Papers by Annette Foster
Journal of Child Psychology and Psychiatry, Oct 19, 2023
Thesis Chapters by Annette Foster
Kent Academic Repository, 2022
Background: Much autism research is predicated on the assumption that autistic people are male an... more Background: Much autism research is predicated on the assumption that autistic people are male and/or malebrained. This gendered diagnosis has led to the marginalisation of a group of autistic people that do not have these stereotypical male autistic traits (i.e., systematising, externalised presentation of autistic behaviours such as stereotypical meltdown and stimming) being mis-/undiagnosed. This group includes autistic women (cis-/trans-) and non-binary people (AWCTN+). The author, who is AWCTN+, did not have these stereotypical traits and remained misdiagnosed with mental health issues until aged 39.
Methods: Their experience became the impetus for this thesis; to address the knowledge gap about adult AWNBT+ peoples' lived experiences using creative methods. Drawing on their performance art background, they designed nine two-hour creative workshops (CWs) to construct an autistic space that encouraged a group of adult late-/ self-diagnosed AWNBT+ university students to articulate their experiences of being autistic. The culmination of these workshops was a 90-minute collaborative performance piece that was to be shown to the public. A series of recordings from the creative workshops plus one-to-one interviews with the participants were transcribed and analysed using elements of grounded theory and thematic analysis. Post-performance interviews were also conducted. This thesis develops a new form which the author has entitled 'embodied autieethnography performance'. A method which has built on other autistic academics' use of autieethnography as the autistic form
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Papers by Annette Foster
Thesis Chapters by Annette Foster
Methods: Their experience became the impetus for this thesis; to address the knowledge gap about adult AWNBT+ peoples' lived experiences using creative methods. Drawing on their performance art background, they designed nine two-hour creative workshops (CWs) to construct an autistic space that encouraged a group of adult late-/ self-diagnosed AWNBT+ university students to articulate their experiences of being autistic. The culmination of these workshops was a 90-minute collaborative performance piece that was to be shown to the public. A series of recordings from the creative workshops plus one-to-one interviews with the participants were transcribed and analysed using elements of grounded theory and thematic analysis. Post-performance interviews were also conducted. This thesis develops a new form which the author has entitled 'embodied autieethnography performance'. A method which has built on other autistic academics' use of autieethnography as the autistic form
Methods: Their experience became the impetus for this thesis; to address the knowledge gap about adult AWNBT+ peoples' lived experiences using creative methods. Drawing on their performance art background, they designed nine two-hour creative workshops (CWs) to construct an autistic space that encouraged a group of adult late-/ self-diagnosed AWNBT+ university students to articulate their experiences of being autistic. The culmination of these workshops was a 90-minute collaborative performance piece that was to be shown to the public. A series of recordings from the creative workshops plus one-to-one interviews with the participants were transcribed and analysed using elements of grounded theory and thematic analysis. Post-performance interviews were also conducted. This thesis develops a new form which the author has entitled 'embodied autieethnography performance'. A method which has built on other autistic academics' use of autieethnography as the autistic form