Bill Owens (photographer)
Bill Owens | |
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 Portrait of Bill Owens | |
| Born | September 25, 1938 San Jose, California, U.S. |
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Bill Owens (born September 25, 1938) is an American photographer, photojournalist, brewer and editor living in Hayward, California. He is best known for his photographs of suburban domestic scenes taken in the East Bay and published in the book Suburbia (1973).[1] Owens is the recipient of a Guggenheim Fellowship and two National Endowment for the Arts Grants.
According to The New York Sun, "Owens is uniquely associated with suburbanites living in the tract housing developments that absorbed 60 million Americans in the decades following World War II."[2]
Biography
[edit]Owens was born in San Jose, California and raised on a farm in Citrus Heights.[3] He studied visual anthropology at San Francisco State College,[4] dropped out and went on an around-the-world hitchhiking trip before finishing his education at Chico State College.[3] He served in the Peace Corps in Jamaica[3] and, upon returning to the USA, lived and worked in the town of Livermore in the San Francisco Bay Area, as a staff photographer for a local newspaper.[4]
In 1973, Owens released the book Suburbia, whose pictures showed American suburban life in Livermore.[5] The Los Angeles Times commented that the book "rouses pity, contempt, laughter, and self-recognition. Owens’s influence was immense during the 1970s, especially with respect to the kind of portraiture that shows the middle class." In 2001, Suburbia was included in Andrew Roth’s The Book of 101 Books: Seminal Photographic Books of the Twentieth Century.
He has published other photography books, and his photographs have been exhibited internationally and are in the collections of the Museum of Modern Art, Berkeley Art Museum, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Los Angeles Museum of Contemporary Art, San Jose Museum of Art and the Getty Museum in Los Angeles.[citation needed]
Owens went on to become a well-known beer brewer and publisher of American Brewer magazine.[3][6] He founded Buffalo Bill's Brewery in Hayward in 1983, one of the first brewpubs to open in California since prohibition.[3] In 2003, he founded the American Distilling Institute, a professional membership organization, and publishing house "to promote and defend the art and enterprise of craft distilling."[7] As the president of ADI, Owens has become one of the leading spokesmen of the craft distilling movement.[8]
Bibliography
[edit]- Suburbia. San Francisco: Straight Arrow, 1973. ISBN 9780879320430, ISBN 9780879320423
- Suburbia. Revised and augmented. New York: Fotofolio, 1999. ISBN 1-881270-40-8.[3]
- Our Kind of People: American Groups and Rituals. 1975. ISBN 978-0-87932-084-3, ISBN 978-0-87932-085-0.
- Working: I Do It for the Money. New York: Simon and Schuster, 1977. ISBN 978-0-671-22820-0, ISBN 978-0-671-22782-1
- Working. Revised and augmented. New York: Fotofolio, 2009. ISBN 9781584181255.
- Documentary Photography: A Personal View. Danbury, New Hampshire: Addison House, 1978. ISBN 9780891690375.
- Publish Your Own Photo Book. Livermore, California: Morgan & Morgan, 1979. ISBN 978-0960246205
- How to Build a Small Brewery: Draft Beer in Ten Days. 1982. ISBN 978-0960246274.
- Leisure. New York: Fotofolio, 2005. ISBN 1-58418-074-9.
- Bill Owens. Anthology. Bologna: Damiani, 2008. By Claudia Zanfi, with an introduction by A. M. Homes and photographs and afterword by Owens. ISBN 9788862080170.
- Craft of Whiskey Distilling. Hayward, California: American Distilling Institute, 2008. OCLC 1043326099.
- Craft of Whiskey Distilling. Revised edition. Hayward, California: American Distilling Institute, 2013. ISBN 9780982405512
- The Village: Bill Owens – Jamaica Peace Corps Photographs 1964–66. True North, 2014. Edited by Geir Jordahl, Kate Jordahl, and John Thacker. With an introduction by Victoria Sheridan and an afterword by Geir Jordahl. ISBN 978-0-9899915-1-3.
- The Nano Distillery: The Future of Distilling. Hayward, California: White Mule, 2018. ISBN 9781732235403.
- Cars: A Completely American Reality. Bellingham, Washington: True North, 2012. ISBN 9781943013234.
- Altamont to America: Bill Owens and the Legacy of Suburbia: Photographs 1964–2020. Bellingham, Washington: True North, 2018. ISBN 9781943013166
- Altamont 1969. Bologna: Damiani, 2019. ISBN 9788862086233.
Awards
[edit]- 1976: Guggenheim Fellowship, John Simon Guggenheim Memorial Foundation[9]
- Two National Endowment for the Arts Grants.[3]
Exhibitions
[edit]- San Jose Museum of Art, San Jose, CA. A retrospective[3]
References
[edit]- ^ Jobey, Liz (2 April 2009). "Gone west: photographing America's greatest landscapes". The Guardian. ISSN 0261-3077. Retrieved 2019-12-24 – via www.theguardian.com.
- ^ Meyers, William (August 11, 2005). "The Shame of the Suburbs". The New York Sun.
- ^ a b c d e f g h Kastner, Jeffrey (19 March 2000). "Art/Architecture; A Vision of Suburban Bliss Edged With Irony". The New York Times. ISSN 0362-4331. Retrieved 2019-12-24 – via NYTimes.com.
- ^ a b Genocchio, Benjamin (13 January 2008). "The Soul of Suburbia, Captured on Film". The New York Times. ISSN 0362-4331. Retrieved 2019-12-24 – via NYTimes.com.
- ^ Abbott, Kate (27 May 2015). "Bill Owens' best photograph: a 1970s Tupperware party on thick shagpile". The Guardian. ISSN 0261-3077. Retrieved 2019-12-24 – via www.theguardian.com.
- ^ Smith, Roberta (12 November 1999). "Art in Review; Bill Owens -- 'Suburban Folk Tales'". The New York Times. ISSN 0362-4331. Retrieved 2019-12-24 – via NYTimes.com.
- ^ "About American Distilling Institute". American Distilling Institute. Retrieved 9 February 2015.
- ^ Garbee, Jenn (28 August 2012). "Q&A With Bill Owens: The American Distilling Institute Founder's Cross-Country Road Trip, Industry Trends + His Favorite Spirit Stops". LA Weekly. Retrieved 9 February 2015.
- ^ "John Simon Guggenheim Memorial Foundation 1976 Fellows Page". Archived from the original on 2006-12-09. Retrieved 2006-12-29.
General references
[edit]- The Washington Post: "The American Dream, Circa 1970: Suburbia Photographs Capture How Much We've Changed", by Frank Ahrens, March 24, 2000
- The New York Times: "A Vision of Suburban Bliss Edged With Irony" by Jeffrey Kastner, March 19, 2000
- Seattle Post-Intelligencer: "Bill Owens' Unrelenting Eye Defines a Generation", April 9, 1999
