Jump to content

Beloved Infidel

From Wikipedia, the free encyclopedia

Beloved Infidel
Original film poster
Directed byHenry King
Screenplay bySy Bartlett
Based onBeloved Infidel (1957 novel)
by Sheilah Graham
Gerold Frank
Produced byJerry Wald
StarringGregory Peck
Deborah Kerr
Eddie Albert
CinematographyLeon Shamroy
Edited byWilliam H. Reynolds
Music byFranz Waxman
Distributed by20th Century Fox
Release date
  • November 17, 1959 (1959-11-17) (New York City)
Running time
123 minutes
CountryUnited States
LanguageEnglish
Budget$2,340,000[1]

Beloved Infidel is a 1959 American DeLuxe Color biographical drama film made by 20th Century Fox in CinemaScope and based on the relationship of F. Scott Fitzgerald and Sheilah Graham. The film was directed by Henry King and produced by Jerry Wald from a screenplay by Sy Bartlett, based on the 1957 memoir by Sheilah Graham and Gerold Frank. The music score was by Franz Waxman, the cinematography by Leon Shamroy and the art direction by Lyle R. Wheeler and Maurice Ransford. The film was the sixth and final collaboration between King and Peck.

The film stars Gregory Peck and Deborah Kerr, along with Eddie Albert and Philip Ober.

Plot

[edit]

Sheilah Graham sails from England to the U.S. and meets with a newspaper editor John Wheeler, telling him of her royal lineage and many connections. He hires her to write a column, and when its blunt and gossipy nature increases its popularity, Sheilah is also offered her own radio program.

She meets acclaimed author F. Scott Fitzgerald at a party at the home of humorist Bob Carter, her friend. An immediate attraction is formed, although Scott is still married to wife Zelda, who has been institutionalized in a psychiatric hospital. To meet financial obligations, Scott has accepted a position in Hollywood writing film scripts, expressing the belief that his novels are no longer of interest.

His excessive drinking affects his mood and his work. Scott is haunted by the memories of Zelda and the success and fun they had together. He learns that a play is being produced in Pasadena based on one of his stories and takes Sheilah to see it, only to discover that it is a production by high school students, some of whom are unaware that the writer is even still alive.

Sheilah copes with his growing alcoholism and tries to leave him until Scott sends a goodbye note, sounding suicidal. She confesses to him that her own past haunts her, everything she claimed to be being a lie: Sheilah actually is a girl from the London slums. She appeals to Scott to write another book, but after he sends in the first four chapters, Scott receives a publisher's letter of rejection.

Sheilah's radio show is based in Chicago, and as she travels there, Scott becomes abusive, first aboard an airplane and then to one of her colleagues. What she doesn't know is that Scott has been fired by the studio, which finds his script work unacceptable. Sheilah continues to stand by him, but eventually Scott's health gives out. He collapses and dies, a forlorn figure of the past.

Cast

[edit]

Production

[edit]

According to Henry King, the driving force behind the project was Gregory Peck, who read the novel and wanted to play the male lead. King called the film "a failure before it started. Peck was sure it was an Academy Award part. But it was so realistic that I don't think Peck got credit for the good performance that he gave because it was such an obnoxious man, just a terrible man who dies in the end. When you kill a good man like Ronald Colman, all right. But when you take a man that the audience is glad to see dead, I don't think it works for the picture very well."[3]

See also

[edit]

References

[edit]
  1. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p. 252
  2. ^ "Minta Durfee Filmography". Turner Classic Movies. Archived from the original on October 19, 2015. Retrieved March 13, 2020.
  3. ^ King, Henry (1995). Henry King, director : from silents to ʼscope. Directors Guild of America. p. 185.
[edit]