Alice Martignon
Università Ca' Foscari Venezia, Department of Philosophy and Cultural Heritage, Research Grant Holder, Subject Expert and Teaching Assistant Senior
- Research Grant Holder, Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Member, Research group "Caratterizzazione dei materiali dei Beni Culturali", Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Subject Expert, Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Teaching Assistant Senior, Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Collaborator, Laboratorio di Caratterizzazione dei Materiali, Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Member, Scientific Committee, Research Project "ARMID@Venezia", Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Affiliate, Venice Centre for Digital and Public Humanities, Dipartimento di Studi Umanistici, Università Ca' Foscari Venezia
- Member, Scientific Committee, Quaderni della Villa Reale di Monza
- Member, Scientific Committee, P.Ar.Co. (Padiglione Arte Contemporanea), Treviso
- Member, The International Art Market Studies Association
- Member, The Society for the History of Collecting
- Member, Arbeitskreis Provenienzforschung e.V.
- Member, Association of Historians of Nineteenth-Century Art
- Collaborator, Il Giornale dell'Arte
- Tutor, Fondo per l'Ambiente Italiano
> Ph.D. in History of Art, Università degli Studi di Udine
Thesis title: “Michelangelo Guggenheim (1837-1914) e il mercato di opere, di oggetti d'arte e d'antichità a Venezia fra medio Ottocento e primo Novecento” (A.A. 2014/2015), 1069 p.: https://air.uniud.it/handle/11390/1132920?mode=full.481#record
> M.A. in History of Art, Università Ca' Foscari Venezia
Thesis title: “Esposizione Nazionale Artistica di Venezia (1887): gli artefici veneziani del legno” (A.A. 2008/2009), 289 p.
> B.A. in History of Art, Università Ca' Foscari Venezia
Thesis title: “Calzature da dipinti del Cinquecento veneto” (A.A. 2005/2006), 123 p.
Phone: --
Address: --
- Member, Research group "Caratterizzazione dei materiali dei Beni Culturali", Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Subject Expert, Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Teaching Assistant Senior, Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Collaborator, Laboratorio di Caratterizzazione dei Materiali, Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Member, Scientific Committee, Research Project "ARMID@Venezia", Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia
- Affiliate, Venice Centre for Digital and Public Humanities, Dipartimento di Studi Umanistici, Università Ca' Foscari Venezia
- Member, Scientific Committee, Quaderni della Villa Reale di Monza
- Member, Scientific Committee, P.Ar.Co. (Padiglione Arte Contemporanea), Treviso
- Member, The International Art Market Studies Association
- Member, The Society for the History of Collecting
- Member, Arbeitskreis Provenienzforschung e.V.
- Member, Association of Historians of Nineteenth-Century Art
- Collaborator, Il Giornale dell'Arte
- Tutor, Fondo per l'Ambiente Italiano
> Ph.D. in History of Art, Università degli Studi di Udine
Thesis title: “Michelangelo Guggenheim (1837-1914) e il mercato di opere, di oggetti d'arte e d'antichità a Venezia fra medio Ottocento e primo Novecento” (A.A. 2014/2015), 1069 p.: https://air.uniud.it/handle/11390/1132920?mode=full.481#record
> M.A. in History of Art, Università Ca' Foscari Venezia
Thesis title: “Esposizione Nazionale Artistica di Venezia (1887): gli artefici veneziani del legno” (A.A. 2008/2009), 289 p.
> B.A. in History of Art, Università Ca' Foscari Venezia
Thesis title: “Calzature da dipinti del Cinquecento veneto” (A.A. 2005/2006), 123 p.
Phone: --
Address: --
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Papers by Alice Martignon
The ARMID@Venezia project aims to safeguard extraordinary collections, both handwritten and printed, preserved in the library of the Benedetto Marcello Conservatory of Venice, heavily damaged by the exceptionally high tide of November, 2019. The project was moreover conceived to integrate various competencies from art history, conservation science, archival systems, and music philology, in order to propose a comprehensive and innovative perception on the conservation of documents. The project involves digitalization (through high-resolution photographic reproduction), virtual restoration and a detailed investigation of the materials used (supports, inks, pigments, dyes, etc.) for future physical restoration. Only non-invasive and non-destructive techniques are being employed, such as imaging analysis in the visible (including macro- and micro-photographic examination), near infrared (NIR), and near ultraviolet (UV-induced fluorescence or UVF, and reflected UV or UVR) range, on representative artefacts. In addition, non-invasive spectroscopic techniques, such as Fiber Optics Reflectance Spectroscopy (FORS), μ-Raman and X-Ray (XRF) were also applied for a detailed chemical characterization of materials used to support the results obtained through imaging analyses. In this article, the results of multispectral imaging (MSI) conducted in three different categories of music sources, paper manuscripts, parchment manuscripts, and printed books, are discussed and compared with spectroscopic techniques, confirming the benefits of photographic investigation in these artworks. The great assortment of available documents, in terms of constitutive materials, historical period of production and state of conservation, is a strong point of this project in order to test the potential holistic approach to safeguard the documents collected in the library.
The essay looks at the work of the famous Venetian antique dealer Moisè Michelangelo Guggenheim (1837-1914) in his role as entrepreneur and internationally successful designer of interiors and decorative art objects. It describes the origin of his carving workshop and its development in the "Stabilimento per le Arti decorative ed industriali", focusing on work organisation, promotion strategies and some objects created for prestigious clients, but also on his participation in numerous national and international exhibitions, interior designs for private and public historical buildings and for popular traditional Venetian events.
The ARMID@Venezia project aims to safeguard extraordinary collections, both handwritten and printed, preserved in the library of the Benedetto Marcello Conservatory of Venice, heavily damaged by the exceptionally high tide of November, 2019. The project was moreover conceived to integrate various competencies from art history, conservation science, archival systems, and music philology, in order to propose a comprehensive and innovative perception on the conservation of documents. The project involves digitalization (through high-resolution photographic reproduction), virtual restoration and a detailed investigation of the materials used (supports, inks, pigments, dyes, etc.) for future physical restoration. Only non-invasive and non-destructive techniques are being employed, such as imaging analysis in the visible (including macro- and micro-photographic examination), near infrared (NIR), and near ultraviolet (UV-induced fluorescence or UVF, and reflected UV or UVR) range, on representative artefacts. In addition, non-invasive spectroscopic techniques, such as Fiber Optics Reflectance Spectroscopy (FORS), μ-Raman and X-Ray (XRF) were also applied for a detailed chemical characterization of materials used to support the results obtained through imaging analyses. In this article, the results of multispectral imaging (MSI) conducted in three different categories of music sources, paper manuscripts, parchment manuscripts, and printed books, are discussed and compared with spectroscopic techniques, confirming the benefits of photographic investigation in these artworks. The great assortment of available documents, in terms of constitutive materials, historical period of production and state of conservation, is a strong point of this project in order to test the potential holistic approach to safeguard the documents collected in the library.
The essay looks at the work of the famous Venetian antique dealer Moisè Michelangelo Guggenheim (1837-1914) in his role as entrepreneur and internationally successful designer of interiors and decorative art objects. It describes the origin of his carving workshop and its development in the "Stabilimento per le Arti decorative ed industriali", focusing on work organisation, promotion strategies and some objects created for prestigious clients, but also on his participation in numerous national and international exhibitions, interior designs for private and public historical buildings and for popular traditional Venetian events.
ARMID@Venezia: ARchivio Musicale e Iconografico Digitale A Venezia (Digital Iconographic and Music Archive in Venice). Music and digital humanism in Venice. The music sources of the «Benedetto Marcello» Conservatory.
www.unive.it/armidavenezia-eng
https://www.villamonastero.eu/