Cahiers Charles V
Gender Trouble in the Deep South : Women ; Race and Slavery
Sabine Broeck
Citer ce document / Cite this document :
Broeck Sabine. Gender Trouble in the Deep South : Women ; Race and Slavery. In: Cahiers Charles V, n°40, juin 2006.
L'objet identité. Épistémologie et transversalité. pp. 115-132;
doi : https://doi.org/10.3406/cchav.2006.1462
https://www.persee.fr/doc/cchav_0184-1025_2006_num_40_1_1462
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Résumé
Cet article prend pour point de départ une hypothèse partagée par des historiens tels que Nell
Painter et Elizabeth Fox-Genovese : les femmes blanches du Sud des États-Unis trouvaient tout
leur intérêt dans le système de l ’esclavage et ce, en dépit de l ’ambivalence possible résultant de
leur propre statut. Dans cette perspective, on se propose d’étudier la complexité du rôle dévolu
aux femmes blanches, allégorie incarnée de la domination blanche, tout comme leur marge de
manœuvre personnelle ou leur participation active dans la mécanique de violence et de désir
mêlés propre à l ’esclavage et à la séparation raciale qu ’il induit. Alors qu ’il est maintenant
manifeste que l ’historiographie consacrée aux femmes .du Sud a généralement confiné cette
problématique aux seules questions de genre, la place des femmes blanches dans la société
sudiste d’avant la guerre et leur implication personnelle, aux motivations raciales, ont étrangement
été passées sous silence dans les textes de nombreux auteurs blancs.
Abstract
This article starts from the assumption, shared with historians like Nell Painter and Elizabeth Fox-
Genovese, that white Southern ladies had reasons to value the system of slavery — despite their
own possible ambivalences. From this perspective, I want to study the problematic workings of
white women’s function as the allegorical embodiment of white dominance as well as their
subjective agency, their involvement in the violence and desire of the “racial divide” of slavery.
While in the circulation of Southern women’s historiography taken as a whole, a confusion of
simple gender-lines has become obvious, the issues of white women’s active position within
antebellum society, and their subjective racialized investments, have remained strangely muted in
the texts of many white authors.
Gender Trouble in the Deep South:
Women; Race and Slavery
Sabine BROECK*
[...] modern life begins with slavery [...] Slavery
broke the world in half, it broke it in every way
[...] It made them into something else, it made
them slave masters, it made them crazy. You can ’t
do that for hundreds of years and it not take a toll
themselves.
They had to dehumanize, not just the slaves but
Morrison in Gilroy 221
The images the Deep South will evoke are likely to be titil¬
lating— even though the contemporary public has learned to
distance itself from all too naive and stereotypical mind
frames. Nevertheless, the sensationalist imagery of abolition¬
ism has had a long and persistent life: a mixture of Uncle
Tom ’s Cabin, The Awakening, Gone With the Wind and Roots ;
hysterical wasp waists and piles of white, pure, feminine mus¬
lin, porches filled with rustling Mammy-underskirts, mint ju¬
leps, strained female idleness and male self-importance,
alongside scenes of nameless terror: back-breaking labor in
cotton fields, auction block, whippings, a baby child’s mother
sold down the river. It is only outside the reign of the grip-
pingly affective, that Deep South historiography may offer
facets of the social and cultural practices of slavery pointing
beyond clichés which are distinguished mostly by their value
of political correctness, but which otherwise leave even a
University of Bremen, Germany.
Cahiers Charles V n° 40 (2006)
white critical readership, like academic gender studies, unim¬
plicated.
Such a fragment appears in a groundbreaking essay by Eve¬
lyn Brooks Higginbotham. In its bleak innocuousness it has
the power to throw the array of white Gender Studies into
sharp relief. This is the story Higginbotham imparts; my arti¬
cle in the following will take this story as its point of depar¬
ture for an inquiry into the complexities of gender trouble in
the Deep South. The following is my summary of
Higginbotham’s research into a historical incident from 1855
known to the court according to files about the case as “State
of Missouri versus Celia.” The slave Celia is bought at age 14
by the slave-owner Robert Newsome, who sexually abuses her
in the subsequent years. At age 19, she has a child by him and
is expecting a second (both of them his future slaves). During
the second pregnancy, she is very ill and tries to keep him
from further raping her. He ignores her warnings and she kills
him
frontwith
of the
an door.
ice pick,
Of course
bums his
Celia
body
is and
arrested
scatters
andthe
accused
ashes of
in
murder. The defense counsel tries to obtain a defense for man¬
slaughter in self-defense, because Celia had the right to defend
herself according to Missouri-law, which protects—quote —
“every woman” against abuse, rape and insult to her honor.
“Every woman” is the explicit wording of this law, which in
other parts constantly insists on qualifications like “white
women,” “slave,” or “negro.” According to the defense, the
slave owner’s right of ownership did not include legitimation
of the rape of a woman. Celia was convicted of murder and
hanged in December 1855 after the birth of her child (a new
slave). The court’s grounds were: if Newsome had the habit of
having sexual relations with the plaintiff, who was his “prop¬
erty,” Celia’s deed was indeed willful murder. In other words:
the category “woman,” or a female right to honor and inviola¬
bility does not apply in Celia’s case, she is not included in the
group “every woman” (Higginbotham 98).
116
Sabine BROECK: Women; Race and Slavery
The chronotope of the Deep South obviously keeps recreat¬
ing itself in conflicting representations, which seem to exist
simultaneously in strangely unconnected and non-scrutinized
ways. The aim of this article is to take up such scrutiny. The
impulse to this kind of questioning reaches back to earlier
contributions in Black feminist scholarship, such Angela
Davis’ groundbreaking Women, Race and Class from 1981,
but also to the 19th century legacy of black women’s address
of issues of gender trouble in their slave narratives, and other
writings (Davis 1981, Mullen, Painter). The questions I want
to raise are meant to address particular limitations of US-
gender research/theory and to possibly reach beyond, by em¬
phasizing the importance of dialogical approaches “across
race” and asking for a theory that does not argue in the ab¬
stract beyond historical contingency. “Question” here has to
be taken quite literally, as will become visible; the article may
function rather as a construction site of inquiry than as an ul¬
timately satisfying set of research results. The following con¬
siderations are the beginnings of some sort of path-finding
into a research project based on the assumption, shared with
researchers like Nell Irvin Painter and Elizabeth Fox-
Genovese, that white Southern ladies had reasons to value the
system of slavery— despite their own ambivalence. From this
perspective the focus is on the problematic workings of white
women’s function as allegorical embodiment of white domi¬
nance and their subjective agency, their involvement in the
violence and desire of the racial divide of slavery. Of course,
this requires a theoretical grounding which the space of this
article permits to sketch out only in roughest form. The first
part of the article therefore means to frame what is actually an
extensive project of study as a kind of opening, a suggestive
plea for debate, discussion and cooperative results. Its second
part engages a cross reading of Judith Butler and Hortense
Spillers by way of clearing mental space for a rereading of the
complexly charged scene of race in gender and gender in race.
117
Cahiers Charles V n° 40 (2006)
The assumption of freedom, i.e. the generative semiosis of
an individual human subject as the owner of a right to free¬
dom, was the self-authorizing gesture of modernity par excel¬
lence, just as it has provided the philosophical and epistemo¬
logical foundations for emancipation movements such as
feminism. Yet this assumption required a massive break
within cultural memory. It required a self-inscription of West¬
ern modem subjects as not-enslaved and, at the same time, as
opponents to slavery at a historical point at which modernism
fostered the slave trade most profitably, and was at the same
time fostered by the latter in surprisingly effective ways. In
their basic denial of transatlantic slavery critical philosophies
of modernity were marked by split consciousness; the
Enlightenment in particular, with its impetus for individual
self-ownership, self-responsibility, subjective and objective
right to freedom and productive self-realization, learned to op¬
erate within a system of a large-scale parasitism. Social cri¬
tique used the slave trade and slavery in a very creative, but
also mostly metaphorical way. Slavery in the abstract pro¬
vided the modem symbolic with an intricate apparatus for the
formulation and critique of mechanisms of social inclusive¬
ness, exclusiveness, and liminality (Broeck 2004, Buck-
Morss, Davis 1975, Gilroy, Patterson).
The social and cultural practices of trade and slavery
changed the history of sexuality in the transatlantic realm, in
which a voyeuristic drama for the submission of people un¬
folded. This encouraged the development of a large-scale
white pornographic perspective and allowed for a permissivity
of white male rape, by which whole generations were cor¬
rupted (Painter, Spillers). It is also necessary to speak about
the almost absurd degree of fusion of economic motives and
human greed, which turned female human beings into breed¬
ing machines in order to maximize profit and social control—
which has had a profound effect on the representations and
self-representations of black women until the present day.
Most crucially in my context, slavery must be seen as a “cul-
118
Sabine BROECK: Women; Race and Slavery
ture of ownership,” or, where white women, adolescents and
children are concerned, “co-ownership” of people, a culture of
an aggressively defended right of access to de-subjectified be¬
ings, to so-called chattel, their labor, and their reproduction.
The elements of white dominance over black add up to a pic¬
ture of an extreme precariousness of social and individual re¬
lations, as Orlando Patterson and other scholars have so amply
configured (Mullen, Patterson). What interests me about these
relations is the process of idealization and division of gender.
The status of white women within the plantation complex is
difficult to assess. It was aggressively marked by an almost
schizoid antagonism between not having civil rights on the
one hand and being extremely privileged, socially and cultur¬
ally, on the other. After decades of neglect, Deep South histo¬
riography has, over the last 30 years, become gendered: an¬
thologies and monographs have been published on a variety of
aspects of white female life and gender relations in the ante¬
bellum South, ranging from studies of white women in South¬
ern politics, to domesticity, to motherhood, to male-female
power relations, class distinctions among white women,
women’s cultural, particularly literary contributions and more
(Clinton, Faust, Juncker, Scott). Many of these studies by
white researchers, with the notable exception of Elisabeth
Fox-Genovese’s work, are characterized by what I would call
the unacknowledged desire to counterwrite the abolitionist
myth of the lazy, hysterical “Southern Belle” with representa¬
tions of white women fully integrated into social functions,
responsibilities, and ethical obligations that bound their lives
on the plantations into structures of production and reproduc¬
tion in which they played a crucial and distinct role vis-à-vis
white men to whom they still remained legally and culturally
subjected. Black women, if they appear at all in those publica¬
tions, appear marked as such, marginalized from those recon¬
structions of the centrality of gender divisions and relations
for plantation society, often pluralistically and rather naively
subsumed under politically correct multicultural approaches to
119
Cahiers Charles V n° 40 (2006)
gender studies issues like mothering. Strikingly absent are
specific studies which might confront the parasitical configu¬
ration of dominance and oppression which enabled white
women’s position in the plantation system vis-à-vis black
women, and black men, for that matter.
Differing from those approaches, an inquiry is necessary as
to how white women pursued their own privileged status, how
they defined their own mistress (or “co-master”) position
within the slave system, how they judged the investment of
their femininity for the physical and cultural representation of
white dominance, and how they reacted to the splitting off of
black female slaves from their gender. The discourse of do¬
mesticity will have to be re-examined with an eye to the role
white women’s structurally legitimate and largely exploitative
access to black women’s labor, their emotional resources, and
sexual availability played in the production of both, the icono¬
graphie constitution of white ladyhood, and white women’s
subjective readings of their situation. Historian Nell Painter’s
investigations have prepared a road map: her essays should be
read as signposts for further necessary archival scholarship on
letters, diaries and correspondence; one might also suggest
tracing those complex contradictions in a web of literary rep¬
resentations —even if that might entail a reading for what Toni
Morrison would call ornate absences. A further object of in¬
terest could be the small number of contemporary counter fic¬
tions, such as The Wind Done Gone (Randall) and Property
(Martin) which have imaginatively tried to fill in those repre¬
sentational lacunae.
US-American gender theory has basically developed within
a framework of— as I want to call it — racially innocent
modernity and its emphatic philosophical foundations of the
subject and subjectivity (Broeck 1999). In US-American
society, modernity has constituted itself in a particular logic of
the subject (Broeck 2004, Venn), and it has done so by
reverting to a philosophically justified freedom of white
subjectivity that presupposes the desubjectification of others
120
Sabine BROECK: Women; Race and Slavery
by way of ownership of those others. US-
American gender
theory has avoided searching for the traces of its own
historical rootedness within this philosophical and political
regime of freedom of and as ownership by having entered a
dialogue almost exclusively with the theories of European
modernity and postmodernism, rather than with philosophical
approaches generated by Black diasporic theory that has given
center stage to the meaning of slavery for modem ideas of
subjectivity. Neither psychoanalysis, nor Foucauldian theory,
nor gender studies for that matter, have sufficiently dealt with
the history of subjectivities created within extreme human
conditions characterized by divisions as well as convergences
between and across gender and race constellations in a
historical situation marked by thé conditions of ownership of
human beings. The aim of my project is to come to understand
the intricate and individually invested psychic mechanics of
this culture of ownership, as well as the subjective mental
figurations of this relation. How did owning, having to work
and control other human beings in a chronotope such as
slavery and enjoying unlimited access to those beings one way
or another, affect white women’s sense of their capacities,
their limitations, the reach of their desires? How did white
female subjects learn to become owners of beings and to
desubjectify those that appeared day in day out before their
very own eyes as human beings, how did they learn to un¬
think another human being’s access to human subjectivity?
What acts of aggression (directed at self or other) were
employed in order to compensate for the social and
psychological compulsion to embody white domination? To
what extent could a desire for closeness, intimacy and
satisfaction of their own needs be gratified within the social
divide of slavery, and which role did their privilege and
ownership play in this? How did white women deal with the
right to sanctioned
invitation to excess?white violence which afforded a perpetual
121
Cahiers Charles V n° 40 (2006)
Female domesticity of plantation ladies was inevitably con¬
tingent on female slaves’ labor capacity (Weiner). For a white
lady, domesticity meant a kind of compulsive but luxurious
construction of the white female body, which required ex¬
treme efforts at staging this body. Part of this was, for exam¬
ple, the creation of an ethereal aesthetics, bearing no corre¬
spondence to the reality of the climate, or to bodily functions,
or a repertoire of white feminine body language, such as cal¬
culated faints. Fictions of the South, as well as autobiographi¬
cal material speak volumes to these camouflage acts. How¬
ever: which role was attributed to black women in order for
these acts to be successful? And how did white women per¬
ceive themselves, knowing that their success was dependent
on black women’s work? Domesticity meant being trained to
expect and to accept black labor for one’s own sustenance as a
matter of course; it entailed a dependent relation to that labor:
even though white ladies had the power of representing their
oftentimes absent husbands in matters concerning the “big
house.” According to black female slave narratives white
women relied on their female slaves for the actual execution
of almost all household tasks —taking care of the children and
the sick, cooking, household logistics, sewing, washing, keep¬
ing store, feeding slaves and animals, gardening, but also of
such intimate tasks as emptying chamber pots (Davis 1981,
Mullen). Moreover, domesticity for the Southern Belle in¬
cluded a very ambivalent position concerning her role as
mother and her offspring: white children were to the largest
extent raised by black nannies. This parasitical state of affairs
did create a subjective feeling of being at the mercy of the
household’s slaves, which in turn means that a paranoid pre¬
emptive despotism must have been the order of the day. White
women were routinely surrounded by black people, who, in
their imagination figured as loyal chattel, and must have
caused great wonder and aggressive disappointment if they
chose not to function properly.
Sabine BROECK: Women; Race and Slavery
Even though a historical reappraisal of plantation slavery
has been available for years it has hardly made an entrance
into American white gender theory; by the following exem¬
plary engagement with Judith Butler I turn to this lack di¬
rectly, trying to tease out the possibly productive implications
of a necessary address of slavery’s scenarios for gender stud¬
ies. I quote two paradigmatic passages from Judith Butler,
which reflect—though in a rather condensed fashion— the
state-of-the-art knowledge gained by recent gender theory.
First, “If sexuality is culturally constructed within existing
power relations, then the postulation of a normative sexuality
that is ‘before,’ ‘outside,’ or ‘beyond’ power is a cultural im¬
possibility” (Butler 30) and, the second one:
As a shifting and contextual phenomenon, gender does not
denote a substantive being, but a relative point of conver¬
gence among culturally and historically specific sets of
relations [...] Gender ought not to be constructed as a stable
identity or locus of agency from which various acts follow;
rather, gender is an identity tenuously constituted in time,
instituted in an exterior space through a stylized repetition
of acts. The effect of gender is produced through the
stylization of the body and, hence, must be understood as
the mundane way in which bodily gestures, movements, and
styles of various kinds constitute the illusion of abiding
gendered self. This formulation moves the conception of
gender of the ground of a substantial model of identity to
one that requires a conception of gender as a constituted
social temporality. Significantly, if gender is instituted
through acts which are internally discontinuous, then the
appearance of substance is precisely that, a constructed
identity, a performative accomplishment which the mun¬
dane social audience, including the actors themselves, come
to believe and to perform in the mode of belief. (Butler 10,
140-1)
This paradigm could be, in principle, very useful for a dis¬
cussion of gender relations in the Deep South, which reveal
the precariousness of the category gender. Why then, has
white US gender theory so rarely looked at slavery and the
123
Cahiers Charles V n° 40 (2006)
role of white women within it? The question of the racial con¬
stitutedness of/in gender —which has, after all, become one of
the most crucial questions for gender studies —could be much
more productively theorized if the discourse included an ad¬
dress of US history. One explanation might be that the lack of
such a historicizing approach in gender studies is the result of
a re-universalizing tendency within theory as genre, in which
the obsession with the abstract leads to an a priori, always al¬
ready, white subject. Theory —in this logic —knows only the
default universal kind of performativity of gender (which is
white); authors and readers as agents of a mutually shared
symbolic, can in the end only imagine post-enlightenment
white subjects. European theories of modernism (and post¬
modernism) in their exclusively abstract contemplation of the
master-slave dialectic, which has consistently functioned as
the master-metaphor for oppressive relations, could only
imagine human beings who were not enslaved as subjects. In
reverse, and one could say, rather perverse logic, it decided
not to see the enslaved as subjects. Gender theory’s affective
and epistemological liaison with post-enlightenment theory
resulted in an avoidance of American history to which the
paradigm of the master-slave dialectic could never be applied
only as a metaphor, but for which, instead, the issue of the en¬
slaved’ s access to subjectivity (and thus to gender) was the
most crucial, and visceral, question, and one which has had
repercussions until today.
These are of course, polemical suggestions. I want to go on
in the same spirit and share some observations which could be
useful for a reconsideration of gender in and through slavery,
and race. These observations have been inspired mostly by
Hortense Spillers, who, in her “Mama’s Baby, Papa’s Maybe:
An American Grammar Book” (an article which has gone
largely unnoticed by white theorists), has already pointed to
fundamental problems for a “gender grammar” that is, for
gender theory :
124
Sabine BROECK: Women; Race and Slavery
[...] in the historic outline of dominance, the respective
subject positions of “female” and “male” adhere to no
symbolic integrity. At a time when current critical
discourses seem to compel us more and more decidedly
toward gender “undecidability,” it would appear reaction¬
ary, if not dumb, to insist on the integrity of female/male
gender. But undressing these conflations in meaning, as they
appear under the rule of dominance [i.e. slavery], would
restore, as figurative possibility [...] the potential for gender
differentiation as it might express itself along a range of
stress points. (Spillers 2004)
Spillers refers here to the already mentioned division of fe¬
male beings in “women” equal white-female and “slaves”
equal ungendered, which made it impossible for black female
slaves to access the cultural capital available to gender.
Spillers also scandalously suggests that this “reduction” of
black women to “tortured and torturable flesh” established
manipulative rights to sexual, mental and psychological in¬
fringement on female slaves for both white men and women.
This made any appellation of female slaves into gendered sub¬
ject positions impossible. This structural impossibility then
marks a kind of “ground zero” for theoretical notions of gen¬
der differentiation of heteronormative sexuality in the United
States, in which the availability of “gender neutral flesh” sig¬
nificantly undermined the “naturalness” of binary gender con¬
stellations and of socially stabilizing gender differentiation
along the straight axis of male versus female subjectivity.
Spider’s article also suggests that motherhood was an im¬
possibility for black female slaves, whose children were not
“owned” by them or their men, but became white owners’
“chattel.” This deliberate bastardization, or orphanization of
black children had dire consequences: triangularization and
oedipal identity formation within the family triad mother-
father-child became outlawed for generations of African-
Americans. White intervention required a psychological, men¬
tal and social act of compensation from the black community,
beyond the “gender-task” of individual legitimate mothering
125
Cahiers Charles V n° 40 (2006)
in order to counter this imposition of white patriarchal interest
of reproduction onto their own kinship structures, and the de¬
struction of a black male subject position as “father.” Insight
into these conditions of slavery thus necessitates a reconceptu¬
alization of theoretical statements about gender differentiation:
a reassessment of the assumption that only those allegedly
universal gender relations may be constitutive for social and
individual reproduction, and thus, nothing outside a binary
white gender purview requires theory’s interventions. Spillers
concerns herself mostly with the effects of slavery’s constella¬
tions on the black community in US -American history, and
especially on the position of black women, as perceived by
themselves and by others. Robyn Wiegman, the only white
gender scholar who clearly refers to Spider’s thesis of the
“ungendering” of the black community in her book American
Anatomies . Theorizing Race and Gender , also focuses on the
long term effects of this psychological and social de-
subjectification of the black community, and the resulting
American difficulty to imagine sovereign race relations. The
agency of white women in slavery’s quadr angulations, as it
were, thus still awaits theoretical address. What I will suggest
in the following then, are some preliminary speculative ques¬
tions which gesture in that direction.
White femininity which, in the antebellum South, works as
an aesthetic representation of gender at the cost of almost total
disembodiment of white women, functions as a central defin¬
ing moment of white dominance, as visceral allegory of an
unassailable “white gentility.” This in turn is made possible by
ascribing to black female slaves a status of “pure flesh” so to
speak (in the sense of sexual and reproductive accessibility
and responsibility). The Deep South needed female whiteness
in order to allegorize racial difference, but its livelihood de¬
pended on making this allegory materially visible and physi¬
cally effective. It thus granted white women an agency of be¬
ing -white that was based on an authoritative privilege of
gender which could only, by necessity —since equity within
126
Sabine BROECK: Women; Race and Slavery
patriarchy was out of the question— have slaves as its defining
object. The possession of a white gender subjectivity was
bound to owning black objects— materially or symbolically,
female gender could only exist, and thus support the white
power structure, only because and if female slaves were split
off from it.
The construction of gendered subjectivity depends largely
on the “successful” management and controlled pursuit of a
human being’s libidinous desire. But what does this easily ac¬
ceptable sentence mean within the orbit of slavery? How has a
definition of white desire within the bounds of race and its
complete and terroristic restriction to the white race succeeded
in the face
lations and of
ofstunning
white violence?
day-to-day
A human
intimacyrelation
of black-
which
whitewas
re¬
characterized simultaneously by a high degree of intimacy and
an extremely rigid hierarchical divide and disavowal must
have carried within itself the latent possibility of transgression
of which we have as yet no protocol, as Spillers would phrase
it.
Can a post-Lacanian analysis of the law of the symbolic and
its regulations of human desire into and within gendered con¬
stellations be transported universally into a historical scenario
that has juxtaposed raced and gendered beings in a way that
explodes and multiplies beyond the binary difference of gen¬
der that European theory assumes? The sexual nexus of slav¬
ery functioned in a way that excluded the black non-subjects
from the symbolically legitimate circulation of desire; it did
not, as Althusser would say, interpellate black human beings
as gendered subjects, but worked so as to de-subjectify them.
What was white women’s function in that game? How did
white women function in a scenario with four actors, in both,
“possessing the phallus” and “being the phallus” was seriously
thrown into question by the presence of a second binary gen¬
der constellation, to which the white couple had a relation of
ownership — so that it was viscerally present at the same time
that it had to be aggressively disavowed? Psychoanalytically
127
Cahiers Charles V n° 40 (2006)
speaking, what do we make of the fact that the white woman
was situated in a gender quadrangle in which the black man
could not have the phallus, and the black woman could cer¬
tainly not be phallic — or both of these only to the point of a
hysterical breakdown of the system of white control? Post-
Lacanian theory has as yet not ventured to self-reflexively ad¬
dress psychosexual scenarios that were not inscripted in/as bi¬
nary differences and which might have effected the emergent
white subjects’ situatedness within the symbolic, as well as
the black human non-subjects’ barred access to it, and the
psychosexual,extent.
considerable and cultural conflicts resulting thereof, to a
Furthermore, what do we make of the complicated games
with their own sexuality which white women must have been
playing: in which way did white ladies use their black female
slaves for their own strategies against repeated unwanted
pregnancies? Or, to step up the complication of questions:
black slaves were not allowed to mother their children in
many cases, but raised their white owners’ babies for whom
they became a proverbial fountain of motherly care and nur-
turance. How then does a theory, for which oedipal disavowal
and the loss of the maternal object have been most crucial in
the formation of gendered, individual subjectivity, apply? The
maternal object was not only to be, as it were, passively lost,
or forsaken; it had to be actively disowned so that the human
being (who had performed as maternal object) could be owned
perspectively, could mature and become realized as a legal
and material object, as it were. What becomes of the taboo re¬
striction for the child to grow beyond symbiosis if it has to
work not only in order to enter the child in his/her own sexual
subjectivity apart from the parents, but also to rid the child of
an improper racial attachment? How did the culturally en¬
forced and sanctioned exchange of the maternal function af¬
fect white women’s psychic constitution? What did it mean
for white girls in the first place, as well as for them as pro-
128
Sabine BROECK: Women; Race and Slavery
spective white mothers with black mammies for their chil¬
dren?
My questions which appear here as but an inquisitive accu¬
mulation of stress points, to paraphrase Spillers, need to be
disseminated, worked through, and possibly answered; this
article—I warned you at the beginning — accordingly works as
a list, not as a presentation of an organic picture. A largely un¬
examined nexus of impulses and effects of violence and desire
constituted white women’s emotional and psychic investments
within the affective orbit of slavery (to paraphrase Fox-
Genovese’s term), and, more importantly, of post-slavery ra-
cialized social constructions of gender. Gender studies, despite
their politically correct affectation of the race and gender man¬
tra, have widely avoided reading a growing corpus of black
gender theory as theory and applying it to a cultural analysis
of white women. Going back to the history of slavery and its
implications —paying the referential debt to history, as Sho-
shona Felman once called it —could, however, improve
(white) gender theory far beyond any explicit, or implicit fac¬
ile appeals to universalism.
129
Cahiers Charles V n° 40 (2006)
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131
Cahiers Charles V n° 40 (2006)
Résumé
Cet article prend pour point de départ une hypothèse partagée par
des historiens tels que Nell Painter et Elizabeth Fox-Genovese : les
femmes blanches du Sud des États-Unis trouvaient tout leur intérêt
dans le système de l ’esclavage et ce, en dépit de l ’ambivalence possible
résultant de leur propre statut. Dans cette perspective, on se propose
d’étudier la complexité du rôle dévolu aux femmes blanches, allégorie
incarnée de la domination blanche, tout comme leur marge de manœu¬
vre personnelle ou leur participation active dans la mécanique de vio¬
lence et de désir mêlés propre à l ’esclavage et à la séparation raciale
qu ’il induit. Alors qu ’il est maintenant manifeste que l ’historiographie
consacrée aux femmes .du Sud a généralement confiné cette probléma¬
tique aux seules questions de genre, la place des femmes blanches dans
la société sudiste d’avant la guerre et leur implication personnelle, aux
motivations
textes de nombreux
raciales,auteurs
ont étrangement
blancs. été passées sous silence dans les
Abstract
This article starts from the assumption, shared with historians like
Nell Painter and Elizabeth Fox-Genovese, that white Southern ladies
had reasons to value the system of slavery —despite their own possible
ambivalences. From this perspective, I want to study the problematic
workings of white women’s function as the allegorical embodiment of
white dominance as well as their subjective agency, their involvement
in the violence and desire of the “racial divide” of slavery. While in the
circulation of Southern women’s historiography taken as a whole, a
confusion of simple gender-lines has become obvious, the issues of
white women’s active position within antebellum society, and their
subjective racialized investments, have remained strangely muted in the
texts of many white authors.
132