Books by Annalisa Ciuffetelli
a cura di Stefano Casi, Gerardo Guccini e Matteo Paoletti (in collaborazione con Annalisa Ciuffet... more a cura di Stefano Casi, Gerardo Guccini e Matteo Paoletti (in collaborazione con Annalisa Ciuffetelli).
Abstract:
La parola agorà non rientra nel lessico pasoliniano. Diversamente, le implicazioni storiche e culturali di questo stesso termine affiorano in modo diffuso e strutturato nel pensiero e nell’opera di Pasolini, dove disseminano differenziati contesti relazionali. Il presente volume, attraverso il contributo di studiosi provenienti da discipline differenziate, indaga l'agorà pasoliniana attraverso tre ambiti del suo impegno civile e intellettuale: gli appelli militanti all'UNESCO per la salvaguardia del patrimonio culturale, l'attenzione verso la marginalità dei luoghi, il giornalismo.
Creating for the Stage and Other Spaces: Questioning Practices and Theories, Dec 2021
edited by G. Guccini, C. Longhi and D. Vianello (in collaboration with A. Ciuffetelli and M. Sott... more edited by G. Guccini, C. Longhi and D. Vianello (in collaboration with A. Ciuffetelli and M. Sottana)
AMS Acta - Università di Bologna
Authors: over 70 authors
Pages: 948
ebook (pdf) - 12 MB
Multilingual: english, italian, french
ABSTRACT:
This volume brings together most of the interventions by artists and scholars of the Third EASTAP Conference (European Association for the Study of Theatre and Performance), which should have been held in Bologna from 27 February to 1 March 2020, scheduled among the events of the VIE Festival 2020 and the activities of the Department of the Arts / DAMSLab. When everything was ready, the Conference, the last part of the Festival and the DAMSLab programme were suddenly canceled due to the first restrictions related to the pandemic. Following those sudden and unexpected events, the need to leave memory of the project arose from many quarters. It was thus decided to propose a publication which, while significantly differentiating from the original structure designed for the Conference, explicitly and directly refers to it, remaining an exceptional and significant testimony of the state of studies on theatre and performance in the pre-Covid era. The Conference plan envisaged two macro-sectors which concerned, one, the practices and theories relating to the composition of the texts; the other, the practices and theories relating to the composition of performative events referable to the methods of scenic writing. The volume takes up this polarity by framing it in a different division of relations, which explains – thanks to the groupings and their titles both the relations between text and text and those between sector and sector. The most consistent chapters are dedicated to performance and post-dramatic textuality: Questioning performance: theories and practices (17 reports) and Creating text for the stage: theories and practices (21 reports). The other chapters then come to place themselves in the force field described by these main groupings. Perfomer's body: the dancer, the actor (6 reports) and Creating for other spaces: landscape, sound, multimedia (7 reports) are ideally framed in the polarity of the performace, where to highlight the centrality of the body and the relational dynamics activated by spaces, sounds, and new technologies. Collective creations and community plays (7 reports), on the other hand, focuses on performance and new textuality.
Papers by Annalisa Ciuffetelli
This volume brings together most of the interventions by artists and scholars of the III EASTAP C... more This volume brings together most of the interventions by artists and scholars of the III EASTAP Conference (European Association for the Study of Theatre and Performance), which should have been held in Bologna from 27 February to 1 March 2020, scheduled among the events of the VIE Festival 2020 and the activities of the Department of the Arts / DAMSLab. When everything was ready, the Conference, the last part of the Festival and the DANSLab programme were suddenly canceled due to the first restrictions related to the pandemic. Following those sudden and unexpected events, the need to leave memory of the project arose from many quarters. It was thus decided to propose a publication which, while significantly differentiating from the original structure designed for the Conference, explicitly and directly refers to it, remaining an exceptional and significant testimony of the state of studies on theatre and performance in the pre-Covid era. The Conference plan envisaged two macro-sect...
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Books by Annalisa Ciuffetelli
Abstract:
La parola agorà non rientra nel lessico pasoliniano. Diversamente, le implicazioni storiche e culturali di questo stesso termine affiorano in modo diffuso e strutturato nel pensiero e nell’opera di Pasolini, dove disseminano differenziati contesti relazionali. Il presente volume, attraverso il contributo di studiosi provenienti da discipline differenziate, indaga l'agorà pasoliniana attraverso tre ambiti del suo impegno civile e intellettuale: gli appelli militanti all'UNESCO per la salvaguardia del patrimonio culturale, l'attenzione verso la marginalità dei luoghi, il giornalismo.
AMS Acta - Università di Bologna
Authors: over 70 authors
Pages: 948
ebook (pdf) - 12 MB
Multilingual: english, italian, french
ABSTRACT:
This volume brings together most of the interventions by artists and scholars of the Third EASTAP Conference (European Association for the Study of Theatre and Performance), which should have been held in Bologna from 27 February to 1 March 2020, scheduled among the events of the VIE Festival 2020 and the activities of the Department of the Arts / DAMSLab. When everything was ready, the Conference, the last part of the Festival and the DAMSLab programme were suddenly canceled due to the first restrictions related to the pandemic. Following those sudden and unexpected events, the need to leave memory of the project arose from many quarters. It was thus decided to propose a publication which, while significantly differentiating from the original structure designed for the Conference, explicitly and directly refers to it, remaining an exceptional and significant testimony of the state of studies on theatre and performance in the pre-Covid era. The Conference plan envisaged two macro-sectors which concerned, one, the practices and theories relating to the composition of the texts; the other, the practices and theories relating to the composition of performative events referable to the methods of scenic writing. The volume takes up this polarity by framing it in a different division of relations, which explains – thanks to the groupings and their titles both the relations between text and text and those between sector and sector. The most consistent chapters are dedicated to performance and post-dramatic textuality: Questioning performance: theories and practices (17 reports) and Creating text for the stage: theories and practices (21 reports). The other chapters then come to place themselves in the force field described by these main groupings. Perfomer's body: the dancer, the actor (6 reports) and Creating for other spaces: landscape, sound, multimedia (7 reports) are ideally framed in the polarity of the performace, where to highlight the centrality of the body and the relational dynamics activated by spaces, sounds, and new technologies. Collective creations and community plays (7 reports), on the other hand, focuses on performance and new textuality.
Papers by Annalisa Ciuffetelli
Abstract:
La parola agorà non rientra nel lessico pasoliniano. Diversamente, le implicazioni storiche e culturali di questo stesso termine affiorano in modo diffuso e strutturato nel pensiero e nell’opera di Pasolini, dove disseminano differenziati contesti relazionali. Il presente volume, attraverso il contributo di studiosi provenienti da discipline differenziate, indaga l'agorà pasoliniana attraverso tre ambiti del suo impegno civile e intellettuale: gli appelli militanti all'UNESCO per la salvaguardia del patrimonio culturale, l'attenzione verso la marginalità dei luoghi, il giornalismo.
AMS Acta - Università di Bologna
Authors: over 70 authors
Pages: 948
ebook (pdf) - 12 MB
Multilingual: english, italian, french
ABSTRACT:
This volume brings together most of the interventions by artists and scholars of the Third EASTAP Conference (European Association for the Study of Theatre and Performance), which should have been held in Bologna from 27 February to 1 March 2020, scheduled among the events of the VIE Festival 2020 and the activities of the Department of the Arts / DAMSLab. When everything was ready, the Conference, the last part of the Festival and the DAMSLab programme were suddenly canceled due to the first restrictions related to the pandemic. Following those sudden and unexpected events, the need to leave memory of the project arose from many quarters. It was thus decided to propose a publication which, while significantly differentiating from the original structure designed for the Conference, explicitly and directly refers to it, remaining an exceptional and significant testimony of the state of studies on theatre and performance in the pre-Covid era. The Conference plan envisaged two macro-sectors which concerned, one, the practices and theories relating to the composition of the texts; the other, the practices and theories relating to the composition of performative events referable to the methods of scenic writing. The volume takes up this polarity by framing it in a different division of relations, which explains – thanks to the groupings and their titles both the relations between text and text and those between sector and sector. The most consistent chapters are dedicated to performance and post-dramatic textuality: Questioning performance: theories and practices (17 reports) and Creating text for the stage: theories and practices (21 reports). The other chapters then come to place themselves in the force field described by these main groupings. Perfomer's body: the dancer, the actor (6 reports) and Creating for other spaces: landscape, sound, multimedia (7 reports) are ideally framed in the polarity of the performace, where to highlight the centrality of the body and the relational dynamics activated by spaces, sounds, and new technologies. Collective creations and community plays (7 reports), on the other hand, focuses on performance and new textuality.