Sonia M E L C H I O R I Galvão
Graduada em Letras Português e Inglês pela Fundação Santo André. Especialista em Literatura Brasileira (UMESP), Literatura Infantil (USP), Metodologia do Ensino Superior (CUFSA) e Design Instrucional (UF Itajubá). Mestre e Doutora em Comunicação e Semiótica pela PUC de São Paulo, na área de Literatura e Semiótica. Atuação no ensino superior na área de Literatura desde 1996. Coordenação do Curso de Letras na FASB, desde 1999. Coordenação do Curso de Letras da UMESP (1999-2001). Coordenação de pós-graduação na UMESP e FASB. Atuação como consultora junto ao MEC/INEP, na área de avaliação institucional e de cursos de graduação presenciais e EaD. Elaboradora e revisora de itens em exames nacionais do ensino superior na área de Letras (ENADE) e da educação básica como SAEB/Prova Brasil. Supervisora de Língua Portuguesa do Projeto Devolutivas (MEC/INEP) e das oficinas de elaboração de itens para exames de larga escala do SAEB, na área de Linguagens.
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Literature has met a complex system since Lícofron, passing by the Baroque and taking its effects in the 20th century. That fact could not fail to occur through contemporary events where the electronic-digital means permeates powerfully the culture. In this sense, the objective of this article is to ponder over the relations between literature and hypertext, so that we can support evidence of a narrow interface/connectivity of both with the complexity, breaking with the classic conception of art/text. We could depart from Semiotics, to conclude that Eletronic-digital Era far from what was imagined does not neglet Literature, but assumes the structural mechanism of the complex works.
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Literature has met a complex system since Lícofron, passing by the Baroque and taking its effects in the 20th century. That fact could not fail to occur through contemporary events where the electronic-digital means permeates powerfully the culture. In this sense, the objective of this article is to ponder over the relations between literature and hypertext, so that we can support evidence of a narrow interface/connectivity of both with the complexity, breaking with the classic conception of art/text. We could depart from Semiotics, to conclude that Eletronic-digital Era far from what was imagined does not neglet Literature, but assumes the structural mechanism of the complex works.