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Jorge Díaz-Cintas

University College London, Centre for Translation Studies (CenTraS), Faculty Member

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I graduated from the University of Valencia, Spain, with a degree in Filología Anglogermánica followed by a doctorate on Audiovisual Translation, with particular emphasis on subtitling.

Before moving to UCL in 2013, I was a Reader in Translation at Imperial College London and Roehampton University, having previously worked as a translation and terminology assistant at the European Parliament in Luxembourg.

I also work as a freelance translator and interpreter and am regularly invited to talk on translation at other institutions and universities.
Phone: +44 (0)20 7679 9363
Address: Founder Director, Centre for Translation Studies (CenTraS)
University College London
16 Gordon Square, Room GO3
London WC1H 0AG

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Papers by Jorge Díaz-Cintas

Quality is in the eye of the stakeholders: what do professional subtitlers and viewers think about subtitling?

Universal Access in the Information Society, 2020

Quality is a rather slippery concept, and its assessment in subtitling can be a challenging task,... more Quality is a rather slippery concept, and its assessment in subtitling can be a challenging task, as its appreciation can easily vary depending on the different stakeholders involved in the production and reception of subtitles. In this paper, we evaluate quality indicators in subtitling as perceived by professional subtitlers and viewers. After exploring the various subtitle parameters that can have an impact on the quality of the end product (such as line breaks, synchronisation, display rates), we present the results of two qualitative studies conducted with professional subtitlers and subtitle viewers with different audiovisual backgrounds. The results yield some similarities and discrepancies, particularly in the way in which the strategy of condensation is perceived by the two groups, and they also help delineate the subtitle parameters that should be taken into consideration in order to improve the creative process as well as the reception of subtitles.

Back to the Future in Subtitling

Proceedings of the Marie Curie Euroconferences …, 2007

Back to the Future in Subtitling Contents 1 The technological revolution 2 DVD is here to stay 3 ... more

The linguistics of subtitling

Introduction: The landscapes of Audiovisual Translation

The purpose of this paper is to describe the so-called fansubs, a different type of subtitling ca... more The purpose of this paper is to describe the so-called fansubs, a different type of subtitling carried out by amateur translators. The first part of this study covers both the people and phases involved in the fansubbing process from beginning to end. The second section focuses on the legality and ethics of fansubs. The third part pays attention to the actual translation of fansubs and their unique features, such as the use of translator's notes or special karaoke effects. The paper concludes with a reflection on the work done by fansubbers and the possibilities opened by this mainly Internet phenomenon.

Special Issue on Audiovisual Translation

How to Use this Book and DVD

Spatial and temporal features

Subtitling, 2020

Introduction to Subtitling

Subtitling, 2020

Subtitling: Concepts and Practices provides students, researchers and practitioners with a resear... more Subtitling: Concepts and Practices provides students, researchers and practitioners with a research-based introduction to the theory and practice of subtitling. The book, inspired by the highly successful Audiovisual Translation: Subtitling by the same authors, is a new publication reflecting the developments in practice and research that mark subtitling today, while considering the way ahead. It supplies the core concepts that will allow its users to acquaint themselves with the technical, linguistic and cultural features of this specific yet extremely diverse form of audiovisual translation and the many contexts in which it is deployed today. The book offers concrete subtitling strategies and contains a wealth of examples in numerous languages for dealing with specific translation problems. State-of-the-art translation technologies and their impact on the profession are explored along with a discussion of the ways in which they cater for the socio-political, multicultural and multilingual challenges that audiovisual productions and their translations must meet today. A truly multimedia package, Subtitling: Concepts and Practices comes with a companion website which includes a wide range of exercises with answer keys, video clips, dialogue lists, a glossary of concepts and terminology used in the industry and much more. It also provides access to a professional desktop subtitle editor, Wincaps Q4, and a leading cloudbased subtitling platform, OOONA. Jorge Díaz Cintas is Professor of Translation and founder director (2013-2016) of the Centre for Translation Studies (CenTraS) at University College London. He is the author of numerous articles, special issues and books on audiovisual translation. He is the chief editor of the Peter Lang series New Trends in Translation Studies and a member of the European Union expert group LIND (Language Industry). He is the recipient of the Jan Ivarsson Award (2014) and the Xènia Martínez Award (2015) for invaluable services to the field of audiovisual translation.

Postgraduate Courses in Audiovisual Translation

The Translator, 2003

Abstract Although postgraduate programmes in translation have been on offer at various universiti... more

Exploring new forms of audiovisual translation in the age of digital media: cybersubtitling and cyberdubbing

The Translator, 2023

The prevalence and popularity of audiovisual content in the current times has resulted in a wide ... more The prevalence and popularity of audiovisual content in the current times has resulted in a wide range of practices which have been categorised within audiovisual translation (AVT) research as examples of fan translation, amateur translation, crowdsourcing or collaborative translation, among others. While some practices can be included under these categories, other forms of AVT that have recently emerged are not as clear-cut. Against this backdrop, this article explores the conceptual uncertainties surrounding these new AVT practices, with a focus on dubbing and subtitling, by revisiting the work carried out by the authors, who have previously suggested the use of the umbrella terms 'cybersubtitling' and 'cyberdubbing'. In addition to providing a revised classification, the paper emphasises the need to explore the wider social and ethical consequences of these innovative translational activities. As regards ethical implications, altruist and fan practices are the ones most exposed to malpractice, often because some organisations emulate corporate behaviour but rely on free labour, without any financial retribution or credit towards those involved in these activities. The article also concludes that more critical research should be conducted to unravel the impact of these practices on the role of translation as a socio-professional activity.

Subtitling language variation and songs

Subtitling, 2020

Technical Considerations

Audiovisual translation in education towards a universal design for accessible online content

The aim of this research project is to investigate the current role and the potential of Audiovis... more The aim of this research project is to investigate the current role and the potential of Audiovisual Translation in online education environments for the purpose of enhancing accessibility for adult learners with sensory impairments, with the use of subtitling for deaf and hard-of-hearing people and audio description for blind and visually-impaired people. In order to provide a holistic theoretical background for this study, essential connections are established among Disability Studies, Audiovisual Translation, Online Education and Information Communication Technology, with focus on Accessible Web and Assistive Technology. The ultimate goal is to analyse the educational use of audiovisual content and its provision with access services in a comprehensive manner. Under the principles of Universal Design for Learning, and guided by existing standards for accessible web content as well as guidelines for accessible audiovisual material for educational purposes, a range of strategies is ...

Reconceptualizing subtitling

Subtitlers on the Cloud: The Use of Professional Web-based Systems in Subtitling Practice and Training

Tradumàtica: tecnologies de la traducció, 2021

The bourgeoning and rapid evolution of cloud-based applications has triggered profound transforma... more The bourgeoning and rapid evolution of cloud-based applications has triggered profound transformations in the audiovisual translation (AVT) mediascape. By drawing attention to the major changes that web-based ecosystems have introduced in localisation workflows, we set out to outline ways in which these new technological advances can be embedded in the AVT classroom. Along these lines, the present study sets out to explore the potential benefits of cloud platforms in AVT training curricula by exploring ways in which this technology can be exploited in subtitling training. An analysis of current subtitling practices and tools, localisation workflows, and in-demand skills in the AVT industry will be followed by an experience-based account on the use of cloud-based platforms in subtitler training environments to simulate and carry out a wide range of tasks. Our study pivots around the idea that cloud subtitling might prove useful to bridge the technological gap between academic institu...

An Excursus on Audiovisual Translation

The Palgrave Handbook of Audiovisual Translation and Media Accessibility, 2020

An Excursus on Audiovisual Translation Łukasz Bogucki and Jorge Díaz-Cintas ŁB: You have been act... more An Excursus on Audiovisual Translation Łukasz Bogucki and Jorge Díaz-Cintas ŁB: You have been actively involved in research into audiovisual translation (AVT) for well over twenty years and are now widely considered one of the main researchers in the field. When you started out in the early 1990s, AVT was hailed as a new, dynamic, and interdisciplinary research field. Was this always the case? The most obvious change that we have observed in the last three decades or so is the progressive shifting of AVT from the margins to the centre of the academic debate, in a rather rapid fashion and after somewhat sluggish beginnings. Although nobody doubts these days that AVT is part and parcel of the translation ecosystem, for many years it was snubbed by scholars more interested in literary artefacts and comparative literature, who thus considered AVT to be a case of adaptation and unworthy of serious academic attention. In essence, of course, practices like subtitling and dubbing are used to transfer a message in a source language into another message in a target language, which falls squarely under the traditional criterion for translation to be considered as such, that is, the conversion of languages in an attempt to help people comprehend messages in idioms that they do not understand. From

The Semiotics of Subtitling

Audiovisual Translation: Subtitling, 2014

Subtitling's a carnival': New practices in cyberspace

In recent years, scholarly research in audiovisual translation in general, and subtitling in part... more In recent years, scholarly research in audiovisual translation in general, and subtitling in particular, has moved beyond the analysis of linguistic minutiae to embrace wider sociocultural concerns, thus highlighting its societal significance and establishing closer links with film and media studies. In this article I set to explore the social significance of some of the new forms of subtitling that have surged in the age of digital media, thanks to the opportunities offered by the affordabilities and democratisation of technology. Drawing primarily on Bakhtin’s theory of carnival, the discussion centres on how participatory subtitling activities warrant the pursuit of individual freedom and contribute to the breakdown of hegemony. The way in which these novel subtitling practices give voice to certain collectives whilst also challenging traditional information dissemination mechanisms is also probed.

“Almodóvar es el director más internacional, pero el más difícil de exportar al extranjero”

Quality is in the eye of the stakeholders: what do professional subtitlers and viewers think about subtitling?

Universal Access in the Information Society, 2020

Quality is a rather slippery concept, and its assessment in subtitling can be a challenging task,... more Quality is a rather slippery concept, and its assessment in subtitling can be a challenging task, as its appreciation can easily vary depending on the different stakeholders involved in the production and reception of subtitles. In this paper, we evaluate quality indicators in subtitling as perceived by professional subtitlers and viewers. After exploring the various subtitle parameters that can have an impact on the quality of the end product (such as line breaks, synchronisation, display rates), we present the results of two qualitative studies conducted with professional subtitlers and subtitle viewers with different audiovisual backgrounds. The results yield some similarities and discrepancies, particularly in the way in which the strategy of condensation is perceived by the two groups, and they also help delineate the subtitle parameters that should be taken into consideration in order to improve the creative process as well as the reception of subtitles.

Back to the Future in Subtitling

Proceedings of the Marie Curie Euroconferences …, 2007

Back to the Future in Subtitling Contents 1 The technological revolution 2 DVD is here to stay 3 ... more

The linguistics of subtitling

Introduction: The landscapes of Audiovisual Translation

The purpose of this paper is to describe the so-called fansubs, a different type of subtitling ca... more The purpose of this paper is to describe the so-called fansubs, a different type of subtitling carried out by amateur translators. The first part of this study covers both the people and phases involved in the fansubbing process from beginning to end. The second section focuses on the legality and ethics of fansubs. The third part pays attention to the actual translation of fansubs and their unique features, such as the use of translator's notes or special karaoke effects. The paper concludes with a reflection on the work done by fansubbers and the possibilities opened by this mainly Internet phenomenon.

Special Issue on Audiovisual Translation

How to Use this Book and DVD

Spatial and temporal features

Subtitling, 2020

Introduction to Subtitling

Subtitling, 2020

Subtitling: Concepts and Practices provides students, researchers and practitioners with a resear... more Subtitling: Concepts and Practices provides students, researchers and practitioners with a research-based introduction to the theory and practice of subtitling. The book, inspired by the highly successful Audiovisual Translation: Subtitling by the same authors, is a new publication reflecting the developments in practice and research that mark subtitling today, while considering the way ahead. It supplies the core concepts that will allow its users to acquaint themselves with the technical, linguistic and cultural features of this specific yet extremely diverse form of audiovisual translation and the many contexts in which it is deployed today. The book offers concrete subtitling strategies and contains a wealth of examples in numerous languages for dealing with specific translation problems. State-of-the-art translation technologies and their impact on the profession are explored along with a discussion of the ways in which they cater for the socio-political, multicultural and multilingual challenges that audiovisual productions and their translations must meet today. A truly multimedia package, Subtitling: Concepts and Practices comes with a companion website which includes a wide range of exercises with answer keys, video clips, dialogue lists, a glossary of concepts and terminology used in the industry and much more. It also provides access to a professional desktop subtitle editor, Wincaps Q4, and a leading cloudbased subtitling platform, OOONA. Jorge Díaz Cintas is Professor of Translation and founder director (2013-2016) of the Centre for Translation Studies (CenTraS) at University College London. He is the author of numerous articles, special issues and books on audiovisual translation. He is the chief editor of the Peter Lang series New Trends in Translation Studies and a member of the European Union expert group LIND (Language Industry). He is the recipient of the Jan Ivarsson Award (2014) and the Xènia Martínez Award (2015) for invaluable services to the field of audiovisual translation.

Postgraduate Courses in Audiovisual Translation

The Translator, 2003

Abstract Although postgraduate programmes in translation have been on offer at various universiti... more

Exploring new forms of audiovisual translation in the age of digital media: cybersubtitling and cyberdubbing

The Translator, 2023

The prevalence and popularity of audiovisual content in the current times has resulted in a wide ... more The prevalence and popularity of audiovisual content in the current times has resulted in a wide range of practices which have been categorised within audiovisual translation (AVT) research as examples of fan translation, amateur translation, crowdsourcing or collaborative translation, among others. While some practices can be included under these categories, other forms of AVT that have recently emerged are not as clear-cut. Against this backdrop, this article explores the conceptual uncertainties surrounding these new AVT practices, with a focus on dubbing and subtitling, by revisiting the work carried out by the authors, who have previously suggested the use of the umbrella terms 'cybersubtitling' and 'cyberdubbing'. In addition to providing a revised classification, the paper emphasises the need to explore the wider social and ethical consequences of these innovative translational activities. As regards ethical implications, altruist and fan practices are the ones most exposed to malpractice, often because some organisations emulate corporate behaviour but rely on free labour, without any financial retribution or credit towards those involved in these activities. The article also concludes that more critical research should be conducted to unravel the impact of these practices on the role of translation as a socio-professional activity.

Subtitling language variation and songs

Subtitling, 2020

Technical Considerations

Audiovisual translation in education towards a universal design for accessible online content

The aim of this research project is to investigate the current role and the potential of Audiovis... more The aim of this research project is to investigate the current role and the potential of Audiovisual Translation in online education environments for the purpose of enhancing accessibility for adult learners with sensory impairments, with the use of subtitling for deaf and hard-of-hearing people and audio description for blind and visually-impaired people. In order to provide a holistic theoretical background for this study, essential connections are established among Disability Studies, Audiovisual Translation, Online Education and Information Communication Technology, with focus on Accessible Web and Assistive Technology. The ultimate goal is to analyse the educational use of audiovisual content and its provision with access services in a comprehensive manner. Under the principles of Universal Design for Learning, and guided by existing standards for accessible web content as well as guidelines for accessible audiovisual material for educational purposes, a range of strategies is ...

Reconceptualizing subtitling

Subtitlers on the Cloud: The Use of Professional Web-based Systems in Subtitling Practice and Training

Tradumàtica: tecnologies de la traducció, 2021

The bourgeoning and rapid evolution of cloud-based applications has triggered profound transforma... more The bourgeoning and rapid evolution of cloud-based applications has triggered profound transformations in the audiovisual translation (AVT) mediascape. By drawing attention to the major changes that web-based ecosystems have introduced in localisation workflows, we set out to outline ways in which these new technological advances can be embedded in the AVT classroom. Along these lines, the present study sets out to explore the potential benefits of cloud platforms in AVT training curricula by exploring ways in which this technology can be exploited in subtitling training. An analysis of current subtitling practices and tools, localisation workflows, and in-demand skills in the AVT industry will be followed by an experience-based account on the use of cloud-based platforms in subtitler training environments to simulate and carry out a wide range of tasks. Our study pivots around the idea that cloud subtitling might prove useful to bridge the technological gap between academic institu...

An Excursus on Audiovisual Translation

The Palgrave Handbook of Audiovisual Translation and Media Accessibility, 2020

An Excursus on Audiovisual Translation Łukasz Bogucki and Jorge Díaz-Cintas ŁB: You have been act... more An Excursus on Audiovisual Translation Łukasz Bogucki and Jorge Díaz-Cintas ŁB: You have been actively involved in research into audiovisual translation (AVT) for well over twenty years and are now widely considered one of the main researchers in the field. When you started out in the early 1990s, AVT was hailed as a new, dynamic, and interdisciplinary research field. Was this always the case? The most obvious change that we have observed in the last three decades or so is the progressive shifting of AVT from the margins to the centre of the academic debate, in a rather rapid fashion and after somewhat sluggish beginnings. Although nobody doubts these days that AVT is part and parcel of the translation ecosystem, for many years it was snubbed by scholars more interested in literary artefacts and comparative literature, who thus considered AVT to be a case of adaptation and unworthy of serious academic attention. In essence, of course, practices like subtitling and dubbing are used to transfer a message in a source language into another message in a target language, which falls squarely under the traditional criterion for translation to be considered as such, that is, the conversion of languages in an attempt to help people comprehend messages in idioms that they do not understand. From

The Semiotics of Subtitling

Audiovisual Translation: Subtitling, 2014

Subtitling's a carnival': New practices in cyberspace

In recent years, scholarly research in audiovisual translation in general, and subtitling in part... more In recent years, scholarly research in audiovisual translation in general, and subtitling in particular, has moved beyond the analysis of linguistic minutiae to embrace wider sociocultural concerns, thus highlighting its societal significance and establishing closer links with film and media studies. In this article I set to explore the social significance of some of the new forms of subtitling that have surged in the age of digital media, thanks to the opportunities offered by the affordabilities and democratisation of technology. Drawing primarily on Bakhtin’s theory of carnival, the discussion centres on how participatory subtitling activities warrant the pursuit of individual freedom and contribute to the breakdown of hegemony. The way in which these novel subtitling practices give voice to certain collectives whilst also challenging traditional information dissemination mechanisms is also probed.

“Almodóvar es el director más internacional, pero el más difícil de exportar al extranjero”

2021. Subtitling: Concepts and Practices

Fast-Forwarding with Audiovisual Translation (2018)

by Kristijan Nikolić and Jorge Díaz-Cintas

This book shows some of the ways in which audiovisual translation (AVT) can be approached from an... more This book shows some of the ways in which audiovisual translation (AVT) can be approached from an academic,
professional and educational point of view. The studies provide a stimulating and thought-provoking account of some of
the themes that are currently being researched in the field of AVT, while also highlighting new directions of research.

2015 - Audiovisual Translation – Taking Stock

Newcastle upon Tyne: Cambridge Scholars Publishing, viii + 310pp http://www.cambridgescholars.com... more

2015 - Audiovisual Translation in a Global Context: Mapping an Ever-changing Landscape

(co-author Rocío Baños-Piñero) Basingstoke: Palgrave Macmillan, 312pp http://www.palgrave.com/us... more

2010 - New Insights into Audiovisual Translation and Media Accessibility

by Jorge Díaz-Cintas, Anna Matamala / I AM NOT UPDATING MY PROFILE. CHECK MY WEBSITE FOR PUBLICATIONS: GENT.UAB.CAT/AMATAMALA, and Joselia Neves

Amsterdam: Rodopi, 310pp http://www.brill.com/products/book/new-insights-audiovisual-translation-... more

2009 - Audiovisual Translation: Language Transfer on Screen

(co-author: Gunilla Anderman) Basingstoke: Palgrave Macmillan, xiii + 256pp http://www.palgrave.c... more

2009 - New Trends in Audiovisual Translation

Bristol: Multilingual Matters, xii + 270pp www.multilingual-matters.com/display.asp?K=9781847691545

2008 - The Didactics of Audiovisual Translation

Amsterdam & Philadelphia: John Benjamins, xii + 263pp + CD with clips and subtitling program. htt... more

2007 - Audiovisual Translation: Subtitling

Manchester: St Jerome, 272pp + DVD with clips and subtitling program. Reprinted in 2009, 2010, 2... more

2007 - Media for All. Subtitling for the Deaf, Audio Description, and Sign Language

Amsterdam: Rodopi, 255pp http://www.brill.com/products/book/media-all

2004 - Buñuel, siglo XXI

En septiembre de 2000, coincidiendo con el centenario del nacimiento de Luis Buñuel, se celebró e... more En septiembre de 2000, coincidiendo con el centenario del nacimiento de Luis Buñuel, se celebró en Londres un congreso internacional en el que diversos especialistas presentaron más de cincuenta ponencias. Este congreso representó una de las conmemoraciones de mayor proyección en el ámbito académico de las que entonces tuvieron lugar. El presente volumen recoge las actas del congreso. Los textos están escritos en español, francés e inglés, y constituyen un tributo ameno y accesible a un realizador inigualable. Obra ilustrada.

http://puz.unizar.es/detalle/336/Bu%F1uel,+siglo+XXI-0.html

2003 - Teoría y práctica de la subtitulación: inglés / español

Barcelona: Editorial Ariel. 412pp + DVD with clips and subtitling program https://www.casadellibr... more

2001 - La traducción audiovisual: el subtitulado

Salamanca: Ed. Almar, Biblioteca de Traducción, 173pp https://www.casadellibro.com/libro-la-tradu... more

Quality is in the eye of the stakeholders: what do professional subtitlers and viewers think about subtitling

by Agnieszka Szarkowska and Jorge Díaz-Cintas

Universal Access in the Information Society, 2020

Quality is a rather slippery concept, and its assessment in subtitling can be a challenging task,... more Quality is a rather slippery concept, and its assessment in subtitling can be a challenging task, as its appreciation can easily vary depending on the different stakeholders involved in the production and reception of subtitles. In this paper, we evaluate quality indicators in subtitling as perceived by professional subtitlers and viewers. After exploring the various subtitle parameters that can have an impact on the quality of the end product (such as line breaks, synchronisation, display rates), we present the results of two qualitative studies conducted with professional subtitlers and subtitle viewers with different audiovisual backgrounds. The results yield some similarities and discrepancies, particularly in the way in which the strategy of condensation is perceived by the two groups, and they also help delineate the subtitle parameters that should be taken into consideration in order to improve the creative process as well as the reception of subtitles.

Ideological Manipulation in Audiovisual Translation

by Ilaria Parini, Jorge Díaz-Cintas, and Irene Ranzato

The act of translating is not, and has never been, an innocent activity in which a set of linguis... more The act of translating is not, and has never been, an innocent activity in which a set of linguistic items are permutated by their ‘dictionary equivalents’ in a different language, and the manipulation of (audiovisual) texts has been a constant over the times and continues to be rife, irrespective of the political and cultural regimes that happen to be in power. As active and engaged agents in the transmission of social values and ideas, translators become a dynamic force for cultural and political evolution, a catalyst for deviations or compliance, often triggered by ideological motives and allegiances, that the translation scholar is called to unmask.
The initial studies on audiovisual translation (AVT) tended to focus on technical and linguistic issues, usually from a descriptive perspective, with some rare exceptions of works centred on censorial practices of film translation (Danan 1991) in countries like Germany (Pruys 1997) and Spain (Ávila 1997; Gutiérrez Lanza 1999). More recently, however, academic enquiry in this field has widened greatly in scope by encompassing the socio-cultural and ideological dimensions (De Marco 2012; Díaz Cintas 2012; Zhang 2012; Mereu 2013; Yuan 2016).
The aim of this special issue is precisely to build up on these new developments by bringing together a set of contributions with a strong focus on topics relating to censorship and manipulation and, more generally, to any ideological handling—tough not necessarily restricted to the political arena—of the translation of audiovisual programmes that are to be distributed through media such as cinema, television and the internet.

2012 - La Manipulation de la traduction audiovisuelle / The Manipulation of Audiovisual Translation

www.erudit.org/revue/meta/2012/v57/n2

2006 - Special Issue on Audiovisual Translation

www.jostrans.org/issue06/issue06_toc.php

2018. Jorge Díaz Cintas and Frederic Chaume in dialogue

The Journal of Specialised Translation, 2018

2017. “Interview with Jorge Díaz Cintas”. Xunco English.

2017. “Celebrity Interview: Jorge Díaz-Cintas". Max Deryagin's Subtitling Studio.

2018. “Jorge Díaz-Cintas. For the Profession of an audiovisual translation from A to Z course”, interview by Alexey Kozoulyaev, RuFilms.

2018 - “视听翻译教学: 过去、现在和未来—Jorge Diaz-Cintas 教授访” [Audiovisual Translation Teaching: the Past, Present and Future – An Interview with Professor Jorge Diaz-Cintas], interview by Zhang Juan.

2016. “El futuro de la traducción audiovisual es muy prometedor”. Interview by Héctor Pavón.

Revista CTPCBA del Colegio de Traductores Públicos de la Ciudad de Buenos Aires, 129: 15-17. (ISS... more

2016. “Entredichos, nº 26, 27/4/16 (especial traducción audiovisual)”. Radio Palermo, Buenos Aires, 27 April.

www.youtube.com/watch?v=hx9otiqJlEw&feature=youtu.be En esta edición de «Entredichos», tuvimos ... more www.youtube.com/watch?v=hx9otiqJlEw&feature=youtu.be

En esta edición de «Entredichos», tuvimos una mesa muy especial dedicada a la traducción audiovisual con los tres máximos exponentes del tema en el mundo del español, Jorge Díaz-Cintas, Frederic Chaume y Patrick Zabalbeascoa, invitados especiales al VI Congreso Latinoamericano de Traducción e Interpretación del CTPCBA que se desarrolló del 21 al 24 de abril de 2016.

2015 - El papel social de la traducción audiovisual

Radio Nacional de Perú, Lima, 5 June

2015 - Entrevista con Jorge Díaz-Cintas. Conferenciante plenario de AESLA 2015

2015 - Interview for the television programme Metropolis TV Peru

2015 - La traducción de videojuegos

Radio Exitosa, Lima, Peru, 5 June

2014 - Traducción audiovisual y aprendizaje de lenguas extranjeras: subtitulación, doblaje y audiodescripción

Radio 3, U. Nacional de Educación a Distancia, Madrid, 10 March https://canal.uned.es/mmobj/index... more

2013 - Entrevista a Jorge Díaz Cintas: Contexto actual de los estudios en traducción audiovisual

by David Orrego-Carmona and Jorge Díaz-Cintas

2013 - Entrevista a Jorge Díaz-Cintas

WeTAV http://wetav.com/entrevista-a-jorge-diaz-cintas

2013 - The Invisible Subtitler

a documentary by Aliakbar Campwala. Arc Pictures. www.youtube.com/watch?v=Pz75i6EsOto

2012 - 蓬勃发展的视听翻译研究及教学——Jorge Diaz Cintas访谈

” [An Interview with Jorge Díaz Cintas on Audiovisual Translation Studies]. Shanghai Journal of T... more

2012 - Featured interview: Cloé Lebreton-Brillouet discusses fansubbing with Jorge Díaz Cintas, Imperial College

http://jostrans.org/issue17/int_cintas.php

2012 - Interview with Dr Jorge Díaz Cintas

2011 - Dubbing and the manipulation of films

Radio Vienna

2010 - AVT – The importance of Audiovisual Translation for Europe. An interview with Jorge Díaz-Cintas, by Michaela Fisnar-Keggler

Portal 7 http://www.portal7.ch/interviews/interviews/Jorge.html

1999 - Spanish Law Dictionary: Spanish-English / English-Spanish

Co-authors: Collin, P.H., Lourdes Melcion, Fernanda Chicharro Bernat, Elena Martínez Caro Teddin... more

1998 - Business Spanish Dictionary: Spanish-English / English-Spanish

Co-editors: Collin, P.H., Lourdes Melcion, Jorge Díaz Cintas, Maite Echart and Robert Sutcliffe ... more

1997 - Dictionary of Government and Politics, 2nd edition

Co-editor: Collin, P.H. Teddington: Peter Collin Publishing

1997 - Kleines Fachwörterbuch Wirtschaft Spanisch-Deutsch / Deutsch-Spanisch

Co-editors: Sigrid Janssen, Anke Kornmüller (eds) Stuttgart: Ernst Klett Verlag

1997 - Glosario de alemán para negocios: alemán-español / español-alemán

Co-editor: Sigrid Janssen Teddington: Peter Collin Publishing

2009 - Textual Translation and Live Translation: The Total Experience of Nonverbal Communication in Literature, Theater and Cinema

Poyatos, Fernando (2008). Textual Translation and Live Translation: The Total Experience of Nonve... more

2003 - Ballester Casado, Ana. 2001. Traducción y nacionalismo. La recepción del cine americano en España a través del doblaje (1928-1948)

Ballester Casado, Ana. 2001. Traducción y nacionalismo. La recepción del cine americano en España... more

2003 - La traducción para el doblaje y la subtitulación. Madrid: Cátedra

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