Fashion victim

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Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture. Consumer Culture, Fashion Victim, Anna Sui, Clothes And Accessories, Japanese Fashion, Vivienne Westwood, Cool Photos, Ford, Bedroom

Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture.

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Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture. Consumer Culture, Silly Girls, Fashion Victim, Anna Sui, Clothes And Accessories, Vivienne Westwood, Mini Albums, Cool Photos, That Look

Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture.

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College Outfits Spring, University Tshirt, Laura Lee, Cotton Tank Top, Blue T, Blue Tshirt, College Outfits, Elegant Outfit, Bored Panda

Each time the victim of sexual violence gets asked what they were wearing, it heartlessly implies that he or she was responsible for the assault and could have prevented it. Victim blaming drives responsibility away from a perpetrator and puts it on the victim's shoulders. To fight against the myth that sexual assault could be prevented by the victim alone, art exhibit displaying what victims were wearing during the assault was created.

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HAPPY VICTIMS, YOU ARE WHAT YOU BUY Archive Magazine, Fashion Victim, Anna Sui, Photo Series, Young Fashion, Martin Margiela, Gianni Versace, Jean Paul, Comme Des Garcons

KIDAORE HŌJŌKI - KYOICHI TSUZUKI Anna Sui In 2008, Kyoichi Tsuzuki documented the fashion brand addiction of young japanese collectors. Through HAPPY VICTIMS, he gives us an insight into their collection, and interior. By putting an interview next to each photograph, he also brings us some explanations about their behavior. "People find my photos of fashion victims interesting because such top-of-the-line items coexist with their less-than-fabulous everyday lifestyles, all very matter-of-

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