Desde hace algún tiempo he comenzado seriamente a preguntarme si lo que conozco como prácticas so... more Desde hace algún tiempo he comenzado seriamente a preguntarme si lo que conozco como prácticas somáticas, tal y como me lo enseñaron algunos de sus pioneros y sus estudiantes a través de métodos como Body Mind Centering, Técnica Alexander, Continuum, y el Método Feldenkrais, es entendido y compartido del mismo modo por colegas en la comunidad dancística.
Saturday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins),... more Saturday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins), Allison Orr (Transit). Dance Company: Sharir+Bustamante Danceworks. Dancers: Jose Luis Bustamante, Ray Eliot Schwartz (The Circular Ruins); Patricia Fiske, Theresa Hardy, Sally Hengst, Allison Orr (Transit) Sound: William Meadows (The Circular Ruins). Video Sequences: Jose Luis Bustamante (The Circular Ruins). Costumes: Allison Orr with contributions by Amy Burrell, Laura Cannon, Patricia Fiske and Sally Hengst (Transit). Music: Arnold Dreyblatt, Manual De Falla, Fred Frith, Dody Satya Ekagustdiman (The Circular Ruins); Louis Sclaves (Transit). Lighting: Monique R. Norman (The Circular Ruins); Adam Levine (Transit) . Text: Jorge Luis Borges (The Circular Ruins). Performers in The Circular Ruins: Corey Jones (Narrator), Monique Lara (God), Michel Scott and Colum Morgan (Oarsmen).
Friday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins), T... more Friday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins), Theresa Hardy (Entanglement). Dance Company: Sharir+Bustamante Danceworks. Dancers: Jose Luis Bustamante, Ray Eliot Schwartz (The Circular Ruins); Yebel Gallegos, Erin Lane, Khoi Lee, Cecilia Proeger (Entanglement). Music: Arnold Dreyblatt, Manuel De Falla, Fred Frith, Dody Satya Ekagustdiman (The Circular Ruins); Philip Glass, Giya Kancheli (Entanglement). Video Sequences: Jose Luis Bustamante (The Circular Ruins). Costumes: Amy Burrell (Entanglement). Text: Jorge Luis Borges (The Circular Ruins). Sound: William Meadows (The Circular Ruins). Performers in The Circular Ruins: Corey Jones (Narrator), Monique Lara (God), Michel Scott and Colum Morgan (Oarsmen).
Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Ray Eliot Schwartz (The Creative M... more Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Ray Eliot Schwartz (The Creative Mind); Yacov Sharir et al (Improvisation). Dance Company: Ears Eyes and Feet (UT-Austin Dance, Electronic Music, and Digital Media).
Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Ray Eliot Schwartz (The Creative M... more Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Ray Eliot Schwartz (The Creative Mind); Yacov Sharir et al (Improvisation). Dance Company: Ears Eyes and Feet (UT-Austin Dance, Electronic Music, and Digital Media).
Saturday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins),... more Saturday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins), Theresa Hardy (Entanglement). Dance Company: Sharir+Bustamante Danceworks. Dancers: Jose Luis Bustamante, Ray Eliot Schwartz (The Circular Ruins); Yebel Gallegos, Erin Lane, Khoi Lee, Cecilia Proeger (Entanglement). Music: Arnold Dreyblatt, Manuel De Falla, Fred Frith, Dody Satya Ekagustdiman (The Circular Ruins); Philip Glass, Giya Kancheli (Entanglement). Video Sequences: Jose Luis Bustamante (The Circular Ruins) Costumes: Amy Burrell (Entanglement). Text: Jorge Luis Borges (The Circular Ruins). Sound: William Meadows (The Circular Ruins). Performers in The Circular Ruins: Corey Jones (Narrator), Monique Lara (God), Michel Scott and Colum Morgan (Oarsmen).
Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Yacov Sharir, Ray Eliot Schwartz, ... more Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Yacov Sharir, Ray Eliot Schwartz, Jack Stamps (Twining^2); Ellen Bartel (untitled); Sarah Gamblin, Ray Eliot Schwartz (A Small Box, Locked, With Secrets). Dance Company: Ears Eyes and Feet (UT-Austin Dance, Electronic Music, and Digital Media).
Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Yacov Sharir, Ray Eliot Schwartz, ... more Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Yacov Sharir, Ray Eliot Schwartz, Jack Stamps (Twining^2); Ellen Bartel (untitled); Sarah Gamblin, Ray Eliot Schwartz (A Small Box, Locked, With Secrets). Dance Company: Ears Eyes and Feet (UT-Austin Dance, Electronic Music, and Digital Media).
The practice conditions within dance training have remained essentially unchanged for de-cades. T... more The practice conditions within dance training have remained essentially unchanged for de-cades. Those conditions appear to be based large-ly on a culture of rigor, a philosophy of which implies that continuous practice is the most beneficial way to improve (motor) ...
... Lucas Hoving, Steve Paxton, Chris Aiken, Andrew Harwood, KJ Holmes, Kathleen Hermesdorff, San... more ... Lucas Hoving, Steve Paxton, Chris Aiken, Andrew Harwood, KJ Holmes, Kathleen Hermesdorff, Sandy and Denny Sorenson, Deborah Thorpe, Sarah Gamblin, the members ... Bigos, Glenna Batson, Daria Okugawa, Andrea Olsen, Helen Walkley, Annie Elliot, ...
Este cuarto volumen reúne investigaciones teórico-prácticas enfocadas en el análisis y desarrollo... more Este cuarto volumen reúne investigaciones teórico-prácticas enfocadas en el análisis y desarrollo de los ámbitos curatoriales de la videodanza, en articulación con parámetros actuales e históricos de la crítica y la curaduría de artes visuales, escénicas y digitales.
Desde hace algún tiempo he comenzado seriamente a preguntarme si lo que conozco como prácticas so... more Desde hace algún tiempo he comenzado seriamente a preguntarme si lo que conozco como prácticas somáticas, tal y como me lo enseñaron algunos de sus pioneros y sus estudiantes a través de métodos como Body Mind Centering, Técnica Alexander, Continuum, y el Método Feldenkrais, es entendido y compartido del mismo modo por colegas en la comunidad dancística.
Saturday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins),... more Saturday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins), Allison Orr (Transit). Dance Company: Sharir+Bustamante Danceworks. Dancers: Jose Luis Bustamante, Ray Eliot Schwartz (The Circular Ruins); Patricia Fiske, Theresa Hardy, Sally Hengst, Allison Orr (Transit) Sound: William Meadows (The Circular Ruins). Video Sequences: Jose Luis Bustamante (The Circular Ruins). Costumes: Allison Orr with contributions by Amy Burrell, Laura Cannon, Patricia Fiske and Sally Hengst (Transit). Music: Arnold Dreyblatt, Manual De Falla, Fred Frith, Dody Satya Ekagustdiman (The Circular Ruins); Louis Sclaves (Transit). Lighting: Monique R. Norman (The Circular Ruins); Adam Levine (Transit) . Text: Jorge Luis Borges (The Circular Ruins). Performers in The Circular Ruins: Corey Jones (Narrator), Monique Lara (God), Michel Scott and Colum Morgan (Oarsmen).
Friday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins), T... more Friday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins), Theresa Hardy (Entanglement). Dance Company: Sharir+Bustamante Danceworks. Dancers: Jose Luis Bustamante, Ray Eliot Schwartz (The Circular Ruins); Yebel Gallegos, Erin Lane, Khoi Lee, Cecilia Proeger (Entanglement). Music: Arnold Dreyblatt, Manuel De Falla, Fred Frith, Dody Satya Ekagustdiman (The Circular Ruins); Philip Glass, Giya Kancheli (Entanglement). Video Sequences: Jose Luis Bustamante (The Circular Ruins). Costumes: Amy Burrell (Entanglement). Text: Jorge Luis Borges (The Circular Ruins). Sound: William Meadows (The Circular Ruins). Performers in The Circular Ruins: Corey Jones (Narrator), Monique Lara (God), Michel Scott and Colum Morgan (Oarsmen).
Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Ray Eliot Schwartz (The Creative M... more Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Ray Eliot Schwartz (The Creative Mind); Yacov Sharir et al (Improvisation). Dance Company: Ears Eyes and Feet (UT-Austin Dance, Electronic Music, and Digital Media).
Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Ray Eliot Schwartz (The Creative M... more Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Ray Eliot Schwartz (The Creative Mind); Yacov Sharir et al (Improvisation). Dance Company: Ears Eyes and Feet (UT-Austin Dance, Electronic Music, and Digital Media).
Saturday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins),... more Saturday, Act II. Choreography: Jose Luis Bustamante and Ray Eliot Schwartz (The Circular Ruins), Theresa Hardy (Entanglement). Dance Company: Sharir+Bustamante Danceworks. Dancers: Jose Luis Bustamante, Ray Eliot Schwartz (The Circular Ruins); Yebel Gallegos, Erin Lane, Khoi Lee, Cecilia Proeger (Entanglement). Music: Arnold Dreyblatt, Manuel De Falla, Fred Frith, Dody Satya Ekagustdiman (The Circular Ruins); Philip Glass, Giya Kancheli (Entanglement). Video Sequences: Jose Luis Bustamante (The Circular Ruins) Costumes: Amy Burrell (Entanglement). Text: Jorge Luis Borges (The Circular Ruins). Sound: William Meadows (The Circular Ruins). Performers in The Circular Ruins: Corey Jones (Narrator), Monique Lara (God), Michel Scott and Colum Morgan (Oarsmen).
Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Yacov Sharir, Ray Eliot Schwartz, ... more Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Yacov Sharir, Ray Eliot Schwartz, Jack Stamps (Twining^2); Ellen Bartel (untitled); Sarah Gamblin, Ray Eliot Schwartz (A Small Box, Locked, With Secrets). Dance Company: Ears Eyes and Feet (UT-Austin Dance, Electronic Music, and Digital Media).
Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Yacov Sharir, Ray Eliot Schwartz, ... more Performance at B. Iden Payne Theatre, UT-Austin. Choreography: Yacov Sharir, Ray Eliot Schwartz, Jack Stamps (Twining^2); Ellen Bartel (untitled); Sarah Gamblin, Ray Eliot Schwartz (A Small Box, Locked, With Secrets). Dance Company: Ears Eyes and Feet (UT-Austin Dance, Electronic Music, and Digital Media).
The practice conditions within dance training have remained essentially unchanged for de-cades. T... more The practice conditions within dance training have remained essentially unchanged for de-cades. Those conditions appear to be based large-ly on a culture of rigor, a philosophy of which implies that continuous practice is the most beneficial way to improve (motor) ...
... Lucas Hoving, Steve Paxton, Chris Aiken, Andrew Harwood, KJ Holmes, Kathleen Hermesdorff, San... more ... Lucas Hoving, Steve Paxton, Chris Aiken, Andrew Harwood, KJ Holmes, Kathleen Hermesdorff, Sandy and Denny Sorenson, Deborah Thorpe, Sarah Gamblin, the members ... Bigos, Glenna Batson, Daria Okugawa, Andrea Olsen, Helen Walkley, Annie Elliot, ...
Este cuarto volumen reúne investigaciones teórico-prácticas enfocadas en el análisis y desarrollo... more Este cuarto volumen reúne investigaciones teórico-prácticas enfocadas en el análisis y desarrollo de los ámbitos curatoriales de la videodanza, en articulación con parámetros actuales e históricos de la crítica y la curaduría de artes visuales, escénicas y digitales.
Uploads
Papers by Ray Schwartz
Books by Ray Schwartz