Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus)

Authorship Note
Mozart's Requiem was unfinished at the time of his death. Unless otherwise stated the scores below relate to the completion of the work attributed to his friend Franz Xaver Süssmayr (1766–1803)

Incipit	$\relative c'' { \clef treble \autoBeamOff \dynamicUp \key d \minor \time 2/2 \tempo "" \set Score.skipBars = ##t R1*8 r2 r4 a4~ \| a8 a8 gis gis a4( b) \| c4 bes!8 a bes4 a8[( g]) \| a8 a16 a } \addlyrics { Re -- qui -- em æ -- ter -- nam do -- na e -- is, __ Do -- mi -- ne, }$
Movements/SectionsMov'ts/Sec's	14 movements (in 8 liturgical sections)
Composition Year	1791 (unfinished; first completed 1792 by Süssmayr)
Genre Categories	Requiems; Funeral music; Religious works; Masses; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; Latin language; For voices, mixed chorus, orchestra (arr); For voices and chorus with orchestra (arr); Scores featuring the voice (arr); Scores featuring mixed chorus (arr); Scores featuring the orchestra (arr); For 2 pianos (arr); Scores featuring the piano (arr); For 2 players (arr); For piano 4 hands (arr); Scores featuring the piano 4 hands (arr); For organ (arr); For 1 player (arr); Scores featuring the organ (arr); For piano (arr); For 10 recorders (arr); Scores featuring the recorder (arr); For 10 players (arr); For 2 trumpets, 2 trombones (arr); Scores featuring the trumpet (arr); Scores featuring the trombone (arr); For 4 players (arr); For 5 trumpets, 4 trombones (arr); For 9 players (arr); For strings (arr); Scores featuring string ensemble (arr); For 3 violins, viola, cello (arr); Scores featuring the violin (arr); Scores featuring the cello (arr); Scores featuring the viola (arr); For 5 players (arr); For harmonium (arr); Scores featuring the harmonium (arr); For horn, trumpet, euphonium (arr); Scores featuring the horn (arr); Scores featuring the euphonium (arr); For 3 players (arr)
Related Works	Libera me Domine by Seyfried was written as a continuation of the Requiem.

1 Performances
2 Sheet Music
3 General Information
4 Navigation etc.

Performances

Recordings

Introitus
*#581243 - 34.86MB - 6:22 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 141×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

⇒ 13 more: Kyrie • Dies irae • Tuba mirum • Rex tremendae • Recordare • Confutatis • Lacrimosa • Domine Jesu Christe • Hostias et preces • Sanctus • Benedictus • Agnus Dei • Communio

Kyrie
*#581244 - 18.65MB - 3:09 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 21×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Dies irae
*#581245 - 11.80MB - 1:57 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 21×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Tuba mirum
*#581246 - 22.54MB - 4:29 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 26×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Rex tremendae
*#581247 - 13.24MB - 2:20 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 10×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Recordare
*#581248 - 34.33MB - 6:41 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 8×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Confutatis
*#581249 - 14.69MB - 2:49 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 10×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Lacrimosa
*#581250 - 16.93MB - 3:06 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 76×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Domine Jesu Christe
*#581251 - 26.45MB - 4:44 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 12×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Hostias et preces
*#581252 - 26.10MB - 4:45 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 11×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Sanctus
*#581253 - 11.80MB - 1:58 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 13×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Benedictus
*#581254 - 25.89MB - 4:58 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 8×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Agnus Dei
*#581255 - 19.48MB - 3:42 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 7×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Communio
*#581256 - 39.82MB - 6:52 - 0.0/10 2 4 6 8 10 (-) - V/67/35 - 7×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Performer Pages	Chorus Pro Musica (chorus) Harvard Glee Club (chorus) Radcliffe Choral Society (chorus) New England Conservatory Chorus (chorus) St. John's Seminary Choir (chorus) Boston Symphony Orchestra (orchestra) Erich Leinsdorf (conductor) Saramae Endich (soprano) Eunice Alberts (alto) Nicholas Di Virgilio (tenor) Mac Morgan (bass)
Publisher Info.	RCA, 1964. (February).
Copyright	Public Domain - Non-PD US, Non-PD EU [tag/del]
Misc. Notes	Extracts from a recording of a Requiem Mass given for John Fitzgerald Kennedy at the Cathedral of the Holy Cross, Boston, January 19, 1964. Processionals, remarks and spoken liturgy omitted. Produced by Richard Mohr. Lewis Layton was the recording engineer. The master tapes were produced by John Pfeiffer. The following were the choral directors: Elliot Forbes (Harvard/Radcliffe), Lorna Cooke deVaron (New England Conservatory), Rt. Rev. Russell H. Davis (St. John's Seminary).
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Introitus (EU)
*#581257 - 30.00MB - 6:00 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 2335×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Kyrie (EU)
*#581258 - 15.55MB - 2:50 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 370×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Dies irae (EU)
*#581259 - 11.44MB - 1:59 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 590×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Tuba mirum (EU)
*#581260 - 20.98MB - 4:21 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 264×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Rex tremendae (EU)
*#581261 - 13.64MB - 2:30 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 216×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Recordare (EU)
*#581262 - 26.69MB - 5:27 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 149×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Confutatis (EU)
*#581263 - 12.26MB - 2:39 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 285×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Lacrimosa (EU)
*#581264 - 17.46MB - 3:29 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 975×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Domine Jesu Christe (EU)
*#581265 - 22.78MB - 4:16 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 156×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Hostias et preces (EU)
*#581266 - 25.64MB - 5:10 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 136×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Sanctus (EU)
*#581267 - 10.20MB - 1:47 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 144×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Benedictus (EU)
*#581268 - 26.57MB - 5:14 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 147×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Agnus Dei (EU)
*#581269 - 18.75MB - 3:55 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 137×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Communio (EU)
*#581270 - 34.21MB - 6:30 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 149×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Performer Pages	Wiener Singverein (chorus) Berliner Philharmoniker (orchestra) Herbert von Karajan (conductor) Wilma Lipp (soprano) Hilde Rössel-Majdan (alto) Anton Dermota (tenor) Walter Berry (bass)
Publisher Info.	Deutsche Grammophon, 1962.
Copyright	Public Domain - Non-PD US [tag/del]
Purchase	Javascript is required for this feature.

Requiem aeternam (Introitus) (EU)
*#581206 - 24.12MB - 4:42 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 2483×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

⇒ 13 more: Kyrie eleison • Dies irae (Sequentia) • Tuba mirum (Sequentia) • Rex tremendae (Sequentia) • Recordare (Sequentia) • Confutatis (Sequentia) • Lacrimosa (Sequentia) • Domine Jesu Christe (Offertorium) • Hostias et preces (Offertorium) • Sanctus • Benedictus • Agnus Dei • Lux aeterna (Communio)

Kyrie eleison (EU)
*#581207 - 14.38MB - 2:33 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 285×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Dies irae (Sequentia) (EU)
*#581208 - 10.82MB - 1:55 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 426×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Tuba mirum (Sequentia) (EU)
*#581209 - 15.69MB - 3:11 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 201×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Rex tremendae (Sequentia) (EU)
*#581210 - 11.09MB - 2:06 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 159×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Recordare (Sequentia) (EU)
*#581211 - 28.27MB - 5:37 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 128×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Confutatis (Sequentia) (EU)
*#581212 - 13.93MB - 2:45 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 236×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Lacrimosa (Sequentia) (EU)
*#581213 - 15.38MB - 3:00 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 861×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Domine Jesu Christe (Offertorium) (EU)
*#581214 - 23.39MB - 4:19 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 142×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Hostias et preces (Offertorium) (EU)
*#581215 - 27.30MB - 5:13 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 99×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Sanctus (EU)
*#581216 - 11.14MB - 1:55 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 116×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Benedictus (EU)
*#581217 - 26.95MB - 5:11 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 103×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Agnus Dei (EU)
*#581218 - 16.04MB - 3:11 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 114×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Lux aeterna (Communio) (EU)
*#581219 - 30.90MB - 5:35 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 136×⇩ - FLAC - Dbmiller

FLAC file (audio)
Dbmiller (2019/7/13)

Performer Pages	Münchener Bach-Chor (chorus) Münchener Bach-Orchester (orchestra) Karl Richter (conductor) Maria Stader (soprano) Hertha Töpper (alto) John van Kesteren (tenor) Karl-Christian Kohn (bass) Franz Eder (trombone)
Publisher Info.	Telefunken, 1961.
Copyright	Public Domain - Non-PD US [tag/del]
Purchase	Javascript is required for this feature.

I. Introitus (EU)
*#532479 - 2.89MB - 5:44 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 5043×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

⇒ 13 more: II. Kyrie • III. Sequenz - Dies irae • III. Sequenz - Tuba mirum • III. Sequenz - Rex tremendae • III. Sequenz - Recordare • III. Sequenz - Confutatis • III. Sequenz - Lacrymosa • IV. Offertorium - Domine Jesu • IV. Offertorium - Hostias • V. Sanctus • VI. Benedictus • VII. Agnus Dei • VIII. Communio - Lux aeterna

II. Kyrie (EU)
*#532480 - 1.54MB - 2:47 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 708×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Dies irae (EU)
*#532481 - 1.00MB - 1:48 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 953×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Tuba mirum (EU)
*#532482 - 2.28MB - 3:59 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 489×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Rex tremendae (EU)
*#532483 - 1.53MB - 2:44 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 272×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Recordare (EU)
*#532484 - 3.19MB - 5:35 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 217×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Confutatis (EU)
*#532485 - 1.53MB - 2:45 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 365×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Lacrymosa (EU)
*#532486 - 1.99MB - 3:30 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 1502×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

IV. Offertorium - Domine Jesu (EU)
*#532487 - 2.34MB - 4:11 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 232×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

IV. Offertorium - Hostias (EU)
*#532488 - 2.76MB - 5:14 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 169×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

V. Sanctus (EU)
*#532489 - 1.02MB - 1:47 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 193×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

VI. Benedictus (EU)
*#532490 - 3.12MB - 5:25 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 201×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

VII. Agnus Dei (EU)
*#532491 - 2.03MB - 3:43 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 180×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

VIII. Communio - Lux aeterna (EU)
*#532492 - 3.28MB - 6:00 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 202×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

Performer Pages	Wiener Philharmoniker (orchestra) Herbert von Karajan (conductor) Leontyne Price (soprano) Hilde Rössel-Majdan (contralto) Fritz Wunderlich (tenor) Eberhard Waechter (baritone) Walter Berry (bass)
Publisher Info.	Archipel, 2011.
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	Live recording from the 1960 Salzburg Festival. First issuing was in 2011 by Archipel. However, the copyright on the sound recording had already expired at this time; sound recordings generally enjoy 50 years from publication in Canada and the EU, BUT this only applies if 50 years have not already passed since the creation of the work. As this recording was already over 50 years old at the time of first publication, it is in the public domain.
Purchase	Javascript is required for this feature.

I. Introitus (EU)
*#532465 - 1.43MB - 5:38 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 3415×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

II. Kyrie (EU)
*#532466 - 0.81MB - 3:05 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 419×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Dies irae (EU)
*#532467 - 0.50MB - 1:53 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 804×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Tuba mirum (EU)
*#532468 - 1.08MB - 4:04 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 357×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Rex tremendae (EU)
*#532469 - 0.64MB - 2:23 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 157×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Recordare (EU)
*#532470 - 1.62MB - 6:13 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 118×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Confutatis (EU)
*#532471 - 0.67MB - 3:03 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 353×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

III. Sequenz - Lacrymosa (EU)
*#532472 - 0.87MB - 3:25 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 1386×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

IV. Offertorium - Domine Jesu (EU)
*#532473 - 1.29MB - 4:44 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 120×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

IV. Offertorium - Hostias (EU)
*#532474 - 1.49MB - 5:43 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 92×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

V. Sanctus (EU)
*#532475 - 0.53MB - 1:49 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 107×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

VI. Benedictus (EU)
*#532476 - 1.51MB - 5:23 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 96×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

VII. Agnus Dei (EU)
*#532477 - 0.94MB - 3:42 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 78×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

VIII. Communio - Lux aeterna (EU)
*#532478 - 1.99MB - 7:04 - 0.0/10 2 4 6 8 10 (-) - V/67/V - 104×⇩ - OGG - Dbmiller

OGG file (audio)
Dbmiller (2018/7/19)

Performer Pages	Wiener Philharmoniker (orchestra) Konzertvereinigung Wiener Staatsopernchor (chorus) Bruno Walter (conductor) Lisa Della Casa (soprano) Ira Malaniuk (contralto) Anton Dermota (tenor) Cesare Siepi (bass)
Publisher Info.	Orfeo d'Or, 1956.
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	Live recording from the 1956 Salzburg Festival (July 26).
Purchase	Javascript is required for this feature.

I. Introitus: Requiem aeternam
II. Kyrie (EU)
*#519751 - 18.11MB - 7:55 - 0.0/10 2 4 6 8 10 (-) - V/62/V - 10085×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2018/4/13)

⇒ 5 more: III. Sequenz (Nos.1-6) • IV. Offertorium (Nos.1-2) • V. Sanctus — VI. Benedictus • VII. Agnus Dei • VIII. Communio: Lux aeterna

III. Sequenz (Nos.1-6) (EU)
*#519752 - 50.05MB - 21:52 - 0.0/10 2 4 6 8 10 (-) - V/62/V - 1063×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2018/4/13)

IV. Offertorium (Nos.1-2) (EU)
*#519753 - 21.24MB - 9:17 - 0.0/10 2 4 6 8 10 (-) - V/62/V - 342×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2018/4/13)

V. Sanctus — VI. Benedictus (EU)
*#519754 - 16.83MB - 7:21 - 0.0/10 2 4 6 8 10 (-) - V/62/V - 366×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2018/4/13)

VII. Agnus Dei (EU)
*#519755 - 9.40MB - 4:06 - 0.0/10 2 4 6 8 10 (-) - V/62/V - 283×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2018/4/13)

VIII. Communio: Lux aeterna (EU)
*#519756 - 13.49MB - 5:54 - 0.0/10 2 4 6 8 10 (-) - V/62/V - 284×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2018/4/13)

Performer Pages	Wiener Philharmoniker (orchestra) Wiener Hofmusikkapelle (chorus) Josef Krips (conductor) Werner Pech (treble) Hans Breitschopf (alto) Walther Ludwig (tenor) Harald Pröglhöf (bass)
Publisher Info.	Decca, 1951.
Performers	Wiener Hofmusikkapelle (chorus)
Copyright	Creative Commons Zero 1.0 - Non-PD US [tag/del]
Purchase	Javascript is required for this feature.

TN-PMLP842027-Requiem in D minor, K.626, Intritus -Requiem & Kyrie- (Wolfgang Amadeus Mozart) Decca 1951-3542.jpg

Selections (abridged)

For Voices and Recorder Ensemble (Papalin)

I. Introitus and II. Kyrie
*#106515 - 5.83MB - 6:21 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 77013×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

⇒ 12 more: III. Sequenz - Dies irae • III. Sequenz - Tuba mirum • III. Sequenz - Rex tremendae • III. Sequenz - Recordare • III. Sequenz - Confutatis • III. Sequenz - Lacrymosa • IV. Offertorium - Domine Jesu • IV. Offertorium - Hostias • V. Sanctus • VI. Benedictus • VII. Agnus Dei • VIII. Communio - Lux aeterna

III. Sequenz - Dies irae
*#106516 - 1.69MB - 1:50 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 36309×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

III. Sequenz - Tuba mirum
*#106517 - 3.19MB - 3:29 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 23698×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

III. Sequenz - Rex tremendae
*#106518 - 1.50MB - 1:38 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 16956×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

III. Sequenz - Recordare
*#106519 - 3.54MB - 3:52 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14918×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

III. Sequenz - Confutatis
*#106520 - 2.28MB - 2:29 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 22276×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

III. Sequenz - Lacrymosa
*#106521 - 2.79MB - 3:02 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 46869×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

IV. Offertorium - Domine Jesu
*#106522 - 3.14MB - 3:25 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 15605×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

IV. Offertorium - Hostias
*#106523 - 2.99MB - 3:15 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12642×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

V. Sanctus
*#106524 - 1.13MB - 1:14 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14043×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

VI. Benedictus
*#106525 - 4.06MB - 4:25 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14127×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

VII. Agnus Dei
*#106526 - 2.34MB - 2:33 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 13695×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

VIII. Communio - Lux aeterna
*#106527 - 4.57MB - 4:59 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14730×⇩ - MP3 - Papalin

MP3 file (audio)
Papalin (2011/6/23)

Performer Pages	Papalin (Recorder, Chorus)
Publisher Info.	Papalin
Copyright	Creative Commons Attribution 3.0 [tag/del]
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Lacrymosa

For Piano

Complete Performance
*#930306 - 32.44MB - 2:38 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 283×⇩ - FLAC - Levkitkin

FLAC file (audio)
Levkitkin (2024/9/4)

Performer Pages	German Kitkin (Piano)
Publisher Info.	Lev Kitkin, 2024.
Copyright	Creative Commons Attribution 4.0 [tag/del]
Misc. Notes	Sheet Music: patreon.com
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TN-PMLP2751-German Kitkin - Lacrymosa-2431.jpg

Naxos

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Synthesized/MIDI

Kyrie

For 2 Trumpets and 2 Trombones (Rondeau)

Virtual Performance
*#223623 - 0.02MB - 2:31 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4743×⇩ - MID - Michrond

MID file (audio/video)
Michrond (2012/5/23)

Publisher Info.	Michel Rondeau
Performers	MIDI
Copyright	Creative Commons Attribution 3.0 [tag/del]
Misc. Notes	These file(s) are part of the Werner Icking Music Collection.
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Tuba mirum

For 5 Trumpets and 4 Trombones (Adams)

Synthesized Recording
*#416023 - 0.02MB - 3:39 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 904×⇩ - MID - Adatec

MID file (audio/video)
Adatec (2016/3/20)

Publisher Info.	Stefan Adams
Performers	Synthesized/MIDI
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
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Lacrymosa

For Strings (Choe)

Synthesized Recording
*#817836 - 28.89MB - 3:55 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 545×⇩ - MP4 - TradViolin

MP4 file (audio/video)
TradViolin (2022/10/25)

Publisher Info.	Joshua Choe, 2022.
Performers	Finale v27
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
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Sheet Music

Full Scores

Mozart's fragment

Complete Fragment (colour)
*#293694 - 17.87MB, 92 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 18060×⇩ - Irishmaestro

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Irishmaestro (2013/8/26)

Complete Fragment (monochrome)
*#294658 - 6.66MB, 92 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8859×⇩ - Irishmaestro

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Irishmaestro (2013/8/26)

Publisher. Info.	Holograph manuscript, 1791.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	Contains the complete autograph fragment in Mozart's handwriting (combined from the Ablieferungspartitur and the Arbeitspartitur) with some additions inserted by other composers (among them Eybler and Freystädtler) at Constanze's request immediately after Mozart's death. Colour scans are at ca. 200dpi. Monochrome conversion of ÖNB's colour scans has been upscaled to 600 dpi, with the last page of the Hostias restored to its pre-1958 state (via 1913 facsimile).
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Complete Score
*#914634 - 18.58MB, 220 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 132×⇩ - BachFan

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BachFan (2024/5/15)

Copyist	Franz Xaver Süssmayr (1766–1803)
Publisher. Info.	Partial Holograph manuscript, 1791.
Copyright	Public Domain [tag/del]
Misc. Notes	Österreichische Nationalbibliothek, Vienna (A-Wn): Mus. Hs.17561
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Complete Score
*#914636 - 7.16MB, 106 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 40×⇩ - BachFan

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BachFan (2024/5/15)

Copyist	Unknown Scribe(s)
Publisher. Info.	Manuscript, n.d.
Copyright	Public Domain [tag/del]
Misc. Notes	Österreichische Nationalbibliothek, Vienna (A-Wn): Mus. Hs. 6090
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Complete Score
*#660158 - 16.25MB, 98 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 676×⇩ - BachFan

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BachFan (2020/11/25)

Copyist	Maximilian Stadler (1748–1833)
Publisher. Info.	Manuscript, n.d.
Copyright	Public Domain [tag/del]
Misc. Notes	Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.19057
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Complete Score
*#562039 - 6.30MB, 24 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 172×⇩ - Irishmaestro

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Irishmaestro (2019/2/19)

Complete Score
*#660330 - 3.04MB, 24 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 213×⇩ - BachFan

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BachFan (2020/11/25)

Copyist	Maximilian Stadler (1748–1833)
Publisher. Info.	Manuscript, n.d.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	Domine Jesu and Hostias in the hand of, and completed by Stadler. Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.4375
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Complete Score and Appendices (scan) (EU) (Preview)
*#848267 - 9.51MB, 61 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 15068×⇩ - Piupianissimo

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Piupianissimo (2023/4/2)

Editor	Leopold Nowak (1904-1991)
Publisher. Info.	Neue Mozart-Ausgabe, Serie I, Werkgruppe 1 [NMA I/1/Abt.2/1] Kassel: Bärenreiter-Verlag, 1965. Plate BA 4537. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes	scan: score scanned at 600dpi (High Quality Scanning)
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Complete Score (EU)
*#322737 - 16.72MB, 56 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 92687×⇩ - Double sharp

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Double sharp (2014/4/22)

Appendices (sketches for Rex tremendae and Amen fugue) (EU)
*#322748 - 0.27MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 4353×⇩ - Double sharp

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Double sharp (2014/4/22)

Editor	Leopold Nowak (1904-1991)
Publisher. Info.	Neue Mozart-Ausgabe, Serie I, Werkgruppe 1 [NMA I/1/Abt.2/1] Kassel: Bärenreiter-Verlag, 1965. Plate BA 4537. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
Misc. Notes	Only what Mozart himself wrote, without additions by other hands. The additions of unidentified musicians (who are probably not Süssmayr and Freystädtler) in the Kyrie were thought to be Mozart's at the time this edition was published. Only the bottom five lines of the score (choir, cellos, basses, and organ, including figured bass) were actually written by Mozart.
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Amen fugue fragment
*#532462 - 0.05MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3132×⇩ - Dbmiller

PDF typeset by editor
Dbmiller (2018/7/19)

Editor	D. Benjamin Miller
Publisher. Info.	D. Benjamin Miller
Copyright	Creative Commons Zero 1.0 [tag/del]
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Eybler's additions

Complete Score (scan) (EU) (Preview)
*#848276 - 4.63MB, 33 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 5301×⇩ - Piupianissimo

PDF scanned by piupianissimo
Piupianissimo (2023/4/2)

Editor	Leopold Nowak (1904-1991)
Publisher. Info.	Neue Mozart-Ausgabe, Serie I, Werkgruppe 1 [NMA I/1/Abt.2/1] Kassel: Bärenreiter-Verlag, 1965. Plate BA 4538. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes	scan: score scanned at 600dpi (High Quality Scanning)
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III. Sequenz (complete) (EU)
*#323140 - 9.84MB, 31 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 9904×⇩ - Double sharp

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Double sharp (2014/4/25)

⇒ 6 more: 1. Dies irae • 2. Tuba mirum • 3. Rex tremendae • 4, Recordare • 5. Confutatis • 6. Lacrymosa

1. Dies irae (EU)
*#323141 - 2.62MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 4179×⇩ - Double sharp

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2. Tuba mirum (EU)
*#323142 - 1.18MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 2226×⇩ - Double sharp

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Double sharp (2014/4/25)

3. Rex tremendae (EU)
*#323143 - 1.02MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 1352×⇩ - Double sharp

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Double sharp (2014/4/25)

4, Recordare (EU)
*#323144 - 3.02MB, 10 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 1089×⇩ - Double sharp

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Double sharp (2014/4/25)

5. Confutatis (EU)
*#323145 - 1.71MB, 5 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 2429×⇩ - Double sharp

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Double sharp (2014/4/25)

6. Lacrymosa (EU)
*#323146 - 0.33MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 10576×⇩ - Double sharp

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Double sharp (2014/4/25)

Editor	Leopold Nowak (1904-1991)
Publisher. Info.	Neue Mozart-Ausgabe, Serie I, Werkgruppe 1, Abteilung 2: Requiem, Band 1 [NMA I/1/Abt.2/1] Kassel: Bärenreiter-Verlag, 1965. Plate BA 4538. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
Misc. Notes	Eybler's additions to the Sequenz
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Süssmayr completion

Complete Score (colour)
*#293695 - 24.76MB, 128 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 5320×⇩ - Irishmaestro

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Irishmaestro (2013/9/4)

Complete Score (monochrome)
*#294659 - 8.77MB, 128 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 3029×⇩ - Irishmaestro

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Irishmaestro (2013/9/4)

Copyist	Franz Xaver Süssmayr (1766–1803), partial
Publisher. Info.	Partial Holograph manuscript, 1791-92.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	Score partially in Mozart's hand (f.1-10), but mostly in the hand of Süssmayr. Colour scans are at ca.200 dpi. Monochrome conversion of ÖNB's colour scans has been upscaled to 600 dpi.
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Complete Score
*#533522 - 10.16MB, 188 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 801×⇩ - Carolus

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Carolus (2018/7/27)

Editor	First edition
Language	Latin / German
Translator	Johann Arnold Minder (1770–1839), German text
Publisher. Info.	Leipzig: Breitkopf und Härtel, n.d.[1800].
Copyright	Public Domain [tag/del]
Misc. Notes	Boston Public Library, Music Department (US-Bp): Brown collection. Includes German text by Johann Adam Hiller (1728-1804) and parody by Christian August Heinrich Clodius (1772-1836) at end of score.
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Complete Score
*#26746 - 16.30MB, 133 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 67404×⇩ - Aldona Jones

PDF scanned by DK-Kk
Aldona Jones (2009/1/13)

Editor	Revised edition
Language	Latin / German
Translator	Johann Arnold Minder (1770–1839), German text
Publisher. Info.	Leipzig: Breitkopf und Härtel, n.d.[1812]. Plate 1821.
Copyright	Public Domain [tag/del]
Misc. Notes	The German text by Hiller and parody by Clodius is in the frontmatter here.
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Complete Score (Preview)
*#89746 - 17.03MB, 109 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 16520×⇩ - piupianissimo

PDF scanned by PL-LZu
piupianissimo (2011/1/9)

Editor	Johannes Brahms (1833-1897)
Publisher. Info.	Mozarts Werke, Serie XXIV: Supplemente, Bd.1, No.1 Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 626.
Copyright	Public Domain [tag/del]
Misc. Notes	Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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Complete Score
*#758680 - 6.85MB, 112 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 616×⇩ - Sallen112

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Sallen112 (2022/1/18)

Editor	Johannes Brahms (1833-1897)
Publisher. Info.	Mozarts Werke, Serie XXIV, Bd.1, No.1 Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 626.
Reprinted	Mineola: Dover Publications, 1989.
Copyright	Public Domain [tag/del]
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Complete Score
*#30150 - 11.37MB, 178 pp. - 0.0/10 2 4 6 8 10 (-) - V*/C*/V* - 40026×⇩ - Carolus

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Carolus (2009/4/4)

Editor	Friedrich Blume (1893-1975)
Publisher. Info.	Leipzig: Ernst Eulenburg, n.d.[1932]. Plate E.E. 3032. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain [tag/del]
Misc. Notes	Blume's preface (German and English) omitted.
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Complete Score (scan) (EU) (Preview)
*#848295 - 20.16MB, 165 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 4174×⇩ - Piupianissimo

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Piupianissimo (2023/4/2)

Editor	Leopold Nowak (1904-1991)
Publisher. Info.	Neue Mozart-Ausgabe, Serie I, Werkgruppe 1 [NMA I/1/Abt.2/1] Kassel: Bärenreiter-Verlag, 1965. Plate BA 4538. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes	scan: score scanned at 600dpi (High Quality Scanning)
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Complete Score (EU)
*#448308 - 44.83MB, 163 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 9511×⇩ - Albrights

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Albrights (2016/11/20)

Complete Score (EU)
*#16974 - 42.66MB, 163 pp. - 0.0/10 2 4 6 8 10 (-) - C*/61*/V* - 28602×⇩ - Carolus

PDF scanned by NMA score
Carolus (2008/5/18)

Editor	Leopold Nowak (1904-1991)
Publisher. Info.	Neue Mozart-Ausgabe, Serie I, Werkgruppe 1 [NMA I/1/Abt.2/1] (pp.37-199) Kassel: Bärenreiter-Verlag, 1965, 1979. Plate BA 4538. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
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Complete Score (EU)
*#927145 - 22.34MB, 222 pp. - 0.0/10 2 4 6 8 10 (-) - C*/89*/V* - 560×⇩ - Feduol

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Feduol (2024/8/13)

Editor	Richard Maunder (1937-2018)
Publisher. Info.	Oxford: Oxford University Press, 1988. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
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Dies irae

Complete Score (A4 paper)
*#533400 - 0.31MB, 9 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3491×⇩ - Dbmiller

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Dbmiller (2018/7/27)

Complete Score (Letter paper)
*#533401 - 0.32MB, 13 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1649×⇩ - Dbmiller

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Dbmiller (2018/7/27)

Engraver	Martin Norbäck
Publisher. Info.	Mutopia Project, 2014.
Copyright	Public Domain (dedicated) [tag/del/mrg]
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Parts

Title, Contents
*#23858 - 0.21MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 5540×⇩ - Carolus

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Carolus (2008/11/5)

⇒ 27 more: Clarinet 1 (B♭) • Clarinet 1 (B♭, add. copy) • Clarinet 2 (B♭) • Clarinet 2 (B♭, add. copy) • Corno di Bassetto 1 (F) • Corno di Bassetto 2 (F) • Bassoon 1 • Bassoon 2 • Trumpet 1 (D) • Trumpet 2 (D) • Alto Trombone • Alto Trombone (add. copy) • Tenor Trombone • Tenor Trombone (add. copy) • Bass Trombone • Bass Trombone (add. copy) • Timpani • Organ • Organ (add. copy) • Sopranos • Altos • Tenors • Basses • Violins I • Violins II • Violas • Cellos/Basses

Clarinet 1 (B♭)
*#23859 - 0.85MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 11780×⇩ - Carolus

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Carolus (2008/11/5)

Clarinet 1 (B♭, add. copy)
*#23860 - 0.85MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 6809×⇩ - Carolus

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Carolus (2008/11/5)

Clarinet 2 (B♭)
*#23861 - 0.66MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 5285×⇩ - Carolus

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Carolus (2008/11/5)

Clarinet 2 (B♭, add. copy)
*#23862 - 0.78MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 3949×⇩ - Carolus

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Carolus (2008/11/5)

Corno di Bassetto 1 (F)
*#23863 - 1.28MB, 11 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 7761×⇩ - Carolus

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Carolus (2008/11/5)

Corno di Bassetto 2 (F)
*#23864 - 0.88MB, 11 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 4685×⇩ - Carolus

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Carolus (2008/11/5)

Bassoon 1
*#23865 - 2.54MB, 11 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 7985×⇩ - Carolus

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Carolus (2008/11/5)

Bassoon 2
*#23866 - 2.19MB, 11 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 5924×⇩ - Carolus

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Carolus (2008/11/5)

Trumpet 1 (D)
*#23867 - 0.34MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8481×⇩ - Carolus

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Carolus (2008/11/5)

Trumpet 2 (D)
*#23868 - 0.38MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 5148×⇩ - Carolus

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Carolus (2008/11/5)

Alto Trombone
*#23872 - 1.23MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 12328×⇩ - Carolus

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Carolus (2008/11/5)

Alto Trombone (add. copy)
*#23873 - 0.82MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8072×⇩ - Carolus

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Carolus (2008/11/5)

Tenor Trombone
*#23874 - 1.17MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 12316×⇩ - Carolus

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Carolus (2008/11/5)

Tenor Trombone (add. copy)
*#23875 - 0.91MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 7172×⇩ - Carolus

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Carolus (2008/11/5)

Bass Trombone
*#23876 - 0.99MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 6962×⇩ - Carolus

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Carolus (2008/11/5)

Bass Trombone (add. copy)
*#23877 - 0.82MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 4914×⇩ - Carolus

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Carolus (2008/11/5)

Timpani
*#23878 - 0.45MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 6806×⇩ - Carolus

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Carolus (2008/11/5)

Organ
*#23879 - 2.61MB, 18 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 7801×⇩ - Carolus

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Carolus (2008/11/5)

Organ (add. copy)
*#23880 - 3.20MB, 19 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 5810×⇩ - Carolus

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Carolus (2008/11/5)

Sopranos
*#23885 - 2.21MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 6924×⇩ - Carolus

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Carolus (2008/11/5)

Altos
*#23886 - 2.49MB, 15 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 3159×⇩ - Carolus

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Carolus (2008/11/5)

Tenors
*#23887 - 2.66MB, 16 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 3897×⇩ - Carolus

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Carolus (2008/11/5)

Basses
*#23888 - 2.47MB, 15 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 4627×⇩ - Carolus

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Carolus (2008/11/5)

Violins I
*#23881 - 4.51MB, 22 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 21674×⇩ - Carolus

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Carolus (2008/11/5)

Violins II
*#23882 - 3.81MB, 20 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 10349×⇩ - Carolus

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Carolus (2008/11/5)

Violas
*#23883 - 3.15MB, 15 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 9248×⇩ - Carolus

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Carolus (2008/11/5)

Cellos/Basses
*#23884 - 2.24MB, 17 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 16277×⇩ - Carolus

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Carolus (2008/11/5)

Copyist	Joseph Palme (?–ca.1803)
Publisher. Info.	Schönlinde: Manuscript, 1823.
Copyright	Public Domain [tag/del/mrg]
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Clarinet 1, 2 (B♭, C)
*#41763 - 0.97MB, 5, 5 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 10319×⇩ - Ottaviano

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Ottaviano (2009/10/15)

⇒ 12 more: Corno di Bassetto 1 (F) • Corno di Basseto 1, 2 (F) • Bassoon 1, 2 • Trumpet 1, 2 (D, B♭) • Trumpet (E♭) - substitute for Alto Trombone • Trombone 1, 2, 3 (alto, tenor bass clef) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

Corno di Bassetto 1 (F)
*#24818 - 4.38MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 6057×⇩ - easiest2remember

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easiest2remember (2008/11/25)

Corno di Basseto 1, 2 (F)
*#41764 - 0.99MB, 5, 5 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 5647×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Bassoon 1, 2
*#41765 - 1.26MB, 6, 6 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8925×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Trumpet 1, 2 (D, B♭)
*#41766 - 0.32MB, 2, 2 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 7547×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Trumpet (E♭) - substitute for Alto Trombone
*#41767 - 0.26MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 4006×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Trombone 1, 2, 3 (alto, tenor bass clef)
*#41768 - 0.75MB, 3, 3, 3 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 12194×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Timpani
*#41769 - 0.14MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 6662×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Violins I
*#41770 - 1.26MB, 11 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 15555×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Violins II
*#41771 - 1.12MB, 11 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 9730×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Violas
*#41772 - 0.95MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8523×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Cellos
*#41773 - 0.96MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 10347×⇩ - Ottaviano

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Ottaviano (2009/10/15)

Basses
*#28040 - 0.99MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 9457×⇩ - Generoso

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Generoso (2009/2/7)

Publisher. Info.	Leipzig: Breitkopf und Härtel, n.d.(ca.1890). Plate Orch-B. 760.
Reprinted	New York: E.F. Kalmus, n.d.(1933–70).
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	These files are part of the Orchestra Parts Project.
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