Papers by Charles Atkinson
Epitome musical, Dec 31, 2021
Notes, Sep 1, 1976
From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literature... more From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. ImUNCI COLLEGE OF ARTS AND SCIENCES Germanic and Slavic Languages and Literatures The Ariadne auf Naxos of Hugo von Hofmannsthal and Richard Strauss donald g. daviau and george j. buelow UNC Studies in the Germanic Languages and Literatures Number 80
A-R Editions eBooks, 1996
When, in the summer of 1976, Bruno Stäblein invited me to prepare an edition of the melodies for ... more When, in the summer of 1976, Bruno Stäblein invited me to prepare an edition of the melodies for the Sanctus and Agnus Dei of the Roman mass, together with their tropes, for the series Monumenta Monodica Medii Aevi, 1 I had to say that I would be happy to do so, but would not be able to work on the project right away because of other commitments. Little did I know that it would be over thirty years, and that the world would go through at least two great recessions, the United States would elect six different presidents and engage in two different wars before I could finish even one part of the project, and that the edition would appear in a completely different series and in a completely different format from that for which it was originally conceived. 2 Rather than being an edition of the Sanctus and Agnus Dei and their tropes, the edition will now comprise the Kyrie and Gloria of the Roman mass and their prosulas and tropes as well. 3 The fact that I am writing this article (and gave the lecture upon which it is based) is one positive sign that work on the edition is well under way. But much water has flowed under the bridge between the inception of the project and its present state. Granted, there are a number of things that kept me from completing this edition any sooner. One was a series of articles and then a book How to cite this book chapter:
Routledge eBooks, Jul 5, 2017
The Musical Quarterly, Jan 20, 2022
Oxford University Press eBooks, Dec 19, 2008
Oxford University Press eBooks, Dec 19, 2008
Oxford University Press eBooks, Dec 19, 2008
Revista de musicología, 1993
As Gunilla Iversen points out in ?The Mirror of Music: Symbol and Reality in the Text of Clangat ... more As Gunilla Iversen points out in ?The Mirror of Music: Symbol and Reality in the Text of Clangat hodie,? music as a literary theme occupies a prominent position in a number of liturgical texts dating from the late eleventh and twelfth centuries.1 This is true of a number of sequences, and it is certainly true of the Sanctus prose Clangat hodie, whose text appears in Example 1, accompanied by a translation underscoring the technical meaning of the musical terms it exhibits.2 With its references to ?simphonia?, ?Organum?, ?harmon?a?, ?tonorum modulamina?, ?vocum discrimina?, ?diapason?, and ?tetra chordum?, along with the more common ?carmina? and ?hymnus?, Clangat hodie stands almost alone in the Sanctus repertoire as regards the wealth of musical imagery and terminology it contains. Indeed, I know of no other Sanctus prose that makes such extensive and purpo sive use of technical musical terms. Through the use of these terms the prose weaves a web of associations and meanings that operate on several different levels. One can read the text as a general song of praise, with allusions to several Biblical texts, to the contemporaneous sequence, and even to portal sculpture and manuscript illuminations.3 When one reads
Archiv Fur Musikwissenschaft, 1982
Zur Entstehung und Überlieferung der Missa graeca" von CHARLES M. ATKINSON Beschäft... more Zur Entstehung und Überlieferung der Missa graeca" von CHARLES M. ATKINSON Beschäftigt man sich mit Troparen und Gradualien aus dem 10. ... Bei näherer Untersuchung jedoch beginnt die Hypothese einer gallika-nischen Herkunft der Missa graeca Risse zu zeigen. ...
Oxford University Press eBooks, Dec 19, 2008
J.B. Metzler eBooks, 2002
Oxford University Press eBooks, Dec 19, 2008
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Papers by Charles Atkinson