Jump to content

Sigurðarkviða hin skamma

From Wikipedia, the free encyclopedia

Gunnarr has to decide whether to kill Sigurd or lose his wife Brynhildr. Since both have great riches, killing Sigurd should be a win-win situation. Illustration by Jenny Nyström (1893).

Sigurðarkviða hin skamma or the Short Lay of Sigurd is an Old Norse poem belonging to the heroic poetry of the Poetic Edda. It is one of the longest eddic poems and its name derives from the fact that there was once a longer Sigurðarkviða, but this poem only survives as the fragment Brot af Sigurðarkviðu (see the Great Lacuna).

According to Henry Adams Bellows, the poem was mainly composed for "vivid and powerful characterization" and not for the telling of a story with which most of the listeners of his time were already quite familiar. Bellows notes that the story telling is closer to the German tradition (found in the Nibelungenlied) than it is to the Scandinavian tradition, and that this is because the matter of Sigurd existed in many and varied forms in Northern Europe c. 1100 when the poem was probably composed.

Synopsis

[edit]

The poem begins with the victorious young Sigurd the Völsung's arrival at the court of Gjúki and it informs that he swore oaths together with the two brothers (Gjúki's sons Gunnarr and Högni).[1] The two brothers gave him many jewels and their sister Guðrún for wife, and they spent time together drinking and talking. Then the two brothers departed to woo Brynhildr and Sigurd joined them.[2] The poet then jumps to the moment when Sigurd shared bed with Brynhildr by putting his sword between them. He never held her in his arms and gave her to Gjúki's son (Gunnar).

Then the poem dwells on Brynhildr and informs that she had never known either ill or sorrow. She was without blame and could not dream that she would have it, but fate would have it differently.[3] Brynhildr decided that it was she who should have Sigurd and not Guðrún:[4]

She went to Gunnarr and told him that she would divorce him and that he would lose both her and her lands, unless he killed Sigurd and his son Sigmund.[7] Gunnarr was grieving, because he loved both Sigurd and Brynhildr, and after many hours of reflection, he summoned his brother Högni, and asked him if he would betray their blood-brother Sigurd for his wealth:[8]

Högni responded that they were bound by oaths to Sigurd, and it would be to compromise the future of themselves and their descendants. Gunnarr then suggested that they incite their brother Guthormr who had not sworn any oaths to Sigurd. The poet then jumps to the moment when Gutthorm's sword was in Sigurd's heart.[10] Sigurd, however, took his murderer with him:

Guðrún who was lying beside Sigurd woke up and discovered that she was lying in his blood:

She clasped her hands together so hard that Sigurd rose up and asked her not to weep, because her brothers were alive, but their son (Sigmund) was still too young to flee for his life. He said that it was Brynhildr who was to be blamed. Brynhildr had loved him above all other men, but he had been faithful to Gunnarr and kept his oaths.[13] Then Sigurd died and Guðrún swooned. She had clasped her hands together so hard that the cups in the cupboard rang and the geese in the courtyard cried.[14] Brynhildr who heard Guðrún's cries laughed with all her heart:[15]

Gunnarr told Brynhildr that she never laughed for good things and asked her why she was so pale. He told her that she would have been a worthier woman if she had seen her brother Atli killed.[16] Brynhildr responded that her brother Atli was mightier and would outlive him. She had not desired to have a husband, before the three kings, Sigurd and the Gjukungs (Gunnar and Högni) had arrived. It had been to the gold-adorned hero Sigurd who was sitting on Grani that she had given her vows.[17] Although both Gunnarr and Sigurd were kingly, Gunnarr was not the like of Sigurd. Moreover, Atli had threatened her that she would lose her wealth, if she did not consent to marry. Brynhildr had pondered whether to fight[18] and defy her brother, but the riches of Sigurd had prevailed on her. She would only love one man in her life.

Brynhildr then declared that she had decided to kill herself. Gunnarr tried to embrace her, but she pushed him away, and she pushed away everyone who tried to show her affection. In desperation, Gunnarr asked Högni what to do. Gunnar said that they should ask their warriors to watch over Brynhildr and restrain her from killing herself until she forgot about it. Högni only spoke a few words and he said that no one should restrain her because Brynhildr had been born for evil deeds and that she should not be born again.[19]

Gunnarr turned away from Brynhildr who was dividing her gems while watching the killed slaves and bondwomen.[20] Then she put on her golden byrnie and pierced her own heart with a sword. She put her head on her pillow and said that those of her women who wanted her gold must be prepared to follow her in death. The others answered that enough people had died and her women should not win honour that way. Brynhildr responded that no one should die for her sake unwillingly, but if they would not join her, they would have little gold to wear.

Brynhildr then told Gunnarr that his troubles were not ended, and she began to tell a prophecy about Guðrún. She would be given to Atli in an unhappy marriage, and she would bring woe to many warriors. She would also have a daughter named Svanhildr:[21]

Brynhildr said that she remembered how they deceived her, and continued by telling that Gunnarr would desire Oddrún[22] for wife and they would love each other secretly because Atli would not allow them to marry. Then Gunnarr would suffer like she had suffered. Later, Atli would throw Gunnarr into a den of snakes,[23] but Atli would lose both fortune and his two sons, and he would die pierced in bed with a sword by Guðrún.

Brynhildr said that Guðrún would then do best to follow her husband by killing herself, if she followed good advice or had a similar heart to Brynhild's. Instead, Guðrún would go across the waves to the kingdom of Jónakr,[24] with whom she would have sons. However, her and Sigurd's daughter Svanhildr would go far away, and due to Bikki's words, Jörmunrekkr would slay Svanhhildr in wrath.[25] This would be the end of Sigurd's line and this would increase the sorrow of Guðrún.

Brynhild's last wish was that Sigurd's pyre be built wide enough for both her and Sigurd. The pyre would be covered with shields, carpets and killed slaves. She requested that the slaves should burn fully decked beside Sigurd. Two were to be at his feet and two at his head.[26] There were also to be a brace of dogs and a pair of hawks. Between Sigurd and Brynhildr they were to put the sword that lay between them when formerly they were sleeping together and they were called wedded mates.[27]

With her last words, Brynhildr added that when Sigurd entered the afterlife, the door should not shut behind him but remain open until his retinue had entered the hall.

Notes

[edit]
  1. ^ They swear to be blood brothers. According to Bellows, this version belongs to the older Continental Germanic version in which Sigurd met the Gjukungs before he met Brynhildr, and he only meets her disguised as Gunnar. In a different version, he meets Brynhildr first before he meets the Gjukungs and he forgets her when Guðrún's mother Grimhild has given him a potion of forgetfulness. Both versions are present in Grípisspá.
  2. ^ Sigurd and Gunnar changed appearance, something that Grimhild had taught them. The Völsunga saga tells how Sigurd and Gunnar met Heimir who told them that they had to cross the circle of fire to win Brynhildr. When Gunnar failed to do so, Sigurd took his form and crossed the wall of fire on Grani.
  3. ^ Bellows suggests that this stanza may only mean that she lived happily with Gunnar until she had her quarrel with Guðrún. It may also refer to the version in which she lived with her brother Atli until he was attacked by Sigurd and Gunnar and he had to buy them off with Brynhildr, without her consent. This last version is referred to later in this poem and in Guðrúnarkviða I.
  4. ^ Bellows comments that she has discovered that she has been deceived. In this poem, she has loved Sigurd from the beginning, but this does not fit the version of their first meeting that appears in this poem. However, it fits the other version in which she met Sigurd before he met Gjúki, Gunnar and Högni.
  5. ^ a b c d e f g h Sigurðarkviða in skamma at «Norrøne Tekster og Kvad», Norway. Archived 2007-05-09 at the National and University Library of Iceland
  6. ^ a b c d e f g h Translation by Bellows.
  7. ^ Sigurd's son whom Brynhildr wanted to see dead was only three years old, according to Bellows.
  8. ^ The motive of killing Sigurd for his gold was part of the German tradition in the Nibelungenlied, and it is also mentioned in Guðrúnarkviða I.
  9. ^ According to Bellows, the sands of the Rhine were traditionally held to contain gold.
  10. ^ Bellows notes that there is no gap in the manuscript, but that some stanzas have probably been lost. There is a detailed account of the murder in the Brot af Sigurðarkviðu and in the Völsunga saga, where he also is killed in his bed and not in the forest.
  11. ^ Gramr is Sigurd's sword, see Reginsmál, but gramr could also mean "lord" and refer to Sigurd.
  12. ^ Friend of Freyr refers to Sigurd, and Bellows suggests that if "friend of Freyr" does not mean king (see Rígsþula), it refers to the tradition in which the Völsung dynasty of Sigurd has been conflated with the Yngling dynasty, and which appears in Helgakviða Hundingsbana I.
  13. ^ Bellows notes that Sigurd's guiltlessness fits the version of this poem where he met Brynhildr after he met Gunnarr. However, it does not fit the alternative version, in e.g. Grípisspá, in which he met Brynhildr first and had the daughter Aslaug with her.
  14. ^ The information that the geese cried also appears in Guðrúnarkviða I.
  15. ^ Compare Brot af Sigurðarkviðu.
  16. ^ Bellows notes that this part belongs to the tradition in which Atli had been besieged by Gunnarr and Sigurd, and was forced buy them off with Brynhildr. In this version, she would have consented to marry Gunnarr only because Atli lied to her that Gunnarr was the hero Sigurd. This version also appears in Guðrúnarkviða I.
  17. ^ According to Bellows, this is the version in which Atli tricked Brynhildr that Sigurd was Gunnarr. She had fallen in love with the warrior who was sitting on Grani decked with Fafnir's gold, and who she thought was Sigurd. In this version, there was no need for change of forms between Sigurd and Gunnarr.
  18. ^ Bellows notes that Brynhildr appears as a valkyrie here.
  19. ^ Bellows suggests that Högni's connecting her impending suicide with her not being born again is an influence from Christianity. The poem had been composed not long after Christianization.
  20. ^ Later in the poem, we learn that eight serfs and five female slaves had been killed in order to join Sigurd on his pyre.
  21. ^ Bellows comments that Svanhildr ("swan maiden warrior") is a very old legendary figure, who was incorporated with the matter of Sigurd to combine two sets of legends.
  22. ^ Oddrún is mainly known from Oddrúnargrátr, and Bellows suggests that she is a late addition to the cycle.
  23. ^ Compare Dráp Niflunga, Atlamál and Atlakviða.
  24. ^ Bellows notes that Jónakr only appears in Hamðismál and in sources that are based on it. He states that the name is apparently Slavic in origin, and he appears only as the third husband of Guðrún and as the father of Hamðir, Sörli and Erpr.
  25. ^ Bellows adds that Svanhildr married the Gothic king Ermanaric but, his follower Bikki suggested that she was unfaithful with Ermanaric's son Randver. The angry king then hanged his son and tore Svanhildr to pieces between horses. According to Bellows, Ermanaric's cruel actions were familiar traditions long before becoming part of the Sigurd cycle.
  26. ^ Bellows adds that the burning of slaves together with their master was a general custom in northern Europe. The number of slaves, however, does not agree with the earlier part of the poem.
  27. ^ See Grípisspá.

References

[edit]