGY
217
LAURA PAMFIL
LES SOURCES GRECQUES DE L’ONTOLOGIE DE CONSTANTIN NOICA
249
COSIMA RUGHINIª
ROMA COMMUNITIES IN DEVELOPMENT PROJECTS
287
DIANA STANCIU
COERCIVE AUTHORITY AND POPULAR SOVEREIGNTY IN
MARSIGLIO OF PADUA’S DEFENSOR PACIS
319
LEVENTE SZABÓ
THE MAKING OF THE NINETEENTH-CENTURY
HUNGARIAN HISTORICAL CANON
353
BOGDAN TÃTARU-CAZABAN
VISIONS DE LA HIÉRARCHIE CÉLESTE AU XIIIe SIÈCLE
401
MIRCEA VASILESCU
LE DISCOURS ANTI-OCCIDENTAL DANS LA
PRESSE ROUMAINE POST-COMMUNISTE
435
ON CLASSIFICATION IN ARCHAEOLOGY*
Some form of classification is inherent in any research work, being
either its point of departure or end product. However, it was only after
publication of “De quelques formes primitives de classification” (1903)
by Durkheim and Mauss that classification itself came to be considered
a legitimate subject of research in its own right. This was the result of it
being argued for the first time that “classifications generally express the
societies within which they are elaborated” (Ellen 1979: 3). This is the
same as saying that different societies use different classifications for the
same phenomena. Anthropology, philosophy and historical studies were
forced to redirect their endeavors towards the investigation of the
classificatory process if they were to understand human society and the
validity of human knowledge. Of the extensive literature on this topic, I
will concentrate only on that which is directly connected to archaeology.
I intend to present a fair summary of this material as this paper in fact
represents a first attempt to bring the attention of Romanian archaeologists
to the issue of classification. Despite the long history of this debate in
other archaeological schools, it has as yet not been discussed in Romania.
Its particular importance derives from the fact that most archaeological
analysis begins by presenting an archaeological record by means of one
or more typologies. Any conclusions the archaeologist might draw depend
upon his or her point of departure: the typologies. Given the variability of
artifacts, a series of questions arise: how can a type be identified? On
what grounds can we state that an artifact belongs to a certain type and
not to another? How does variability range within a type to be determined
or, in other words, “How different is different”? Are there types/categories
*
2000-2001 Fellow. As her paper was not ready to be published in the
yearbook of her series, it was introduced into the present issue.
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in the “world out there” or types merely created by archaeologists? This
last question asks whether there is an inherent structure to the world,
which we can discover if we act correctly. What does a type really
mean? Do the answers to these questions have a bearing on the results of
archaeological analysis and if so, in what way?
The “typological debate” took place mainly in English and American
archaeology. It leads to the realization of the existence of a close link
between explanations of artifact variability (i.e., the way type has been
conceived) and the main theoretical approaches in archaeological
research.
*
Why is Classification Worth Considering in its own Right?
Historically, and in some cases still today, archaeologists have not
considered classification worthy of discussion. However, this does not
presuppose the lack of a theoretical stand point on their part. It simply
shows their thinking to be within the Cartesian frame which is dominant
in modernism. For Descartes there existed a complete division between
mind and body, between subject and object. Objects had constant
properties, so, for the purposes of studying them, thorough and ‘objective’
(i.e., detached, impartial) observation was sufficient. This defined the
philosophical basis for empiricism, a concept that dominated archaeology
until the beginning of the 20th century (Thomas 1998: 150 - 154).
However, as R. Rorty has written,
On the periphery of the history of modern philosophy, one finds figures
who, without forming a “tradition”, resemble each other in their distrust of
the notion that man’s essence is to be a knower of essences. Goethe,
Kierkegaard, Santayana, William James, Dewey, and later Wittgenstein,
then later, Heidegger, are figures of this sort […] These writers have kept
alive the suggestion that, even when we have justified true belief about
everything we want to know, we may have no more than conformed to the
norms of the day (Rorty 1979:367 after Boast 1997: 182).
Today, the number of scholars who agree with Descartes is continually
declining. There are several reasons for this.
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Firstly, the information we receive about the world “outside there” is
filtered through our senses. This is a fact. “Lacking a frame of reference
it is impossible for the human mind to know the amount and kind of this
filtering.” (Voorrips 1982: 95) Experiments have shown that every species
has its own sensory and perceptual characteristics within which it perceives
the world. For example, we have words for only those colors which fall
within our visible spectrum; an octopus is unable to feel weight (Hinde
1998: 175 – 176). This means that we cannot perceive the world as it
really is. Furthermore, the “making conscious” of observations is an
activity that differs from individual to individual (Voorrips 1982: 95). On
the other hand, it is also true that the impact of this upon human cognition
should not be overemphasized: there are some general rules of how humans
“construct their psychological world”. We tend towards achieving
agreement between our view of the world and that of others. Otherwise
we experience strong feelings of insecurity and lack of control. “The
more our perceptions of the world coincide with those of others, the more
willing we are to accept them as true.” (Hinde 1998: 176) This means
that our representation of the world depends on the culture in which we
were socialized. We cannot observe and describe the world independently
of our culture. The simple act of using words presupposes the learning of
categories. These are then recognized in the world around us. Different
cultures categorize the same things differently.1 Archaeologists, as bearers
of a culture different from that of the prehistoric people, necessarily
classify in a different way. Not only do folk classifications differ from
their scientific counterparts, the latter also differ among themselves, such
that truly objective classification (and knowledge) becomes impossible.
Probably the most convincing demonstration was made by Michel
Foucault (1966). In analyzing the evolution of scientific research from
the Renaissance up to the 19th century, he was able to show that for the
same domains of investigation (nature, language, etc.) scholars elaborated
theories over time, which were totally incompatible with each other;
knowledge hadn’t simply developed from the 16th till the 19th century by
accumulation: it had been restructured. The ultimate basis of an époque’s
knowledge is the “episteme”: a specific way of constructing categories
and binding them together in structures. An episteme is a system that
connects our eye to the world and makes a particular discourse of that
world appear to be true; but this only applies in a given époque (Foucault
1966, throughout). Once a new episteme has been established, others –
both previous and competing – are declared false. Legitimate knowledge
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is a matter of agreement, and thus truth is more a matter of power than a
matter of adequacy in respect of the subject of investigation.
These are some reasons that make the problem of classification worthy
of consideration .
*
The Main Phases of the “Typological Debate”
Before 1940. Initially, archaeologists published a large number of
somewhat uncritically derived classifications (Adams 1988: 41). Their
main purpose was to describe collections (Ford 1954:43), usually
originating from unstratified sites. The smallest entities resulting from
these classifications were called “types”. (Steward 1954: 54, quoting
Ford). Among these, the most elementary is the “morphological type”
owing to its basis on similarities and differences in form alone; it was of
cultural significance. Other types had no cultural value, but were of
chronological value; these were the so-called “historical-indexes”. The
main role of these types was that of time-space markers, the absolutely
necessary basis for every archaeological interpretation of every cultural
historical development (Steward 1954: 54 – 55). In this stage classification
was based simply on the archaeologist’s intuition and experience.
Classifications were groupings of objects by direct comparison; types
were defined through external similarities and differences as perceived
by the analyst. The result of this was usually a plate illustrating the types
as such, without explanation of the criteria on which they had been
determined. Insofar as debate of the types existed, it was usually on a
practical level: was a certain type consistent enough to be considered as
such, or was it a variant of another type? Was a type sufficiently well
described? Etc. The scope of the discussion was to elaborate an adequate
vocabulary for the systematic description of the archaeological material.
Epistemological issues were completely ignored (Adams 1988: 41).
Since the variables were not defined, this kind of typology/
classification cannot be checked, or reproduced by other analysts. The
procedure requires direct comparison, so that the best fit was often only
the least bad. As a consequence, through assignment of new artifacts,
the initial internal homogeneity of the types was gradually lost. Pieces,
which didn’t fit into either category, formed a new category. Later
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inspection of the classification shows that its initial systematic character
had been lost and that a new classification was needed. This object
grouping serves only as a descriptive tool of a finite number of artifacts.
It has no explanatory power, unless contextual information is added
(mainly on chronology and place of production) (Voorrips 1982: 108 –
109).
Around 1940. Archaeologists became increasingly aware of the fact
that morphologically different types could be functionally related to each
other (Steward 1954: 56). The debate was centered on searching for the
functional or emic types. Archaeologists tried to use classification to
help them ‘get inside the heads of the artifact makers’ (Rouse 1939 and
Krieger 1944 after Adams 1988: 41; Spaulding 1953: 305). Cultures
characterized by them should correspond to social and ethnic units “that
people themselves would have recognized” (Adams 1988: 41).
The debate was still dominated by field archaeologists who tried to
validate their experience-based typologies such that a type was conceived
as a ‘specific and cohesive combination of attributes’ (Krieger 1944: 277
after Whallon 1972: 14).
The Spaulding-Ford debate. In 1953, Spaulding published an article
with a significant title: “Statistical techniques for the discovery of
artifacts”. There he argues that “The artifact type is […] a group of artifacts
exhibiting a consistent assemblage of attributes whose combined properties
give a characteristic pattern” (1953: 305). Accordingly, he proposed
statistical methods for the “discovery of combinations of attributes favored
by the makers of the artifacts” (loc. cit.), so that artifacts couldn’t fail to
have historical meaning (loc. cit.).
This view that takes for granted that types do exist in cultures and that
it only takes competent methodologists to discover them was strongly
criticized by J. A. Ford (1954: 42). He argued that a cultural trait is an
abstraction created by the archaeologist in order to analyze his material.
Things look similar but not identical, as turned out by a machine, so that
a cultural trait has a mean and a range of deviation. Their bearers were
not necessarily aware of the existence of this ‘mean’ (Op. cit.: 45). A
“type is formed by the observer at a chosen level of abstraction” and this
is dependent on the purpose of the analysis (Ibid.: 47). Furthermore, the
way a type looks like depends on the chosen space and the moment in
time, which are analyzed. To illustrate his point, he analyses the houses
of a fictional Gamma-Gamma culture from an equally fictional
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Gamma-Gamma Island, as seen by ethnologists in 1940. There were
several methods for building each part of a house such that the cultural
concept of a “house” could be split into several other concepts (i.e.,
types), with neither of these levels of abstraction being any less ‘real’
than the other. However, seen together, all houses share common features,
with themselves and with other aspects of the culture they belong to (for
example, the type of family), for there is an “inherent organization […]
in culture at all times and places” (Ibid.: 52). If the chosen level of
abstraction were a house, then the ethnologist would note that most houses
are closer to the mean for the type, while some deviate from it. But if the
chosen area is expanded to include the neighboring island as well, then
those houses, which were considered deviations from the mean on
Gamma-Gamma, now become rather typical of the neighboring islands;
only a few houses will be still regarded as belonging to the
Gamma-Gamma type. In other words “qualitative differentiation in culture
is a function of distance” (Ibid.: 49). Artifact variability may be
accelerated by different factors such as ethnic, political and social barriers,
etc. These barriers, however, as well as the effect of these factors upon
the cultural item, can not be known previously. Rather, they are to be
discovered by the archaeologist, an endeavor that is dependent on the
previously defined types (Ibid.: 49). The definition of the type depends
on the point in space where the collection originates. It follows, therefore,
that for the archaeologist working on collections stemming from two
sites placed at a distance from each other, and who is unconscious of the
nature of the problem, the differences between types will appear larger
than they in fact are. Should new assemblages be discovered in the area
between those initial ones, the limits between comparable types then
become less clear due to the continuous character of artifact variability.
Artifact variability is also continuous over time: the main types from
1900 will be different from those from 1940. The aspect of houses will
constantly show minor changes over time such that the type, which
presupposes limits established through similarities and differences, has
no natural character. Only rarely abrupt changes encountered (Ibid.: 48
– 52).
Ford agrees with Spaulding in asserting that each culture has its internal
cohesion. “The cultural type will, to a greater or lesser degree, be a reflection
of the boundaries to one stream of ideas which the cultural bearers
considered related” (Ibid.: 52). To this extent, statistical tests for the analysis
of the consistency of the association of features can be justified. However,
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types, as established by archaeologists, can not avoid dependence on the
place and moment in time from which the artifacts originate and the chosen
level of abstraction (loc. cit.). In summary: Spaulding was convinced that
cultural types really existed and could be discovered by archaeologists,
while Ford argued that, despite the internal cohesion of cultures, there is
no such thing as a real type. Types are only tools devised by archaeologists
and other anthropologists in order to analyze artifacts. Their variability, for
both Spaulding and Ford, was the result of the putting into practice of the
idea about how artifacts should look.
The Bordes–Binford debate came out of the explanation of stone tool
variability in Mousterian (Middle Paleolithic), in southern France. Bordes
argued that distinction should be drawn between the techniques and forms
of stone tools. The former issue was conditioned by the availability of
raw materials and consequently useless for reconstructing culture histories,
while the latter was the result of different cultural traditions, of different
ways of conceiving and manufacturing the same type of tool. With this
in mind he developed a classification of stone tools, which became the
most widely adopted system among paleolithicians. He created standard
lists of tool types and used a quantitative technique for describing
assemblages. The four different types of Mousterian – the Quina, typical
Mousterian, Mousterian of Acheulean tradition, and denticulated
Mousterian types – were described by cumulative curves; their distinctive
shape was determined by different frequencies of tool type occurrence in
an assemblage. The debate started from the question as to what these
curves (i.e., assemblages) meant. For Bordes and Sonneville-Bordes they
were characteristic of different contemporary populations, each having
their own traditional way of conceiving the “right” form for artifacts with
otherwise similar functions. The long duration of these cultures was
explained by the small dimensions of human groups at that time, for,
Brodes argues, all humans are intelligent, but only a few are creative:
the smaller the group, the more rare the innovations (Bordes and Sonneville
Bordes 1970: 72 – 73).
Binford supplied arguments for an alternative explanation of the French
Mousterian. He conceived culture as an extra-somatic adaptive system
that is employed in the integration of a society with its environment and
with other socio-cultural systems (Binford 1965: 205). Function was the
main cause of artifact variability. Explanation of the differences between
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artifact assemblages was to be found in the different specialized activities
carried out on those sites. For him, there was only one Mousterian.
Not even newer stratigraphic evidence, from the site where the four
types of the Mousterian were found in layers one on top of the other,
tipped the scales in favor of one of these hypotheses. Bordes considered
that these sites to have been successively occupied by human groups
with different traditions of artifact manufacturing. Binford answered that
his own ethno-archaeological work, as well as studies made by American
scholars on modern, native peoples in the New World, showed that the
only factor that could be correlated with artifact variability was the kind
of environment. “Variability among … [social or ethnic] units tended to
be graded across many groups, rendering the recognition of ethnically
distinct groups a nearly impossible task” (Binford 1983: 93). However the
discussion could not be carried forward as there was no answer to the
question: ‘Was the past so different from the conditions documented in
the modern world?’ (Op. cit.: 93).
This debate highlighted a conflict of views about the way cultural
development was conceived: the organic and the cultural view. Both
could account for the same range of artifact variability.
Important for the future direction of the debate around artifact
variability is the distinction “New Archaeology” – later called processual
archaeology – made between the style and the function of the
archaeological material. According to this, an understanding of prehistoric
cultures could only be achieved by focusing upon the function of the
artifacts. This stance was adopted by some archaeologists and strongly
challenged by others.
Evolutionary archaeology is the climax of those directions that stressed
the relevance of function in understanding of artifact variability. Its critical
point was an article by Robert Dunnell, “Style and Function: A
Fundamental Dichotomy” (Dunnell 1977). Function was defined as being
that component of an artifact that was devised as a response to the
selective pressure of the environment. In opposition to style, function has
an adaptive role (op. cit.: 199). Style is seen as functionally neutral: a
bottle opener is made having in mind the idea that it should be efficient;
the more efficient it is the greater the chance of replication, of persistence
through time. Not all its traits are linked with efficiency. Color, for
example. People could choose whatever color they wish, for colors in
this case have equivalent functions. They don’t influence the persistence
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of the tool through time (Leonard 2001: 74). This is determined by its
functional traits. Persistence of different traits through time can guide the
archaeologist in his or her attempt to distinguish functional from stylistic
attributes: the former being long lasting, the latter as whimsical as all
trends are.
Another distinction concerning artifact variability was taken over from
the evolutionary Darwinist biology: the distinction between homologous
and analogous traits (op. cit.: 69). Artifacts from different parts of the
world can, and do have common traits. Some have common roots, while
others are simply the result of independent invention. The former were
named homologous, the latter analogous. This distinction is of crucial
importance if we intend, as evolutionary archaeologists do, to reconstruct
the “polygenetic history” of artifacts (Lee Lyman 2001: 78).
Important progress is expected from this area in the long term. However,
for the time being, its theoretical stance is more convincing than the
case studies. The first objection concerns the method proposed for the
separation of stylistic and functional attributes. These latter attributes
may undergo a rapid decline2 such that their correct identification depends
on the moment in time the analysis is focused upon. Other case studies
(see Leonard 2001: 80 – 92) have been left unfinished.3
Style had an adaptive function. This was the main conclusion H. M.
Wobst came to after studying stylistic behavior. His starting point was an
archaeological dilemma: “although style is integral to most archaeological
research, it lacks meaning” (Wobst 1977: 317). Archaeological research
conceived style as those aspects of artifact variability, which were
congruent with specific areas, time periods, or social units, etc., and
couldn’t be explained by productive advantage, mechanical factors or
chance. No explanation had been given for this congruence so Wobst
decided to try to clarify the issue. He argued that, as with every living
organism, man needs to exchange information with his environment.
One means of doing so is through style. Given the heavy contribution of
artifacts to human survival, we can expect them to carry information.
Unlike other means (e.g., verbal communication), they don’t require
presence on the part of the emitter and can maintain a message for a
longer period of time. Different styles are used for different receivers.
Among these he distinguishes four social groups organized around the
emitter: his immediate household, his relatives and close friends, a
socially distant group and, finally, a very distant social group. For the
first three groups, the greater the distance from the emitter, the more
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complex the messages. Communication with the immediate household
doesn’t require any elaborate stylistic behavior as messages are familiar
to all its members. A parallel argument can be brought forward for the
next level, where stylistic behavior gains only slightly in complexity.
Stylistic elaboration is requested for communication with the socially
distant group, and it exists only in societies complex enough to consist of
such groups.
As societies increase in size and complexity, more and more aspects of
behavior become repetitious and anticipated. It is in the latter societies that
stylistic behavior structures important aspects of artifact form (op. cit.: 326).
The most remote group is too distant to be considered a target, for it
doesn’t have much chance of encountering the message and cannot
decode it. Wobst tested his theory of stylistic behavior using examples
from southeastern Europe, and Yugoslavia in particular. This region was
considered particularly good testing ground owing to its ethnic, linguistic
and religious mosaic. Under such conditions, transmitting and receiving
information about the social group of a person encountered before one
gets into the gun range of one’s enemy is of major importance. This is
only possible by using items visible from a long distance (e.g., from the
other side of a mountain, or from a long distance on a road). The most
appropriate for this task is clothing. An example of this is given by the
struka (a kind of cloak), which differs from tribe to tribe in color and
color combination. After the state gained control over the tribes and
local vendettas stopped, tribes began to reorganize themselves by ethnic
criteria. Accordingly, headdresses and coats representing ethnic groups
replaced the struka. Further changes occurred as a result of the official
recognition of the Romanian-speaking minorities, for example, who gave
up their former sheepskin kaplak headdress and adopted the hat of the
Romania peasants as a sign of their identification with the Romania nation
state (Ibid.: 330 – 334).
Other kinds of messages, such as an individual’s position in a ranked
scale used in smaller social groups, are emitted through items visible
from shorter distances (jewelry, shoes, etc.). Finally, other items, not
visible to people outside the household, show no differentiation (e.g.,
under-wear) and are produced with little costs (Ibid.: 334).
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The further the distance from which a specific stylistic message can be
deciphered, the wider its geographic distribution; and the more predictably
the item is worn or visible, the wider the distribution of specific stylistic
form carried by the item (Ibid: 335).
Artifact variability owes much to the fact that style has function. Wobst’s
article, as well as Bourdieu’s sociological theories (Bourdieu 1972; 1980)
about the role of artifacts in human life had a major impact on
archaeology. One of its most fruitful directions, the post-processual
archaeology, concentrated upon investigating artifact variability in
relationship with social and power relations.
Artifact variability is only rarely determined by artifact function.
This was one of the conclusions Daniel Miller arrived at in his thorough
study of modern pottery in central India. He started by examining the
most common assumptions encountered in archaeological research at
the time.
He selected 51 pottery shapes in use in an Indian village called
Dangwara. Despite this great number, all of them could easily be
recognized as being specific to the area under study. What made their
recognition possible was style (Miller 1985: 35). This inclusion of a large
number of categories in one style is possible due to particular exploitation
during the production process of certain dimensions (i.e., characteristics)
of the pottery. (In the Dangwara case, the most important dimension was
the shape of the upper part of the vessels, the so-called parti). Dimensions
are those which divide and, at the same time, unite categories. This is
why artifact assemblages should be studied as a whole, as structuralists
have done, and not as individual forms. Further, “this means that the
identification of significant dimensions of variability is accomplished by
precisely the same activity in ethnography as in the archaeology of
prehistoric societies” (op. cit.: 50).
He also investigated the relationship between the function and form
of pottery. Some of the forms were indeed well suited to their function
(i.e., a clay disc used to imprint a decoration on the bodies of village
cows at certain times of the year; a type of lid, etc.), but most were not.
The oil lamp, for instance, had no form of provision for the wick, so that
this often slid beneath the surface of the fuel extinguishing itself. Most
rims played no part in the way vessels were carried or held. Vessels for
water-storage had necks that were too narrow and no spouts such that
obtaining water after the vessel was less than half full was a
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near-impossible task. As in other parts of southern and southeastern Asia,
a large number of vessel shapes were often used to perform the same
function, while sometimes the same shape was used for different functions
(Ibid.: 55 – 67). Thus it became clear that “the notions of function and
efficiency play little part in any detailed explanation of the specifics of
variability” (Ibid.: 67). Function has an impact on vessel morphology,
but only in a distant way. The relationship between shape and function is
established by convention. However, from villagers to academics, all
people, when asked about the causes of vessel morphology, would answer
in terms of function and efficiency.
Some of the attributes of the pottery could be explained by considering
them in relationship with other dimensions of Indian culture. Typical
Hindu oppositions such as those between water, seen as pure, and food,
seen as polluting, or between red, as the color of the sacred, and black,
the color of the undesirable, bear directly upon ceramics. Pots used in
connection with water or with religious ceremonies are always red, while
those used for cooking or meal consumption are black. Should vessels be
used in private ceremonies, they must be different, i.e., “red and buff”.
Another issue investigated by Miller is that of the emic categories.
Most archaeologists were convinced that knowing them represents the
key to the understanding of past cultures. Miller found out that the
Dangwara people had more names for ceramics than there were forms.
Different people used different names for the same pots, each of them
being convinced that all the others would name a particular pot as he
himself did. On the other hand, some attributes of the pottery had no
name at all (i.e., the “red and buff” surface), although they were used
systematically. The contexts and the way vessels were manipulated had
an evidently structured and systematic character, though the villagers
were unconscious of this themselves. When stated, it was denied. Miller
concluded that the idea of reconstructing the emic categories for
understanding material culture was no more than an illusion. Users
consider most material artifacts to be trivial and unimportant; they are
mostly ignored and not currently objects of complex conceptualization.
However, their manipulation is never mistaken. The reason for this is the
‘frame’. For the pottery, this can be the framework it is used in (a ritual,
etc.), and the frame it constitutes itself for its content (which is usually
given more attention) (Ibid.: 175 – 183).
Another question Miller’s study focused on is: do artifacts reflect social
structure?
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One of the examples he discusses concerns a piece of jewelery that
the higher castes would wear around their ankle. As the lower castes
began to copy this, the higher castes started to feel uncomfortable wearing
it and gave up the habit. This example demonstrates how, if a process of
emulation is at work and social hierarchy remains constant, dynamic
social processes may be inferred from synchronic material (Ibid.: 185 –
191).
Other items are simultaneously connected with different social values.
Brahmans, for instance, adopted metal vessels for religious reasons (metal
vessels are seen as more pure than those of clay), while the jat, a
notoriously unorthodox caste, would use the same as a sign of their wealth
(Ibid.: 193 – 195).
Seen as a whole, artifacts don’t simply reflect social structure as
described in sociology. They play their own role in social life. The
relationship between people and their material world can not be
eliminated. There is no privileged ‘real’ society to be represented by
artifacts (Ibid.: 202 – 203).
Both caste and the material world are constructs which capture and in turn
constitute elements of culture, but within an array of alternative, sometimes
complementary and sometimes conflicting representations. […] The
implication of this for archaeology is that categorization found in material
form may be as fully constitutive of society as a normative articulated social
categorization, equivalent to caste (Ibid.: 203).
Research on pragmatic aspects of categorization
Concepts are either etic (elaborated by the analyst) or emic (belonging
to the analyzed culture) (Harris 1969: 568 – 604).
From another point of view, they can be either monothetic (built on a
single attribute considered at a given time) or polythetic (built on several
attributes). The former are more convenient as they are more easily
identifiable, while the latter correspond better to what is actually seen.
In the scientific classification, polythetic classification “is associated
with increasing information; in the [… folk classification] it is a response
to too much” (Ellen 1979: 11). In his “Philosophical Investigations”,
Wittgenstein argued that in everyday life semantic and perceptual
categorizations are polythetic. Their meaning is heavily determined by
contextual factors (after Miller 1985: 8).
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The degree of abstraction implied in the classifying process and the
relevance of classification for a given culture seem to be determined by
everyday life conditions. This was the conclusion reached by D. Reason
(1979) after having compared the modes of signification of (Polish) peasant
families in pre-capitalist and capitalist economies. Forced to be
economically self-sufficient, peasant family farms in pre-capitalist systems
were oriented toward qualitative production, i.e., in order to survive they
had to produce a whole range of products. These not being subjected to
exchange, there is no need to elaborate such abstract notions like “value”
or “labor time”. On the contrary, the capitalist system cannot exist without
such abstract notions: in their absence, exchanging wares becomes an
impossible task. This is why, argues Reason, “categorization” is a more
adequate term for the classifying process in pre-capitalist societies, while
“classification” should be kept for societies with a higher degree of
abstraction (in this case study, the capitalist system) (Reason 1979).
Categorization solicits recognition of a kind which depends on no particular
features of expression for its correct exercise, whereas classification is not
only rule-governed (since it indicates a culture property), but these rules
must be articulable in principle and constitute criteria of identity (op. cit.:
222).
In other cases, ethnologists noticed that even people living in comparable
economic systems show different propensities toward classification (in
its broadest sense). Thus the Navaho “love to categorize and are ready
and willing to argue about hair-splitting taxonomic distinctions” (Morris
1979: 120), while the Malapantaram “showed a general disinterest in
taxonomic concerns” (op. cit.: note 8).
Generally speaking, classifications can be hierarchical,
non-hierarchical but based on contrast, networks and non-hierarchical
but lacking the idea of contrast (Ellen 1979: 12-14).
• Hierarchical classifications order by inclusion of bounded semantic
fields. This was the dominant case in the European scholarly tradition
since Aristotle; however, it was by no means appropriate when used
to examine folk systems. It does not account for “interlocking
hierarchies, extra-hierarchic relations, synonymy, homonymy,
polysemy, anomaly, cover categories and residual taxa […] Rather
[…] taxonomic trees are the result of classifying behavior” (op. cit.:
13). It has also been argued that elaborate hierarchical classifications
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depend critically on the introduction of writing (Ibid.: 23). Illiterate
societies are not able to handle too complicated and totally systematic
classifications. “Whereas the inbuilt, rigorous logic of ethnographic
method easily gives rise to anomalies, the informal logics of folk
systems permit its avoidance” (Ibid.: 14). As far as the relationship
between hierarchical classifying systems and social organization is
concerned, there is no simple, one-to-one correspondence. While it is
true that hierarchical European society developed a hierarchical
classification system (of Aristotelian tradition), such highly hierarchical
societies, as China, used a non-hierarchical classification (Ibid.: 25).
• Non-hierarchical classifying systems are based on the idea of contrast
and of common points. For example, the Chinese Mohist philosophers’
system of the 5th and 4th century BC. There categories include each
other, some being broader than others (things>animals of four feet>oxen
and horses). The common point between oxen and horses: they have
four feet (Ibid.: 13).
• Networks are sometimes found to be more suitable for the complexity
of reality. Rumphius, in his Herbarium Amboinense, grouped plants in
networks, by similarities and differences, partially following the local,
i.e., Malay, classification (Ibid.: 14; Peeters 1979).
• Non-hierarchical, partial classifications are where the idea of contrast
is totally absent. These are the so-called “fussy sets” (Ellen 1979: 14).
They can be more suitably explained by considering of a couple studies.
The mathematician, L. Zadeh (1965), analyzed situations in which
objects are not, as in conventional logic, either members or non-members
of a given set, but rather are seen as more or less representative for that
set. This indeterminacy of categories is known as the “fuzziness of the
sets” or as “fussy set theory” (after Miller 1985:8).
The linguist W. Labov, published the result of his research into
expressions such as “A is a sort of B”. He used a set of pottery profiles. As
he gradually modified their dimensions, he noticed that his informants
requested contextual information in order to make distinctions, such as
between a “cup” and a “bowl”. “In the world of experience all boundaries
show some degree of vagueness, and any formal system which is useful
for semantic description must allow us to record, or even measure, this
property” (Labov 1973: 352 after Miller 1985:8).
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Another study of the categorization of pottery, conducted by W.
Kempton (1976), improved some aspects of Zadeh’s fuzzy set theory. For
this he asked eleven students from two American universities to classify
an assemblage of Mexican pottery. Predictions made according to the
fuzzy set theory were confirmed in thirteen out of fifteen possible
taxonomical relationships between the different kinds of vessels included
in the test. The two exceptions were concerning the categories “cup”
and “mug”, and “mug” and “coffee cup”, respectively. The results showed
that some of the mugs were considered to be a sort of cups and some
were not (1976: fig. 15 and 16). This was quite surprising because all the
informants agreed previously that a “cup” is a superordinate term for
“mug” (Kempton 1976: 61). Kempton concluded that the fuzzy set theory
is appropriate for judging the inclusion of an object in a set, but not for
the inclusion of a set into another one. In the first case, inclusion is
absolute, in the second it is gradual: members of one set are part of a
superordinate set to a greater or a lesser degree, and some might turn out
not to be members of the superordinate set at all. “There is a critical
value of membership” (Kempton 1976: 60). This is how, though all the
informants agreed upon the assertion “a mug is a sort of cup”, it was still
possible for some mugs to be more a sort of a mug than a sort of a cup and
for other mugs to be more a sort of a cup than a sort of a mug. A parallel
argument can be constructed for the relationship between “mug” and
“coffee cup”. Kempton’s conclusion was that “Empirical facts require an
adequate theory of human cognition” (op. cit.: 62). The fuzzy set theory
should be improved (Ibid., loc. cit.).
On the evolution of the capacity of categorization. The aim of the
recently developed branch of archaeology called cognitive archaeology
is to investigate human cognition as mirrored by the archaeological record.
One of its most important domains is concerned with the evolution of the
human mind. Those working on this issue include not only archaeologists,
but also psychologists, anthropologists and sociologists. Most of them
agree that humans inherited the capacity to use concepts from their non–
human ancestors (Donald 1998b: 184). This is based on the results of
experiments made on chimpanzees – they are clearly capable of thought,
though only when considering aspects of the social domain.4 It is also
possible that they possess a (limited) capacity to think about the natural
world. This is considered the starting point for the evolution of human
cognition.
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In evolutionary psychology there are two basic theories about the
evolution of the human mind. One considers this process to be completely
modular: modules, sometimes also named domains or intelligences,
evolved separately from each other, having their own rhythm and
developmental phases, and were only later linked to each other by
consciousness. As a result, cognitive fluidity was achieved (Mithen 1996:
55 – 92; Donald 1998a: 9 – 10).
The other theory describes an only partially modular evolution of the
mind: beyond modules there must also have existed a kind of “central
processor” (Donald 1998a: 10).
A somewhat different theory of the evolution of human cognition has
been developed by S. Mithen, an archaeologist working mainly on the
Paleolithic. He sees the human mind as having evolved as has the
architecture of a cathedral (1996: 61 – 72). His model differs from other
modular theories in the number of the domains it takes into consideration
(only four) and the way it conceives their development. However, what
is really unique about his study is the attempt to connect the
archaeological evidence to the main stages of the evolution of human
intelligence. Mithen states that every attempt to understand the early
prehistory of the human mind must take into account the fact that people
considered the social, biological, technical, and linguistical domains
separately and behaved accordingly (op. cit., in the first place 7 – 16).
Another research domain in cognitive archaeology studies the role of
the memory in the development of human cognition. In order to get over
the flaws and limits of their biological memory, humans devised means
for external symbolic storage. Artifacts played a major role, although
humans themselves can also serve as means for improving memory. In
illiterate societies material artifacts can have multiple meanings from
totally different domains. This was highlighted by ethno-archaeologists
and is of crucial importance for archaeology. Thus, a village plan in
Papua–New Guinea might simultaneously reflect such different
information as the social structure of the local community, its relationship
with other villages, its way of conceiving human anatomy and physiology
and so on (Strathern 1998). It is apparent that archaeologist will never be
able to infer these multiple meanings of things from the archaeological
record.
A question that cannot be answered might be a wrong question. This
seems to be the main idea of R. Boast’s investigation of style and function.
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Archaeology, he says, considered style as “the bit that is most human,
added beyond natural necessity. It is the bit that has most to do with the
mind, with human intentions, with human communication. Style is seen
as a key to the social” (1997: 173). He thinks “Wobst left style
under-defined and treated the distinction between style and function as
unproblematic” (op. cit.: 177). He argues that the whole discussion about
style and function is the result of the Cartesian subject/object divide.
Ontologically, however, style is not different from function: whatever
exists must have both function and style. Style is not a “paint” humans
added to the absolutely useful part of an artifact such that the artifact
can be manipulated for the achievement of social goals. Objects are not
only manipulated by humans; they themselves also determine human
actions. Like humans, they are influenced by their own history.
Certainly objects refer to the objects of the past, just as we refer to our
human forbears as resources in our current identity […] To the degree that
objects are passive surfaces on which we paint identities, so are we. To the
degree that we purposefully determine actions, so do objects. […] It is not
that the concept of style is invalid, only that it is only valid within its own
contingent categorization of the world – it is a way of describing the world
that is dependent on a specific set of assumptions about how the social
world works (Ibid.: 190 – 191).
In his opinion, it would be better to give up classification and replace it
with networks of humans and artifacts. The reader is offered no case
study. The article simply ends by raising a set of questions:
What happens if we extend agency into objects? How would non-human
agency operate, how would it be delegated, how would it be inscribed and
how would the inscriptions be challenged? What is the role of material
form and context in prescribing action? What will happen to the way in
which we study prehistory if we accept material agency? (Ibid.: 191)
*
Numerical Taxonomy
Numerical taxonomy (unless specifically cited, the following is a
summary of Doran and Hodson 1975; Shennan 1988; Baxter 1994;
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Bernbeck 1995) consists of numerical methods of analyzing relationships
between entities and grouping them into previously undefined classes.
This direction of research in classification started in the 1960s in close
connection with the development of computers. As a result, thousands of
titles were published. Several reasons explain this situation:
- Archaeologists were not able to solve the problem of the selection of
attributes relevant to the analyzed items. Most of the objects went
out of use a very long time ago, raising the question: which of the
theoretically infinite number of attributes should be selected for
analysis? Thus, one of the tasks of numerical taxonomy was “to discover
unexpected clusterings which may prove to be important” (Cormack
1977: 330).
- Archaeological material accumulated over time. Numerical methods
were meant to turn this otherwise unmanageable mass of items into a
coherent body of information.
- Most importantly: the wish to obtain “objective” typologies, to make
classification independent from the other, i.e., verifiable and
criticizable.
With this in mind, archaeologists adopted diverse methods initially
developed in other fields (psychology, physical anthropology, ecology).
A classic example is given by the work by Sokal and Sneath, Numerical
Taxonomy (1963).
Basic principles. Numeric taxonomy relies upon two basic principles:
1. Relationships between items are conceived as distance. The intuitive
concepts of similarity and dissimilarity are treated as numerical
concepts of proximity and distance. Calculations rely upon the system
of Cartesian coordinates. Units are represented as points in a
multi-dimensional space. Distances between points are reckoned by
using Euclidian or other concepts of distance.
2. The collection is treated as a statistical sample. The main advantage
of this is that whatever the characteristics of the sample might prove
to be, they must also be valid for the population sampled. Inference
from the analyzed collection to the prehistoric population becomes
possible.
Both these principles encounter difficulties in practice. The use of the
concept of distance for measuring artifact traits is unproblematic only if
the characteristics of the considered traits are compatible with a metric
scale. When, for instance, nominal variables are investigated the result
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becomes artificial. This happens because they can be registered only as
presence or absence, being assigned the numerical values of 1, in and 2,
respectively. Consider three nominal attributes say ‘made of bronze’,
‘made of iron’, ‘and made of gold’. If calculation is based upon the Euclidian
concept of distance, then the distance between each pair of units becomes
larger than 1 (see Pythagoras’s theorem: d = “ 12 + 02+ 12 = “2). This
result has no real meaning. The problem is difficult to overcome when
nominal and numerical variables are analyzed together. There can also
be other problems relating to distance, however conceived (e. g.,
Mahalanobis distance, etc.).
The concept of the sample, as normally understood by statisticians, is
inappropriate for the archaeological material. For inferences from the
archaeological sample to the population to be valid, it is first necessary
to answer the following series of questions:
1. What is the relationship between archaeological items and the life of
the human community that produced them? – This being the ultimate
scope of the analysis.
2. What part of the material culture of a community entered and has
been preserved in the earth?
3. Which of the artifacts preserved in the earth has been recovered for
the research?
4. What selection of what has been recovered will be analyzed?
It is not possible to place these phases of judgment in a valid
relationship with each other, with the exception of the last two. Still, the
collection must be conceived of as a sample, lest the discussion be about
some prehistoric material still existing in the present, and not about the
past. Generalizations must rely on the analyst’s experience and common
sense, a situation also encountered in other disciplines (e.g., geology).
To overcome this, other concepts have been introduced: target-population,
case study.
General description of the methods used in numerical taxonomy
Some of the most commonly employed methods are presented here
(for a general classification of all methods, see Voorrips 1982: 118).
Procedures are normally either hierarchical or partitional.
Hierarchical procedures order classes into a hierarchy, resulting in a
dendrogram. This can be obtained either by agglomerative procedures
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(entities are organized in more and more inclusive classes) or by divisive
procedures (the collection is divided into successively smaller groups
until division is halted for some reason).
Partitional procedures produce a direct division of the sample into a
given number of clusters, the relationship between clusters being of no
interest.
Methods for grouping items
The monothetic, divisive procedure benefited from one of the few
algorithms specially written for archaeology (Whallon 1972). Whallon
set out to analyze a prehistoric pottery style, called Owasco (late
Woodland; Center and East New York; 1000 – 1300 AD). Ritchie and
MacNeish, who are thought to have used Krieger’s definition of type,
have previously classified the same pottery. They determined 16 types of
the Owasco pottery, all having regional and chronological value.
In 1972, reanalyzing the same pottery, Whallon used Spaulding’s
statistical method (Spaulding 1953). However, only obtaining two types,
he asked himself what had gone wrong. On the one hand, Spaulding’s
procedure was appropriate for Krieger’s definition of type, also used by
Ritchie and MacNeish. On the other hand, the types elaborated by Ritchie
and MacNeish had shown regional and chronological value (the latter
also tested by radiocarbon dating) and could be easily learnt and correctly
used by archaeologists. This was a clear sign that was not merely the
result of the author’s imagination.
Whallon reanalyzed Ritchie and MacNeish’s typology and noticed
that, rather than being paradigmatic, as required by Krieger’s definition,
it was intuitive. It became clear that intuitive classification relies upon a
non-explicit logic. But Whallon wanted a standardized method of
producing such a classification, so he devised a monothetic, divisive
procedure. As is usually the case in guides and classifications used by
biologists, he considered attributes successively, one for each level of
the division (hence the name monothetic). Their order is essential to the
end result. Using a computer program, he managed relatively accurately
to reproduce Ritchie and MacNeish’s typology. This now became
independent from the experience of their authors. The good news to come
from this study was that intuitive classification was not illogical at all.
The bad news was to come later: the replication of the intuitive
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classification by using statistical methods was still a problem. The P2 –
test is inappropriate for determining the frequency (i.e., succession) of
attributes in a collection. The smallest of changes in its value influences
the order of attributes.
Cluster analysis, at a first glance, seems more appropriate as
classification method. This is because items assigned to one cluster are
reunited by different attributes, such that every item has some
characteristics in common with the other, but none of the characteristics
is shared by all items in the cluster. This seems to correspond to the
polythetic use of “type” in everyday life. There are lots of algorithms for
obtaining clusters, each with its own advantages and disadvantages. In
general, all make comparisons (i.e., reckoning of distances) between
entities and cluster those which, depending on the algorithm used, appear
more similar.
Methods for variable construction are built upon three basic ideas:
1. Space, distance, and dimensions. Archaeological units are considered
points in the space. Distances between points are taken to reflect
distances between units.
2. Configuration is referred to by coordinate axes (found at right angles
to each other).
3. “Simplification”, i.e. reducing the number of dimensions to those
necessary for the direct representation of the data. Here the problem
is how to simplify the information without distorting it.
Principal component analysis starts with a multi-dimensional space
with a large number of points (i.e., archaeological units described by
many attributes). Axes are rotated so that they remain at right angles to
each other and the first axis is placed in the direction of the greatest
spread of point scatter, the next in the direction of the next greatest
remaining spread, and so forth. These new axes are called components.
As a rule, only the first few components are relevant; the rest can be
ignored. These new axes are by definition uncorrelated. This allows the
archaeologist to analyze the main attributes responsible for the variability
in artifact of the assemblage under consideration.
Rotational fitting is used for analyzing two different configurations of
points. The axes, fixed by a common origin, are rotated until the best
overall fit between the corresponding points is achieved. The distances,
i.e., the differences between these points, are then calculated.
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This is a useful method when items are considered from two different
points of view (e.g., pottery shape and pottery decoration) as it shows
how closely ‘related’ they are to each other.
Discriminate analysis has been developed for situations where an
initial grouping of the units already exists and analysts have searched for
the main attributes that distinguished (discriminated) them from one
another. The best example is that of the relationship between anatomical
traits of humans and that of different species of non-human primates. It
can be used successfully to discriminate between artifacts with known
provenience (e.g., glass beads from different workshops).
Some comments on numerical taxonomy. In spite of the great
enthusiasm taxonomists have shared for decades, it became clear that
these methods could not eliminate subjectivity from the analysis. The
idea of Doran and Hodson of calling them “objective methods” is
misleading (Voorrips 1982: 111). All these methods presuppose that the
analyst take a whole series of decisions. Firstly: which of the potentially
infinite number of attributes is he going to consider? There is no way of
seeing whether there were attributes that should have been considered,
but were not (Bernbeck 1995: 218).
Hierarchical methods should be used only when there is reason to
think that the relationship between units is ranked. If not, then that which
we have obtained has no meaning (Voorrips 1982: 119 – 120).
The result of the analysis becomes meaningful only through
interpretation. The most obvious case is that of cluster analysis. Clusters
must be given a meaning. The criteria that brought them into being must
be ‘discovered’ by the analyst after ‘subjective’ examination of their
content. How many clusters there are in a collection also remains to be
decided by the analyst after ‘subjective’ consideration (Bernbeck 1995:
217 – 220).
Nevertheless, these methods are still very useful as exploratory
methods (Baxter 1994: 1-23) since there are characteristics of artifacts
which cannot be distinguished by use of human senses, their being either
too numerous or having prohibitively small dimensions. By way of
example, we can consider a test made using three potters, all requested
to manufacture ten cups of a certain shape. For the analyst, all the cups
produced looked very much alike, but after measurement and analysis
by statistical methods, both computer programs identified tree clusters.
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These corresponded, as expected, to the three handworkers (Impey and
Pollard 1995).
However, the importance of these methods shouldn’t be
overemphasized. When this happens, the archaeologist risks not thinking
sufficiently about his or her classification.
Probably the best idea with which to end is that of Doran and Hodson:
We do not believe that intuitive classifications by archaeologists are
necessarily invalid. On the contrary, the visual appreciation of complex
morphological patterning is a major human ability, which it would be
perverse to discount. […] However, it is clear that the innate abilities for
pattern recognition that archaeologists may posses are rarely controlled
sufficiently for consistent, communicable classifications to result (Doran
and Hodson 1975: 186).
*
On the Consistency of the Archaeological Measurements
Among all stages of archaeological research, classification is probably
that most influenced by human perception. Only a few studies have
investigated its role in the recognition of types. Are classifications fully
replicable?
The Kayenta Tusayan pottery (south-western USA) has a
well-established and long-known typology and as such was chosen for a
case study by Fisch (1978). There were four participants in the test, of
which three learnt the typology in the same period. The classification
depended on a combination of nominal variables. The final results showed
a discrepancy of between 22 and 30% between any two of the participants;
discrepancies were somewhat evenly distributed between categories (no
single type occasioned consistent bias); some attributes turned out to be
understood differently by different analysts.
A second test carried out by Fisch (op. cit.) was designed to verify the
replicability of measurements in time. The same person remeasured a
collection of flint tools after three years. Some of the measurements
yielded 0% discrepancies as compared to the previous, while others
showed a bias of more than 30%. The cause was identified as the broad
definition of some of the attributes considered (e.g., the amount of cortex
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preserved on the artifact). As noted by the author of these tests,
archaeologists must show caution when interpreting material from
publications.
Beck and Jones (1989) sorted 40,000 lythic tools from southeastern
Oregon into functional categories. Ch. Beck showed a constant tendency
toward conservatism (by recognizing fewer categories); Jones, on the
other hand, tended to be liberal (by constantly recognizing more
categories). These tendencies remained constant throughout the test.
Whittaker, Catkins and Kemp (1998) carried out a consensus test –
borrowed from ethnology – in a well-known pottery (North Sinagua,
Arizona) to test the coherence of classification by 13 persons of different
levels of experience. The results showed the professor’s tendency to be
different from the general tendency of the analysts, which also included
the students with little experience.
In conclusion, it has become clear that if consistent classification is
to be achieved, the following must be observed:
- Classes should be clearly defined;
- A set of rules for ambiguous situations should be elaborated (how
straight is a straight line? how straight should the active part of a flint
tool be that it be considered ‘straight’ and not ‘concave’ or ‘convex’?);
- The classification should be verified during the classification process;
- Several analysts should work concomitantly if types are to be correctly
recognized.
Nevertheless, the problem of systematic bias can not be totally
eliminated and will always influence the possibilities of comparing
archaeological materials.
*
How I See the Typological Problem in Romanian
Archaeology Today
In the following discussion I will refrain from quoting any particular
work except where I find it absolutely necessary to the understanding of
this text.
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Seen as a whole, Romanian archaeology still uses only intuition as
the method of classification. Items are grouped as the analyst sees fit,
classes only described, but never justified, and archaeological works
have only one, multi-purpose typology: that which should serve for the
investigation of time-space relationships, as well as economic, social
and ethnic (or other) phenomena. The correctness of a typology is not
evaluated in the context of the aim of the research; rather it is evaluated
in terms of the ideal of the best general homogeneity, though it is never
stated as such. A typology may be judged to be wrong simply because it
is found to have too many types or varieties, irrespective of the problem
under consideration. The dominant idea is that the “real type” should be
discovered in the material. This is typical of culture-history, the dominant
research direction in Romania. Other directions in the world archaeology
are not represented and, as a consequence, the typological debate is still
absent. This is due to the way in which the whole archaeological process
is organized (though, first and foremost, the lack of specific and systematic
university education in the field archaeology is to blame). However, I
will not elaborate on this matter further here.
As an effort to update research and given the scientific impression
people generally hold about statistical methods, attempts to apply
mathematics in archaeology have, in fact, been in evidence. The first of
these probably dates to 1971 (Nestor and Vulpe), while the most recent
uses computer-based statistical techniques as considered useful for
archaeology by the authors (Lazarovici, Micle 2001). There is no continuity
to these works and no discussion of the validity of the methods. As with
the case of intuitive classification and numerical taxonomy, techniques
(sophisticated to a greater or lesser degree) are implemented haphazardly
and in the absence of a theoretical background, the input is not
conceptualized and the algorithm used is determined more on the basis
of the availability of a computer program than by its suitability to the
problem under consideration (typically the use of seriation, instead of
cluster analysis, or specific cluster-analysis algorithms with no
explanation as to the way clusters are built). There is no easy way to
remedy this situation; the use of statistics requires specialists, and they
will not appear any time soon in Romanian archaeology, where even the
most traditional skills are self-taught.
In summary, the typological debate, which is at the heart of present
concerns in the world of archaeology, is at its very beginning in Romania.
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NOTES
1
2
3
4
By way of example: American children living in an urban environment
classify flora in only four categories: trees, plants with or without leaves,
bushes, and grass. In their time, children living in a tropical forest recognize
about 600 species of plants (Daugherty 1978: 74).
For instance, there are all kinds of tools and weapons we don‘t use any more
(cf. O’Brian and Leonard 2001, especially fig. 1.1).
Reanalyzing ceramics from North Mexico from the point of view of an
Evolutionary Archaeologist, Leonard obtained clusters which differ from
those of other analysts before him. This meant the previously stated type of
relationships were incorrect, owing to the unawareness of the distinction
between homologous and analogous traits (Leonard 2001: 85). In my
opinion, though this might well be the case, his demonstration would
nonetheless have been more convincing if he had made the effort to explain
to what extent these differences might have been caused by the algorithms
used for cluster formation.
This characteristic is usually called “Machiavelic behavior”.
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