Kevin Magne
Kevin Magne Tapia (Chile_1991) is a performer, dancer, researcher and cultural manager of performing arts. He is currently an ANID Scholar and Thesis student for the Master's program in Latin American Art and Culture at IDEA USACH. His work addresses the sociopolitical problems of the Latin American territory from the corporal discursiveness, focusing on the dissidences of gender, HIV and decolonial future, highlighting the works in performance and dance: Huella Viral (2021) Pathología N ° 18 (2019), Neogenesis Ciborg para un cuerpo latinoamericano (2019), Bajo el Yugo (2018), GeoMétrica (2017), Primitiva (2016). His first audiovisual work is Oceans Víricos (2021). He is director of the AULLIDOS Festival, DESACATO SIDOSO Festival and the Cuerpos del Futuro project, currently he is executive producer of the audiovisual production company Cinespecie. Since 2015, he has been working independently in independent performing arts and audiovisual projects.
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The following research unfolds throughout an analytical intersection between seropositive works of Contemporary Art, Theories of Sexual Dissidence and Theories of Affections. It provides a field of knowledges and wisdoms that emerge and expand from a seropositive experience named, here, afectividades virales (viral affectivities). This notional field unravels from a behavior that involves contexts of artistic productions, viral experiences and emotions, dissident statements, encounter politics and bonds with local history. This leads to the question of how to articulate a displacement of culturally constructed stigmas of the seropositive bodies to a properly affective corporality (no longer pathological) that implies a materialistic link with the human immunodeficiency virus. Thus, this work proposes a conceptual and sensitive approach to this behavior from three aspects; seropositive corporeality in a contemporary local context; seropositivity policies of enunciation; and affects as occurrence and oscillations of the expressive layers in the arts with hiv.
Este proceso comienza en Agosto del 2020 en las latitudes del sur de Latinoamérica, entre la Cordillera de los Andes y el Océano Pacífico, en medio de la crisis sanitaria, los controles fronterizos y el confinamiento provocado por la pandemia del Covid-19, desarrollando estrategias para subvertir este abismo durante 4 meses de diálogo, reflexión y creación a distancia.
The following research unfolds throughout an analytical intersection between seropositive works of Contemporary Art, Theories of Sexual Dissidence and Theories of Affections. It provides a field of knowledges and wisdoms that emerge and expand from a seropositive experience named, here, afectividades virales (viral affectivities). This notional field unravels from a behavior that involves contexts of artistic productions, viral experiences and emotions, dissident statements, encounter politics and bonds with local history. This leads to the question of how to articulate a displacement of culturally constructed stigmas of the seropositive bodies to a properly affective corporality (no longer pathological) that implies a materialistic link with the human immunodeficiency virus. Thus, this work proposes a conceptual and sensitive approach to this behavior from three aspects; seropositive corporeality in a contemporary local context; seropositivity policies of enunciation; and affects as occurrence and oscillations of the expressive layers in the arts with hiv.
Este proceso comienza en Agosto del 2020 en las latitudes del sur de Latinoamérica, entre la Cordillera de los Andes y el Océano Pacífico, en medio de la crisis sanitaria, los controles fronterizos y el confinamiento provocado por la pandemia del Covid-19, desarrollando estrategias para subvertir este abismo durante 4 meses de diálogo, reflexión y creación a distancia.