Back in November last year I was given the news that a new baby was arriving in the family early this year. I had this fabric in my stash so decided that I would use it to make a quilt.
There was not enough time to piece a top, not with holidays and Christmas in the mix, so I decided to quilt the piece of fabric as it was. I wanted to echo the design on the fabric, so started quilting around the umbrellas. From there I chose a line of the clouds and quilted along those.
I had always been taught that quilting needs a maximum distance of a fist width between the quilting lines. The back of the quilt is in a plain lime green fabric, and the quilting lines I had done already showed up easily. Some of the areas between the lines were greater than a fist width, so some more quilting was necessary. Still working on the back, I put some pins in where I felt some more quilting needed to go. I then turned the quilt to the front, and picked out some more cloud lines that were close to the pins. After stitching these new lines, all the quilting was done.
The bind is in the same green as the backing, and there is a digitised label on the back saying that I have made it and the date it was completed.
This quilt will now be with its new owner, and I am sure he will snuggle under it in the coming months.
Friday, February 23, 2018
Wednesday, February 21, 2018
A Bobbin Lace Book Mark
Slowly but surely I have been working through a bobbin lace book I have on Bedfordshire Lace.
This is pattern 6a in the book, and it took me a total of fourteen hours to work, not all at once I might add.
I have been working through this book for some time now, and another lace maker that I know has advised me not to use it because of the shoddy work shown in the book. Well, I love the patterns and designs in this book, and I was not going to be put off. I have not had a problem with the book, until now.
I started this book mark back in November 2017 at my local lace group. I had spent the afternoon winding bobbins, then was just beginning to set up to start when it was time to come home. I packed everything up well, or so I thought, came home and put my lace pillow away. I was about to go on holidays and would not have time to touch it for a while.
It was not until after New Year that I got time to pull it out again, and this is what I found!
This is pattern 6a in the book, and it took me a total of fourteen hours to work, not all at once I might add.
I have been working through this book for some time now, and another lace maker that I know has advised me not to use it because of the shoddy work shown in the book. Well, I love the patterns and designs in this book, and I was not going to be put off. I have not had a problem with the book, until now.
I started this book mark back in November 2017 at my local lace group. I had spent the afternoon winding bobbins, then was just beginning to set up to start when it was time to come home. I packed everything up well, or so I thought, came home and put my lace pillow away. I was about to go on holidays and would not have time to touch it for a while.
It was not until after New Year that I got time to pull it out again, and this is what I found!
Obviously I had not secured everything well enough for the short distance I had to travel home. No, my Fluffball of a Sasha Cat did not get into it and have a play. It was packed away where she could not get to it. In my years of making bobbin lace, I have never had a pillow in such a mess! It took me some time to sort it out and make it neat again so I could work.
OK, so I was all set up to start my book mark. I started reading the instructions in the book, and it was like reading double dutch. I was so confused! I had started two other bookmarks similar to this before, so I ditched the book instructions, pulled out the notes on those other book marks, and figured the start of this one by myself. Once I got the start sorted, I was off and running.
The pricking was drawn up on a 5mm grid, and I used DMC Special Dentelles thread to work the lace. The thread was possibly a little too fine for the 5mm grid, but I am happy with the result. Next time i might try a Perle 12.
Monday, February 19, 2018
Art Journal Page Twelve
Page twelve in my art journal sits across from page eleven, so the two pages are seen together when the journal is open.
The pages had the same treatment, with modge podge, paint, stamping and even down to pen choice and line work.
As with page eleven, I found this page too insipid, so it too got the magazine treatment at the same time I did page eleven.
I only used one page from the magazine for both pages. I had cut the magazine page into strips, and half of each strip was glued onto one page, and half onto the other, with a space left between the strips. On page eleven there was some orange, while on page twelve there were mustards, greys and blacks.
It still gave the page some life and the black from the boat in the magazine picture lifted and accentuated the outline of the number twelve
This was my page twelve before I added the magazine page, while the top photo is the completed page. It looks much better.
Thursday, February 15, 2018
Art Journal Pg 11
Opening up to a blank page in my art journal is always daunting. The last one I had painted green and hated it so I pasted paper over it. The full story of that page can be read here. ( create link)
For this one I mixed colours together again and painted the pre-prepared mod podged page. I have decided my painting skills need work. Once dry, I then proceeded to stamp on another colour with a star shaped stamp I created years ago from a cork.
At least my page now had something on it, so then it was a case of picking out pens to add some line work. I had my trusty black felt tipped pen, but I also looked through all the coloured texta type pens that I had. I found some Sharpies, and also some gel pens, but settled on the gel pen for colour. It was orange, and I thought stood out best on the paint colour.
I used the painted stamp as a starting point, and drew star shapes echoing the stamp, then more lines to repeat and accent the shape. Then I got out the orange gel pen and drew little orange dots between the lines. M...... still not liking the page, I added an outline around the orange dots in my fine, black felt tipped pen. It was better, but still not to my linking. I left the page for ages before I did anything else to it. I added some black dots and circles to the inside of the number eleven, and this seemed to make it worse. Every time I got it out I was trying to work out why I didn't like it.
It was something about the colour. I had picked the orange gel pen because I thought it would contrast with the painted background, but it didn't. It was the wrong shade of orange, and I came to the conclusion that it was a discordant colour scheme, one that I have never taken to.
So....... how to fix it and make it better? I could either paint over the top of it all and start again, or add something to it like I did before with the last one.
I had been going through old magazines and saving pictures that I liked, so I went through them and picked out one that I thought would blend in. The page was from a travel brochure, and was a picture of Victoria Harbour in Hong Kong and the famous red sampan.
I cut the magazine picture into varying width strips, kept the strips in order, and then glued them over the top of my page so there were gaps in between. I cut the strips to length so that they fitted around my number eleven, not over the top.
The end result is much better. My number eleven is still the focus of my page, and the orange/red sail of the sampan adds that splash of contrast that I was looking for. The page to me now feels like a party on Victoria Harbour, something that I have done in real life. So in fact I have created a memory without even realising it.
This is what my page looked like before I added the magazine strips. I wasn't sure if it was too busy, or what the problem was. All I knew was that I wasn't happy with it. Now comparing the two, I think I had lost focus when I added the pattern to the inside of my number eleven. I always wanted the numbers to be the focus on the page.
I am content with the finished page. Would I use it for inspiration to my stitching? Not sure. Watch this space to find out.
For this one I mixed colours together again and painted the pre-prepared mod podged page. I have decided my painting skills need work. Once dry, I then proceeded to stamp on another colour with a star shaped stamp I created years ago from a cork.
At least my page now had something on it, so then it was a case of picking out pens to add some line work. I had my trusty black felt tipped pen, but I also looked through all the coloured texta type pens that I had. I found some Sharpies, and also some gel pens, but settled on the gel pen for colour. It was orange, and I thought stood out best on the paint colour.
I used the painted stamp as a starting point, and drew star shapes echoing the stamp, then more lines to repeat and accent the shape. Then I got out the orange gel pen and drew little orange dots between the lines. M...... still not liking the page, I added an outline around the orange dots in my fine, black felt tipped pen. It was better, but still not to my linking. I left the page for ages before I did anything else to it. I added some black dots and circles to the inside of the number eleven, and this seemed to make it worse. Every time I got it out I was trying to work out why I didn't like it.
It was something about the colour. I had picked the orange gel pen because I thought it would contrast with the painted background, but it didn't. It was the wrong shade of orange, and I came to the conclusion that it was a discordant colour scheme, one that I have never taken to.
So....... how to fix it and make it better? I could either paint over the top of it all and start again, or add something to it like I did before with the last one.
I had been going through old magazines and saving pictures that I liked, so I went through them and picked out one that I thought would blend in. The page was from a travel brochure, and was a picture of Victoria Harbour in Hong Kong and the famous red sampan.
I cut the magazine picture into varying width strips, kept the strips in order, and then glued them over the top of my page so there were gaps in between. I cut the strips to length so that they fitted around my number eleven, not over the top.
The end result is much better. My number eleven is still the focus of my page, and the orange/red sail of the sampan adds that splash of contrast that I was looking for. The page to me now feels like a party on Victoria Harbour, something that I have done in real life. So in fact I have created a memory without even realising it.
This is what my page looked like before I added the magazine strips. I wasn't sure if it was too busy, or what the problem was. All I knew was that I wasn't happy with it. Now comparing the two, I think I had lost focus when I added the pattern to the inside of my number eleven. I always wanted the numbers to be the focus on the page.
I am content with the finished page. Would I use it for inspiration to my stitching? Not sure. Watch this space to find out.
Tuesday, February 13, 2018
A Dilmah Tea Tin
Anyone for tea? I love a good cup of brewed leaf tea, and purchased this tin full of tea leaves some years ago. It is number thirteen in my collection of tins. I would have bought it a my local supermarket at the time.
The tin is still on the small size, 12cm square at the base, and 15cm high. There is lots of information on the tin, how and where the tea is grown, how it is packed, information about the Dilmah company, and even how to brew a pot of tea.
I searched on the net to see if I could find one like this for sale. There were lots of Dilmah Tea Tins, but not one just like this. This one has some rust on the lid edges, but the inside is still clean and mark free. At present it still sits empty, waiting for something to be stored in it.
The tin is still on the small size, 12cm square at the base, and 15cm high. There is lots of information on the tin, how and where the tea is grown, how it is packed, information about the Dilmah company, and even how to brew a pot of tea.
I searched on the net to see if I could find one like this for sale. There were lots of Dilmah Tea Tins, but not one just like this. This one has some rust on the lid edges, but the inside is still clean and mark free. At present it still sits empty, waiting for something to be stored in it.
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