Books by Clemente Marconi
Marconi, C. ed. 2023. Picasso e l’antico. L'incontro con le opere del Museo Archeologico di Napoli. Milan: Electa.
Colzani, G., C. Marconi and F. Slavazzi. eds. Greek and Roman Small Size Sculpture. Berlin: De Gruyter.
This volume contains studies of the destruction, survival and recovery of cities in the ancient G... more This volume contains studies of the destruction, survival and recovery of cities in the ancient Greek World. After an introduction outlining the approach of the studies (Fachard, Harris), there are chapters on the contribution of microstratigraphy and micromorphology (Karkanas), on Miletus in 494 BC (Lohmann), Athens in 480/79 BC (Camp), Selinus in 409 BC (Marconi), Methone in 354 (Bessios, Athanassiadou, Noulas), the destruction of cities in Northern Greece (Gatzolis, Psoma), the destructions of Eretria (Ackermann), the earthquake at Rhodes around 227 B.C. (Bresson), Epeiros in 167 B.C. (Forsén), Corinth in 146 B.C. (Williams, Bookidis, Slane, Tracy), Athens in 86 B. C. (Rogers), the Herulian destruction of Athens in 267/8 AD (Chioti), and a comparison of military devastation in the Greek and Roman worlds (Binltliff). The volume is accompanied by an online catalogue of all literary evidence for destruction of Greek cities with summaries of archaeological evidence.
Papers by Clemente Marconi
Oxford Classical Dictionary. Oxford University Press, 2015—. Article published July 30, 2015; last modified, November 20, 2024.
This is a presentation of early Greek "colonization" across the Mediterranean and Black Seas betw... more This is a presentation of early Greek "colonization" across the Mediterranean and Black Seas between c. 750 and 580 BCE. The article opens with historiography, discussing the problems implicit in the use of terms such as "colonies" and "colonization" and the tendency of modern scholarship to view early Greek settlement abroad through the lens of modern colonization. Next comes an account, based on the textual and archaeological record, of the foundation of apoikiai (the Greek term for "colonies") in South Italy and Sicily, the Black Sea region, North Africa, southern France, and northern Spain. A!er this presentation of the main apoikiai established in the period under consideration, the article mentions other forms of early Greek settlement abroad, including trading stations (emporia) and forms of cohabitation between Greeks and non-Greeks in settlements that were neither apoikiai nor emporia. Finally, the article addresses three critical problems traditionally associated with discussions of early Greek settlement abroad: the various explanations provided by ancient and modern literature for this large migration, which is now generally attributed to social crises within the context of growing populations at home; the relations between the new, politically independent foundations and their metropoleis, which are o!en emphasized by ancient authors and modern scholars but may have varied considerably over time; and the encounters and entanglements between the Greeks and numerous other ethnic groups inhabiting the Mediterranean and Black Seas, which ultimately gave rise to new historical realities that shaped Mediterranean history at large.
The Oxford Handbook of Pre-Roman Italy (1000-49 BCE), eds. Marco Maiuro and Janet Botsford Johnson, 161-186. Oxford: Oxford University Press
Ktiseis: Fondazioni d'Occidente. Intrecci culturali tra Gela, Agrigento, Creta e Rodi, eds. V. Caminneci, M. D'Acunto, C. Lambrugo, e M. C. Parello, 147-153. Sesto Fiorentino: All'insegna del Giglio.
Annali di Selinunte 1: 293-324
Greek and Roman Small Size Sculpture, eds. G. Colzani, C. Marconi and F. Slavazzi, 101-123. Berlin: De Gruyter.
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Books by Clemente Marconi
Papers by Clemente Marconi
It will analyze the historical context of music and its performance at Selinus, in relation to political and social changes. It will review the archaeological documentation in order to understand the role of Selinus in the field of the art of music in the Ancient Greek world. The study aims to analyze the musical performances in the sanctuaries of this Greek city and their relationship with ritual and cult. It will also include a virtual reconstruction of the musical instruments and an interactive map of the musical performances in the various sacred areas of Selinus.
The project will be carried out in an institution that is world leading in both fields of Art History and Conservation (New York University). It will involve active training of the main researcher on multidisciplinary research tools, including Ancient Greek Art and Archaeology, and 3D Modeling applied to the reconstruction of musical instruments. The project will improve the excellence of the return host (Beni culturali-University of Bologna) in the field of Archaeomusicology. The project will raise the prospects of the main researcher (Dott. Angela Bellia) to reach a prominent academic position in her field of research and teaching.
http://www.nyu.edu/gsas/dept/fineart/research/marie-curie-iof.htm
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http://cordis.europa.eu/project/rcn/185858_en.html
http://www.unibo.it/it/bacheca/l2019unibo-porta-l2019archeomusicologia-a-new-york-con-il-progetto-telestes
http://www.beniculturali.unibo.it/it/ricerca/telestes.-musics-cults-and-rites-of-a-greek-city-in-the-west
https://www.facebook.com/Telestes?fref=ts"
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Angela Bellia is our #MSCA researcher of the week!
https://www.facebook.com/hashtag/msca?source=feed_text&story_id=785857511487784