Gordon Hall
Gordon Hall is a sculptor, performance-maker, and writer based in New York. Hall has presented solo exhibitions at EMPAC (2014), Foxy Production (2014), Temple Contemporary (2016), The Renaissance Society (2018), MIT List Visual Arts Center (2018), and Portland Institute for Contemporary Art (2019). Hall's sculptures and performances have been exhibited in a variety of group settings including Museum of Contemporary Art Chicago (2010), SculptureCenter (2012), Movement Research (2012), Brooklyn Museum (2014), White Columns (2015), Whitney Museum of American Art (2015), Hessel Museum at Bard College (2015), Chapter NY (2015), Art in General (2016), Wysing Arts Centre (2017), Abrons Arts Center (2017), Socrates Sculpture Park (2017), The Drawing Center (2018), David Zwirner New York (2018), and the Verge Center for the Arts (2019). Hall has organized lecture-performance programs at MoMA PS1(2012), Recess (2013, 2014), The Shandaken Project at Storm King Art Center (yearly, 2012 -2016), Interstate Projects (2017), Brooklyn Academy of Music (2017), Artists Space (2020), RISD Museum (2020), and at the Whitney Museum of American Art, producing a series of lectures and seminars in conjunction with the 2014 Whitney Biennial. Hall’s books include Reading Things—Gordon Hall on Gender, Sculpture, and Relearning How To See (Walker Art Center, 2016), AND PER SE AND (Art in General, 2016), Details (Walls Divide Press, 2017), The Number of Inches Between Them (MIT, Printed Matter, 2019), and OVER-BELIEFS, Gordon Hall Collected Writing 2011-2018 (Portland Institute for Contemporary Art/Container Corps, 2019). Hall’s work has been covered in Artforum, Artsy, Art in America, V Magazine, Randy, Bomb, Flash Art, Title Magazine, and Mousse Magazine, and they have published essays in Theorizing Visual Studies (Routledge, 2012), Art Journal (2013), What About Power? Inquiries Into Contemporary Sculpture (SculptureCenter/Black Dog Press, 2015), Documents of Contemporary Art: Queer (Whitechapel/MIT Press, 2016), and Art in America (2018), among many other contexts. Hall has been awarded residencies and grants from the Lower Manhattan Cultural Council, Graham Foundation for Advanced Studies in the Fine Arts, Triangle Arts Association, The Edward F. Albee Foundation, Skowhegan School of Painting and Sculpture, ACRE, Fire Island Artist Residency, and Foundation for Contemporary Arts. Hall holds an MFA and an MA in Visual and Critical Studies from the School of the Art Institute of Chicago and a BA from Hampshire College. Hall is a 2019-2020 Provost Teaching Fellow in the Department of Sculpture at Rhode Island School of Design and will be resident faculty at the Skowhegan School of Painting and Sculpture in the summer of 2021.
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Books by Gordon Hall
94-page, full-color book documenting the exhibition’s two iterations in midcoast Maine in 2017
and at the MIT List Visual Arts Center in 2018.
With new essays by Elizabeth Atterbury, Meghan Brady, Alhena Katsof, Elizabeth Lamb, Lydia Adler Okrent, and Yuri Stone, and a transcribed conversation between Gordon Hall, David J. Getsy, and Yuri Stone.
Book designed by Gordon Hall and Brian Hochberger.
AND PER SE AND
Published by Art in General
8' x 10', 116 pages, full color images and complete performance text.
2016
http://gordonhall.net/?q=Project&ID=76
Interviews by Gordon Hall
with FLEX, Kent Fine Art. New York, NY. 2014. pp. 8-13.
Authored Papers by Gordon Hall
Exhibition catalog edited by Aay Preston-Myint with Bryce Dwyer and designed by Bojan Radojcic with contributions by Matt Morris, Kemi Adeyemi, Micah Salkind,
Roy Pérez, Megan Milks, Anna Martine Whitehead, and Claire Arctander
Summer / Fall 2015
Gordon Hall
"Read me that part a-gain, where I disin-herit everybody"
Wood, paint, and performance-lecture with projected images
and colored light, 50 min
2014
Commissioned by EMPAC / Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute, Troy, NY.
Edited and re-presented at The Brooklyn Museum, Brooklyn, NY in the exhibition "Crossing Brooklyn", October 2014- January 2015.
in the panel “Sexing Sculpture: New Approaches to Theorizing the Object”
organized by Susan Richmond and Jillian Hernandez.
Published as an article in the Winter 2013 issue of Art Journal, for download below.
Condensed version presented at "SC Conversations: Sexing Sculpture"
at SculptureCenter, Queens, NY on March 7, 2014.
Included in:
Gordon Hall
The Number of Inches Between Them
MIT List Visual Art Center
Cambridge, MA
94-page, full-color book documenting the exhibition’s two iterations in midcoast Maine in 2017
and at the MIT List Visual Arts Center in 2018.
With new essays by Elizabeth Atterbury, Meghan Brady, Alhena Katsof, Elizabeth Lamb, Lydia Adler Okrent, and Yuri Stone, and a transcribed conversation between Gordon Hall, David J. Getsy, and Yuri Stone.
Book designed by Gordon Hall and Brian Hochberger.
AND PER SE AND
Published by Art in General
8' x 10', 116 pages, full color images and complete performance text.
2016
http://gordonhall.net/?q=Project&ID=76
with FLEX, Kent Fine Art. New York, NY. 2014. pp. 8-13.
Exhibition catalog edited by Aay Preston-Myint with Bryce Dwyer and designed by Bojan Radojcic with contributions by Matt Morris, Kemi Adeyemi, Micah Salkind,
Roy Pérez, Megan Milks, Anna Martine Whitehead, and Claire Arctander
Summer / Fall 2015
Gordon Hall
"Read me that part a-gain, where I disin-herit everybody"
Wood, paint, and performance-lecture with projected images
and colored light, 50 min
2014
Commissioned by EMPAC / Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute, Troy, NY.
Edited and re-presented at The Brooklyn Museum, Brooklyn, NY in the exhibition "Crossing Brooklyn", October 2014- January 2015.
in the panel “Sexing Sculpture: New Approaches to Theorizing the Object”
organized by Susan Richmond and Jillian Hernandez.
Published as an article in the Winter 2013 issue of Art Journal, for download below.
Condensed version presented at "SC Conversations: Sexing Sculpture"
at SculptureCenter, Queens, NY on March 7, 2014.
Included in:
Gordon Hall
The Number of Inches Between Them
MIT List Visual Art Center
Cambridge, MA
(On Gordon Hall’s The Number of Inches Between Them)
Lydia Okrent
(Unpublished final version of catalog essay for The Number of Inches Between Them, written Fall 2017, to be published Summer 2018)
Essay in Transatlantique: Guy de Cointet, edited by Rachel Valinsky
Published by ER Publishing, 2023
In Guy de Cointet’s 1979 performance work Tell
Me, a trio of friends spend an evening at home pre
-
paring for a guest who never arrives. The stage set
is a precisely placed group of twenty-odd brightly
colored geometric sculptures that function as
props. As the performance unfolds, we learn the
identities of these objects one by one, revealed
by the ways the actresses use and reference
them. These attributions—by turns logical and
incoherent—are unimpeded by the conventional
divisions between sensory registers. A tumbling
stack of table-top orange blocks, for example,
reveal themselves as a “precious book” which has
toppled into a heap of sentences and words: “Half
a sentence is broken! I’ll fix it later... But there, I’m
afraid one word is beyond repair. What a shame!
An important word....” Not long after, a green and
white striped painting on the wall is appreciated
not only for its visual appeal but for the tactile
pleasure it offers: “What a pretty painting! No—it’s
not pretty, it’s soft!” one of the actresses exclaims
while rubbing her body against it in apparently
erotic enjoyment...