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2023
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14 pages
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2007
Public spaces can be manipulated by choreographers to create political identifications that last long beyond the ephemeral performance event. How public space is defined and utilized is intimately connected with a society's definition of who is to be included and the kind of political community to be fostered. Through an engagement with feminist and political geographic writings I argue that dance, as an art form that is dominated by women, can create meaningful public spaces where these women express political attitudes, assert claims to the public realm, and actively use it for their own purposes. Using qualitative methods, three choreographers are highlighted to investigate how they each use symbolism, the social narratives concerning each site, and the built environment to communicate with their audiences about gentrification, environmental protection, and restrictive social mores. This work asserts that the social value of art combined with the nonverbal communication power...
Published in Dacoromania Litteraria, no. 3, 2016: 10-44 http://www.dacoromanialitteraria.inst-puscariu.ro/ro/nr3.php The article examines the concept of contemporary community as commoning, at the intersection of action, performance or participatory art, place, site-specific, and (post)digital poetry. This involves a brief review of traditional avant-gardes, 20th century engaged art, and recent political-art movements. In the process of this analysis, the participatory emerges as a subtler, more nuanced, and less predictable phenomenon than usually accepted. Also, performative subjectivity is traced as either the source of anticommunal community (in French theory), or mere Christian-capitalist construct (in communist philosophy). Agamben’s theory of the coming community is therefore examined as possible response to both these stances, with its relevance to contemporary movements, including post-Occupy. Commoning—paralleled to placing in poetry—turns out to be of critical importance in present-day community especially with correlatives such as displacement and undecidablility. Place, space, and map(ping) are therefore radically redefined in the context, and contemporary poetry appears to be indissolubly related to the process: the poem of place is the place, and poetry becomes the site of the com(mon)ing community. Site (and discourse)-specificity in poetry occasions a shift in focus to digital space, its sonic economy, and the communities and floating locations/sites thereof. Site and discourse fluidity have brought about a paradigm in which the poem and its related apps tend to expand and turn into digital space itself, while in more recent postdigital evolutions, a new political concern for the ‘real’ reshape community, site, and performance/participatory art or poetry in a continuous interactivity and interdependence. Keywords: community, commoning, participatory art, performance studies, poetry of place, site-specificity, digital space, digital humanities, e-literature, the postdigital, GSI, NLP.
Environment and Planning D: Society & Space, 2021
Our interest in liminalities follows two analytics. One has to do with what we might call the 'urban transversal'. Those rhythms emerging from disparate (pre)occupations that cut through practices, intentions, projectualities and powers, as an affective and material economy. This economy not only holds things together but also generates modes of life and becoming-urban that defy what conventional approaches to the 'economy', the 'social', the 'cultural' make of them (Simone, 2010, 2018). The other analytic is interested in how those same rhythms, in the unfolding of lives at the receiving end of dispossession, extreme poverty and destitution, articulate a tempo beyond their resilience, indicating a specific design for their politics of inhabitation (Lancione, 2016, 2019). At the intersection of these concerns arise our shared interest in the lively lexicon of the urban liminal. Looking for this lexicon means looking for what it has to say in the ways it has to say it. It is about tracing the emergence of its politics by staying with the trouble, and its ontologies (Haraway, 2016), or, from our privileged standpoint, to follow the storylines of those that have to stay with their troubles, as the only possible way to dwell on this planet, positing careful attention to how that staying with can be affirmative and anticipatory, not only of itself but of urbanity as such. And for many, this is an almost indescribable space between the foreclosure of viable inhabitation and a history of, as Audre Lorde put it, having survived everything. At a minimum, as Lauren Berlant (2011) discussed, finding ways to narrate these extended endurances beyond the metanarratives of sustainable salvation is necessary because the 'crisis' has no other side. The 'crisis' exceeds being a matter of repair or recalibration, transcends being the legitimation of transgressive action undertaken to preserve the salience of institutional forms and settled arrangements. The act of 'moving on', in an ordinary emergency, is about prosaic movements within grounds where extractive forms of belonging and becoming interlace in pluriversal ways, where the clear delineation of who extracts what blurs when the sheer volatility of settling and taking things wedges open glimmers, shadows
Streetnotes, 2016
Acta Academica, 2019
I felt as though I were looking down to the bottom of myself, and what I found there was more than just myself-I found the world.-Paul Auster, The inverntion of solitude E vents that have taken place at several South African universities since 2015 have disclosed many fault lines in the social, political and legal arena. One aspect among many others is the extent to which the idea of the university as a public space has been attacked and all spaces of 'action and speech' are under siege. The university as a microcosm of society in general reflects a similar decline of public space, erasure of possibilities for radical dissent and the impossibility of even getting closer to a sense of justice experienced in other spaces. However as the contributions in this edition show it is not only universities and not only South African society that are burdened by neoliberal power. In this special edition authors tackle these issues from various angles: how the theoretical conjuncture of 'state of exception' materialised not only on university campuses but also in other spaces; how ever-expanding disciplinary jurisdiction abolished all possibilities for protest and dissent; on a more hopeful note, what role could architecture, utopia and the politics of inhabitance play; how could aesthetics, poetry, narratives push back against the endurance of past, and expansion of present, injustice? Two contributions address issues in Australia: Chris Butler explores the problem of public housing in Australia and laments the brutalist design present in many public housing projects. On a more optimistic note he contemplates the possibility of "inhabitance" that could include "bodily occupation"; "creative appropriation
Geoforum, 2020
Prefigurative action that aims to construct desired transformations pose new and interesting questions centering on the geography of transitioning towards more ecologically-sound and socially-just systems. Geographers and others have employed a number of theoretical lenses to grapple with how best prefigurative activities might be supported, and how they both envision alternative futures and actually ‘do stuff’ to embody that vision. However, missing from this academic conversation is that prefigurative activity is not solely about the alter- native material and economic practices, but the creation of alternative social spaces. This paper draws from both a Lefebvrian reading of space and a feminist geographical perspective to explore the spaces of a prefigurative community teeming within the politically and religiously conservative context of Salt Lake City, Utah (USA). An in-depth ethnography was conducted over an 18-month period, employing both participant-observation and semi-structured interviews. The sociality and spatiality of the production of alternative spaces is explored through Lefevbre’s discussion of abstract and differential space, which opens up multiple possibilities for re- sistance. This research finds that the process of creating this alternative space is grounded in five moments: (i) the self, (ii) social networks, (iii) material practices, (iv) knowledge creation, and (v) economic practices. At the same time, a feminist ‘killjoy’ perspective calls attention to the limits of the emancipatory potential of these movements.
2021
As the neoliberalization of our cities continues apace, a growing group of opponents assumes merit in the concept of ‘common space’. In common space, use and collectivity take precedence over profit and expert authorship. Whilst a growing body of scholarship construes such common spaces as pre-existing terrains to be reclaimed from capitalist command, less attention has gone to how they are raised from scratch. In order to fill this void, this study explores how common space is produced within the current conditions of urban development. In so doing, it follows the lead of a specific breed of architect: the one working at the crossroads of cultural activism and community organizing. In-depth interviewing and participatory observation allow to lay bare the possibilities and pitfalls of commoning in a variety of cities. At the Public Land Grab (London), a derelict piece of urban land was transformed into a community farm. At Pension Almonde (Rotterdam), a social housing complex became a locus for cultural production. At Montaña Verde (Antwerp), a plaza was tweaked into a co-created piece of public art. Data from collectives such as the Atelier d’Architecture Autogérée (Paris), Raumlabor (Berlin) and Zuloark (Madrid) are highlighted as well. Transversally, the voyage is guided by Henri Lefebvre’s theory of the production of space. Results are threefold. First, the distinction between Symbiotic and Oppositional Commoning is proposed, resulting in a ‘Taxonomy of Tactics’. Second, the relation between urban commoners and municipal institutions is refined by advocating agonism. Finally, Lefebvre’s lexicon is mobilized in order to explore the cross-fertilization between urban commoning and political action. Overall, this dissertation puts the human imagination at the centre of the city. It will therefore be of value to scholars, artists and activists with an interest in the creative dimension of the built environment.
Go home?, 2017
Spaces and places of governance and resistance Amaal: I came to live in Barking and Dagenham twenty-five years ago and at that time … very few black and Asian and ethnic minority communities … and within a short space of I would say maybe five years or so the borough has changed dramatically and quite a lot of migrants arrived and that created a little bit more tension within the wider community and evidently you can see the changes, you know, people say 'Oh, nothing's changed', but you can actually see the presence of people, family influx are coming in, but what we know as an organisation is that these people arriving in Barking and Dagenham, not necessarily come from abroad, you know, it is quite a mix. Some of them came [to] inner city London and moved to Westminster borough and Islington and those areas, where the cost of living is quite high and the rent has gone up and people cannot afford in private to rent. So those are families that are being really pushed from inner cities to outer London that we know and some really as far as, they come from within East London, Tower Hamlets and people who come to Barking and Dagenham from Tower Hamlets now also and other boroughs in Waltham Forest where there is cheaper houses here and affordable to live in Barking and Dagenham. But not everybody sees that, we know, because we have some of these families accessing our services, but people think, you know, that these people are new arrivals and they're just sort of off the plane and just arrived in Barking and Dagenham, but there's quite a big difference and the majority of them, they are resident in the UK, but just came to Barking and Dagenham because of the cheaper and affordable housing. (Barking and Dagenham Activist Interview, conducted by Yasmin) The philosopher and social theorist Michel Foucault once said, 'We are in an epoch of simultaneity: we are in an epoch of juxtaposition,
The current research gets inspired by 3 sources in constant evolution: Displacement (from its positive as well as negative angles), Occupy movements and the networked manifestations, and Ubiquitous Technologies -wearables?-; constructing fictional scenarios about nomadic lifestyle that provide alternative answers to the question: Can displacement promote development?
CIRED - Open Access Proceedings Journal, 2017
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English Literary Renaissance, 2015
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2024
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