Tag: Funny

Cards Against Humanity’s Thanksgiving livestream pits a machine learning model against human joke writers

https://www.youtube.com/watch?v=T8lYfN_iQzs&feature=youtu.be

Cards Against Humanity asked Spencer Kelly to teach a computer to write mean, funny joke-cards for a new, AI-based expansion pack to the game; Kelly trained the popular GPT-2 generative language model (previously) on existing cards, and now the company is livestreaming a 16-hour competition between its AI and its human joke-writers, with a voting system to up/downvote the resulting jokes (at the end of the day, these votes will be “tallied up and thrown in the garbage”). You can choose to buy the resulting packs, and if the human team outsells the robots, it will receive a $5,000 bonus. If they fail, they will all be fired.
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McMansion Hell visits the wealthy DC suburbs, home to the Brick Behemoth, the Tragic Tudor, the Chonky Corinthian, and more!

It’s hard to believe, but the latest installment of McMansion Hell’s (previously) tour through the architectural monstrosities of America’s tastleless elites is even better than the previous ones — possibly that’s because in this edition, editor/critic Kate Wagner is visiting Virginia’s Fairfax and Loudoun Counties, these being affluent DC suburbs where beltway bandits and other swamp-dwellers make their dens.
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Millennials are killing Poe’s Raven


From Ross Wolinsky’s “The Millennial Raven” in McSweeney’s: Once upon a midnight dreary, Tinder swiping, buzzed and weary/I asked Siri about my sushi ordered one hour before/ While I chewed some pretzels, snacking, suddenly there came a tapping/As of some one gently rapping, rapping at my apartment door/“’Tis my roommate,” I muttered, “walking ‘cross the hardwood floor/Only this and nothing more.” (via Kottke)

McSweeney’s: sure, Bernie is incredibly popular, but can he sway the “completely hateable assholes, who want what’s worst for everyone?”

Camden Paillot is on fire in McSweeney’s: “Indeed, one may ‘like’ Sanders’ populist, pro-working-class ideology that has enticed  —  let me be clear  —  millions of struggling Americans, but being dragged too far left means losing the vote of cartoonish top-hat-wearing-villains, phrenology-practicing conservative centrists, and Democrat-leaning billionaires residing on secret sex-predator-islands, whose only apparent mission is to make the biosphere collapse faster.” (Thanks, Fipi Lele!) (I am a donor to both Bernie Sanders’ and Elizabeth Warren’s campaigns)

Medallion Status: comparison is the thief of joy, and John Hodgman is the thief-taker

John Hodgman’s last book, Vacationland, was a kind of absurdist memoir of a weird kid who’d grown up to the kind of self-aware grownup who really wanted to dig into how he got to where he was, with bone-dry wit and real heart (I compared it to Steve Martin’s Cruel Shoes, but for adults who’d outgrown it); in his new book, Medallion Status: True Stories from Secret Rooms, Hodgman offers something much more uncomfortable (if no less funny), a series of vignettes that explore the hollowness of privilege, the toxicity of comparison, and the melancholy of accomplishment.
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Author hid funny messages on the copyright page of his book

When my first couple novels came out, I lobbied to add some kind of notation about “fair use” and “limitations and exceptions to copyright” on the copyright notice page and was told not even to try because legal would never allow even the slightest variance from the boilerplate; apparently Steve Stack is better connected than I am, because his book 21st Century Dodos, has a copyright notice that is full of whimsy and gags, as Rebecca discovered and documented.
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