Thursday, October 26, 2023
The Heaven and Earth Grocery Store by James McBride
Thursday, June 29, 2023
100 Places To Visit After You Die by Ken Jennings
Thursday, March 24, 2022
Honor by Thrity Umrigar
Tuesday, October 19, 2021
A Complicated Kindness by Miriam Toews
Friday, June 11, 2021
River of Dust by Virginia Pye
Wednesday, December 16, 2020
Transcendent Kingdom by Yaa Gyasi
Transcendent: adjective
- beyond or above the range of normal or merely physical human experience
- (of God) existing apart from and not subject to the limitations of the material universe
- surpassing the ordinary; exceptional
Monday, September 14, 2020
The Mirage Factory: Illusion, Imagination, and The Invention of Los Angeles by Gary Krist
The Mirage Factory: Illusion, Imagination, and The Invention of Los Angeles by Gary Krist
Published May 2018 by Crown Publishing Group
Source: checked out from my local library
Publisher's Summary:
Little more than a century ago, the southern coast of California—bone-dry, harbor-less, isolated by deserts and mountain ranges—seemed destined to remain scrappy farmland. Then, as if overnight, one of the world’s iconic cities emerged. At the heart of Los Angeles’ meteoric rise were three flawed visionaries: William Mulholland, an immigrant ditch-digger turned self-taught engineer, designed the massive aqueduct that would make urban life here possible. D.W. Griffith, who transformed the motion picture from a vaudeville-house novelty into a cornerstone of American culture, gave L.A. its signature industry. And Aimee Semple McPherson, a charismatic evangelist who founded a religion, cemented the city’s identity as a center for spiritual exploration.
All were masters of their craft, but also illusionists, of a kind. The images they conjured up—of a blossoming city in the desert, of a factory of celluloid dreamworks, of a community of seekers finding personal salvation under the California sun—were like mirages liable to evaporate on closer inspection. All three would pay a steep price to realize these dreams, in a crescendo of hubris, scandal, and catastrophic failure of design that threatened to topple each of their personal empires. Yet when the dust settled, the mirage that was LA remained.
My Thoughts: The more nonfiction I read, the more I find that I'm a gal of many interests I didn't even know I had. Thank heavens for people who can convince me to take a chance on a subject like the rise of Los Angeles, a place I've never even been.
Krist's book focuses on how three people changed the course of history for Los Angeles. They are all three people I knew of but I had no real idea the impact they had on the growth of Los Angeles from a place that should have remained a remote town to the second-largest city in the U.S. Krist covers the period from 1900 - 1930 and moves the book between these three players. Each of their stories and each of their industries would make for great reading, especially in the hands for a storyteller as good as Krist. That they all came about as part of the growth of Los Angeles makes for a fascinating read.
As Krist moved back and forth between the three industries - movies, water, and religion - I kept thinking that the one I was reading about was the most interesting. Which wasn't altogether surprising when I was reading about the movie industry; I knew a fair amount about it and have always found it interesting. And religion? It certainly can be interesting. But water and engineering? How in the world did Krist manage to make me interested in that? Well, there were intrigues, land battles, ruined friendships, and a major disaster, so there's that. But Krist also makes it about the players and the David and Goliath aspect of it all.
Perhaps part of what made this book so compelling was that, while it was historical, it was also incredibly timely. The battle between urban and rural, the machinations of the media, the impact of technology, race, corruption, and the influence of big money on politics, religion, and the movie industry are every bit as relevant today as they were in the 1920's.
The Mirage Factory is clearly meticulously researched but it hardly even feels like nonfiction and it certainly doesn't feel like Krist is trying to force facts into the narrative, as so many writers do. Krist also wrote City of Scoundrels, a book I've had on my Nook for a long time; somewhere along the way someone had convinced me that a book about the rebirth of another city, Chicago, was worth reading. As much as I enjoyed this book, I'm really looking forward to finding time for that one soon.
Wednesday, June 10, 2020
Florence Adler Swims Forever by Rachel Beanland
Published July 2020 by Simon and Schuster
Source: my copy courtesy of the publisher, through Netgalley, in exchange for an honest review
Publisher's Summary:
Atlantic City, 1934. Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to “America’s Playground” and move into the small apartment above their bakery. Despite the cramped quarters, this is the apartment where they raised their two daughters, Fannie and Florence, and it always feels like home.
Now Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams.
Esther only wants to keep her daughters close and safe but some matters are beyond her control: there’s Fannie’s risky pregnancy—not to mention her always-scheming husband, Isaac—and the fact that the handsome heir of a hotel notorious for its anti-Semitic policies, seems to be in love with Florence.
When tragedy strikes, Esther makes the shocking decision to hide the truth—at least until Fannie’s baby is born—and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal.
My Thoughts:
To prove how important the cover of a book can be, when Netgalley asks potential reviewers why they're requested a particular book, one of the reasons is the cover. To be honest, between the title and the cover, I was going to request this book - doesn't it, after all, look like a perfect summer read? While the cover and title and absolutely perfect, they are also very misleading. This book is not a simple summer beach read.
If I'd paid at least as much attention to the description as I did to the cover, I would have known that. I would also have noticed that the Jewish faith was going to play a role in this book. But I didn't notice that. So early on Beanland not only stunned me with something incredibly she also surprised me with how much of a role faith was playing in the book. And, I'll be honest, I wasn't sure that was going to be a book I was interested in reading. I'd recently read two books in which the Jewish faith played a big role and I wasn't necessarily interested in reading another one so soon. But you all know how hard it is for me to put down a book, so I kept reading.
While faith continued to be a part of the story, it began to feel less intrusive and more cohesive to the story. And I began to care about these characters and to understand the family dynamic. By the end, I was really enjoying the book and happy about how things played out.
I did have a couple issues with the book as I was reading but some of those have faded away as I've thought about the book more. Isaac is always the guy you're going to dislike, even when you find out why he is the way he is; but in real life, not everyone grows and changes so his lack of growth is not only to be expected but more believable.
If you choose to read this book, I'd definitely recommend you read the afterward. Much of the story is based on Beanland's family history. I think she's written a lovely homage to her great-aunt Florence!
Wednesday, May 6, 2020
The Book of Longing by Sue Monk Kidd
Published April 2020 by Penguin Publishing Group
Source: my copy courtesy of the publisher, through Netgalley, in exchange for an honest review
Publisher's Summary:
In her mesmerizing fourth work of fiction, Sue Monk Kidd takes an audacious approach to history and brings her acclaimed narrative gifts to imagine the story of a young woman named Ana. Raised in a wealthy family with ties to the ruler of Galilee, she is rebellious and ambitious, with a brilliant mind and a daring spirit. She engages in furtive scholarly pursuits and writes narratives about neglected and silenced women. Ana is expected to marry an older widower, a prospect that horrifies her. An encounter with eighteen-year-old Jesus changes everything.
Their marriage evolves with love and conflict, humor and pathos in Nazareth, where Ana makes a home with Jesus, his brothers, and their mother, Mary. Ana's pent-up longings intensify amid the turbulent resistance to Rome's occupation of Israel, partially led by her brother, Judas. She is sustained by her fearless aunt Yaltha, who harbors a compelling secret. When Ana commits a brazen act that puts her in peril, she flees to Alexandria, where startling revelations and greater dangers unfold, and she finds refuge in unexpected surroundings. Ana determines her fate during a stunning convergence of events considered among the most impactful in human history.
My Thoughts:
Anytime you write a fictionalized account of Jesus' life in the unknown years, you've risked alienating a whole group of readers. When you decide to give him a wife, you are, as they publisher's summary says audacious. When you take it even a step further and suggest that Jesus did not grow up believing he was the son of God, you've ventured into territory that could really upset some people. I mean, it's not The Last Temptation of Christ but it could certainly be considered controversial.
I spent a lot of time at the Presbyterian church up the street from us when I was younger; I grew up with the story of Jesus. What we're taught about him is, in my mind, mostly incontrovertible. So, even though I'm more what I would call spiritual rather than religious these days, I confess to having had problems with the liberties Monk Kidd took in the story of Jesus. I'm not opposed to filling in those missing years; I'm not even opposed to making him a little more questioning or giving him a wife. I think what I struggled with was the idea that, while Jesus was faithful (although struggling with that), his movement was more akin to the teaching of Martin Luther King than God, the idea that change in the government could be made through peaceful means.
It wasn't the only thing I struggled with in this book. Do you ever watch action movies, where everything bad that could happen, does happen? This book felt like that to me. Ana's mother doesn't like her, her father sells her off in marriage then tries to barter her off as a concubine. She has only one friend who is brutalized and banished, most of her in-laws don't much care for her, and her uncle confines her to the house for a year and a half. All of that and we already know how things are going to end for her brother and her husband.
I always want to love passionate, intelligent women in books. I wanted to love a character who fought back, who told the stories of women and stood up to men. Early on, It's not that I didn't like Ana. She was a strong young woman who stood up for what she believed, admitted her faults, and wore her passion on her sleeve. But it so often felt like her story got lost in all of the dramatic events and Jesus' story.
I loved The Secret Life of Bees and The Invention of Wings. I felt certain that Monk Kidd could take this idea and create something that would impress me. I wish it had. I do recommend, if you read it, reading her notes at the back about why she wrote it and her research. It truly is a well-researched book.
Wednesday, April 29, 2020
The Book of V by Anna Solomon
Published May 2020 by Holt, Henry and Company, Inc.
Source: my copy courtesy of the publisher, through Netgalley, in exchange for an honest review
Publisher's Summary:
For fans of The Hours and Fates and Furies, a bold, kaleidoscopic novel intertwining the lives of three women across three centuries as their stories of sex, power, and desire finally converge in the present day.
Lily is a mother and a daughter. And a second wife. And a writer, maybe? Or she was going to be, before she had children. Now, in her rented Brooklyn apartment she’s grappling with her sexual and intellectual desires, while also trying to manage her roles as a mother and a wife in 2016.
Vivian Barr seems to be the perfect political wife, dedicated to helping her charismatic and ambitious husband find success in Watergate-era Washington D.C. But one night he demands a humiliating favor, and her refusal to obey changes the course of her life—along with the lives of others.
Esther is a fiercely independent young woman in ancient Persia, where she and her uncle’s tribe live a tenuous existence outside the palace walls. When an innocent mistake results in devastating consequences for her people, she is offered up as a sacrifice to please the King, in the hopes that she will save them all.
In Anna Solomon's The Book of V., these three characters' riveting stories overlap and ultimately collide, illuminating how women’s lives have and have not changed over thousands of years.
My Thoughts:
I can't actually recall requesting this book but I can tell you two reasons why I would have - I love the cover of this one and that opening paragraph comparing this book to Fates and Furies, a book I very much enjoyed and which was a probably the most talked about book in 2015. Comparing any book to it is a bold statement. Unfortunately, for me, it wasn't a comparison this one could live up to.
Perhaps if I'd more recently read the Book of Esther, this one would have had a greater impact on me. Because I hadn't, I didn't see where Solomon had veered away from that part of the Christian and Hebrew bibles and it made the final chapter of her story less impactful. Unfortunately, this storyline was also the storyline in which I had the least interest which was a problem given that it's the story that the other two storylines are based on.
To be fair to this book, it sort of felt like the wrong book for me to be reading at this time. When I finished this book and started looking for what to read next, I knew I needed either something light or something that would take me to another world. In other words, nothing like this book at all which is a book entirely designed to make readers think about what it means to be a woman, now, forty years ago, and thousands of years ago. We're in the heads of these women a lot which makes it slow going. It also makes it a book I want to be able to recommend; I want to be able to say "read this book about how being a woman has changed and how it hasn't."
I'm loathe to tell you what my other issue was with the book because I know it's not going to be a popular thing for me to say. Here goes: there was a lot of religion in the book (duh, Book of Esther) and I felt like that part took away from the part I was interested. It's not that I'm opposed to religion in a book, and I'm always up for a book that teaches me something new. But I didn't really feel like I was learning from this book, just that religion was being forced into the storylines.
Ugh. I feel like I'm beating this book up. It's not a bad book. If I'd been in the right frame of mind, I feel like I would have enjoyed this one more. If I was more familiar with the story of Esther, I might have enjoyed this one more. If the summary interests you, check out other reviews. Other people may feel very differently about it.
Monday, March 19, 2018
The 19th Wife by David Ebershoff
Read by: Arthur Morey, Daniel Passer, Kimberly Farr, Rebecca Lowman
Published: August 2008 by Random House Publishing Group
Source: audiobook bought at my local library book sale
Publisher's Summary:
It is 1875, and Ann Eliza Young has recently separated from her powerful husband, Brigham Young, prophet and leader of the Mormon Church. Expelled and an outcast, Ann Eliza embarks on a crusade to end polygamy in the United States. A rich account of her family’s polygamous history is revealed, including how both she and her mother became plural wives. Yet soon after Ann Eliza’s story begins, a second exquisite narrative unfolds–a tale of murder involving a polygamist family in present-day Utah. Jordan Scott, a young man who was thrown out of his fundamentalist sect years earlier, must reenter the world that cast him aside in order to discover the truth behind his father’s death. And as Ann Eliza’s narrative intertwines with that of Jordan’s search, readers are pulled deeper into the mysteries of love, family, and faith.
My Thoughts:
Ann Eliza Webb Dee Young taken between 1869-1875 |
The 19th Wife was written in the period when it seemed like all novels had two story lines and, just like so many of those, this book suffers from one story line being stronger than the other. Here the historical piece is so fascinating, and Ebershoff spends so much of the book on it, that it often felt like Ebershoff had forgotten he even had another story going.
Ann Eliza Young was an interesting character, a woman who defied one of the most powerful men in the country when she left the Saints, a woman who was thrice divorced in a time when divorce was rare. She was instrumental in the United States outlawing polygamy and toured the country and wrote a book in that pursuit. But she was also a woman who became estranged from both of her sons as adults and whose second edition of her book tried to erase her own flaws.
The Mormon faith is something that I know very little about but haven't thought much of some of their beliefs, to be honest. Ebershoff, however, does a good job of explaining why a group of people would be willing to follow a faith with rules that are so difficult to follow and he highlights the value Mormons place on family and philanthropy. On the other hand, with Ann Eliza Young at the center of the story, the practice of polygamy, and the Saints willingness to accept and encourage it, is only one of the ways Ebershoff looks at the hypocrisy of the faith, particularly that of Brigham Young. I'm going to guess that this book is no more popular among the Latter Day Saints as Ann Eliza Young's original The 19th Wife was.
It's too bad the modern story line wasn't stronger because the modern polygamy is certainly interesting. When the Mormons gave up polygamy, there were some who refused to do it. Having been told for so many decades that polygamy (or plural marriage) was God's will, they felt like the Mormons were turning their backs on their true faith. It's these Mormons who gave us people like Warren Jeffers. Ebershoff calls these people "Firsts" and bases his present day story on them, making many of them descendants of the original characters. His focus is on what becomes of the young men in these sects, young men who the older men are eager to get rid of so they can take the young women for their own wives. It's a story line that deserves at least an equal share of a novel.
Despite the modern story not being as strong, I still enjoyed the book and learned so much. It would make a good book club selection, with a lot to discuss with both the historical and modern pieces.