Showing posts with label wayfarers. Show all posts
Showing posts with label wayfarers. Show all posts

Tuesday, 2 February 2016

Tatterdemalion


OVER THE YEARS OF BEING AN ARTIST, I have come to think of and describe my paintings as Waymarkers to the Otherworlds, as gateways, portals, signposts to take you through to those Other places, those worlds just beyond this one: behind, or beside or underneath our every day. There are many ways through, of course, and many different destinations, too, which all depend on the traveller and their particular way of reading the sign. 


As the signmaker, I don't usually have any idea (or control over) where my paintings take people, or what happens when they get there. But four years ago, one traveller to these otherworlds followed my painted signposts and came back with her story. 

Sylvia Linsteadt, as many of you know, is a writer of great talent, who has an incredible ability to conjure the beautiful and uncanny and barely-seen wild worlds which shiver at the periphery of our perception. Four years ago she began writing the stories of the worlds my paintings took her to, and when she sent them to me, I was blown away. Her work is lyrical and profound, folkloric and unique, and for me, these stories were so moving to read - so familiar and yet so new. We knew we had to make a book.


These past years have seen these stories grow and enmesh and they have become what we are calling a post-apocalyptic mosaic folktale. A back-to front book which began with the illustrations, a tale of wheeled and raggedy folk, of edge-dwellers and shape-shifters, itinerants and wild ones, and their imagined futures in a world after the breaking we are currently living through.

 

A perfect meeting of arts and souls, and a book born of it on this day of new beginnings. Sylvia and I met at last in the flesh last October; she came from her native Northern California (where the book is set), to visit us and stomp the tors and woods and Dartmoor's bronze age relics with us, to share our hearth and breathe these winds for a while. It was a wonderful meeting, which seemed to have happened long ago already.

 
And while she was here, our book was taken up by a publisher. Unbound is a publisher very suited to this tale: it is liminal and powered by its readers, it is back to front and supportive of the unusual. Which means that this book cannot be without you! To preorder your copy and find your way to this utterly wonderful, strange and necessary Otherworld - bejewelled and ragged, rooted and sung - click on the image below! 
Bring Tatterdemalion into the world!


https://unbound.co.uk/books/tatterdemalion

Sunday, 25 August 2013

Fær


Fær
 
THE OLD ENGLISH word above holds inside it many meanings. It is a going, a journey, a way, a journeying, an expedition, a road, a passing, a course, a march, a voyage, a path; it is a place where passage is possible, a thoroughfare, an entrance; it is that in which a journey or voyage is made - a vehicle, vessel, carriage, ship, ark; it is a body of persons who journey, a crew; it can also mean fear, peril, danger, sudden, intense and beautiful.
(~ information gathered from the Bosworth-Toller Anglo-Saxon Dictionary)

This word can conjure others too if you look at it long enough: it could be the just-out-of-sight otherworld of færy; it could be a gathering of festive merriments from afar – a fair, or the gift one would give to another at such an occasion – a fairing (which word also describes a part of the structure of a vessel of travel put there in order to streamline its passage and reduce drag); it could be fear, it could be far; it could be for; it could be fair – alluding to both beauty and justice.

We see its bloodline in the word fare, which is a merging of fær and Old English faru – companions, baggage. Fare can mean the price required for passage, or indeed food, a meal, nourishment; its old sense of travelling and being lives on when we say farewell, and in words like seafaring and wayfaring.

For some years I had the word wayfarer on my business card alongside the other words which try to describe in a small way what I am doing here on this earth. I've always liked the word; it encompasses my love of nomadic dwellings and of wandering the byways, but also for me it paints a suitably vague yet accurate picture of the way we pass through life. All of us are wayfarers.
[The way part of the word is also Old English: from Old English weg - road, path, course of travel, from Proto-Germanic *wegaz (cf. Old Saxon, Dutch weg, Old Icelandic, Old Norse vegr, Old Frisian wei, Old High German weg, German Weg, Gothic wigs – way), from Proto Indo-European *wegh- to move. And, incidentally, ways are timbers on which a ship is built, the sense stemming from the older meaning of “channels in the body”.]
(~ information gathered from the Chambers Dictionary of Etymology)


So you can imagine how interested I was to hear that Penguin - as a promotion for Robert McFarlane's book The Old Ways - were running a competition to hire a wayfarer to walk the tracks of Britain this summer and write about it along the way. In another less busy incarnation I would have entered myself, but was happy to follow the wayfarings of the person who did win the competition with the submission of a short film and an essay.

Her name was Sarah Thomas, and with her Wayfaring came this way many, if not all, of those linguistic fær-scents mentioned above, and a tale-thread that entails itself like a blessing-knot on an old story-string that has hung by my side for a long time.

You see, our paths had crossed before, in many ways, though not yet in this way. In past chapters of our lives, our tales had plaited their yarns together, without our ever yet meeting.

But to begin with I didn't know this. Sarah Thomas the wayfarer was just Sarah Thomas the wayfarer – a traveller, film-maker, writer, observer, whose beautiful words and images I read with delight and interest as she went along. She walked northern paths in July and left word on her blog, for followers to read. I invited her to stop by for tea should her paths wend this far south, assuming they may not.


But the more I followed her words back in time, the more bells began to ring in me. Clues amongst her earlier tales made me wonder. Places and names and details all conspired in my mind to bring me to a realisation that she was in fact a person I had known without knowing: she and I had both, at different times, been with the same partner.

This was not a simple and straightforward realisation. For me that relationship had been difficult, traumatic and deeply damaging. This man who had been a part of both our lives had a kind of madness which has caused far-reaching disturbance through my heart and psyche. In those days, Sarah was an ex-girlfriend of his, with a different name, someone I only knew of through his (not always rational) descriptions, and whom I undoubtedly found intimidating.

Now, by the side of Sarah Thomas The Wayfarer had stepped up another woman with another name, and she stood there carrying many heavy bags of memories, asking me to believe that they were one and the same person.

I wrote to her again, reiterating the invitation to tea, tenfold, commenting that we may have a great deal to talk about! Sarah wrote back, touched. It seemed we had crossed paths several times in the days since our shared connection was long gone, but she had been too shy to say hello (thanks to yet more inaccurate second-hand descriptions and stories), and I had not known who she was.

Her wayfaring brought her to Devon. And so we met by a river, and it was like meeting someone I'd known for aeons without yet seeing her face. We fell immediately to talking about thises and thats as the hours threatened to eat up the daylight. We knew then, I think, that this was a profound and incandescent connection which would birth wayfarings of its own, and unleash a long-awaited healing.

Our next days turned into weeks, with Sarah adventuring on Dartmoor inbetween even further-reaching travels which took place inside our conversations. This journey was not just on foot – the voyage was made in a spirit-ship on old waters; it followed a barefoot earthen path through the moonlit forests of our hearts, meted out in ashen truth-stones; our map was hand-wrought on the skins of sorrowful beasts; each of us had pegged out waymarkers for the other.

We laughed a ridiculous amount, we cried. We walked and swam and sat and danced, and most of all, we talked. It feels as if we've only barely begun to form the first syllables of long long sentences, though we have talked through many hours. There in this bowl we share rest many beautiful things, not least among them is a trust born of I don't know what, and the steps to thought-dances we thought we were alone in learning.


In the middle of these days, came the Uncivilisation Festival, and Sarah came too, riding in the back of our van to the throng of fire and rain and story. Tom and I have felt thoroughly blessed to have such a lovely visitor, with whom we can share space without difficulty, and jokes without censure. She is one of those people you meet very occasionally in life from whom a familiar bloodfirelight shines, a companion on the beautiful roads and the brambled.

It is rare that I share my deeply personal stories here on this blog, for reasons many and various, and, I hope, obvious. But this one feels like it also belongs in part to all those who have suffered silently in the cages of unwell relationships, as a reminder that there is goodness and strength and renewed enchantment to be found woven in the threads of this sisterhood-cloth which could so easily have been lost. Also, it is a lovely tale.

Sarah's wayfaring has taken her on from here for now, and before too long it will bring her to her husband and home in Iceland, land of this old language we speak, land of old story, land still crackling with un-buried magic. One day, we will make our way north to meet again there, and the wayfaring will go on, the road a yarn weaving together pasts and presents and futures, hearts and places and arts and dreams and people.

Once a student of linguistics and languages, if I play too long with words, I can find new threads to connect them...

wayfaring = Old English wegfarende

way                                      farende
wa                                        farend
war                                      frend
wær (= Old English true)   friend



Sunday, 3 February 2013

Wayfaring

Young Rima and family in my first wheeled house - a Bedford CA, en route to Europe
Young Rima in living-van window seat with toy arrangement!
WHEELS have turned in my life since before I can remember. The characters in my paintings are wheeled, their houses are wheeled; my stories are wheeled. Handcarts and wagons and caravans have always drawn my eyes, in that urgent, beautiful way a well-loved colour or a certain kind of face stands out in a crowd. Wheels call to me even louder if they have a door, a window or a chimney atop them. Something about the combination of vehicle and house sets my blood thrilling.
Travelling, I have gradually realised over the years — and more specifically, living in a house that moves — is a fundamental part of the person I am; it’s what makes my heart sing the highest, and my feet feel the rightest.

☸ ☸ ☸ ☸ ☸ ☸ ☸ ☸ ☸

...And so begins an article I've written about my love for the travelling life, published this month in the beautiful EarthLines Magazine. I'll not write more reflections here on my travelling-vagabonding urge, because I've mused at length in this illustrated article - Wayfaring — A Wheeled & Painted Life, and I'd love for you all to go and buy a copy of the magazine, or better still subscribe to it. Produced from a croft on the Isle of Lewis, this quarterly dedicated to the culture of nature is a wonderful thing, and comes very highly recommended. This issue, apart from being exquisitely put together, is filled with wild, thoughtful, diverse and intelligent writing on all manner of land-based subjects, and I'm delighted to be amongst such company as Robert McFarlane, Guy McPherson, Charlotte DuCann, Melanie Challenger, Sharon Blackie, Hugh Warwick, Susan Richardson and many others. (A PDF of the contents page is available here)



☸ ☸ ☸ ☸ ☸ ☸ ☸ ☸ ☸



Last year my Bedford TK Horsebox house was featured in the newest book from Shelter Publications - Tiny Homes. It's a beautiful book, chock-full of handbuilt, unique and unusual homes from the burgeoning Tiny House movement, where dwellings are counted as tiny when they're less than 500 square feet. Unfortunately the first printing of the book misspelled my name, but I'm told that the book has proved hugely popular and so has run into its second, correctly spelt, print run! It even came with a tiny version of Tiny Homes, small enough to fit in my hand. I was mightily honoured to be included in this book. Lloyd Kahn's books have been an incredible inspiration to alternative self-builders all over the world since the publication of Shelter back in the 1970s. There are homes on wheels, on water, in trees, in desert, mountain and city. There are even some Tiny House-dwelling friends whom I know from the internet amongst its pages, like Nikki of Click Clack Gorilla in her Bauwagen in Germany, and Keith Levy of The Flying Tortoise in New Zealand, as well as the now widely-recognised 'Hobbit House' built by Simon Dale in Wales. Here are some pages from Tiny Homes, photographed back when the sun used to shine through the windows...


This is one of those books to pore over again and again, full of pictures to make your heart sing. Here's Lloyd Kahn talking about its creation:


☸ ☸ ☸ ☸ ☸ ☸ ☸ ☸ ☸


Longtime followers of this blog will have accompanied me during my travelling days and watched the green lands pass by my windows. Since moving back into a house three years ago, I have felt a profound sense of loss for the half-indoor, half-outdoor life on wheels that I loved so much, which I've not really been able to write about here since. Suffice to say, that the desire to live this life has never left me, and the waysides still call to me, loud and nettling...

Rima reading in hammock, tied to truck-house in a Devon field
Washing strung from truck-house in a field in Colchester
Truck-house interior, Rima's painting desk corner
Rima stacking wood by truck-house in Kent orchard
Truck-house in Kent orchard
Truck-house in Kent woods
Truck-house interior - kitchen with woodburner, gas stove and belfast sink
Rima playing accordion by truck-house stable door
View from back door of truck-house in Devon field
Truck-house on Devon hill
Truck-house on layby in Wales (NB No Stopping sign!)
Truck-house parked up in Wales
Rima washing clothes in river
Rima selling artwork at Weird and Wonderful Wood Fair, Suffolk 2009
View from round above-cab bedroom window on Dartmoor hill
Truck-house in Lincolnshire sunset
Incense smoke escapes out the back door of truck-house in Wales
Truck-house leaves Scotland at the beginning of winter
☸ ☸ ☸ ☸ ☸ ☸ ☸ ☸ ☸

...which is why, after three years in a house, I am 
taking to wheels again!!
Rejoice with me as I look excitedly out of our cottage windows at what is parked in yonder field:


A beautiful 1960s Bedford RL ex auxiliary fire-service vehicle, with the smileyest face you've ever seen on a truck!


These vehicles, along with the Green Goddess fire engines which share the same chassis, were bought up in their thousands by the government during the cold war in case of nuclear disaster, and then never used. So years later they gradually got sold off to private collectors and consequently have done hardly any miles! Ours has just 7000 on the clock!
It's four wheel drive, converted to run on LPG (and not exactly easy on the petrol!); the back is solid oak with not an iota of rot in it, topped with military canvas. The interior of the cab is an unnamable shade of tawny orange, and there are boxes and compartments and hooks and ropes all over the place. The split windscreen opens, and the truck does a maximum of 45 mph! The journey home from collecting it was an adventure and a half. It's incredibly loud and slow and big. Its previous owner described it as the water buffalo of the vehicle world. It draws waves and comments from all who see it passing by, and we were exhausted and elated when we pulled into the field at last.


Now we go out with our cups of tea and sit out on the tail gate, almost as high as the trees, dripping in their winter bareness around us. And we grin to each other, dreaming of the tangible travelling days, now within our grasp. We have much building to do. Tom and I are ridiculously excited, planning and dreaming of the right spot for the woodburner, and the windows, and the kitchen, and of the wonderful days which await us on the wayfaring goosegrassed byways of our coming happy years.

Baby Rima at Bedford CA wheel