Papers by Vincenzo Borghetti
«Journal of the Alamire Foundation», 2015
«Early Music History», 2012
«Philomusica on-line», 2012
Negli ultimi decenni il metodo biografico è stato oggetto di un intenso dibattito teorico nelle d... more Negli ultimi decenni il metodo biografico è stato oggetto di un intenso dibattito teorico nelle discipline storico-umanistiche.
«Semicerchio. Rivista di poesia comparata», 2011
Musique, théologie et sacré, d’Oresme à Érasme, 2008
Q Johannes Ockeghem, figure mystique ? -Vincenzo Borghetti I 151 des habitudes interprétatives qu... more Q Johannes Ockeghem, figure mystique ? -Vincenzo Borghetti I 151 des habitudes interprétatives qui sont, au contraire, le reflet de la modernité. Inévitablement, en décrivant Ockeghem, nous parlons de nous-même ; inévitablement, ceux qui, avant nous, ont décrit Ockeghem ont parlé d'eux-mêmes.
«Acta Musicologica», 2008
L ondon, 1745: William Hogarth opens the series of pictures entitled Marriage A-la-mode [sic] wit... more L ondon, 1745: William Hogarth opens the series of pictures entitled Marriage A-la-mode [sic] with the signing of a marriage contract sealing a mésalliance between the Squanders, impoverished aristocrats, and a wealthy bourgeois family (Fig. 1). 1 Even a superficial observer can readily understand the social setting of the scene and the status of the individuals who inhabit it. The characters are placed in an aristocratic ambience, a room at the residence of the Earl, the father of the bridegroom, as numerous details indicate: the insignia on the seat, frame, and canopy, for example, or the imposing portrait of the host, rich in mythological, chivalric, and military symbolism, such as the bolt of lightning in his left hand, the armor, the (fake) Order of the Golden Fleece at his neck, and the cannon charged to fire. Hair style, dress, jewellery, gouty disposition, and gestures, all point to the man seated in the lower right as the aristocratic pater familias. The noble lineage of his family is unequivocally emphasized by one more detail that is given great prominence: the scroll of parch-Acta Musicologica, LXXX/2 (2008), pp. 179-214 Vincenzo Borghetti -Music and the representation of princely power
Musik und Mythos - Mythos Musik um 1900, Zürcher Festspiel Symposium 2008, 2008
Storia dei concetti musicali, vol. 3, Melodia, stile, suono, a cura di Gianmario Borio, 2009
Il libro di musica. Per una storia materiale delle fonti musicali in Europa, a cura di Carlo Fiore, 2004
La scrittura come rappresentazione del pensiero musicale, a cura di Gianmario Borio, 2004
Talks by Vincenzo Borghetti
Books by Vincenzo Borghetti
A History in 100 Exhibits, ed. Vincenzo Borghetti and Tim Shephard (Turnhout: Brepols), 2023
This book collates 100 exhibits with accompanying essays as an imaginary museum dedicated to the ... more This book collates 100 exhibits with accompanying essays as an imaginary museum dedicated to the musical cultures of Renaissance Europe, at home and in its global horizons. It is a history through artefacts—materials, tools, instruments, art objects, images, texts, and spaces—and their witness to the priorities and activities of people in the past as they addressed their world through music. The result is a history by collage, revealing overlapping musical practices and meanings—not only those of the elite, but reflecting the everyday cacophony of a diverse culture and its musics. Through the lens of its exhibits, this museum surveys music’s central role in culture and lived experience in fifteenth- and sixteenth-century Europe, offering interest and insights well beyond the strictly musicological field.
The Museum of Renaissance Music: A History in 100 Exhibits, ed. Vincenzo Borghetti and Tim Shephard (Turnhout: Brepols, 2023), 2023
This book collates 100 exhibits with accompanying essays as an imaginary museum dedicated to the ... more This book collates 100 exhibits with accompanying essays as an imaginary museum dedicated to the musical cultures of Renaissance Europe, at home and in its global horizons. It is a history through artefacts—materials, tools, instruments, art objects, images, texts, and spaces—and their witness to the priorities and activities of people in the past as they addressed their world through music. The result is a history by collage, revealing overlapping musical practices and meanings—not only those of the elite, but reflecting the everyday cacophony of a diverse culture and its musics. Through the lens of its exhibits, this museum surveys music’s central role in culture and lived experience in fifteenth- and sixteenth-century Europe, offering interest and insights well beyond the strictly musicological field.
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Papers by Vincenzo Borghetti
Talks by Vincenzo Borghetti
Books by Vincenzo Borghetti