Papers by Kristina Pranjić
Primerjalna književnost 46.3, 2023
This article connects the artistic avant-garde from the beginning of the twentieth century on the... more This article connects the artistic avant-garde from the beginning of the twentieth century on the one hand and today’s intermedia and socially engaged artistic practice on the other. The central thesis is that the presented examples of works of art manifest concepts and models for thinking and living beyond the imperative of growth and continuous progress. Such artistic strategies are presented through five topical sets including laziness and disappearance, cosmopolitanism and universal language, alternative representations of space/ time, transhumanism, posthumanism, and systemic worldview. Just as avantgardes used to criticize industrial or modern society, so today intermedia art contributes to the restructuring of the imaginary of growth, capitalist production and consumption. The article thus advances the conceptual understanding of post-growth and degrowth in the field of art and humanities, showing how precisely art may enable a positive understanding of powerlessness and release or the opposite of growth which is usually understood as exclusively negative—as lack and loss.
Slovenska literatura in umetnost v družbenih kontekstih. Obdobja 42, 2023
By discussing selected works of the two most prominent Slovenian authors in electronic literature... more By discussing selected works of the two most prominent Slovenian authors in electronic literature, Vuk Ćosić and Jake Železnikar, this article examines e-poetry at the intersection of literary studies and media theory. It seeks to develop a clearer conceptual definition of a new media or e-literary object while pointing to the possibility of a more suitable interdisciplinary approach to studying such phenomena.
ISEA2023 SYMBIOSIS, 2023
In order to develop new symbiotic relationships and different imaginaries, it is first necessary ... more In order to develop new symbiotic relationships and different imaginaries, it is first necessary to critically restructure the representations of forms of cooperation, which in their positive, desired version usually represent a certain romantic idea of nature and human, and the possibilities for a harmonious model and holistic structure of reality. This can be seen in both eco art and activist ecological agendas, which often play on feelings of harmony and mutual reciprocity, and actually further contribute to a distorted and extremely onedimensional image of reality. Using the concepts of conviviality and cosmpolitics, the article aims to offer new concepts of symbiosis and symbiotic futures that face today's process of defuturing. The second point of the article is to develop a convincing and solid alternative to the neoliberal view of market-driven models based on competencies and the logic of growth. Therefore, the actual task for disruptive avant-garde art of today should be understood as the decolonization of our imaginaries that perceive nature through the logic of growth and the harmonious model in the direction of shaping post-growth imaginaries for symbiotic futures.
https://isea2023.isea-international.org/
Radio Študent, RADAR, Dec 20, 2020
CRISIS. The Avant-Garde and Modernism in Critical Modes, 2022
https://www.degruyter.com/document/doi/10.1515/9783110773637-014/html
K. Pranjić, Change Must Co... more https://www.degruyter.com/document/doi/10.1515/9783110773637-014/html
K. Pranjić, Change Must Come: Yugoslav Avant-Gardes and Metropolitan Dada [in:] S. Bru, K. Kangaslahti et al. (eds.), Crisis: The Avant-Garde and Modernism in Critical Modes, De Gruyter, Berlin/Boston 2022.
Likovne besede / Art Words, 2021
Avangarda i komentari, 2021
The paper examines the transrational language (zaum) and its conceptual framework; it aims to cla... more The paper examines the transrational language (zaum) and its conceptual framework; it aims to clarify its linguistic status as a poetic language, and the philosophical implications of informational aspects of this language "beyond reason". We propose that the methodological basis for the formation of the zaum is based on the physical, bodily plane of sound or voice formation. It expresses the unique momentary experience without the intervention of the rational (semantic) mind, which is formed according to the rules of the language system, with the aim of freeing it from all the historical and cultural valuing (canon, ideology, tradition).
Avangarda i komentari. Međunarodni naučni zbornik radova u čast prof. dr. Gojka Tešića. Eds. Igor Perišić, Vladan Bajčeta. Beograd: Institut za književnost i umetnost, 2021.
Slovenska poezija. Obdobja 40, 2021
The paper examines the processes and functions of the appearance of the stars and constellations ... more The paper examines the processes and functions of the appearance of the stars and constellations in the book of poetry Zvezde (Stars, 1965) by Gregor Strniša, whose work was largely influenced by different mythic systems. It compares the function of stars and constellations in the context of Homer’s cosmological model in the epic cycle of Odysseus, who primarily used celestial bodies to navigate his craft and mark time, with the function of stars in Strniša’s modern poetic vision.
Kozmični anarhizem. Borec LXXIII/2021, No. 793–795, 2021
The article focuses on the texts by Ljubomir Micić and Branko Ve Poljanski published in the Ljubl... more The article focuses on the texts by Ljubomir Micić and Branko Ve Poljanski published in the Ljubljana theatre magazine Maska in 1920. Whereas Micić first and foremost wanted to present himself as a writer also outside Zagreb, Poljanski took the opportunity to polemicise with the critics in Ljubljana and later continued his critical response to Ljubljana’s artistic environment in his magazine Svetokret and also Zenit. Even more, one of Poljanski’s main motives for publishing an independent magazine in Ljubljana was the continuation of the polemic he had started in Maska. The contribution points out the thesis that, for a comprehensive genealogy of the initial cooperation between the Slovenian avant-gardists and the representatives of Yugoslav Zenitism, we also need to take into account Maska, which was not considered a radical or avant-garde magazine, but, with its tendency towards internationalisation, its openness for different languages and its polemics, did contribute to the exchanging of views on art and criticism of the time, thus creating a fruitful environment for the development of the relations between different protagonists of the Yugoslav avant-garde and their independent activities.
Zbornik radova Akademije umetnosti, 2021
The article is dedicated to the publications of Ljubomir Micić and Branko Ve Poljanski in Maska, ... more The article is dedicated to the publications of Ljubomir Micić and Branko Ve Poljanski in Maska, the Ljubljana performing arts journal from 1920. While with his engagement in Maska Micić primarily wanted to present himself as a writer outside Zagreb (first, he published in Maska a review of the play Anfisa, and then his own play Istočni Greh was reviewed), Poljanski used his engagement in Maska for a polemic with Ljubljana critics, to later continue his critical response to Ljubljana’s artistic milieu in his journal Svetokret, as well as in Zenit. Moreover, one of Poljanski’s main motives for publishing an independent journal in Ljubljana was the continuation of the polemic he had started in Maska. Therefore, this article presents the assumption that for a complete genealogy of the beginnings of cooperation between Slovenian avantgarde and representatives of Yugoslav zenithism, it is necessary to take into account Maska, although it was not considered a revolutionary or avant-garde journal. Yet, its aspiration to become international and its openness to different languages and polemics contributed to the exchange of opinions about art and criticism of the time, which was a fruitful ground for the development of relations between various representatives of the Yugoslav avant-garde and their independent actions.
https://scindeks.ceon.rs/issue.aspx?issue=15839
Svět literatury (World of Literature), 2021
The article focuses on the transnational aspect of Yugoslav Dadaism, which was already an integra... more The article focuses on the transnational aspect of Yugoslav Dadaism, which was already an integral part of its founding stage in Prague in 1920, when the main Yugoslav Dadaist, Dragan Aleksić, was a student there. Through an analysis of the already known (but rare) primary and secondary sources and a presentation of some newly found primary sources, the article presents the cooperation between Yugoslav and Czech artists and clarifies the circumstances of establishing this Yugoslav avant-garde movement. Furthermore, because Aleksić's work was closely connected to Ljubomir Micić's Zenitism and the activity of Branko Ve Poljanski in Prague, we compare their journals (Zenit, Dada-Jok, Dada Tank, Dada Jazz) and emphasize the points of conflict and competitiveness among them, which was a constructive part for the further development of Yugoslav Dadaism. Thus, the article contributes to both the local and international positioning of the Yugoslav Dada in the context of the Central European avant-garde.
https://svetliteratury.ff.cuni.cz/en/magazin/2021-xxxi-64-2/
Sto godina časopisa Zenit = A hundred years of the Zenit magazine : 1921-1926-2021, 2021
The article presents the Trieste Constructivist Cabinet (1927) by Slovenian avant-gardist Avgust ... more The article presents the Trieste Constructivist Cabinet (1927) by Slovenian avant-gardist Avgust Černigoj and his Constructivist group, as one of the significant events in the context of abstract artistic ambient of historical avant-garde. El Lissitzky’s Proun is pointed out as the greatest influence on this artwork, while at the same time presenting the thesis of its original contribution, in the sense of dynamization of the cabinet using Stepančič’s levitation constructions. The kinetic potential of these hanging constructions draws the visitor into a two-way communication, a permanent feedback loop. It is this continuum, the duration i.e. process nature that such an installation allowed, i.e. produces, that is placed in the forefront, alongside space and motion.
In addition to this pinnacle of Slovenian avant-garde being placed in the context of European historical avant-garde, the work of the Slovenian constructivists is also contextualized within the framework of the Yugoslav avant-garde movements. Special attention is paid to the Tank magazine (1927), which started being published in Ljubljana after the ban on the publication of Zenit in 1926, in an attempt to maintain continuity in the publication of Yugoslav avant-garde periodicals. It is a known fact that Černigoj’s avant-garde art was based on constructivist principles, while the article also points out his concurrent use of subversive Dadaist principles: the process of destruction of old meanings using methods of isolation and relocation of artistic material, in the sense of ready made or objet trouvé; similarly, desemantization is carried out in the linguistic material (“g”, “jublj”); use of mass produced materials (fragments of slogans that the artist transposes into artistic rhetoric); the performative
nature of the entire event / exhibition. Also presented are the close ties between Slovenian constructivism and Micić’s Zenitism and Dragan Aleksić’s Dadaism, as well as the shift in the sense of forming an original program and establishing an own avant-garde formation, whose most important and most representative work is precisely the Trieste Constructivist Cabinet, which represents a characteristic synthesis of
the Yugoslav and the European avant-garde tendencies at the time.
Anthropos, 2020
In this article we address the problem of the study of first-person experience that cannot be com... more In this article we address the problem of the study of first-person experience that cannot be completely reduced to objective (third-person) data, which makes any scientific research of it difficult. Initially, neurophenomenology, a contemporary method that attempts to combine natural science and the humanities, is presented to overcome this obstacle in the overall study of first-person experience. Additional to the scientific methods and codes, considerable attention is paid to the field of art and the experience of nonduality in order to explore first-person experience. Namely, for art, there is an inherent interaction between the subject and the object (the world), and the experience of nonduality points to the primary indivisibility of the self and the world. Work of art occurs in its entirety only in the act of reception of the work (reading, listening, watching); its goal is not in understanding, but in the experiencing of it with the whole (experiencing) body.
Primerjalna književnost, 2020
The article presents the image of a Balkan man, barbarogenius, as conceived by one of the central... more The article presents the image of a Balkan man, barbarogenius, as conceived by one of the central representatives of the Yugoslav avant-garde, Ljubomir Micić (1895–1971). The concepts of barbarian-genius and balkanization/barbarization of Europe were developed in the Zenit (1921–1926) journal, and were also represented in Micić’s poetry and prose (the novel Barbarogenious Decivilizer). Similar ideas can also be found in the work of Srečko Kosovel (1904–1926) and in the Ljubljana Tank journal (1927). This points to the formation of a specific local identity, which indicates the national context of the Yugoslav avant-garde. In this way, we can track the original thought and art-historical specifics of this avant-garde current, connected with particular socio-political events in the first decades of the twentieth century. Both internationalization/cosmopolitanism and radical exposure of national characteristics can be seen as strategies for the transgression of identities, and for the establishment of the Balkans as a pluralistic cultural identity with its creative power within the Yugoslav avant-garde.
ZoneModa Journal, 2020
This paper is based on the outcomes of the interdisciplinary project Coal Story conducted by the ... more This paper is based on the outcomes of the interdisciplinary project Coal Story conducted by the Faculty of Media and the Faculty of Design in Ljubljana (Slovenia), which was implemented in 2019 in cooperation with the graduate and postgraduate students of Media, Communication, Psychology, and Design, who were working under the mentorship of interdisciplinary researchers and designers. The central designer of the project was Marjeta Hribar with her innovative brand KUOLMi; she is known for her jewelry and object design made of coal found in her local Zasavje region, which has a rich history of industrial coal mining in Slovenia. Design as a form of visual arts is an important social formation with a potential for restructuring the attitude and strategies that we have towards the material culture around us. In this paper, we try to contextualize the findings of the project using two theoretical approaches: firstly, we use the study of signs, semiology, and secondly, the current study of material culture. The latter is introduced through the work of author Daniel Miller and is developed through the theoretical work of the avant-garde artist Vladimir Tatlin, who established the Department of Material Culture already in 1920s.
ZoneModa Journal. Vol.10 n.1S (2020)
S.I. Be Cool! Aesthetic Imperatives and Social Practices
ISSN 2611-0563
https://zmj.unibo.it/issue/view/862
ČKZ. Journal for the Critique of Science, Imagination, and New Anthropology , 2019
The article highlights the wider cultural and historical context of exploration of outer space an... more The article highlights the wider cultural and historical context of exploration of outer space and interest in spaciousness, which in particular in Russian history exceeds the ideological frames of the Cold War and Space Race. The particularity of Russian tradition lays in a strong interest in cosmos and cosmic, expressed in theoretical texts, and works of art and literature of the 20th century. By exploring new connections in Russian tradition, which are not related solely to the Soviet rocket program or the ideology of the Cold War, and go against the generally accepted reception, which equates Russian interest in space with the desire to defeat the Americans in the Space Race, the article contributes to understanding and establishing the cosmic tradition in Russian culture. By doing so, the contribution is also relevant for reflection on the general context of thought that has contributed to a major event, such as the Moon landing.
As a special period in Russian culture, the article highlights Russian Constructivism, an Avant-Garde artistic movement, closely related to the idea of flight and the overcoming of spatial and temporal boundaries contained in the idea of liberating the human of all forces (including the force of gravity). Clearly outlined is the orientation towards synthesis, and the unification of science, technology and art, on the basis of which the specifics of the principle of "machine" and "organic", applied by Russian constructivism to the technology, is especially evident.
Slavica TERgestina. European Slavic Studies Journal, 2019
The article presents Kazimir Malevich’s theory of poetry that he expressed in his treatise On Po... more The article presents Kazimir Malevich’s theory of poetry that he expressed in his treatise On Poetry (1918–19). Malevich collaborated with futurist poets on many occasions; par-ticularly the poet Aleksei Kruchenykh used same concepts as Malevich to develop his poetical expression. We can track this in his so called transmental poetry or zaum (excess of language) as well as in the late handwritten books from the Caucasian period (absence of language, letter as a visual element). Same concepts (rhythm, movement and stillness, principle of economy) are used, with which Malevich theoretically established his new movement in art – Suprematism, and described the possibility of the objectless world
Искусство и революция сто лет спустя, 2019
Заголовок настоящей статьи «Революция как глоссолалия» заимствован из финала статьи «Цвет и ритм ... more Заголовок настоящей статьи «Революция как глоссолалия» заимствован из финала статьи «Цвет и ритм революции: интуиции Андрея Белого »историка философии Александра Доброхотова, в которой он говорит о революции у Белого. Статья заканчивается тезисом об «апофатической функции революции» у Белого; в связи с этим Доброхотов пишет, что «совсем не удивительно, что главным откликом на события мятежной эпохи стала его фонетическая фантазия о семантике и ритме звукообразия». Конечно, здесь говорится о «Глоссолалии: поэме о звуке», которую Андрей Белый писал именно в революционном 1917-м году (но вышла она позже, в 1922 году в Германии). Доброхотов заканчивает свою статью следующим тезисом: «Возможно, это самая оригинальная для этого времени интерпретация исторического сдвига: революция как глоссолалия».
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Papers by Kristina Pranjić
https://isea2023.isea-international.org/
I. Dada je deviški mikrob // Tristan Tzara
II. Jezik je virus iz vesolja // William S. Burroughs
III. Nezadržna permutacija viralnih form // Kazimir Malevič
IV. Dada ustvarja kakortedragost sveta-cirkusa // Dragan Aleksić
K. Pranjić, Change Must Come: Yugoslav Avant-Gardes and Metropolitan Dada [in:] S. Bru, K. Kangaslahti et al. (eds.), Crisis: The Avant-Garde and Modernism in Critical Modes, De Gruyter, Berlin/Boston 2022.
Avangarda i komentari. Međunarodni naučni zbornik radova u čast prof. dr. Gojka Tešića. Eds. Igor Perišić, Vladan Bajčeta. Beograd: Institut za književnost i umetnost, 2021.
https://scindeks.ceon.rs/issue.aspx?issue=15839
https://svetliteratury.ff.cuni.cz/en/magazin/2021-xxxi-64-2/
In addition to this pinnacle of Slovenian avant-garde being placed in the context of European historical avant-garde, the work of the Slovenian constructivists is also contextualized within the framework of the Yugoslav avant-garde movements. Special attention is paid to the Tank magazine (1927), which started being published in Ljubljana after the ban on the publication of Zenit in 1926, in an attempt to maintain continuity in the publication of Yugoslav avant-garde periodicals. It is a known fact that Černigoj’s avant-garde art was based on constructivist principles, while the article also points out his concurrent use of subversive Dadaist principles: the process of destruction of old meanings using methods of isolation and relocation of artistic material, in the sense of ready made or objet trouvé; similarly, desemantization is carried out in the linguistic material (“g”, “jublj”); use of mass produced materials (fragments of slogans that the artist transposes into artistic rhetoric); the performative
nature of the entire event / exhibition. Also presented are the close ties between Slovenian constructivism and Micić’s Zenitism and Dragan Aleksić’s Dadaism, as well as the shift in the sense of forming an original program and establishing an own avant-garde formation, whose most important and most representative work is precisely the Trieste Constructivist Cabinet, which represents a characteristic synthesis of
the Yugoslav and the European avant-garde tendencies at the time.
ZoneModa Journal. Vol.10 n.1S (2020)
S.I. Be Cool! Aesthetic Imperatives and Social Practices
ISSN 2611-0563
https://zmj.unibo.it/issue/view/862
As a special period in Russian culture, the article highlights Russian Constructivism, an Avant-Garde artistic movement, closely related to the idea of flight and the overcoming of spatial and temporal boundaries contained in the idea of liberating the human of all forces (including the force of gravity). Clearly outlined is the orientation towards synthesis, and the unification of science, technology and art, on the basis of which the specifics of the principle of "machine" and "organic", applied by Russian constructivism to the technology, is especially evident.
https://isea2023.isea-international.org/
I. Dada je deviški mikrob // Tristan Tzara
II. Jezik je virus iz vesolja // William S. Burroughs
III. Nezadržna permutacija viralnih form // Kazimir Malevič
IV. Dada ustvarja kakortedragost sveta-cirkusa // Dragan Aleksić
K. Pranjić, Change Must Come: Yugoslav Avant-Gardes and Metropolitan Dada [in:] S. Bru, K. Kangaslahti et al. (eds.), Crisis: The Avant-Garde and Modernism in Critical Modes, De Gruyter, Berlin/Boston 2022.
Avangarda i komentari. Međunarodni naučni zbornik radova u čast prof. dr. Gojka Tešića. Eds. Igor Perišić, Vladan Bajčeta. Beograd: Institut za književnost i umetnost, 2021.
https://scindeks.ceon.rs/issue.aspx?issue=15839
https://svetliteratury.ff.cuni.cz/en/magazin/2021-xxxi-64-2/
In addition to this pinnacle of Slovenian avant-garde being placed in the context of European historical avant-garde, the work of the Slovenian constructivists is also contextualized within the framework of the Yugoslav avant-garde movements. Special attention is paid to the Tank magazine (1927), which started being published in Ljubljana after the ban on the publication of Zenit in 1926, in an attempt to maintain continuity in the publication of Yugoslav avant-garde periodicals. It is a known fact that Černigoj’s avant-garde art was based on constructivist principles, while the article also points out his concurrent use of subversive Dadaist principles: the process of destruction of old meanings using methods of isolation and relocation of artistic material, in the sense of ready made or objet trouvé; similarly, desemantization is carried out in the linguistic material (“g”, “jublj”); use of mass produced materials (fragments of slogans that the artist transposes into artistic rhetoric); the performative
nature of the entire event / exhibition. Also presented are the close ties between Slovenian constructivism and Micić’s Zenitism and Dragan Aleksić’s Dadaism, as well as the shift in the sense of forming an original program and establishing an own avant-garde formation, whose most important and most representative work is precisely the Trieste Constructivist Cabinet, which represents a characteristic synthesis of
the Yugoslav and the European avant-garde tendencies at the time.
ZoneModa Journal. Vol.10 n.1S (2020)
S.I. Be Cool! Aesthetic Imperatives and Social Practices
ISSN 2611-0563
https://zmj.unibo.it/issue/view/862
As a special period in Russian culture, the article highlights Russian Constructivism, an Avant-Garde artistic movement, closely related to the idea of flight and the overcoming of spatial and temporal boundaries contained in the idea of liberating the human of all forces (including the force of gravity). Clearly outlined is the orientation towards synthesis, and the unification of science, technology and art, on the basis of which the specifics of the principle of "machine" and "organic", applied by Russian constructivism to the technology, is especially evident.
https://zalozba-sophia.si/katalog/2021/borec-leto-2021-st-793%E2%80%93795
KRISTINA PRANJIĆ
Anarhizem in avantgarda
(Uvodnik)
I. ANTON PODBEVŠEK, KOZMIČNI ANARHIST
LEV KREFT
»Pravi pesnik je božanski stvarnik in kozmični anarhist«
MARIJAN DOVIĆ
Sestreljeni pilot: Podbevšek kot »teoretik«
MIKLAVŽ KOMELJ
Od izumitelja na Zemlji do ujetnika vesoljstva
MAGDALENA GERMEK, BARA KOLENC
Izumitelj na Zemlji v dialogu
II. JUGO-AVANT: 100 LET POZNEJE
IRINA SUBOTIĆ
Revija Zenit in zenitizem sto let pozneje
KRISTINA PRANJIĆ
Ljubomir Micić in Branko Ve Poljanski v reviji Maska (1920/21)
JASNA KUJUNDŽIĆ JOVANOV
Dragan Aleksić: na vrtiljaku dadaizma
BRANISLAV JAKOVLJEVIĆ
Štirje obrazi dade: od jazza do zvezd
III. Zenit: MANIFESTI IN PESMI
LJUBOMIR MICIĆ
Manifest zenitizma
Zenitizem kot balkanski totalizator novega življenja in nove umetnosti
Šimi na pokopališču latinske četrti: zenitistični radio-film v 17 poglavjih
Kategorični imperativ zenitistične pesniške šole
BRANKO VE POLJANSKI
Pot v Brazilijo
Vstani
Vesela pesem
Čudovite so tvoje oči, Lucija
IV. ANARHIZEM
TJAŠA PUREBER
Anarhizem – onkraj obstoječega: gibanje in njegova rekuperacija
DAŠA TEPINA
Revolucionarne utopije: sence preteklosti ali vizije prihodnosti?
MIHA ZADNIKAR
K razmerju med anarhizmom in umetnostjo
IZTOK OSOJNIK
Nekozmični anarhizem podrealizma
V. OPTIMALNE PROJEKCIJE V ZNANSTVENI FANTASTIKI
NATALIJA MAJSOVA
Nauki preteklih prihodnosti: sovjetska vesoljska znanstvena fantastika med projekcijo in spominjanjem
MANUELA DE BARROS
Znanstvena fantastika in spol: drugačen premislek o futurističnih kozmičnih družbah
VI. UMETNOST KOT VSAKDANJA PRAKSA
PETER PURG
Človek človeku stroj
VID BEŠTER
Fakt-Majakovski: k samofrčnemu anahronizmu
DRAGAN ŽIVADINOV
Razvojna umetnost
VII. KOZMIČNI ANARHIZEM – REFLEKSIJA IZ ŠOLSKIH KLOPI
Reprodukcije del študentk in študentov ALUO UL ob mentorstvu Emine Djukić, Andreja Lamuta in Petra Koštruna
CONTENTS
Uvod v temo Svet kot brezpredmetnost. 140 let od rojstva Kazimira Maleviča
At the Intersection of Art and Outer Space: The World as Objectlessness.
140 years since the birth of Kazimir Malevich
❦ Blaž Šef, Kristina Pranjić
SCIENTIFIC PAPERS
Ekonomija kao peta dimenzija: Dijalog Maljeviča s Marksom
Economy as the Fifth Dimension: Malevich’s Dialogue with Marx
❦ Kornelija Ičin
Čistka kultur? Seveda. Tako kot njihovo svinjanje
Purge of Cultures? Of Course. Same as Dirtying Them
❦ Miha Javornik
Brezpredmetnost in ekonomičnost v poeziji
Objectlessness and Economy in Poetry
❦ Kristina Pranjić
Črno na belem, nihilizem brezpredmetnosti
Black on White, Nihilism of Non-Objectivity
❦ Iztok Osojnik
»Skrivnost« Črnega kvadrata: obrnjena perspektiva
The “Mystery” of the Black Square: Reverse Perspective
❦ Bojan Anđelković
Kvantna paradigma in njen spiritualni odsev:
Ultimativna umetnost Kazimira Maleviča
Quantum Paradigm and Its Spiritual Resemblance:
The Ultimate Art of Kazimir Malevich
❦ Dunja Kukovec
Abstrakcija in brezpredmetnost pri Maleviču in Kosovelu
Abstraction and Objectlessness in Malevich’s and Kosovel’s Work
❦ Janez Vrečko
NSK, IRWIN in Malevič
NSK, IRWIN and Malevich
❦ Lela Anglea Mršek Bajda
Suprematizam i nacsuprematizam: Maljevič vs. Peperštejn
Suprematism and Natsuprematism: Malevich vs. Pepperstein
❦ Jelena Kusovac
Brezpredmetnost Malevičevega in brezsvetnostnost
Reinhardtovega črnega kvadrata
The Nonobjectivity of Malevich’s and The Wordlilessness of Reinhardt’s Black Square
❦ Rebeka Vidrih
Svet in nič: od Albertija k Maleviču
The World and Nothing: From Alberti to Malevich
❦ Marko Jenko
Minimalna razlika, prehod in umetnina
Minimal Difference, Passage and Artwork
❦ Magdalena Germek, Slađana Mitrović
ESSAYS
Ejdologike Kazimira Maljeviča
Eidologies of Kazimir Malevich
❦ Vladmir Medenica
Suprematizem in sodobna kozmonavtika
Suprematism and Modern Cosmonautics
❦ Miha Turšič
Беспредметные ресурсы планеты на примере собственных
произведений
Non-Objective Planetary Resources through the Example of Author’s Own Works
❦ Lenore Linza (Линор Линза)
TRANSLATION
Suprematizem. 34 risb
Suprematism. 34 Drawings (Slovene Translation)
❦ Kazimir Malevič
International scientific conference with artistic programme
10.-12. 10. 2024, Nova Gorica, Slovenia
Novo mesto, 6.-8. april 2021
1. Anton Podbevšek, kozmični anarhist
2. Jugo-avant: 100 let pozneje
3. Pretekle in sedanje optimalne projekcije v pop kulturi
4. Anarhizem
5. Umetnost kot vsakdanja praksa
Osmo/za, Slovenska 54, 1000 Ljubljana
Organizatorji
Filozofska fakulteta Univerze v Ljubljani
Filološka fakulteta Univerze v Beogradu
Konzorcij Osmo/za:: Zavod Delak, Zavod Projekt Atol, Društvo Ljudmila
Zavod Radio Študent
Častni gostje simpozija
dddr. JURI BATURIN, kozmonavt in akademik, Moskva, Rusija
IRINA SOKOLOVA, svetovalka za mednarodne odnose, Moskva, Rusija
dr. DMITRIJ DRAGUN, podpredsednik Ruske akademije kozmonavtike K. E. Ciolkovskega
Simpozij je idejno zasnovala in vodila: Kristina Pranjić
Moderira ga: Blaž Šef
Grafično oblikoval: Boris Balant
Vodja organizacije: Polona Torkar
Pomoč pri izvedbi: Anže Rogelja, Rok Mrvič
Video prenos: Tea Grahek
Prenos zvoka: Blaž Pavlica
PETEK, 18. 5. 2018, OSMO/ZA
NIČ
red. prof. dr. Kornelija Ičin: Princip ekonomije v suprematizmu
dr. Marko Jenko: Objekt (po) brezpredmetnosti
Magdalena Germek, dr. Slađana Mitrović: Minimalna razlika
red. prof. dr. Miha Javornik: Čistka kultur? Seveda. Tako kot njihovo svinjanje.
SUPRASLIKE
Vladimir Medenica: Eidologike Kazimira Maleviča
red. prof. dr. Janez Vrečko: Kvadrat kot polemika z evklidsko geometrijo
Dunja Kukovec: Kvantna paradigma in njen spiritualni odsev
dr. Iztok Osojnik: Zapiski o brezpredmetnosti na ozadju kaosa in
sintropičnosti nekega neuspeha
VEČER POEZIJE IN ZVOKA
Miklavž Komelj
Robertina Šebjanič
SOBOTA, 19. 5. 2018, OSMO/ZA
SODOBNOST
dr. Jelena Kusovac: Suprematizem in nacsuprematizem: Malevič vs. Pepperstein
doc. dr. Rebeka Vidrih: Brezsvetnostnost Reinhardtovega črnega kvadrata
Lela Angela Mršek Bajda: NSK, Irwin in Malevič
KOZMOS
dr. Bojan Anđelković: »Skrivnost« Črnega kvadrata: obrnjena perspektiva
dr. Kristina Pranjić: Zaum in brezpredmetnost
Miha Turšič: 1920 - 2020 / Habiton
Lenore Linza: Brezpredmetni viri planeta na primeru lastnih del
INFO-AKCIJA
Dragan Živadinov
NEDELJA, 20. 5. 2018, MODERNA GALERIJA
JAVNO VODSTVO
Dragan Živadinov
In Nova Gorica there is an interplay of languages and cultures present in everyday life. Therefore the main idea of the conference are intercultural contacts and the position of languages and literature on these contacts.
The topics for this conference are:
- language, literary and cultural contacts,
- Slavic languages and literature,
- cultural history,
- didactics of Slavic languages.
http://primuzee.ru/shop/Knigi/Bog-Attraktor_-Issledovanie-v-oblasti-filosofii-obydennogo-iazyka
Кристина Праньич, Вадим Руднев. Богъ-Аттрактор: Исследование в области философии обыденного языка. – СПб., М.: Центр гуманитарных инициатив; Добросвет, 2020. — 256 с.
The main motivation behind the project which propelled the project team’s theoretical work and fieldwork was to present coal as a symbol of the past, which can be restructured in a new visionary mode of its own future. In addition to presenting the rich history of the various uses of coal and looking into how coal is represented in today’s media as the most hated material or fossil fuel, which has taken a tremendous toll on human health and the environment, the central part of the project was dedicated to collecting and narrating personal stories of miners and young people of Zasavje whose lives and identity were shaped by coal. The project collaborators also presented examples of local and international design practices that find inspiration in coal as an unconventional means of artistic expression. The project results were collected in an e-brochure (2019) and presented at the exhibition in May 2019 at the Slovene Ethnographic Museum in Ljubljana.
Avtorji: Damjana Celcar, Magdalena Germek, Barbara Gobec, Hana Jerlah, Manca Koren, Kristina Pranjić, Špela Rojs
Uredili: Magdalena Germek, Kristina Pranjić
Fotografije: Barbara Gobec
Oblikovala: Špela Pavli Perko
Dostopno na: https://fame.si/studentski-projekti/coal-story
Janez Vrečko. Constructivism and Kosovel. Prev. David Limon. Ljubljana: KSEVT, Znanstvena založba Filozofske fakultete Univerze v Ljubljani, 2015, 320 str.
Bojan Anđelković. Umetniški ustroj Noordung. Filozofija in njen dvojnik.
Ljubljana: Založba ZRC SAZU, 2016, 454 str.
Plava, crvena i žuta knjiga koje su izašle u poslednjih nekoliko godina u Ljubljani na inicijativu slovenačkog pozorišnog reditelja, jednog od osnivača umetničkog pokreta NSK (NeueSlowenische Kunst) i slovenačke retroavantgarde Dragana Živadinova, pokazuju da je u Sloveniji prisutan izvanredno zanimljiv kontinuitet ideja povezanih sa kosmosom i avangardnim težnjama. Kako sadržajno, tako i vizualno ove tri knjige predstavljaju jedan primer izuzetno kvalitetne izdavačke i štamparske delatnosti.