Drawing and painting

Globalization has prompted a multicultural retheorization of both consumer and market (Fu et al., 2014; Riefler et al., 2012; Kipnis et al., 2019). In short, the Canadian multicultural market consists of international goods which are authentic, domestic goods purporting authenticity (e.g., orientalizing), and multinational, fusion innovations that are authentic-ish (e.g., self-orientalizing; Hui, 2019; Li, 2020; Stephens, 2021). What results is a fetishistic commercialization of multiculturalism, where brands are packaging ethnicity and race to vie for consumer attention. This paper addresses the latter variety — self-orientalist packaging designed for products born out of (formerly) Chinese Canadian enterprises, namely Wong Wing Fried Rice. Developing an analytical and theoretical approach that can support the identification of racialization, racist typologies are situated in graphic design. Themes derived from the analysis include racism, orientalism, self-orientalism, exoticism, cultural appropriation, among others. Findings reveal how self-orientalist packaging and label design is discursively negotiated as both internalized racism and anti-racist resistance, necessitating a more nuanced approach that reflects the sociopolitical context in which products are branded. The adoption of transversalist tenets, an anti-racist modality outlined by the methodological component of this study, presents one possibility.

Julius’ work and research address eternal displacement through themes of colonialism, sexual identity, diasporic bodies, global identity construction, and the Eurocentric Western hegemony. It focuses on the hybrid nature of Filipino culture after colonialism and the gaze of queer identities as taxonomy. Hybrid images question the problematic side of queer communities that uphold homonormativity through whitewashing and internalized racism, which challenge forms of oppression. Excavating their experience of immigration and assimilation through cultural erasure. Their research looks at the narratives for many diasporic queer bodies that create an unattainable imagined space of lost countries and domestic belongings through colonial pedagogy of knowledge and globalized imperial power. A migrant Filipino artist from the Ilocano Tribe descendant, with Spanish heritage and Native American ancestry of the Cherokee Indigenous tribe from the US. Julius is a descendant relative of Maria Josef...