Papers by Therese Sunngren Granlund
Routledge eBooks, Aug 8, 2023
The book offers an interdisciplinary overview of the film and place relationship from an intercul... more The book offers an interdisciplinary overview of the film and place relationship from an intercultural perspective. It explores the complex domain of place and space in cinema and the film industry's role in establishing cultural connections and economic cooperation between India and Europe. With contributions from leading international scholars, various case studies scrutinise European and Indian contexts, exploring both the established and emerging locations. The book extends the dominantly Britain-oriented focus on India's cinema presence in Europe to European countries, such as Italy,
This is an electronic reprint of the original article. This reprint may differ from the original ... more This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail.
Människan är i allmänhet en social varelse, och i Svenskfinland tar sig detta ofta uttryck i före... more Människan är i allmänhet en social varelse, och i Svenskfinland tar sig detta ofta uttryck i föreningsengagemang. Vi trivs med att ingå i ett sammanhang, umgås med likasinnade och sträva efter gemensamma mål. Något som många inte känner till är emellertid att denna gemenskap inte bara är trevlig, utan att studier visat att den rentav stärker hälsan
This is an electronic reprint of the original article. This reprint may differ from the original ... more This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail.
Degree Thesis for Entrepreneurship in the Arts, Master of Culture and Art. Master Degree Programm... more Degree Thesis for Entrepreneurship in the Arts, Master of Culture and Art. Master Degree Programme in Culture and Art, Novia University of Applied Sciences, Jakobstad 2016, Finland. In this paper I aim to discuss the boundary between fiction and nonfiction within the field of arts. This is done by analysing and discussing the fine line in between fiction and reality in my own artwork "I wanted to be your wolf, but you never cried", and comparing it to other contemporary artists and works of art. My study consists of two parts. In the first part I try to sort out the concept of narrative, the difference between fiction and nonfiction, and the characteristics of narrative art and confessional art. In the second part I reflect on the process I went through in "I wanted to be your wolf, but you never cried", what it became, and what will possibly happen next.
Degree Thesis for Entrepreneurship in the Arts, Master of Culture and Art.
Master Degree Programm... more Degree Thesis for Entrepreneurship in the Arts, Master of Culture and Art.
Master Degree Programme in Culture and Art, Novia University of Applied Sciences, Jakobstad 2016, Finland.
In this paper I aim to discuss the boundary between fiction and nonfiction within the field of arts. This is done by analysing and discussing the fine line in between fiction and reality in my own artwork "I wanted to be your wolf, but you never cried", and comparing it to other contemporary artists and works of art.
My study consists of two parts. In the first part I try to sort out the concept of narrative, the difference between fiction and nonfiction, and the characteristics of narrative art and confessional art. In the second part I reflect on the process I went through in "I wanted to be your wolf, but you never cried", what it became, and what will possibly happen next.
Film Tourism by Therese Sunngren Granlund
Film and Place in an Intercultural Perspective India-Europe Film Connections, 2023
The book offers an interdisciplinary overview of the film and place relationship from an intercul... more The book offers an interdisciplinary overview of the film and place relationship from an intercultural perspective. It explores the complex domain of place and space in cinema and the film industry's role in establishing cultural connections and economic cooperation between India and Europe. With contributions from leading international scholars, various case studies scrutinise European and Indian contexts, exploring both the established and emerging locations. The book extends the dominantly Britain-oriented focus on India's cinema presence in Europe to European countries, such as Italy,
Attracting filmmakers and developing your region: A GUIDE AND TOOLBOX ON HOW TO DO IT, 2022
As part of the project FilmInd (https://filmind.philhist.unibas.ch/en/), we have developed materi... more As part of the project FilmInd (https://filmind.philhist.unibas.ch/en/), we have developed material in the form of a workshop concept and other tools. The aim of this material is to help interested parties identify local strengths and inspire mutual exchange and learning. The workshop concept will help the participants identify a region’s strengths and weaknesses and define a local profile to convey. The research in this project has been focused on the Indian film industry, however, the workshop and tools in this guidebook can also be used with other film industries in mind.
CONTRIBUTORS
Therese Sunngren-Granlund (Novia University of Applied Sciences)
Malin Winberg (Novia University of Applied Sciences)
Metka Hercog (University of Basel)
Hania Janta (University of Basel)
Marcin Adamczak (Adam Mickiewicz University, Poznań)
Malwina Balcerak (Adam Mickiewicz University, Poznań)
Krzysztof Stachowiak (Adam Mickiewicz University, Poznań)
Primož Gašperič (Research Centre of the Slovenian Academy of Sciences and Arts)
Ana Jelnikar (Research Centre of the Slovenian Academy of Sciences and Arts)
Jani Kozina (Research Centre of the Slovenian Academy of Sciences and Arts)
Mimi Urbanc (Research Centre of the Slovenian Academy of Sciences and Arts)
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Papers by Therese Sunngren Granlund
Master Degree Programme in Culture and Art, Novia University of Applied Sciences, Jakobstad 2016, Finland.
In this paper I aim to discuss the boundary between fiction and nonfiction within the field of arts. This is done by analysing and discussing the fine line in between fiction and reality in my own artwork "I wanted to be your wolf, but you never cried", and comparing it to other contemporary artists and works of art.
My study consists of two parts. In the first part I try to sort out the concept of narrative, the difference between fiction and nonfiction, and the characteristics of narrative art and confessional art. In the second part I reflect on the process I went through in "I wanted to be your wolf, but you never cried", what it became, and what will possibly happen next.
Film Tourism by Therese Sunngren Granlund
CONTRIBUTORS
Therese Sunngren-Granlund (Novia University of Applied Sciences)
Malin Winberg (Novia University of Applied Sciences)
Metka Hercog (University of Basel)
Hania Janta (University of Basel)
Marcin Adamczak (Adam Mickiewicz University, Poznań)
Malwina Balcerak (Adam Mickiewicz University, Poznań)
Krzysztof Stachowiak (Adam Mickiewicz University, Poznań)
Primož Gašperič (Research Centre of the Slovenian Academy of Sciences and Arts)
Ana Jelnikar (Research Centre of the Slovenian Academy of Sciences and Arts)
Jani Kozina (Research Centre of the Slovenian Academy of Sciences and Arts)
Mimi Urbanc (Research Centre of the Slovenian Academy of Sciences and Arts)
Master Degree Programme in Culture and Art, Novia University of Applied Sciences, Jakobstad 2016, Finland.
In this paper I aim to discuss the boundary between fiction and nonfiction within the field of arts. This is done by analysing and discussing the fine line in between fiction and reality in my own artwork "I wanted to be your wolf, but you never cried", and comparing it to other contemporary artists and works of art.
My study consists of two parts. In the first part I try to sort out the concept of narrative, the difference between fiction and nonfiction, and the characteristics of narrative art and confessional art. In the second part I reflect on the process I went through in "I wanted to be your wolf, but you never cried", what it became, and what will possibly happen next.
CONTRIBUTORS
Therese Sunngren-Granlund (Novia University of Applied Sciences)
Malin Winberg (Novia University of Applied Sciences)
Metka Hercog (University of Basel)
Hania Janta (University of Basel)
Marcin Adamczak (Adam Mickiewicz University, Poznań)
Malwina Balcerak (Adam Mickiewicz University, Poznań)
Krzysztof Stachowiak (Adam Mickiewicz University, Poznań)
Primož Gašperič (Research Centre of the Slovenian Academy of Sciences and Arts)
Ana Jelnikar (Research Centre of the Slovenian Academy of Sciences and Arts)
Jani Kozina (Research Centre of the Slovenian Academy of Sciences and Arts)
Mimi Urbanc (Research Centre of the Slovenian Academy of Sciences and Arts)