Showing posts with label Theatre. Show all posts
Showing posts with label Theatre. Show all posts

Wednesday, 23 March 2022

Belarus Free Theatre – the exiled theatre group …

 

One member of our History group, where we're finding out about the 1900s Russian Revolutionary period, was very excited about going to see 'Dogs of Europe' – put on by the Belarus Free Theatre ...


The image on the Barbican website for the play

She obviously was overwhelmed … and I haven't had a chance to sit down and actually chat to her – she handed me a flyer that was in the theatre …



Set out in summary form below …


Subject: A blogger, designer from Minsk.

Date of Birth – April 18th, 1985


DETAINED 19.05.2021


S E N T E N C E

Art. 342 of the Criminal Code - violation of public order

Art.391 CC (Insulting a Judge)

Art. 188 CC (Libel)


P R I S O N

Tokarchuk Olga Andreevna

Prison No. 8.222163, Zhodino,

Sovietskaya str., 22A



Background:

OLGA was detained several times after the 2020 elections. On May 19, the apartment where she lives with her husband and two minor children was searched. At that time, she was already in the status of a suspect under Articles 391 of the Criminal Code, and Aritcle 188 of the Criminal Code. After the last detention Olga was charged with a new Charge under Article 342 of the Criminal Code.


Her prison details c/o Dissidentby link


Here's the link to the Dogs of Europe play … with further details from the director on how the play came about …


I quote from 'Sir Tom Stoppard':


You can be sure of one thing - Belarus Free Theatre are the good guys.


For seventeen years the company has been chased around, persecuted, arrested, exiled, spied on and slandered by the Lukashenko regime, always in danger and impoverished, and during all that time it has made theatre driven by the death of freedom in Belarus.


Today the last dictator in Europe is paying his dues to Putin, and BFT is once again on stage to remind us what is at stake.



Nikolai Khalezin, Artistic Director, Belarus Free Theatre … notes that if we look for parallels in art then Dogs of Europe reflects his life …



the book is an adaptation of Alhierd Bacharevic’s mammoth novel set in a dystopic Europe of 2049. (c/o the Editorial note in the website).



In the book published in 2017, most of Asia has fallen under a secret-service dominated Russian “reich”, while an ever more fragmented western Europe grapples with a refugee crisis.



The title seems to recall W H Auden’s poem on the death of Yeats: “In the nightmare of the dark / All the dogs of Europe bark / And the living nations wait / Each sequestered in its hate.”  (Part III 2nd verse)


I hope you will get a chance to look at the Barbican website – where further details are available … about the Free Theatre Belarus Editorial Section



The Monster Cockroach -
see the reference to Lukashenko

It is ever more horrific – the book and play provide greater insight into what life is like in a Soviet state … especially for those who abhor and activate for freedom of life (political liberty) in their own country.




I just had to post about this theatre group …



Peace to Ukraine,

and I hope no interference from Belarus … yet fawning Lukashenko worryingly worships Putin.


Another link to read about

Dangerous Acts Starring the Unstable Elements of Belarus


The Dissidents' site about Olga Andreevna Tokarchuk's imprisonment details.


Hilary Melton-Butcher

Positive Letters Inspirational Stories

Tuesday, 26 March 2019

Caryatids at Pitzhanger Manor; but not at King’s Observatory …




Well I’d no idea what a ‘caryatid’ was … but picked up the name as I went on a tour of one of our local Eastbourne theatres – then the Saturday Times had an article on Pitzhanger Manor, Ealing, London … where caryatids were mentioned.



Caryatid displayed in
the British Museum


The way things seem to happen in this learning world of ours – well it does to me … once one hears about something, then it keeps popping its head above the parapet.






Sir John Soane c 1800
portrait by Thomas Lawrence



Sir John Soane (1753 – 1837) used the Manor as a sort of laboratory to develop his architectural ideas.  Sir John was a son of a bricklayer, who rose to the top-most heights of his profession …






… as professor of architecture at the Royal Academy, and an official architect to the Office of Works – the English Royal Households castles and residences overseer.

Bank of England facade 1818-1827
with a facade of caryatid columns

His design of the Bank of England, soon after destroyed by fire, set the tone for commercial architecture;  


Dulwich Picture Gallery
Interior


Dulwich Picture Gallery was a major influence in the planning of subsequent art galleries and museums.  





Soane Museum

The main legacy – his home in Lincoln’s Inn Fields, was designed to display the art works and architectural artefacts that he collected during his lifetime – is described in the Oxford Dictionary of Architecture as “one of the most complex, intricate, and ingenious series of interiors ever conceived”.





I feel like I probably should be a caryatid at the moment – I’m like a static person holding up numerous tendrils of learning – attending lots of classes, giving some talks, going to films by the dozen, being round and about with the encumbent mashed brain trying to remember where and when I’m doing what …on the other hand I've no wish to be turned to stone!




Caryatid Building, Madrid
… to add to myself insulting me … ‘my bus’ decided to do a funny on me:  I don’t usually take the bus, as I can walk from town quite happily … but felt like a ride back on Saturday …


… there are two of ‘my buses’ one goes round via the theatres and thence to my stop, the other goes up the hill to the Eastbourne village of Meads, round the top and back down to my stop – I got this one …




Pitzhanger Manor - front entrance
(with caryatid pillars)

… I was minding my own business – enjoying the view as I took the long route home – but hey ho, fiddle dee dee  … the bus went straight back to town to ‘dump me’ where I’d got on --- I then walked home, which obviously I should have done forty minutes earlier!!  Ridiculous life?!





Pitzhanger Manor library c1802

Enough of the wobbling chit-chat … Pitzhanger Manor has just reopened, having been refurbished – and looks a great place to visit …




Circle and Upper Circle, Devonshire Park Theatre Eastbourne
… as is another restored rather magnificent building: King’s Observatory, Richmond … which has a telescope observatory on the roof.  Both of which are now on my list of ‘to see’ places … I guess I need a TBS list: to be seen!






Looking out from the Theatre bar towards the
refurbishing of the Devonshire Park Tennis Centre
(the area is almost ready for the 2019 season - after much
redevelopment of the area, including the Congress Theatre -
a 1963 (I'd say) brutalist building! which has been restored)

Ah well … I’m failing … but I’ll write about the Theatre another day … my head needs to get into gear … so for April I’ll be gathering those tendrils of brain (if possible) – but will continue with the #WATWB (We are the World Blogfest) posts at the end of the month and will do WEP – see my side bar … but not the A-Z Challenge …




Ionic Entablature
engraving c/o Wiki
So this static caryatid person with an entablature on her head full of who knows what … is signing off …

 If any of you can make head or tail of this post = well done is all I can say … but something got written!  Caryatid is the key … 

I’ll be around … vaguely probably – thank goodness it’s getting lighter and I’ve six months to get myself into gear while the longer days are around.


The restored King’s Observatory post

Pitzhanger Manor – via Wiki

My post mentioning Eleanor Coade 

An immediate addendum to this post about the King's Observatory ... a simultaneous posting by the Royal Society refers to the Observatory ... gives more details, shows more, mentions the Transit of Venus, and talks clocks - the subject of the post ... no caryatids though!


Hilary Melton-Butcher
Positive Letters Inspirational Stories

Saturday, 9 September 2017

Bucket List visit - part 2 of 9: Theatre and Jack Horner ...




We were off to London town to see the musical “An American in Paris” … an amazing show; the story had been radically improved and I must say it was quite entrancing and magical …




First we needed a pub lunch and decided to get to the theatre retrieve our tickets … and then find somewhere to eat … if I’d had my wits about me (which I didn’t!) – we’d have gone into Fitzrovia …







… the historical bohemian home to writers as Virginia Woolf, George Bernard Shaw and Arthur Rimbaud – just over the road and few lanes in … but we stuck to Tottenham Court Road.







This is the Inn of Court sign for the Fuller Pub near
Chancery Lane, Holborn - it was an old bailiff's office

And settled on the Jack Horner Ale and Pie pub – one in a chain of Fuller’s Brewery establishments – set up to take advantage of the former bank premises that are springing up around the country – which are then and now being converted into ‘eateries’ …



… it was a pub in the 1800s, was bombed and destroyed during the war – then became a bank – but then Fullers bought the building and turned it back into a pub … who says things don’t go round and round …




… we didn’t have a pie – too heavy to sit with as we watched the musical.  One of us had vino ... I had water!


I knew nothing about the story … but the show dazzled, Gershwin’s music enthralled, the set design and choreography were magnificent … and I was entranced. 


Craig Lucas delights us by creating, in 2014, this “book musical” whereby songs and dances are fully integrated into the story we see on stage …


Jane Asher

The two principal dancers came over from the New York show – Robert Fairchild from the New York City Ballet, while Leanne Cope is part of the Royal Ballet …


It’s had amazing write ups – and I link across to the Guardian’s review … which gives a flavour of the set design and costumes …


So we were lucky with such an excellent story, cast, music, dance … with the bonus of Jane Asher as a strait-laced, high bourgeois figure just longing to toe-tap her way into the dance.


It was a wonderful afternoon … and we came out enthralled by it all …

Little Jack Horner, sat in his corner,
eating his Christmas pie;
he put in his thumb, and pulled out a plum,
and said "What a good boy am I!"


Then we needed a drink … … quite unintentionally we found another Fullers on our way back to Victoria Station for the journey home – “The Admiralty” in Trafalgar Square: so as you can see Fuller’s Breweries have tapped into British culture in one way or another …


 … an ale and pie, or a refurbished bank (vaulted ceilings, ornate chandeliers, original features) and an appropriately named pub sign.






A dance sequence
We had a happy day … and I hope you can pop over and read the Guardian’s write up and see the wonderful photos of the show … I’ve seen a couple of other bloggers who’ve seen a show in the States … so it’s a well established musical – but this new particular extravaganza was just brilliant …


Another adventure in the next post …

The Guardian's review ... 5 star one ... 

The Guardian's review (Gene Kelly) ... more about the story line 

Hilary Melton-Butcher
Positive Letters Inspirational Stories

Friday, 7 October 2016

Ellen Terry and her Iridescent Beetlewing Dress ...



I had already come across the ‘beetlewing costume’ via posts I had written about closing up Kipling’s home – Batemans – particularly the conservation of its contents.
Ellen Terry as Lady Macbeth -
painting by John Singer Sargent
(1888)



I knew Ellen Terry’s name (1847 – 1928) … but really nothing about her life or the magnificent glistening dress she wore when performing Lady Macbeth.


So when hearing a talk on Ellen at our Social History group … I was enchanted to learn more. 



Terry came from an acting family … and began performing in her childhood … she was one of 11 children … at least five became actors – Kate, her elder sister, was the grandmother of Sir John Gielgud, who along with Sir Laurence Olivier and Sir Ralph Richardson were the trinity of actors dominating the British stage for much of the 20th century …


'Choosing' - portrait of Ellen
Terry, by George Watts c. 1864
The Terry family gave performances around the country … with Ellen taking parts from the early age of 9 … it seems she never stopped.


An eminent artist, George Watts, painted the two sister’s portraits … and then despite the age difference (46 – 17) – Watts and Terry married: it didn’t last, but the time allowed Terry to meet various luminaries of the time: Browning, Tennyson, Gladstone and Disraeli … which opened new doors and gained her more admirers.


Julia Margaret Cameron's photo of
Ellen Terry, aged 16


While the portraits painted by Watts and the early photographs by the renowned photographer, Julia Margaret Cameron, ensured she became a cult figure for the poets and painters of the later Pre-Raphaelite and Aesthetic movements, including Oscar Wilde.


Terry lived life to the full … beginning a relationship with a progressive architect-designer, by whom she had two children, Edward William Godwin (1833 – 1886).  Godwin had a particular interest in medieval costume … which led him to design theatrical costumes and scenery for Terry and her performances, even after their affair cooled.


Northampton Guildhall - designed in the
Ruskinian-Gothic style by Godwin


Terry had two further marriages, and other liaisons over her long life … one where she married an American, James Carew, who was 30 years her junior … that lasted only two years.


Two other partnerships developed – not of the romantic kind – for a short while with George Bernard Shaw – they had struck up a friendship and conducted a famous correspondence …. they weren’t so keen when they met!




Henry Irving (1838 - 1905)
The other was with Henry Irving who had worked hard to become a successful actor-manager-theatre director … particularly after his association and subsequent partnership with Ellen.


She remained popular regardless of how much and how often her behaviour defied the strict morality expected by her Victorian audiences … it is unknown whether Terry had a romantic relationship with Irving – who was considered the doyen of English classical theatre, even, in 1895, being the first actor to be knighted.


Much of Ellen Terry’s life has been recorded in art and photography … often wearing gowns designed by Godwin.  The most spectacular, and one which was worn and worn over the years – here and in America – is the Iridescent Beetle Wing costume she wore as Lady Macbeth.



The costume in dire need of repair ... 


The gown was made in crochet using a soft green wool and blue tinsel yarn from Bohemia to create an effect similar to chain mail.






Part of the portrait by John Singer Sargent
John Singer Sargent on seeing Terry in her performance in 1888 was compelled to paint her portrait, hence we have a detailed image to refer to.  It is in the Tate Gallery – where it had been donated in 1906; there is a contemporaneous photograph of Ellen Terry wearing the dress in the National Portrait Gallery.


Beetle wings


The costume was embroidered with gold and decorated with over a thousand of those sparkly wings from the green jewel beetle.  By the way the beetles shed their wings naturally – thank goodness for that clarification!




The Bejewlled Beetle


I found that the Victoria and Albert Museum have an article on Ellen Terry, the actress, her designer and her costumes … well worth a read.





Henry Irving watching a rehearsal -
illustration c. 1893



Irving died in 1905 leaving Terry distraught however she returned to the theatre in 1906.  She continued to perform, appeared in her first film in 1916, travelled back and forth to America, toured Australasia … while also lecturing on the Shakespearean heroines. 







She continued to participate in the theatrical world, though after WW1 withdrew more and more … she was recognised by society and appointed a Dame Grand Cross of the Order of the British Empire – only the second actress to be so honoured.


Smallhythe Place

Terry, in 1899, had bought Smallhythe Place, near Tenterden on the Kent/Sussex border – which she first saw with Henry Irving.  Terry’s daughter, Edith Craig, opened the house in 1929 as a memorial to her mother. 





A walk through the gardens at Smallhythe
It is now owned by the National Trust who maintain the many personal and theatrical mementos, the house, garden and the Barn Theatre in the grounds … where the tradition of putting on a Shakespearean play every year on the anniversary of Ellen Terry’s death (21 July) has been maintained.





The Barn Theatre
That costume, transforming the beautiful red-haired actress into a cross between a jewelled serpent and a medieval knight, was the talk of the town in 1888 after the first night … and was, after one hundred years (with all the wear and tear of tours, behind the scenes change of costumes, and packing crates), desperately in need of a touch of conservation.


Ellen Terry c 1880 - aged 33




This Guardian article explains that the repairs proved as muchcostume archaeology as needlework … it was restored to its present glory by a specialist textile conservator, Zenzie Tinker – whom I had across as the expert used by Batemans, in Rudyard Kipling’s, home.





I so enjoyed learning about Ellen Terry, which led me to look at theatre in the 1800s, actors and actresses, society, art and literary works, epistolary collections, textile conservation … and then the history of it all, ending with Smallhythe Place – which I have never visited … definitely something I need to correct.


Hilary Melton-Butcher
Positive Letters Inspirational Stories

Friday, 22 March 2013

Ice House Earth, Greenhouse Earth and those in-between times ... our planet and its peoples ... the female ancestral line ... part 2/4


I watched this two part BBC documentary soon after listening to the Icehouse-Greenhouse Earth radio talk per part 1 of this series ... and as my mind does – thought these journeys would add to the mix ...
Eddie Izzard c/o RootSounds.co.uk


... so to set the scene: this may startle some of you – but I thoroughly enjoyed the whole camp effect ... and the genealogy aspects that tie us all in ...


Eddie Izzard is an actor, comedian, transvestite, and marathon runner extraordinaire ... over and above these talents and attributes – he fits the bill of look-a-like ancient man ...


This time instead of going back two to three hundred years through the genealogical records ... Izzard donates some DNA and we leap backwards in time ...

Dark Green hatched - Namibia to the west,
South Africa to the south and east

Locked deep within each of us is a genetic history book of our ancestry and the journey of mankind over the earth ... man’s family tree across the continents.


Using our own DNA it is possible to unlock this genetic history and that route map, which reveals how our ancestors migrated out of Africa to populate the rest of the world.


This is the first time the story has been told (on tv) of where our first mother and father originated ... through DNA and the significant DNA markers found within a number of present day human genetics recorded in a huge database.


Kalahari Desert, Namibia
Eddie’s ancestral lines reach England after the Romans had been and conquered, yet give us all an insight as to how and why our families are where they are now, wherever that might be.


I thought these four posts – earth’s history, woman’s path out of Africa and man’s journey of life also out of Africa, then a summary – seemed to tie in rather well and give me a perspective on this planet and its occupants that I had not really taken account of before.


All of us are descended from one woman and one man ... this is the story of the Izzard strand of the population of the world – yet one our own ancestors travelled too ...


... usually our Y and X chromosomes do not change much over time, but occasionally a significant change, known as a “DNA marker” occurs, which indicates another branch to a family tree as the globe has been populated.


Here we will follow the female line ... all of our lines ... to start with ...


San Bushman
The first woman to whom we are all related was a San Bushman living in the Kalahari Desert, southern Africa – these Bushmen still live as hunter gatherers, much as they did 192,000 years ago when our Homo sapiens lineage began (as distinct from the evolving archaic Homo sapiens).


10,000 generations later the San Bushmen are one of the last remaining peoples to preserve the way of life that predominated our existence in Africa for those first 100,000 years.


Bushmen making fire
By 60,000 years ago humans had colonised the enormous continent of Africa, so fast forwarding 140,000 years from our Homo sapiens origins about 200,000 years ago the necessity to find new land became an imperative. 


The human is a curious creature, and by now had acquired the ability to make fire – which allowed food to be cooked making it easier to eat, while fire kept us protected from other species – the predators.


Africa, at this stage, was ‘over-populated’ with an estimated 20,000 peoples ...

Red Sea narrowing
Scientists have DNA tested traditional communities to help establish how we migrated out across the world ... which has given us a route map of our early journeys ...


It is thought that humans first left Africa across the narrowing of the Red Sea at the Bab-el-Mandeb Straight, via the now salt lake of Assal – which sits 150m below sea level and is saltier than the Dead Sea ... or via ...


Salt Lake, Assal Sea
... Djibouti on the Red Sea ... where “DNA markers” have been found, strongly suggesting that our ancestors passed this way to colonise the rest of the world.


It is where these early peoples were exploiting the marine environment – evidence of this has been found in archaeological sites ...


Yemen is likely to be the next stop – but with today’s politics these links cannot be checked ... however the other route via Bab-el-Mandel Straight is still a highway to Arabia.


Bab-el-Mandel Straight
A glacial age was in progress, so the sea level would have been lower making the crossing easier – this was the time of the exodus of humanity out of Africa ...


... but what is even more remarkable it is thought that only two women gave birth to nearly everyone else in the world (via DNA testing available at present) ... and one of those women went north, the other went off to Australia ...


This is the story of us ‘northerners’ ... as we jump forward another 42,000 years ... to about 18,000 years ago ...

Arabia and the Persian Gulf - south of Turkey

... those early ancestors took advantage of the fertile crescent in the Persian Gulf up into Turkey ... then after ‘settling’ for about 8,000 years, the birth of agriculture as we know it today had commenced.


Farming gave Homo sapiens something else ... that abundance enabled settlers to settle and develop a life-style – so now we also have the birth of civilisation ...


... then the blue eyes DNA marker comes to the fore – the earliest archaeological evidence of domestication of cattle and sheep has been found on the shore of the Black Sea.

Eastern part of Mediterranean Sea:
showing Turkey and Black Sea

With the domesticity of animals came a new food source – milk ... but in those early communities milk’s intolerance showed itself ... but evolutionary genetic modification came to the rescue ... and now many of us can digest milk easily.


Back to blue eyes ... everyone with blue eyes can be traced back to the Black Sea coast of 10,000 years ago ... however, whoever has blue eyes will have been passed the gene by both parents ...


... this anomaly really means the blue gene trait shouldn’t survive ... the supposition is that blue eyes were more desirable: that sexual attraction retained the blue eye gene ...
Depiction showing Dardanelles east of
Aegean Sea, Sea of Marmara and
the Bosphorus (entrance to Black Sea)


The next move north as part of the agricultural revolution occurring in the Middle East was probably routed across the Bosphorous ... much as we travel now – if we don’t fly in.


Now we’re at about 7,500 years ago ... and there were an estimated 8 million people ...


... there are two main routes north – up the river valleys into mid Europe, or along the Mediterranean shores ... one of Eddie’s offshoots journeyed along the southern fringes for the next 5,000 years ...

Map showing River Danube and its catchment
across southern Europe

... and this is where those early great civilisations arose ... the Egyptians, Phoenicians, Greeks, Romans, etc ...


By 79AD Pompeii was a flourishing city with about 20,000 people living there ... one family of Eddie’s genetic cousins died 2,000 years ago in a sad and tragic story arising from that Pompeii explosion.


Eddie’s direct ancestors took the more northerly route via central Europe on their way to Britain.


In all the scientists found 69 key DNA markers in Eddie’s mother’s DNA line ... and the closer we get to today, the scientists can be more precise as to his ancestral journey.

Roskilde is in the middle, northern part of
Zealand island.  (Roskilde: east of the urban
city of Copenhagen, Denmark)

The 67th marker is less than 100 generations ago, about 2,000 years ago ... so now living relatives can be searched out and matched up ...


... we have arrived at the Viking age, where the search is focused in Scandinavia ... in fact Roskilde, Denmark ...


... about 793 AD the Vikings began to raid Britain – their long-ships rowing and sailing across the North Sea... 

... the shallow keels meant that the long-ships could just row onto the shore – eliminating the need for harbours and giving the invaders the advantage of surprise.  With a fair wind this would take about three days?!


A Viking ship
It is thought that Eddie’s mother’s ancestors came in the second wave of immigration, when the Vikings brought their families to settle ...


The next 68th DNA marker brings us forward to 1,000 to 500 years ago – to two blonde sisters in Northamptonshire (+/- middle of England) ... who had always thought they were Anglo-Saxon in origin ... but no they are Vikings ...



This finishes Eddie’s mother’s ancestral journey, which shows how many of our ancestors would have travelled too – and perhaps why and who we are ...


5 years ago this ground breaking journey would not have been possible ... but through matching these genetic markers, which the scientists have mapped via the testing of saliva swabs taken from communities or peoples around the world.

Eddie Izzard

I expect this has only been possible because Eddie is a celebrity in this country and his features are pronounced, typically Neanderthal-like  ... the low forehead, blue eyes, smallish and stolid in stature, and with reddish hair ...


...  all features found along the Homo-sapiens world route map, which using these unique genetic markers has been possible to unravel.


I know this is long ... but it does set out the route and time frame of us ... and I thought it worth posting about ... next the male line ... 

Hilary Melton-Butcher
Positive Letters Inspirational Stories