Ilf, Ilya; Petrov, Yevgeny "The Twelve Chairs"

Ilf, Ilya; Petrov, Yevgeny "The Twelve Chairs" (Russian: Двенадцать стульев/Dvenadtsat stulyev) - 1928

This was our international online book club novel for March 2022.

I love Russian literature. So, I was quite happy when my book club chose this novel. Funnily enough, I remembered a German TV show from the seventies where they were looking for thirteen chairs and I found out that it was based on this novel. I remember that being quite funny.

And yes, this is a satirical novel with quite some funny bits but it didn't really excite me very much. The plot is nice and the writing is interesting but somehow it didn't do much for me.

So, yes, unfortunately not my favourite Russian story.

However, here is a very positive remark by one of the other book club members.

"Amazing that all these decades later the characters, situations and humour still hold charm. This book took me right out of my usual reading paths onto an enjoyable side trail. Authors Ilf and Petrov seem like a couple of fun guys."

From the back cover:

"Ostap Bender is an unemployed con artist living by his wits in postrevolutionary Soviet Russia. He joins forces with Ippolit Matveyevich Vorobyaninov, a former nobleman who has returned to his hometown to find a cache of missing jewels which were hidden in some chairs that have been appropriated by the Soviet authorities. The search for the bejeweled chairs takes these unlikely heroes from the provinces to Moscow to the wilds of Soviet Georgia and the Trans-caucasus mountains; on their quest they encounter a wide variety of characters: from opportunistic Soviet bureaucrats to aging survivors of the prerevolutionary propertied classes, each one more selfish, venal, and ineffective than the one before."

Towles, Amor "A Gentleman in Moscow"

Towles, Amor "A Gentleman in Moscow" - 2016

I love Russian authors and stories about Russia. And I've heard a lot about this novel by American author Amor Towles. Both praise and not so much praise. So, when I came across this copy, I knew I'd have to give it a try.

And I'm glad I did. This novel is not just a great story which vivid characters and an unusual plot, it is a mystery and history, a love story and a political report, a story of friendship and kindness, a fairy tale and a psychological essay. I know I read a review about the book and I was told to better read it in one go otherwise I'd lose the connections but I didn't find it as challenging. I kept the link to that post in order to go there again and see what the blogger had written but it looks like it has been removed because I get referred to the main page of it and the post about the "Gentleman in Moscow" isn't there.

The characters in this book are all beautifully described and very much "alive". A completely different take on Stalinism, Russia and communism in general. I loved how all the people, especially the women he met, enabled the Count to have a halfway normal life and not despair. For those of you who have read it, I found the ending not too surprising, yet, wonderful.

There are so many layers in this novel. We can also see the way people react to the old hierarchy and the new way of life after Stalin. Whilst some embrace it, others just live in the past and can't let go of whatever happened during that era. I have seen this everywhere in real life. Guess who are the happier of the people?

One of my favourite quotes from this book: "If a man does not master his circumstances then he is bound to be mastered by them." If only I could follow that advice all the time.

I think this is also a great introduction to Russian reading. Other than the Russian authors I love so much, this one doesn't jump from one name of a person to the next. They always ae mentioned by the one name they are given from the beginning. Something not too unimportant because I have heard a lot of people complain about that when reading or attempting to read Russian authors. There are also footnotes to explain the background of Russian history, where necessary. And a great explanation why Russians have three different kind of names (on page 100 in my paperback edition).

The story sounds so true, I had to check at the beginning whether the Count was real or not. Nope, he's not, totally fictional yet so alive that you would love to meet him.

I was told that Kenneth Branagh has bought the film rights for the story and will play Count Rostov himself. While I don't often like films made from books I loved, I am really looking forward to it because I think Kenneth Branagh is one of the best actor-directors of all time and totally love his work.

And I'd love to read his first book, "Rules of Civility" and the next one he has written, "The Lincoln Highway".

From the back cover:

"On 21 June 1922 Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol.

Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. But instead of his usual suite, he must now live in an attic room while Russia undergoes decades of tumultuous upheaval.

Can a life without luxury be the richest of all?"

Bulgakov, Michail "The Master and Margarita"

Bulgakow, Michail "The Master and Margarita" (Russian: Мастер и Маргарита/Master i Margarita) - 1929-39

When the last "classics spin" number was drawn, I got this book to read. One of my blogger friends (Emma from Words and Peace) recommended I read an edition with many annotations. Since I had the book already (I bought it a couple of years ago when Russia was the theme of a German book fair) and it had no annotations, I searched the net and there are some great sites that explain all the meanings of almost every sentence meticulously.

These pages were especially helpful:
Master & Margarita (in several languages)
Along with much information on the novel, you will also find on this site different films and TV-series based on The Master and Margarita, and subtitled in English by your webmaster.
LitCharts (including a study guide)
Get Abstract (in German)
Inhaltsangaben 24 (in German)

And then there are some good blog posts about the book (I happily include yours if you let me know the link):
Words and Peace, one of my favourite blogs, Emma has a very diverse page and always gives the greatest tips.
Resolute Reader
A Guy’s Moleskine Notebook who reviewed it even twice, first here and then here.

Those sites were very helpful to understand the background of the novel but I think I would have enjoyed it just by itself, as well. And I surely could see some of the links to the Soviet Union. However, being interested in all these subjects, history, politics, religion, it made it even more fascinating.

What a book. Of course, from authors like Bulgakov, you foresee criticism of the Soviet State, it's expected. Bureaucracy is just as much criticized as oppression and everything that deviates from Karl Marx' original idea of communism.

But this book has so many more layers. There is a novel within the novel about Pontius Pilate and Jesus' last days, his friends and foes. The way, the two stories come together, is quite fascinating. There is a huge amount of references to both literature and history.

The book definitely gives us a lot of food for thought. The devil comes visiting Moscow together with some ominous companions, one of them a big black cat. As a result, the whole city is upside down.

I don't think it is possible to explain the concept of the book to anyone. You have to read it yourself, and if you really want to get down to the nitty-gritty, definitely have to read it with explanations. It's part fairy tale, part mystic realism, definitely political criticism, part comedy, part tragedy. It's not the easiest of reads but definitely one of the most worthiest.

And it certainly is one of the books I will want to read again.

From the back cover:

"Surely, no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First, he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.

Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master - as he calls himself - has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet - and fellow lunatic - Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"

Unsurprisingly - in view of its frequent, scarcely disguised references to interrogation and terror - Bulgakov's master work was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may re-attach heads or produce 10-ruble notes from the air, but Bulgakov proves to be the true magician here. The Master and Margarita is a different book each time it is opened. - Mary Park"

It's always interesting to see the different kind of covers from different countries or different times but this one has as many fascinating editions, I just had to put a few together. You can find them all on Goodreads. I think it shows the diversity of the book and how different people perceive it.

Camus, Albert "The Just Assassins"

Camus, Albert "The Just Assassins" (aka The Just) (French: Les Justes) - 1949

I'm not the biggest fan of reading plays but I love Albert Camus. And what should I say, this almost read like a novel. It probably helped that it was about a subject I am very interested in. Apparently, this is based on real social revolutionaries.

The big philosophical question of the play is: Can you kill for the sake of revolution? Is it just or is it still murder? Do you kill a few in order to save thousands or even more? It's for you to decide.

Not just with the location, also with the subject and the way he asks the questions, does he remind me of my favourite Russian authors, Dostoevsky and Tolstoy.

In any case, this book leaves us with a lot to ponder about. Perfect.

From the back cover:

"Camus’s The Just (Les Justes) is a five-act play based on the true story of a group of Russian revolutionaries who assassinated Grand Duke Sergei Alexandrovich in 1905. First produced in 1949, The Just is a significant, eerily resonant, moving, and highly theatrical work. With a humanist perspective, Camus delves into the hearts and minds of five idealists who each grapple with a heinous choice and ultimately commit murder, in the name of justice. Now, more than ever, the play provokes and reverberates with a troubling yet necessary line of inquiry. Do the ends justify the means? Is terrorism ever a viable choice? What is the true cost of resistance? What is the difference between a freedom fighter and a murderer?

What The Just makes so compelling and haunting is the way Camus uses clearly drawn characters to tell such an intimate yet horrific story. He completely understands and sympathizes with his characters but never apologizes for their actions. And although it was written more than fifty years ago and set in another era, The Just feels entirely contemporary and vital. In this play, Camus attempts to understand what it would require to take violent action and assassinate someone in power yet somehow maintain a sense of justice and morality. Is this even possible?"

Albert Camus received the Nobel Prize for Literature in 1957 "for his important literary production, which with clear-sighted earnestness illuminates the problems of the human conscience in our times".

I contribute to this page: Read the Nobels and you can find all my blogs about Nobel Prize winning authors and their books here.

Fatland, Erika "Sovietistan"

Fatland, Erika "Sovietistan: Travels in Turkmenistan, Kazakhstan, Tajikistan, Kyrgyzstan, and Uzbekistan" (Norwegian: Sovjetistan. En reise gjennom Turkmenistan, Kasakhstan, Tadsjikistan, Kirgisistan og Usbekistan) - 2014

After reading "The Border" by this Norwegian author where she travels all around the Russian border and visits every adjoining country, I was eager to read her first book where she visited the Central Asian "Stans" who became independent after the break-up of the Soviet Union.

I was not disappointed. Erika Fatland seems like someone who really researches what she does. She speaks several languages, i.a. Russian which makes it easier but she still meets many people who don't speak any of the languages she knows. You can definitely tell she knows a lot about exploring other cultures. And it's interesting to read a woman's perspective about this part of the world, doesn't happen too often.

There is so much history in the part of the world, longer than the European one, definitely longer than any of the "new world" and this book makes us aware that we should always look at someone's history if we try to understand them. From the Mongolian invaders through the Russian Empire and then the Soviet Union, these countries have all had to endure a lot. It's not easy to go back to what we would call "normal democracy" in just one generation. Some of the countries seem to be on a better way than others but I'm sure it will still take a long time until all the inhabitants will be able to live a free life.

The author tells us about the Silk Road, the mountains and valleys, the rich cities of the past (like Samarkand, doesn't that name just conjure some dreamy 1001 night-like picture?). And the ethnic people who have inhabited this area for thousands of years. In telling her story where it fits in the historical parts she mentions, she gives us a good idea about how life in those countries seems to be. From old cultures like bride-stealing to the wealth brought through oil, there is a lot to take in

We hear about Genghis Khan and Amir Timur or Tamerlane, two Mongol conquerors, who influenced the region just as much as Stalin later on.

A while ago I read a book about the Hutterer (The Forgotten People) who came to Canada via this region and Erika Fatland also mentions the Mennonites who suffered the same fate, some of whom still occupy their area. It was interesting to compare these two religious' groups.

But those are not the only interesting people the traveller met. There are so many anecdotes about the people she met and how she often was welcomed with open arms.

There is this guy (Igor Savitsky, see here on Wikipedia) who founded a museum in the middle of nowhere, even in Uzbek standards, the State Art Museum of the Republic of Karakalpakstan, named after I.V. Savitsky, also known as Nukus Museum of Art or Savitsky Museum and the Desert of Forbidden Art.

Or she talks to human rights activists, people who live in the mountains without any electricity or anything else we all consider necessary to live a decent life. They don't and chose to live like that. Totally interesting.

As always, it was great to read about a part of the world we know so little about. Most Europeans would even be able to find the right countries on a map if questioned let alone name the capital cities. I've learned them now and hope to remember them:
Kazakhstan: Nur-Sultan, formerly Astana
Kyrgyzstan: Bishkek
Tajikistan: Dushanbe
Turkmenistan: Ashgabat
Uzbekistan: Tashkent

Granted, there are so many topics in this book, anthropology, communism, dictatorship, economy, ecology, human rights, politics, religion, sociology, you name it, everything that fits into human life is there, but it is still a highly pleasurable read.

I also really appreciated to see this world through the eyes of a woman. A woman who grew up in a free world and therefore would see more of the restrictions women in these countries have to live with than any man ever would. Well done, Erika!

This was our international online book club read in November 2020.

Some comments by the readers:

• I had once read a travel book I didn't like, therefore didn't think I would like this one, but it absolutely gripped me and held my interest through all the many layers of history, politics, culture, travelling, etc.
• At the meeting we talked a lot about how the USSR nostalgia seem to appear and how for example we in Finland reading this book might be reacting to that.
• Personally, I really, really enjoyed this book. It definitely widened my knowledge of a lot of things and was really well written.
  

From the back cover:

"Turkmenistan, Kazakhstan, Tajikistan, Kyrgyzstan, and Uzbekistan became free of the Soviet Union in 1991. But though they are new to modern statehood, this is a region rich in ancient history, culture, and landscapes unlike anywhere else in the world.

Traveling alone, Erika Fatland is a true adventurer in every sense. In Sovietistan, she takes the reader on a compassionate and insightful journey to explore how their Soviet heritage has influenced these countries, with governments experimenting with both democracy and dictatorships.

In Kyrgyzstani villages, she meets victims of the tradition of bride snatching; she visits the huge and desolate Polygon in Kazakhstan where the Soviet Union tested explosions of nuclear bombs; she meets shrimp gatherers on the banks of the dried out Aral Sea; she witnesses the fall of a dictator.

She travels incognito through Turkmenistan, a country that is closed to journalists. She meets exhausted human rights activists in Kazakhstan, survivors from the massacre in Osh in 2010, and German Mennonites that found paradise on the Kyrgyzstani plains 200 years ago. We learn how ancient customs clash with gas production and witness the underlying conflicts between ethnic Russians and the majority in a country that is slowly building its future in nationalist colors.

Once the frontier of the Soviet Union, life follows another pace of time. Amidst the treasures of Samarkand and the brutalist Soviet architecture, Sovietistan is a rare and unforgettable adventure."

Chukovskaya, Lydia "Going Under"

Chukovskaya, Lydia (Чуковская, Лидия Корнеевна) "Going Under" (Russian: Спуск под воду/Spusk pod vodu) - 1972

I found the translation of this book in a German bookshop. The reason I picked it up at first was the cover picture, a birch forest in winter. (see below). I love birches, they have a certain something.

And since I love Russian literature, I was curious about this author who was completely new to me.

"Going Under" takes place in a Russian sanatorium. The first-person narrator has lost her husband through the Soviet regime and tries to find out what happened to him.

The author must have been really courageous. As a fearless critic of the regime, she couldn't publish her autobiographical book in the USSR but it was done in a New York publishing house years later. This led to a professional ban. Very brave.

If you're interested in history, in Russia, in the Stalin regime, the USSR, this is a story that rings true.

From the back cover:

"In the winter of 1949, Nina Sergeyevna spends weeks in a sanatorium for artists on the countryside. Here everything is focused on forgetting. But she wants to know more about the past, about her own suffering, and that of her fellow human beings.

When she met Bilibin, who was in the same labor camp as her husband, she was looking for his closeness. There is a tender affection between the two, but disappointed, she turns away, as Bilibin seeks not the truth but repression and forgetfulness."

Erpenbeck, Jenny "The End of Days"

Erpenbeck, Jenny "The End of Days" (German: Aller Tage Abend) - 2012

Jenny Erpenbeck is quite a well-known German author so I thought it was about time to read one of her books. I was not disappointed. What an interesting book.

How long is a child going to live, what kind of life is it going to be? Who is going to be around, who will be there to mourn them when they die. In this book, we get a feeling on how different a life can go and how different the end can be. A very interesting concept of describing how certain decisions can end a life or prolong it.

A brilliant story that is written with so much poise, so much dedication, it's almost as if the author writes about someone she knows herself personally.

A very moving book, a great novel by a great author.

From the back cover:

"Winner of the Independent Foreign Fiction Prize and the Hans Fallada Prize, The End of Days, by the acclaimed German writer Jenny Erpenbeck, consists essentially of five 'books,' each leading to a different death of the same unnamed female protagonist. How could it all have gone differently? - the narrator asks in the intermezzos. The first chapter begins with the death of a baby in the early twentieth-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna after World War I, but a pact she makes with a young man leads to a second death. In the next scenario, she survives adolescence and moves to Russia with her husband. Both are dedicated Communists, yet our heroine ends up in a labor camp. But her fate does not end there….

A novel of incredible breadth and amazing concision, The End of Days offers a unique overview of the twentieth century."

Hastings, Max "The Secret War"

Hastings, Max "The Secret War: Spies, Codes And Guerrillas, 1939–45" - 2015

A highly interesting book if you are interested in this subject.

We always hear about the battles of a war, more rarely about what is going on behind the scenes, in this case, what did the secret agents or spies (depending on which side you were, the first lot was always your own, the second that of the enemy) do during World War II? What were their successes, what their downfalls?

The author has collected an immense treasure of details and put them all together, the book almost reads like a spy story itself. There is so much in it, if you don't study this at university, you probably will not want to go into so much detail but you can always decide what to retain and what not.

Brilliant book. Brilliant writing.

From the back cover:
"In The Secret War, Max Hastings presents a worldwide cast of characters and extraordinary sagas of intelligence and Resistance to create a new perspective on the greatest conflict in history. The book links tales of high courage ashore, at sea and in the air to the work of the brilliant ‘boffins’ battling the enemy’s technology. Here are not only the unheralded codebreaking geniuses of Bletchley Park, but also their German counterparts who achieved their own triumphs and the fabulous espionage networks created, and so often spurned, by the Soviet Union. With its stories of high policy and human drama, the book has been acclaimed as the best history of the secret war ever written."

Solzhenitsyn, Alexander "His Great Stories"

Solschenizyn, Alexander (Александр Исаевич Солженицын/Aleksandr Solzhenitsyn) "Große Erzählungen: Iwan Denissowitsch; Zum Nutzen der Sache; Matrjonas Hof; Zwischenfall auf dem Bahnhof Kretschetowka" (His Great Stories: One Day in the Life of Ivan Denisovich - 1962; For the Good of the Cause - 1963; Matryona's House - 1963; An Incident at Krechetovka Station - 1963) (Russian: Оди́н день Ива́на Дени́совича Odin den' Ivana Denisovicha; Для пользы дела/ lja pol'zy dela; Матрёнин двор/Matrjonin dvor; Случай на станции Кречетовка/Sluchaj na stancii Krechetovka) - 1962/63

I am not a huge fan of short stories but I always wanted to read something by Solzhenitsyn. So, when I found this book that started with one of his greatest tales, "A Day in the Life of Ivan Denisovich", I thought I'd give it a go.

Since there isn't an English collection of the same stories available, I will just talk about every single part of the book individually, don't worry, there are only four stories.

"One Day in the Life of Ivan Denisovich" (Russian: Оди́н день Ива́на Дени́совича Odin den' Ivana Denisovicha) - 1962

We always hear about the Gulag, the prisoners who sent to Siberia and have to work there etc. But we never really know what is going on there, what the work is like, how the prisoners are kept.

Unless we read about the one day in the life of Ivan Denisovich Shukhov, starting the instant he opens his eyes in the morning until he closes them again in the evening.

And once we read it, we understand why this writer was awared the Nobel Prize for Literature. If he hadn't written anything else, he still would have been one of the greatest authors on earth. While reading this, you are standing next to Ivan, you suffer with him, you follow him. And he seems to be a born survivor, one who can deal with a lot of things, can get that extra ration of terrible soup they all yearn for.

This is a very moving novel by someone who experienced the Gulag. He spent eight years there and then was exiled for life to Kazakhstan.

Brilliant story, brilliant writing.

Description:
"First published in the Soviet journal Novy Mir in 1962, One Day in the Life of Ivan Denisovich stands as a classic of contemporary literature. The story of labor-camp inmate Ivan Denisovich Shukhov, it graphically describes his struggle to maintain his dignity in the face of communist oppression. An unforgettable portrait of the entire world of Stalin's forced work camps, One Day in the Life of Ivan Denisovich is one of the most extraordinary literary documents to have emerged from the Soviet Union and confirms Solzhenitsyn's stature as "a literary genius whose talent matches that of Dostoevsky, Turgenev, Tolstoy" - Harrison Salisbury"

"For the Good of the Cause" (Russian: Для пользы дела/Dlja pol'zy dela) - 1963

Another great story about the downsides of the Soviet Union. A story of bureaucrats who are overdoing it. Who don't look for the benefit of the people, just for their own benefit.

This is only a short novella with less than a hundred pages and I do n't want to give too much away but the language is just as brilliant as in "One Day in the Life of Ivan Denisovich" and the people are described just as well.

Description:
"In For the Good of the Cause, Solzhenitsyn presents a remarkable cross-section of Soviet life. He runs the whole gamut, from ordinary students, workers, and teachers to the omnipotent officials in Moscow, terrifying in their faceless, Kafkaesque anonymity.
Like his world famous novels One Day in the Life of Ivan Denisovich, The First Circle and Cancer Ward, For the Good of the Cause, set in a new provincial school, is a scathing indictment of the victimisation of ordinary, decent people by Soviet careerist bureaucrats. Solzhenitsyn presents the conflicts between right and wrong, between the freedom of the individual and the harshness of the system with absolute sincerity and conviction."

"Matryona's House" (Russian: Матрёнин двор/Matrjonin dvor) - 1963

Another great story where we get to know the "little man" or in this case the "little woman" who had to make do with what they were given or allowed to have. This story is based on Solzhenitsyn's own experiences while teaching after leaving the Gulag.

Description:
"In 1956, after leaving behind his ordeal in the gulag, Alexander Solzhenitsyn wanted to get lost in a quiet corner of the USSR, and applied for employment as a mathematics teacher. While looking for accommodations in the town that was sent, saw the hut of Matrona, an elderly widow who lived with a lame cat and a goat for company and decided to stay there.
'Matryona's House' is the tale of an old peasant woman, whose tenacious struggle against cold, hunger, and greedy relatives is described by a young man who only understands her after her death."

"An Incident at Krechetovka Station" aka "We Never Make Mistakes" (Russian: Случай на станции Кречетовка/Sluchaj na stancii Krechetovka) - 1963

Apparently, this story is also based on real life events, an accident that happened during World War II. I can only repeat myself by saying that the author is a great storyteller.

Description:
"In 'An Incident at Krechetovka Station' a Red Army lieutenant is confronted by a disturbing straggler soldier and must decide what to do with him."

I will certainly read more by this fantastic author.

Aleksandr Solzhenitsyn received the Nobel Prize for Literature in 1970 "for the ethical force with which he has pursued the indispensable traditions of Russian literature".

Grass, Günter "Peeling the Onion"

Grass, Günter "Peeling the Onion" (German: Beim Häuten der Zwiebel) - 2006

Günter Grass, one of Germany's greatest authors, has written a biography, not just one but three books where he talks about his life, growing up in between the two wars that were going to destroy the Europe that was known before, becoming a German soldier in WWII, spending his years in Russia, coming back to a country that was destroyed, a different part of the country than where he came from, as well. His first steps into becoming an artist, his apprenticeship as a stonemason in order to become a sculptor. Many, many stories.

Günter Grass doesn't keep anything a secret. He mentions how and why he volunteered to go to war. He also describes many events that he was going to use in his many novels later. Even if you haven't read any of his novels, this is a great account not just of the life of a writer who was awarded the Nobel Prize for literature but also of a simple German boy who was born at the wrong time.

If you grew up in post-war Germany with parents who had been about the author's age (like me), a lot of the stories sound familiar (apart from the volunteering part).

Brilliant, remarkable writing. I am not surprised this author received the highest prize you can get.

I read this in the original German edition and am looking forward to the two next parts of the trilogy:

"Die Box. Dunkelkammergeschichten" (The Box: Tales from the Darkroom) (Autobiographical Trilogy #2) - 2008
"Grimms Wörter. Eine Liebeserklärung" (Autobiographical Trilogy #3, no translation, yet) - 2010

Klappentext:

"In this extraordinary memoir, Nobel Prize-winning author Günter Grass remembers his early life, from his boyhood in a cramped two-room apartment in Danzig through the late 1950s, when The Tin Drum was published.

During the Second World War, Grass volunteered for the submarine corps at the age of fifteen but was rejected; two years later, in 1944, he was instead drafted into the Waffen-SS. Taken prisoner by American forces as he was recovering from shrapnel wounds, he spent the final weeks of the war in an American POW camp. After the war, Grass resolved to become an artist and moved with his first wife to Paris, where he began to write the novel that would make him famous.

Full of the bravado of youth, the rubble of postwar Germany, the thrill of wild love affairs, and the exhilaration of Paris in the early fifties, Peeling the Onion -- which caused great controversy when it was published in Germany -- reveals Grass at his most intimate."

As any good author, he has also read a lot and mentions many of them in the book.
Beecher Stowe, Harriet "Uncle Tom's Cabin" - 1852
Coster, Charles de "The Legend of Thyl Ulenspiegel and Lamme Goedzak" - 1867
Dahn, Felix "Ein Kampf um Rom" (A Struggle for Rome) - 1876
Dickens, Charles "David Copperfield" - 1849
Döblin, Alfred "Berlin Alexanderplatz. The Story of Franz Biberkopf" (Berlin Alexanderplatz) - 1929
Dos Passos, John "Manhattan Transfer" - 1925
Dostoevsky, Fyodor "Demons" - 1872
Dumas, Alexandre "The Three Musketeers" - 1844
Fallada, Hans "Little Man, What Now?" - 1932
Faulkner, William "Light in August" - 1932
Fülöp-Müller, René "Der heilige Teufel. Rasputin und die Frauen" (Rasputin: The Holy Devil) - 1927
Goethe, Johann Wolfgang von "Wahlverwandschaften" (Elective Affinities) - 1809
Greene, Graham "The Heart of the Matter" - 1948
Hamsun, Knut "August" - 1930
Hamsun, Knut "Hunger" - 1890
Joyce, James "Ulysses" - 1922
Jünger, Ernst "In Stahlgewittern" (Storm of Steel) - 1920
Keller, Gottfried "Ferien vom Ich" [Holidays from myself] - 1915
Keller, Gottfried "Green Henry" - 1853
Lagerlöf, Selma "Gösta Berling's Saga" - 1891
Mereschkowski, Dmitry "The Romance of Leonardo da Vinci" (Воскресшие боги. Леонардо да Винчи) - 1900
Meyer, Conrad Ferdinand "Jürg Jenatsch. Thirty Years War" (Jürg Jenatsch) - 1876
Miłosz, Czesław "The Captive Mind" (Zniewolony umysł) - 1953
Raabe, Wilhelm "Chronik der Sperlingsgasse" [Chronicles of Starling Alley] - 1856
Raabe, Wilhelm "Hungerpastor" [Hungerpastor] - 1864
Remarque, Erich Maria "All Quiet on the Western Front" (Im Westen nichts Neues) - 1829
Storm, Theodor "The Rider on the White Horse" (Der Schimmelreiter) - 1888
Wilde, Oscar "The Picture of Dorian Gray" - 1890

And some authors where he didn't mention a particular book.
Aristotle - 384-322 BC
Dickens, Charles - 1812-1870
Heidegger, Martin - 1889-1976
Spinoza, Baruch - 1632-77
Sudermann, Hermann - 1857-1928
Twain, Mark - 1835-1910

Günter Grass "whose frolicsome black fables portray the forgotten face of history" received the Nobel Prize for Literature in 1999.

I contribute to this page: Read the Nobels and you can find all my blogs about Nobel Prize winning authors and their books here.

Alexievich, Svetlana "Second Hand Time. The Last of the Sovjets"

Alexievich, Svetlana "Second Hand Time. The Last of the Sovjets" (Russian: Время секонд хэнд = Vremja sekond khend) - 2013

"Born in the USSR - that's a diagnosis." This is what one of the people interviewed by the author said and it would have been a great title for this book, as well.

I discovered Svetlana Alexievich three years ago when she received the Peace Prize of the German Book Trade (Friedenspreis) and then decided to read "Voices from Chernobyl: The Oral History of a Nuclear Disaster". After she received the Nobel Prize for Literature last year, I found many more of her books and "Second Hand Time" sounded like a great read. The author wrote down her interviews with former citizens of the Soviet Union, people who liked the new system, people who disliked it, people who loved it, people who hated it. She wrote down their life stories and you can understand every single one of them. This is what makes politics so hard, trying to please everyone is not possible, there is always someone who disagrees with a certain decision.

I love how understanding she is with everyone, how she manages to report their feelings, their stories as if we are there with the storytellers. I also could relate to many of the stories. Having grown up during a different time, we probably went through a lot that the former Soviets had to go through after their state broke apart. Not exactly the same but our lives were still closer to that than to our children's nowadays. Maybe that is one of the reasons why I always loved Russian literature.

And then there are the stories she tells that get you closer to her interviewees. I liked how they said "For us, the kitchen is not just where we cook, it's a dining room, a guest room, an office, a soapbox." and "We like to have a chat in the kitchen, read a book. 'Reader' is our primary occupation." Or the way they joke about politics, the best jokes always are from oppressed people. "How do you tell a communist? It's someone who reads Marx. And how do you tell an anti-Communist? It's someone who understands him." But one of my favourites is: "In five years, everything can change in Russia, but in two hundred - nothing."

With her work, the author has put together a vivid history of the USSR, of its failures and its positive sides. Yes, there were a lot of people who saw something positive in their oppression and partly, I even understand them. The above joke aside, communism is a good idea, if only it was invented for other species than men. Because men are greedy, they will never want to share and Karl Marx had a dream that this might be possible. He shared that dream with so many people, same as many people still believe in the American Dream and that they might be millionaires one day.

Svetlana Alexievich gets us to think like a Russian, to follow their tragic lives and imagine it might have been us. I read somewhere that her subject is the "history of the Russian-Soviet soul". Not a bad description. I have never read such a good and concise description of other people's lives. She asked her fellow citizens what they thought "freedom" meant and got different answers from those who remembered the USSR and those who didn't. They did grow up in different countries. I can relate to that in that way that our country was divided into East and West probably the same way the USSR/Russians are divided into Before and After. We speak the same language but have many different memories.

The author does what Tolstoy and Dostoevsky did one and a half centuries ago, she puts Russia on the literature map again.

This book makes quite an impression. The tragedies these people went through and are still going through should be known to the whole world. Reading this book is the first step.

And if I hadn't known it already, the Russians are a people of readers. The amount of authors and books mentioned is enormous. Here are just some of them:

Authors:
Belov, Vasily Ivanovich (Васи́лий Ива́нович Бело́в)
Berdyaev, Nikolai Alexandrovich (Никола́й Алекса́ндрович Бердя́ев
Chernyshevsky, Nikolay Gavrilovich (Никола́й Гаври́лович Черныше́вский)
Dobrolyubov, Nikolay Alexandrovich (Никола́й Алекса́ндрович Добролю́бов)
Dovlatov-Mechik, Sergei Donatovich (Серге́й Дона́тович Довла́тов)
Fyodorov, Nikolai Fyodorovich (икола́й Фёдорович Фёдоров)
Galaktionovich, Vladimir (Влади́мир Галактио́нович Короле́нк)
Grinevsky, Aleksandr Stepanovich (better known by his pen name, Aleksandr Grin, Александр Грин)
Grossman, Vasily Semyonovich (Васи́лий Семёнович Гро́ссман)
Herzen, Aleksandr Ivanovich (Алекса́ндр Ива́нович Ге́рцен)
Iskander, Fazil Abdulovich (Фази́ль Абду́лович Исканде́р)
Kollontai, Alexandra Mikhailovna (Алекса́ндра Миха́йловна Коллонта́й - née Korolenko, Domontovich, Домонто́вич)
Lermontov, Mikhail Yuryevich (Михаи́л Ю́рьевич Ле́рмонтов)
Nekrassow, Nikolai Alexejewitsch (Николай Алексеевич Некрасов)
Ogarev, Nikolay Platonovich (Никола́й Плато́нович Огарёв)
Okudzhava, Bulat Shalvovich (Була́т Ша́лвович Окуджа́ва)
Platonov, Andrei (Андре́й Плато́нов)
Pushkin, Alexander Sergeyevich (Алекса́ндр Серге́евич Пу́шкин)
Rasputin, Grigori Jefimowitsch (Григорий Ефимович Распутин)
Saltykov-Shchedrin, Mikhail Yevgrafovich (Михаи́л Евгра́фович Салтыко́в-Щедри́н)
Shalamov, Varlam Tikhonovich (Варла́м Ти́хонович Шала́мов)
Uspensky, Gleb Ivanovich (Глеб Ива́нович Успе́нский)

Books:
Belyaev, Alexander Romanovich (Беляев, Александр Романович) "Человек-амфибия=Chelovek-Amfibiya" (Amphibian Man/Der Amphibienmensch) - 1927
Brezhnev, Leonid Ilyich (Бре́жнев, Леони́д Ильи́) "Малая земля=Malaja semlja" (Little Land/Das kleine Land) - 1978
Brezhnev, Leonid Ilyich (Бре́жнев, Леони́д Ильи́) "Возрождение=Vozrozhdenie" (Rebirth/Wiedergeburt) - 1978
Brezhnev, Leonid Ilyich (Бре́жнев, Леони́д Ильи́) "Целина=Celina" (The Virgin Lands/Neuland) - 1979
Bulgakov, Mikhail (Булгаков, Михаил Афанасьевич) "Ма́стер и Маргари́та=Master i Margarita"  (The Master and Margarita/Der Meister und Margarita) - 1967
Bunin, Ivan Alekseyevich (Бунин, Иван Алексеевич) "Okajannyje dni=Окаянные дни" (Cursed Days/Verfluchte Tage) (Nobel) - 1926
Chekhov, Anton Pavlovich (Чехов, Антон Павлович) "Сапожник и нечистая сила= Sapozhnik i nechistaja sila" (The Cobbler and the Devil aka The Shoemaker and the Devil/Der Schuster und das Böse) - 1888
Chernyshevsky, Nikolay Gavrilovich (Чернышевский, Николай Гаврилович) "Что делать?=Chto delat?" (What is to be done?/Was tun?) - 1863
Dostoevsky, Fyodor Mikhailovich (Фёдор Миха́йлович Достое́вский) "Братья Карамазовы/Brat'ya Karamazovy" (The Brothers Karamazov/Die Brüder Karamasow) - 1879-80
Fadejew, Alexander Alexandrowitsch (Александр Александрович Фадеев) "Molodaia gvardia=Молодая гвардия" (The Young Guard/Die junge Garde) - 1946
Gogol, Nikolai Vasilievich (Никола́й Васи́льевич Го́голь) "Шинель=Shinel" (The Overcoat/Der Mantel) - 1842
Marx, Karl "Das Kapital" (Capital: Critique of Political Economy) - 1867
Ostrovsky, Nikolai Alexeevich (Николай Алексеевич Островский) "Как закалялась сталь=Kak zakalyalas' sta" (How the Steel Was Temperered/Wie der Stahl gehärtet wurde) - 1832-34
Pasternak, Boris Leonidovich (Пастернак, Борис Леонидович) "Доктор Живаго=Doktor Živago" (Doctor Zhivago/ Doktor Schiwago) - 1957
Polevoy, Boris Nikolaewich (Борис Николаевич Полевой) "Повесть о настоящем человеке= Povest' o nastojashhem cheloveke" (The Story of a Real Man/Der wahre Mensch) - 1947
Rybakov, Anatoly Naumovich (Рыбаков, Анатолий Наумович) "Дети Арбата=Deti Arbata" (Children of the Arbat/Kinder des Arbat) - 1987
Sholokhov, Mikhail Aleksandrovich (Шолохов, Михаил Александрович) "Они сражались за Родину=Oni srazhalis' za Rodinu" (They Fought for Their Country/Sie kämpften für ihre Heimat) - 1959 Nobel Prize
Solzhenitsyn, Aleksandr Aleksandr Isayevich (Солженицын, Александр Исаевич) "Архипелаг ГУЛАГ=Archipelag GULAG" (The Gulag Archipelago/Der Archipel Gulag) - 1973
Solzhenitsyn, Aleksandr Isayevich (Солженицын, Александр Исаевич) дин день Ивана Денисовича=Odin den' Ivana Denisovicha" (One Day in the Life of Ivan Denisovich/Ein Tag im Leben des Iwan Denissowitsch) - 1962
Tolstoy, Lew Nikolajewitsch (Толстой, Лев Николаевич) "Война и мир=Woina I Mir" (War and Peace/Krieg und Frieden) - 1868/69
Turgenev, Ivan Sergeyevich (Тургенев, Иван Сергеевич) "Zapiski Okhotnika=Записки охотника" (A Sportsman's Sketches aka The Hunting Sketches/Aufzeichnungen eines Jägers) - 1852

From the back cover:

"From the 2015 winner of the Nobel Prize in Literature, Svetlana Alexievich, comes the first English translation of her latest work, an oral history of the disintegration of the Soviet Union and the emergence of a new Russia.

Bringing together dozens of voices in her distinctive documentary style, Secondhand Time is a monument to the collapse of the USSR, charting the decline of Soviet culture and speculating on what will rise from the ashes of Communism.

As in all her books, Alexievich gives voice to women and men whose stories are lost in the official narratives of nation-states, creating a powerful alternative history from the personal and private stories of individuals.

Svetlana Alexievich was born in the Ukraine in 1948 and grew up in Belarus. As a newspaper journalist, she spent her early career in Minsk compiling first-hand accounts of World War II, the Soviet-Afghan War, the fall of the Berlin Wall and the Chernobyl meltdown. Her unflinching work - 'the whole of our history…is a huge common grave and a bloodbath' - earned her persecution from the Lukashenko regime and she was forced to emigrate. She lived in Paris, Gothenburg and Berlin before returning to Minsk in 2011. She has won a number of prizes, including the National Book Critics Circle Award, the Prix Médicis, and the Oxfam Novib/PEN Award. In 2015, she was awarded the Nobel Prize for Literature."

The Russians/USSR/former USSR states had quite a few winners for the Nobel Prize for Literature. Svetlana Alexievich is the latest.

Nobel Prize Winners for Literature:
Ivan Bunin - 1933
Boris Pasternak - 1958
Michail Sholokhov - 1965
Aleksandr Solzhenitsyn - 1970
Joseph Brodsky - 1987
Alexievich, Svetlana - 2015 (Belarus but born in the USSR)

Svetlana Alexievich received the Nobel Prize for Literature in 2015 "for her polyphonic writings, a monument to suffering and courage in our time" and the Peace Prize of the German Book Trade (Friedenspreis) in 2013.

I contribute to this page: Read the Nobels and you can find all my blogs about Nobel Prize winning authors and their books here.

Landers, Brian "Empires Apart"

Landers, Brian "Empires Apart. A History of American and Russian Imperialism" - 2010

This was a great recommended from a good friend of mine. It summarizes almost all of Europe's history as well as the North American one, compares both "empires" in chronological order and gives a great overview over today's' troubles, as well. There is so much information with so many details in this book, it's amazing how the author managed to put it all on under 600 pages.

It is interesting to see the similarities in the two great super powers of the cold war as well as the differences, the approach to expanding their territory and their influence on anything in the world.

The work is written in quite an easy manner, so even if you are not used to historical works, you should get through this with no problems. I am sure there are people who dislike the book because it doesn't just emphasize on the difficulties and problems caused by the Russians but also those the USA is responsible for but I believe it is quite an impartial view and therefore worth a read. Thought-provoking.

From the back cover: "The American road to empire started when the first English settlers landed in Virginia. Simultaneously, the first Russians crossed the Urals and the two empires that would dominate the twentieth century were born. Empires Apart covers the history of the Americans and Russians from the Vikings to the present day. It shows the two empires developed in parallel as they expanded to the Pacific and launched wars against the nations around them. They both developed an imperial 'ideology' that was central to the way they perceived themselves.
Soon after, the ideology of the Russian Empire also changed with the advent of Communism. The key argument of this book is that these changes did not alter the core imperial values of either nation; both Russians and Americans continued to believe in their manifest destiny. Corporatist and Communist imperialism changed only the mechanics of empire. Both nations have shown that they are still willing to use military force and clandestine intrigue to enforce imperial control. Uniquely, Landers shows how the broad sweep of American history follows a consistent path from the first settlers to the present day and, by comparing this with Russia's imperial path, demonstrates the true nature of American global ambitions."

Here are a few quotes I liked for one reason or another:
"He [Constantinus VII] is said to have proposed marriage to her [Olga, Svytalov's mother]; clearly it was a truth then [950] universally acknowledged that a woman in possession of a large fortune must be in search of a husband." (page 24)
This link to my favourite author, a sentence everyone who likes classic books will know, shows how little times have changed.

"History is not what is taught in the classroom or buried in academic journals. History is the random collection of pictures and phrases, stories and prejudices that accretes drop by drop in the mind." (page 295)
I think that is one of the reasons we should read as many different kind of books from different authors with very different background. In order to learn from the history.

"... much of the twentieth century can be characterised as a Tale of Two Empires ..." (page 512)
Yes, indeed. The question is, is that a good thing or not? I think we should always have more than one superpower in order not to be overrun by the one and only but having two alone is not that great, either, because one will always try to overcome the other. And in the end, the "little man" pays, as always.

Ulitzkaya, Lyudmila "Imago" or "The Big Green Tent"

Ulitzkaya, Lyudmila "Imago" or "The Big Green Tent" (Russian: Zelenyi shater/Зеленый шатер) - 2010

I love Russian literature. This is a new, modern author I discovered when I found the book. A brilliant book. The author describes life in the Soviet Union and begins with the death of Stalin and what it meant for the people and how their lives went on after that. I don't think it's a big spoiler if I tell you that it's not getting any better.

We learn about the lives of a group of friends, three boys who have a brilliant literature teacher and how he influences the rest of their lives, how they live or don't live with the inflictions put upon them by the regime of their country. The boys come from very different backgrounds but their lives in the Soviet Union all bring them the same kind of problems. And three girls, as well, their path crosses that of the boys later in life when they are older.

All of them love reading and there are many great books they mention in the novel (list follows at the end). I think most of them are really worth reading.

Whether you like big tomes (almost 600 pages) or short stories, this is a combination of both, although the short stories are linked to each other. A brilliant writer who explains life under the KGB to outsiders, us. A great storyline, carefully described characters, even any smaller character comes to life and brings in their own tragedy.

I am always on the lookout for new writers that I love and here I have found a real gem. A story you can't put down which will stay with you forever. A brilliant fiction book that explains history in a way no non-fiction book is able to.

I read the German translation "Das grüne Zelt" (The Green Tent)

From the back cover:

"The Big Green Tent is the kind of book the term 'Russian novel' was invented for. A sweeping saga, it tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys - an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets - struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. An artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward; a man and his wife each become collaborators, without the other knowing. Ludmila Ulitskaya’s big yet intimate novel belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times."

She also mentions so many other books - some of which I've read, others I have put on my wishlist - and authors that are certainly worth looking at:

Aksakow, Sergei Timofejewitsch " Childhood Years of Bagrov Grandson" (Детские годы Багрова-внука/Detskie gody Bagrowa-wnuka)
Arzhak, Nikolay (real name: Yuli Markovich Danie) "Report from Moscow" (Говорит Москва)
Dostoevsky, Fyodor "Crime and Punishment"
Herzen, Alexander
Kropotkin, Pyotr "Memoirs of a Revolutionist" (Записки революционера)
Nabokov, Vladimir (called Sirin in the novel) "Glory" (Podvig)
Pasternak, Boris "Doctor Zhivago"
Tolstoy, Leo "Anna Karenina"
Tolstoy, Leo "Childhood", "Boyhood", and "Youth" (Детство, Отрочество, Юность)
Tolstoy, Leo "War and Peace"
Yerofeyev, Venedikt "Moscow-Petushki" (or Moscow to the End of the Line, Moscow Stations, and Moscow Circles) (Москва - Петушки)
Zamyatin, Yevgeny "We" (Мы/роман)

Follett, Ken "Edge of Eternity"

Follett, Ken "Edge of Eternity" - 2014

When I first learnt there was a trilogy about the past century, each part concentrating on a different war: First, Second and Cold, I thought the last one might be the one that least interests me. After all, I've been there, I lived during the Cold War, I keep telling my kids how it was - and probably bore them to death.

However, I only was there during part of the Cold War, I only lived the West German one, not the East German, the Russian or the American one. I think my part was closest to that of the English and Welsh families in the story, after all, we had free elections and could do as we pleased.

As in the previous parts, the author introduces the characters from the different families one by one and most of them are very close to some important people. They either work for Martin Luther King and Robert Kennedy, Khrushchev or there is a fictional character who resembles Solchenitsyn ... lots of true life connections that explain what happened in that time. Of course I knew about the civil rights movement but this book has taught me more about it, and I am sure it teaches others more about the parts they don't know.

I was surprised that some people had given this book a bad rating, I think that is mainly because they didn't agree with the way history was portrayed, their view were a little (or a lot) different from Ken Follett. Compared to American Republicans, most Europeans seem to be communists and that is the most evil of them all.

Well, I enjoyed all three books. A lot. I grew to love the characters, I felt like I was part of their families or at least a close friend of them. All together, I read about 3,000 pages of wonderful storytelling. And I am still in awe of the amount of research Ken Follett must have done for this.

From the back cover:

"Ken Follett’s Century Trilogy follows the fortunes of five intertwined families - American, German, Russian, English, and Welsh - as they make their way through the twentieth century. It has been called 'potent, engrossing' (Publishers Weekly) and 'truly epic' (Huffington Post). USA Today said, 'You actually feel like you’re there.'

Edge of Eternity, the finale, covers one of the most tumultuous eras of all: the 1960s through the 1980s, encompassing civil rights, assassinations, Vietnam, the Berlin Wall, the Cuban Missile Crisis, presidential impeachment, revolution - and rock and roll.

East German teacher Rebecca Hoffman discovers she’s been spied on by the Stasi for years and commits an impulsive act that will affect her family for generations… George Jakes, himself bi-racial, bypasses corporate law to join Robert F. Kennedy’s Justice Department and finds himself in the middle of not only the seminal events of the civil rights battle, but also a much more personal battle… Cameron Dewar, the grandson of a senator, jumps at the chance to do some espionage for a cause he believes in, only to discover that the world is much more dangerous than he’d imagined… Dimka Dvorkin, a young aide to Khrushchev, becomes an agent for good and for ill as the Soviet Union and the United States race to the brink of nuclear war, while his twin sister, Tania, carves out a role that will take her from Moscow to Cuba to Prague to Warsaw - and into history.

These characters and many others find their lives inextricably entangled as they add their personal stories and insight to the most defining events of the 20th century. From the opulent offices of the most powerful world leaders to the shabby apartments of those trying to begin a new empire, from the elite clubs of the wealthy and highborn to the passionate protests of a country’s most marginalized citizens, this is truly a drama for the ages.

With the Century Trilogy, Follett has guided readers through an entire era of history with a master’s touch. His unique ability to tell fascinating, brilliantly researched stories that captivate readers and keep them turning the pages is unparalleled. In this climactic and concluding saga, Follett brings us into a world we thought we knew, but now will never seem the same again."

And these are the first two books of the trilogy:
Follett, Ken "Fall of Giants" - 2010 - World War I
Follett, Ken "Winter of the World" - 2012 - World War II

Follett, Ken "Winter of the World"

Follett, Ken "Winter of the World" - 2012

The second book of the trilogy about the 20th century, certainly one of the most dramatic centuries, ever, and definitely one that is still with us because it has only just ended.

After our five families have made it through what they thought would be the worst part of their lives, the "War to end all Wars", later called World War I, they now embark on an even darker time, World War II. A lot of our heroes from "Fall of Giants" have grown up, had children and/or died, so it's on to the next generation. They don't have it any easier than their ancestors, they have to fight against their friends, and sometimes even against their family.

Just like in the first book, the author gives a good insight into the lives of the people in the various countries, he introduces both the people who anticipate the war and the evil that will come as well as those who think their country can do nothing bad, that it is all for a greater good.

We see all the negative sides of any war but especially of this one that was so different from all wars ever fought before and hopefully from all of those following. I love that a lot of the characters are directly involved with some of the important events and people throughout this time because it makes us look at the incidents even more closely. We can read some very detailed accounts of battles and other war atrocities and since we got to "meet" the characters before, it makes it even more shocking.

We learn how the Nazis took over Germany and then tried to do this with the rest of the world, how everyone who opposed them was "quietened" in very different ways. We see how the Germans tried to fight them (or not) and how that ended. And if we didn't know it already, we now know for sure that they didn't kill just the Jews but anyone who didn't fit their view of a "decent" person. Whether someone was from a race they didn't know or opposed them, was handicapped or gay, nobody who didn't fit into their "norm" was safe from their persecution. I have heard a lot of stories from my parents who were still little children when Hitler was elected, but there are a lot of younger people who never had these time witnesses in their lived and there are even more people around the world who don't know about these details, either.

A book mentioned/read by one of the characters: "All Quiet on the Western Front" (Im Westen nichts Neues) by Erich Maria Remarque, a novel by a WWI veteran, it's been on my waiting list forever, so I probably should give it a go soon. *

A great quote given by one of the protagonists: "Why was it, Lloyd wondered, that the people who wanted to destroy everything good about their country were the quickest to wave the national flag?" I've been asking myself the same all my life and I guess you must have grown up in Germany (even post-war) to have a weird feeling every time you see people proudly waving their flags. There is always a strange aftertaste.

An excellent narrative of a time that still lingers with us even seventy years later. A fascinating story of one of the worst time in history. Well done, Mr. Follett.

From the back cover:

"Winter of the World picks up right where the first book left off, as its five interrelated families - American, German, Russian, English, Welsh - enter a time of enormous social, political, and economic turmoil, beginning with the rise of the Third Reich, through the Spanish Civil War and the great dramas of World War II, up to the explosions of the American and Soviet atomic bombs.

Carla von Ulrich, born of German and English parents, finds her life engulfed by the Nazi tide until she commits a deed of great courage and heartbreak. . . . American brothers Woody and Chuck Dewar, each with a secret, take separate paths to momentous events, one in Washington, the other in the bloody jungles of the Pacific. . . . English student Lloyd Williams discovers in the crucible of the Spanish Civil War that he must fight Communism just as hard as Fascism. . . . Daisy Peshkov, a driven American social climber, cares only for popularity and the fast set, until the war transforms her life, not just once but twice, while her cousin Volodya carves out a position in Soviet intelligence that will affect not only this war - but the war to come.

These characters and many others find their lives inextricably entangled as their experiences illuminate the cataclysms that marked the century. From the drawing rooms of the rich to the blood and smoke of battle, their lives intertwine, propelling the reader into dramas of ever-increasing complexity."

Third book of the trilogy: "Edge of Eternity"

* I read it in the meantime, see here.

Follett, Ken "Fall of Giants"

Follett, Ken "Fall of Giants" - 2010

What a book. And it's only the beginning of a trilogy. From the coal mines of Wales to the communists in Russia, from the English to the German aristocracy, from the American president to the Russian Tsar, we can see from the poor and thee rich in all these countries, how World War I happened. We can see that nothing is as black and white as the historians would like us to believe. We grow to love the characters just as much as if we would know them in real life. The interweaving of fictional with real life people makes us even believe they really exist. All these stories could have happened, they probably did happen to several people in any of these countries.

We meet a Welsh miners family, two Russian orphans, an English Earl and his family, a German diplomat, an American politician and many many more. Through their eyes we can see their fear of a looming war, what they can do or can't do to prevent it and how they have to arrange their lives to get through it.

"Fall of Giants". I would say it compares very well to "The Pillars of the Earth" and "World without End" which also belong to my favourite novels and that's why I got this one. This is just as brilliant. It is just a very different time. Europe in the twentieth century. This one takes place during WWI, the next one will be WWII and then the third the Cold War.  This way of showing history reminds me a little of Edward Rutherfurd, another favourite author of mine, who always describes the history of a country, region or city through the ages by using several fictitious families and also some real historical figures. This one is very similar. The families in the book come from Wales, England, Germany, Russia and the USA and they all have very different backgrounds, you have the feeling you are there when the war starts but you have been living through all the anxiety with the characters.

Ken Follett's style of writing is beautiful, his research into a subject astonishingly perfect. I have read a lot of books on this subject and still learned  many new details.

The only bad point of the book is that you can hardly put it down and really want to start the net one the minute you turned the last page. I was lucky to have waiting long enough until all three parts of the series are out so I don't have to wait too long until the next one.

In any case, we can all learn a lot from this book. If we didn't know it before, I'm sure everyone agrees after reading this. War is evil. Everyone loses in a war.  Let's not start another one.

The next two books, "Winter of the World" and "Edge of Eternity", will treat WWII and the Cold War respectively. Can't wait to read them.

From the back cover:

"Five families are brought together through the world-shaking dramas of the First World War, the Russian Revolution and the struggle for votes for women.

It is 1911, and the coronation day of King George V.  Thirteen-year-old Billy Williams begins his first day at work in a coal mine.

The Williams family is connected by romance and enmity to the Fitzherberts, aristocratic coal-mine owners. Lady Maud Fitzherbert falls in love with Walter von Ulrich, a spy at the German Embassy in London. Their destiny is entangled with that of Gus Dewar, ambitious young aide to U.S. President Woodrow Wilson. Two orphaned Russian brothers soon become involved, but Grigori and Lev Peshkov’s plan to emigrate to America fall foul of war, conscription and revolution. 

FALL OF GIANTS combines richly developed historical details with fast-moving action and powerful emotion to deliver this absorbing narrative."

Grjasnowa, Olga "All Russians Love Birch Trees"

Grjasnowa, Olga "All Russians Love Birch Trees" (German: Der Russe ist einer, der Birken liebt) - 2012 

I heard about this book on the German radio, a journalist (Christine Westermann) who talks about special books recommended it. I love her suggestions and I liked the title, so I wanted to read the book.

The protagonist is a young woman not unlike the author. She grew up in Azerbaijan and speaks several languages. So does Masha, our main character. She lives in Frankfurt with her boyfriend. After a tragedy, she goes to Israel where she tries to settle. Her home could be everywhere, yet, she finds it is nowhere. She has to come to terms with being from an immigrant family from the big Soviet Union, being Jewish and all that involves including her family's history both in Azerbaijan as well as in Germany, But she also describes the way she is treated in Germany, how her family lives there. Should be an interesting read for young people.

It is not the story as such that is so extraordinary, it's the sequence of events and the dreams of a woman, the search for happiness. A story well worth reading. That is probably the main reason why this has not just been translated into various other languages but that one of the languages is English.

A captivating story that I read in the original German.

From the back cover: (contains spoilers)

"Set in Frankfurt, All Russians Love Birch Trees follows a young immigrant named Masha. Fluent in five languages and able to get by in several others, Masha lives with her boyfriend, Elias. Her best friends are Muslims struggling to obtain residence permits, and her parents rarely leave the house except to compare gas prices. Masha has nearly completed her studies to become an interpreter, when suddenly Elias is hospitalized after a serious soccer injury and dies, forcing her to question a past that has haunted her for years. Olga Grjasnowa has a unique gift for seeing the funny side of even the most tragic situations. With cool irony, her debut novel tells the story of a headstrong young woman for whom the issue of origin and nationality is immaterial—her Jewish background has taught her she can survive anywhere. Yet Masha isn’t equipped to deal with grief, and this all-too-normal shortcoming gives a particularly bittersweet quality to her adventures."

Alexievich, Svetlana "Voices from Chernobyl"

Alexievich, Svetlana "Voices from Chernobyl: The Oral History of a Nuclear Disaster" (Russian: Чернобыльская молитва/Černobylskaja molitva) - 2006

I knew about Chernobyl. We all do. We have all heard of the nuclear disaster in 1986. We have all heard about the dangers we all have been put in by nuclear power plants. And not just since Fukushima 2011. For us Europeans, it started a lot earlier.

We also knew that the Russians tried to hide the fact of the accident to the foreigners for as long as possible. What we only knew from hearsay was the fact that they even hid it from their own people, that they sent their own people into harm's way. Firefighters and other "volunteers" who were sent into the danger zone to clean up. And not just for a couple of minutes. Most of them are dead now and if it hadn't been for Svetlana Alexievich and a lot of heroic people telling their stories, we still wouldn't know what exactly happened in Chernobyl and its surroundings.

If you are at all interested in the future of our planet, in the environment, you should read this harrowing account of what money can do to people. Because that's what it's all about: money and power. Every war is fought over it and every decision in business is made over it. And who pays the price? We, the "little people".

A very powerful story that everyone should read, especially those who still think that nuclear power is the "cheapest" and "best" form of energy.

This book is a strong reminder of the quote "We do not inherit the earth from our ancestors; we borrow it from our children" (probably by Moses Henry Cass - according to Quote Investigator but attributed to many other wise folks and people).

From the back cover:

"'Voices from Chernobyl' is the first book to present personal accounts of what happened on April 26, 1986, when the worst nuclear reactor accident in history contaminated as much as three quarters of Europe. Svetlana Alexievich a journalist who now suffers from an immune deficiency developed while researching this book interviewed hundreds of people affected by the meltdown. Their narratives form a crucial document revealing how the government masked the event with deception and denial. Harrowing and unforgettable, 'Voices from Chernobyl' bears witness to a tragedy and its aftermath in a book that is as unforgettable as it is essential."

Svetlana Alexievich received the Nobel Prize for Literature in 2015 "for her polyphonic writings, a monument to suffering and courage in our time" and the Peace Prize of the German Book Trade (Friedenspreis) in 2013. 

I contribute to this page: Read the Nobels and you can find all my blogs about Nobel Prize winning authors and their books here.