Saša Đorđević
S. Đorđević was born in Grdelica, the municipality of Leskovac in South Serbia, on 30 Jan. 1970. Both of his parents are teachers: Father Miodrag is a university professor, and his mother Gordana is a teacher of Serbian language and literature. He is married and father of one. Đorđević worked at "Slavija" Hotel, then with "Želturist"- Belgrade.
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Papers by Saša Đorđević
URBAN TOURISM DEVELOPMENT
ABSTRACT
Tourist animation plays a major role in the modern tourism development, in all of its selective (particular, specific) forms, especially in urban tourism. The diversity of the entire city potential (city attractions, novelties, events, happenings) encountered by tourists coming to visit certain cities has a powerful effect and influence on the realization of the richness of their experiences, feelings and knowledge. On the other hand, the spectrum of their diverse needs and wishes represents a good basis for strengthening urban animation, whose content in urban tourism has its own specificities. All these particularities are reflected in the diversity of animation activities, based on several key parameters appearing as animation content aimed at urban tourism development: urban spaces with great potential for creating and realizing city tourist animation programs; then, the symbolic power of cities as an animation content; and social innovation of cities, important for the development of urban animation and urban tourism. Furthermore, all these parameters, which make up the subject of this paper, are put into the function of the urban tourism development and urban tourism animation, considered as important factors for better ranking of cities in the world, for creating their image for which they differ, for their greater competitiveness, and a team for greater attraction both for domestic and foreign tourists.
Keywords: urban animation, urban spaces, symbolic power of cities, urban innovations, urban tourism.
:
Ethno-animation, as an integral part of modern tourist offer, is
intended for those tourists interested in ethno-tourism which, as a selective form of tourism, is predominantly connected to rural, cultural and eco-tourism. In relation to other forms of tourism, the ethno
-tourism provides the best contribution to acquiring better knowledge of culture and historical heritage of receptive countries and nations. Its objective is dual: on the one hand, it is an active and pleasant vacation for tourists, and on the other hand, it means getting familiar with traditional folk material and spiritual creative works of a certain area, which is, by its authenticity and tourist attractiveness, unique and different from all others. In this context, this paper focuses on the gist of ethno-tourist
animation, i.e. the character and the content of ethno-animation programs whose realization is aimed at fulfilling interests, meeting needs and wishes of tourists who have opted for ethno-tourism. Ethno-
animation programs, prepared by professionals –tourist animators, or by local population, including first some available ethno-capacities and potential (ethno-villages, ethno-households, ethno-restaurants, ethno-workshops, ethno-fairs and other ethno-events) should contribute to instigating ethno-social motives presented at various ethno
manifestations, e.g. in folk art, folk costumes, customs and festivities, and particularly, through some significant traits of the local population (hospitality, kindness, amiability), disclosed in communication when meeting directly with ethno-tourists. A well designed ethno-animation may have some significant economic effects, but also even more than that. Ethno-animation, with its
cognitive, spiritually-cultural, psychological and humanistic function, contributes directly to creating unforgettable experiences of
tourists, and in that way also to sustainable development of ethno-tourism, the quality of anthropogenic values and respect for cultural and identity hallmarks of their own and of others.
history, geography, and other resources available to it, including, above all, human resources, the more to affirm or to reaffirm their image and create brand recognition. It should be borne in mind that towns now primarily appear as products on the market that meet the diverse needs of tourists in order to strengthen urban tourism. To this end, in this paper the center of interest is the city as a cultural specificity, but one which is not the capital of the country. It is about the Spanish city of
Barcelona, which is distinguished as a specific cultural representative
of its country, preferring the authentic image, which radiates in
European and planetary scale, with a particular tendency, in the context
of improvement and development of its trademarks and its authentic
cultural resources, to build and reinforce positive rivalry with other
cultural capital cities, first of all with Madrid, the capital of
Spain. Since Barcelona has in this sense already succeeded or has
reached a very high level, it promotesin an effective way the idea of
cultural tourism animation, which is an important structural element of
modern tourism product of Barcelona. Tourist animation as such,
particulary cultural and tourist animation, will become more
prominentin the future, comprising the price of tourism product in the
same way as the rest of its elements, ranging from transportation, to
housing, to food.
Keywords: City - Barcelona, urban tourism, image, brand, cultural and
tourist animation.
extremely up-to-date in current conditions. In this context the ecological
or eco-tourism has made topical as a key component of modern tourism
and its sustainable development. Achieving goals originating from the
concept of the sustainable development of tourism, as one of most
important forms of tourism, is appearing to be an urgent need and
obligation of all societies and countries. Such a trend of tourism
development, and in particular of the eco-tourism, is impossible to
maintain and improve without high quality eco-animation which
contributes to essential understanding by tourists and all tourism
stakeholders of the importance of ecology on a tourist trip, especially
since today it is not just the nature which is exposed to the risk of
pollution, but also human communities and their culture. This paper
particularly deals with types and kinds of eco-animations and their
integration (integral model of eco-animation), aimed at strengthening
environmental awareness and sustainable tourism development.
Keywords: types of eco-animation, eco-tourism, eco-changes, sustainable
development of tourism, integrated model.
Abstract: In the tourist practice and theory, great attention is paid to tourist events and experiences, as to the central element of tourist experience. In addition, what is important for tourists in the tourist cycle is not only to the number of events and tourist attractions, but also the intensity of their perception. Personal experiences are etched deeply in their consciousness and feelings and thus become unforgettable. Memory appears as a complementary categories to experiences, as the other side of the tourist experience and as an important element, making less or more influence on shaping and on character of the interests, needs and desires of tourists, as evidenced by the results of empirical studies that were analyzed in this paper.
Ključne reči: Lanac animacije, Faze turističkog ciklusa, Faze programiranja animacije, ciklusi animacije
turista na turističkom putovanju. Iz tih razloga, svako turističko putovanje se može tretirati sa stanovišta različitih
figurativnih oblika ličnosti turista, koji opredeljuju i različit kvalitet turističkih putovanja, po kojima se ona i međusobno
razlikuju. Na taj način svako turističko putovanje, kao sebi svojstveno, ima svoju posebnost, poprimajući oblike i
sadržaje koje kreiraju, najvećim delom, sami turisti zajedno sa svim drugim turističkim akterima koji se u taj proces
uključuju. Ti oblici i sadržaji su prevashodno uslovljeni duhovnim profilom ličnosti turista i njihovim psihološko –
motivacionim preferencijama, što se u ovom radu simbolizuje i objašnjava u šahovsko – figurativnom kontekstu. Pri
tome, identifikacija bitnih karakteristika različitih duhovnih profila ličnosti turista mora da predstavlja polaznu osnovu
za programiranje ukupnih, a posebno, animaciono – kulturnih sadržaja.
Ključne reči: Figurativnost ličnosti turista, Turistička putovanja, Šahovska i turističko – animaciona „igra”
Ključne reči: inovativnost, kreiranje imidža grada, transformacija identiteta grada, tržišna marka, koncept brenda.
URBAN TOURISM DEVELOPMENT
ABSTRACT
Tourist animation plays a major role in the modern tourism development, in all of its selective (particular, specific) forms, especially in urban tourism. The diversity of the entire city potential (city attractions, novelties, events, happenings) encountered by tourists coming to visit certain cities has a powerful effect and influence on the realization of the richness of their experiences, feelings and knowledge. On the other hand, the spectrum of their diverse needs and wishes represents a good basis for strengthening urban animation, whose content in urban tourism has its own specificities. All these particularities are reflected in the diversity of animation activities, based on several key parameters appearing as animation content aimed at urban tourism development: urban spaces with great potential for creating and realizing city tourist animation programs; then, the symbolic power of cities as an animation content; and social innovation of cities, important for the development of urban animation and urban tourism. Furthermore, all these parameters, which make up the subject of this paper, are put into the function of the urban tourism development and urban tourism animation, considered as important factors for better ranking of cities in the world, for creating their image for which they differ, for their greater competitiveness, and a team for greater attraction both for domestic and foreign tourists.
Keywords: urban animation, urban spaces, symbolic power of cities, urban innovations, urban tourism.
:
Ethno-animation, as an integral part of modern tourist offer, is
intended for those tourists interested in ethno-tourism which, as a selective form of tourism, is predominantly connected to rural, cultural and eco-tourism. In relation to other forms of tourism, the ethno
-tourism provides the best contribution to acquiring better knowledge of culture and historical heritage of receptive countries and nations. Its objective is dual: on the one hand, it is an active and pleasant vacation for tourists, and on the other hand, it means getting familiar with traditional folk material and spiritual creative works of a certain area, which is, by its authenticity and tourist attractiveness, unique and different from all others. In this context, this paper focuses on the gist of ethno-tourist
animation, i.e. the character and the content of ethno-animation programs whose realization is aimed at fulfilling interests, meeting needs and wishes of tourists who have opted for ethno-tourism. Ethno-
animation programs, prepared by professionals –tourist animators, or by local population, including first some available ethno-capacities and potential (ethno-villages, ethno-households, ethno-restaurants, ethno-workshops, ethno-fairs and other ethno-events) should contribute to instigating ethno-social motives presented at various ethno
manifestations, e.g. in folk art, folk costumes, customs and festivities, and particularly, through some significant traits of the local population (hospitality, kindness, amiability), disclosed in communication when meeting directly with ethno-tourists. A well designed ethno-animation may have some significant economic effects, but also even more than that. Ethno-animation, with its
cognitive, spiritually-cultural, psychological and humanistic function, contributes directly to creating unforgettable experiences of
tourists, and in that way also to sustainable development of ethno-tourism, the quality of anthropogenic values and respect for cultural and identity hallmarks of their own and of others.
history, geography, and other resources available to it, including, above all, human resources, the more to affirm or to reaffirm their image and create brand recognition. It should be borne in mind that towns now primarily appear as products on the market that meet the diverse needs of tourists in order to strengthen urban tourism. To this end, in this paper the center of interest is the city as a cultural specificity, but one which is not the capital of the country. It is about the Spanish city of
Barcelona, which is distinguished as a specific cultural representative
of its country, preferring the authentic image, which radiates in
European and planetary scale, with a particular tendency, in the context
of improvement and development of its trademarks and its authentic
cultural resources, to build and reinforce positive rivalry with other
cultural capital cities, first of all with Madrid, the capital of
Spain. Since Barcelona has in this sense already succeeded or has
reached a very high level, it promotesin an effective way the idea of
cultural tourism animation, which is an important structural element of
modern tourism product of Barcelona. Tourist animation as such,
particulary cultural and tourist animation, will become more
prominentin the future, comprising the price of tourism product in the
same way as the rest of its elements, ranging from transportation, to
housing, to food.
Keywords: City - Barcelona, urban tourism, image, brand, cultural and
tourist animation.
extremely up-to-date in current conditions. In this context the ecological
or eco-tourism has made topical as a key component of modern tourism
and its sustainable development. Achieving goals originating from the
concept of the sustainable development of tourism, as one of most
important forms of tourism, is appearing to be an urgent need and
obligation of all societies and countries. Such a trend of tourism
development, and in particular of the eco-tourism, is impossible to
maintain and improve without high quality eco-animation which
contributes to essential understanding by tourists and all tourism
stakeholders of the importance of ecology on a tourist trip, especially
since today it is not just the nature which is exposed to the risk of
pollution, but also human communities and their culture. This paper
particularly deals with types and kinds of eco-animations and their
integration (integral model of eco-animation), aimed at strengthening
environmental awareness and sustainable tourism development.
Keywords: types of eco-animation, eco-tourism, eco-changes, sustainable
development of tourism, integrated model.
Abstract: In the tourist practice and theory, great attention is paid to tourist events and experiences, as to the central element of tourist experience. In addition, what is important for tourists in the tourist cycle is not only to the number of events and tourist attractions, but also the intensity of their perception. Personal experiences are etched deeply in their consciousness and feelings and thus become unforgettable. Memory appears as a complementary categories to experiences, as the other side of the tourist experience and as an important element, making less or more influence on shaping and on character of the interests, needs and desires of tourists, as evidenced by the results of empirical studies that were analyzed in this paper.
Ključne reči: Lanac animacije, Faze turističkog ciklusa, Faze programiranja animacije, ciklusi animacije
turista na turističkom putovanju. Iz tih razloga, svako turističko putovanje se može tretirati sa stanovišta različitih
figurativnih oblika ličnosti turista, koji opredeljuju i različit kvalitet turističkih putovanja, po kojima se ona i međusobno
razlikuju. Na taj način svako turističko putovanje, kao sebi svojstveno, ima svoju posebnost, poprimajući oblike i
sadržaje koje kreiraju, najvećim delom, sami turisti zajedno sa svim drugim turističkim akterima koji se u taj proces
uključuju. Ti oblici i sadržaji su prevashodno uslovljeni duhovnim profilom ličnosti turista i njihovim psihološko –
motivacionim preferencijama, što se u ovom radu simbolizuje i objašnjava u šahovsko – figurativnom kontekstu. Pri
tome, identifikacija bitnih karakteristika različitih duhovnih profila ličnosti turista mora da predstavlja polaznu osnovu
za programiranje ukupnih, a posebno, animaciono – kulturnih sadržaja.
Ključne reči: Figurativnost ličnosti turista, Turistička putovanja, Šahovska i turističko – animaciona „igra”
Ključne reči: inovativnost, kreiranje imidža grada, transformacija identiteta grada, tržišna marka, koncept brenda.