Wikipedia

Jiangshi fiction

Jiangshi fiction, or goeng-si fiction in Cantonese, is a literary and cinematic genre of horror based on the jiangshi of Chinese folklore, a reanimated corpse controlled by Taoist priests that resembles the zombies and vampires of Western fiction. The genre first appeared in the literature of the Qing dynasty and the jiangshi film (traditional Chinese: 殭屍片; simplified Chinese: 僵尸片; pinyin: Jiāngshīpiàn) is a staple of the modern Hong Kong film industry. Hong Kong jiangshi films like Mr. Vampire and Encounters of the Spooky Kind follow a formula of mixing horror with comedy and kung fu.

Literature

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Derived from Chinese folklore, jiangshi fiction first appeared in the literature of the Qing dynasty. The jiangshi is a corpse reanimated by a Taoist priest. The priest commands the jiangshi and directs it to a location for a proper burial. Jiangshi hop as they move and are able to absorb qi, the essence of the living.[1] The ties between jiangshi and vampires, and the English translation of jiangshi as "hopping vampire", may have been a marketing ploy manufactured by Hong Kong studios eager to enter Western markets.[2] Unlike vampires, jiangshi do not drink blood[3] or desire immortality.[4]

Fictional accounts of jiangshi were included in Qing collections of ghost stories and other supernatural tales. They are featured in the story A Corpse's Transmutation (Shibian) in the Shuyiji collection, A Vampiric Demon (Jiangshi gui) and Spraying Water (Penshui) in Pu Songling's Strange Stories from a Chinese Studio,[5] and The Demonic Corpse (Jiangshi gui) in Dongxuan Zhuren's Shiyiji.[6] In Spraying Water, the animated corpse spews a liquid that kills the wife of a government official and her two servants.[7] A traveler is chased by a jiangshi in A Corpse's Transmutation, which killed three of his companions.[8] There are thirty stories of jiangshi in Zi Bu Yu, written by Yuan Mei.[5] Qing writer Ji Xiaolan provides a detailed description of jiangshi folklore in his book Yuewei Caotang Biji[9] (The Shadow Book of Ji Yun, Empress Wu Books, 2021).

Hong Kong cinema

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Sammo Hung directed Encounters of the Spooky Kind and produced Mr. Vampire.

A number of monster films were produced before the jiangshi boom of the 1980s and the 1990s. The earliest concerning vampires is Midnight Vampire (午夜殭屍) directed in 1936 by Yeung Kung-Leung. Vampire films were also made in the 1970s,[10] which merged the vampires of Western horror with the martial arts of Hong Kong kung fu films.[11] The jiangshi films of the 1980s were a departure from the Dracula-like vampires of its predecessors.[12] Cinematic portrayals of jiangshi show the corpses wearing traditional changshan garments with a talisman placed on its head that allows the Taoist priest to control the cadaver.[13] The clichés expropriated from Western horror were fewer, but still visibly present. The cloak, a motif from Hollywood's adaptations of Dracula, appears in the jiangshi films Vampire vs Vampire and A Bite of Love.[14]

The 1980 film Encounters of the Spooky Kind, directed by Sammo Hung, popularized the production of films based on the jiangshi of Chinese legends in the Hong Kong film industry, though it was not the first. As Andrew Heskens of easternkicks.com wrote, "Sammo Hung [...] took the idea of hopping vampires/deceased from The Shadow Boxing (aka The Spiritual Boxer II) and turned it into a phenomenon with Encounter of the Spooky Kind, and things were never the same."[15] Encounters of the Spooky Kind is an early example of kung fu horror comedy in Hong Kong and the jiangshi of the film are played by martial artists. A sequel, Encounters of the Spooky Kind II, was directed by Ricky Lau in 1990.[16]

The 1985 film Mr. Vampire, directed by Ricky Lau, was the breakthrough success of the genre. The film established many of the genre's recognizable clichés. The protagonist is a Taoist priest, skilled in casting magical spells and performing kung fu, who uses supernatural powers to control the undead. He is assisted by incompetent sidekicks, whose antics are a source of comic relief, and must face a vengeful ghost.[17]

In later jiangshi films, jiangshi interact and exist alongside Western vampires.[18] In the 1989 film Vampire vs. Vampire, a Taoist priest and childlike jiangshi encounter a British vampire. The jiangshi saves the priest when his spells for taming the jiangshi are fruitless against the vampire. The cliché of jiangshi children, an allusion to a similar character in Mr. Vampire II, shows an awareness in jiangshi films of the genre by referencing its past cliches.[19]

Jiangshi films declined in popularity around the mid-1990s.[20] There was a brief resurgence in jiangshi and vampire films during the early 2000s. Tsui Hark produced The Era of Vampires in 2002 and The Twins Effect, directed by Dante Lam and Donnie Yen, was released in 2003.[21] The Era of Vampires was not a comedy like earlier jiangshi films, a move that provoked criticisms from the genre's fans who felt that the film was trying to appeal to a more "Hollywood" demographic.[20] In 2009, Katy Chang made Nanjing Road, a jiangshi horror movie set against China's economic expansion.[22] In 2013, Juno Mak made Rigor Mortis as a tribute to earlier series such as Mr. Vampire. In 2014, Daniel Chan made Sifu vs Vampire.

Jiangshi films have attracted an international audience since its heyday. In the West, the genre is popular because it both resembles and is distinct from the monsters of European and American folklore.[23] It is also popular in the Chinese diaspora and in southeast Asia.[24]

Television series

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  • The Jackie Chan Adventures episode "Chi of the Vampire" involves the main characters being attacked by a jiangshi while visiting an abandoned mountain castle in China. The vampire drains qi from Tohru, Jade, and Uncle; which also turns Uncle into another vampire, enslaved as the jiangshi's minion. After the stolen qi is returned, the jiangshi is destroyed by sunlight, much like a Western vampire.
  • In Power Rangers: Jungle Fury, the minions led by the main antagonist Dai Shi, known as Rin Shi, seem to based on the jiangshi. The association is clearer in its parent Super Sentai season, Juken Sentai Gekiranger, whose enemy footsoldiers have the same name but rendered as one word, Rinshi.
  • Jiangshi appear in Kung Fu Panda: Legends of Awesomeness, in the episode "The Po Who Cried Ghost". In this version, jiangshi are zombie-like specters that are formed after the living did not pay them any respect, after which they rise from the grave to seek revenge by devouring the brains of the living. In this version, jiangshi are also called “hopping ghosts” as they can only move by hopping due to being stiff from their death. They also have the power to paralyze their victims with their horrible smelling “death” breath. And similar to zombies, if a living being is bitten by a jiangshi, they will become one.
  • Jiangshi appear in Dragon Ball Super where they are depicted as human-type Earthlings transformed into jiangshi by witchcraft using special paper talismans. This technique is used by former Crane School student Yurin to take revenge on Tien Shinhan by turning his students and Master Roshi into jiangshi. However Goku manages to defeat Jiangshi Max Power Master Roshi due to Yurin failing to command Roshi to counter Goku's Kamehameha. Tien and Goku foil Yurin's plot and allows the transformed students to return to normal. However the students destroyed a nearby town while in jiangshi form forcing Tien to take part in the Tournament of Power to pay to fix the damages.
  • Japanese professional wrestler the Great-O-Khan adopted a costume and ring entrance inspired by the jiangshi while on learning excursion in Britain's Revolution Pro Wrestling after graduating from the New Japan Dojo. The wrestler himself, Tomoyuki Oka, has Chinese-Mongolian ancestry. However, his persona is still that of a normal (brutish) human.

Video games

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  • The video game Sleeping Dogs, which takes place in Hong Kong, features an expansion called Nightmare in North Point. The expansion is based on Chinese horror and folklore and features jiangshi as enemies to fight.
  • The hero Mei from the Blizzard video game Overwatch has a jiangshi-inspired skin for the Halloween Terror 2017 in-game event, as well as a "hopping" emote where she will hop continuously in a straight line with her arms outstretched.
  • Jiangshi-inspired enemies called Pionpi appear in the Chai Kingdom, the fourth and final world of the 1989 Game Boy video game Super Mario Land.
  • Jiangshi are featured as enemies in the game Spelunky. They can be found as early as the second area of the game.
  • The Tale of the Dragon DLC for the strategy game Age of Mythology: Extended Edition, which features units based on various mythical creatures, has the jiangshi as a possible unit for the god Shennong.[25]
  • In Kingdom Hearts II, the Nightwalker Heartless enemies, which primarily appear in the Land of Dragons world based on Mulan, are based on jiangshi.
  • A jiangshi-inspired hat, the Kyonshi Hat, was added on October 5, 2018 to Splatoon 2 as part of a Halloween event.
  • Jiangshi are playable zombies in Counter-Strike Online in some modes: Zombie:The Hero, Zombie-Z, Zombie 2
  • In the science fiction horror game SOMA, there are reanimated corpse monsters who act like ghosts and are referred to as jiangshi.
  • Genshin Impact, a 2020 video game by miHoYo, features a playable character named Qiqi who is based on the jiangshi, though she is referred to as a "zombie" in the English-language version of the game.

Tabletop Games

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Jiangshi: Blood in the Banquet Hall, a 2021 tabletop role-playing game by Banana Chan and Sen-Foong Lim, is about Chinese immigrants to the US and Canada managing a family restaurant while battling Jiangshi.[27]

See also

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Notes and references

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Citations

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  1. ^ Stokes 2007, p. 448
  2. ^ Hudson 2009, p. 209
  3. ^ Lam 2009, pp. 46-51
  4. ^ Hudson 2009, p. 208
  5. ^ a b Chiang 2005, p. 99
  6. ^ Chiang 2005, p. 106
  7. ^ Chiang 2005, pp. 97-98
  8. ^ Chiang 2005, pp. 104-106
  9. ^ Chiang 2005, pp. 99-100
  10. ^ Stokes 2007, p. 448
  11. ^ Lam 2009, pp. 46-51
  12. ^ Hudson 2009, p. 208
  13. ^ Hudson 2009, p. 216
  14. ^ Hudson 2009, p. 205
  15. ^ Heskins, Andrew (15 August 2014). "The Spooky Bunch | easternkicks.com". www.easternkicks.com.
  16. ^ Hudson 2009, p. 215
  17. ^ Lam 2009, pp. 46-51
  18. ^ Hudson 2009, p. 218
  19. ^ Hudson 2009, p. 220
  20. ^ a b Hudson 2009, p. 225
  21. ^ Stokes 2007, p. 449
  22. ^ "Nanjing Road Official Pirate Edition". Amazon.
  23. ^ Lam 2009, pp. 46-51
  24. ^ Hudson 2009, p. 205
  25. ^ "Age of Mythology EX: Tale of the Dragon on Steam".
  26. ^ "Old Pokémon Gold and Silver Demo Discovered; Prototype Pokémon Unveiled -". mxdwn Games. 2018-06-01. Retrieved 2019-09-23.
  27. ^ Wieland, Rob. "Save The World And Your Family Restaurant With This New RPG". Forbes. Retrieved 2023-04-14.

Bibliography

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  • Chiang, Sing-Chen Lydia (2005). Collecting the Self: Body and Identity in Strange Tale Collections of Late Imperial China. Brill. ISBN 978-90-04-14203-9.
  • Hudson, Dale (2009). "Modernity as Crisis: Goeng Si and Vampires in Hong Kong Cinema". In John Edgar Browning and Caroline Joan (Kay) Picart (ed.). Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and Culture. Lanham, Md.: The Scarecrow Press. pp. 203–234. ISBN 978-0-8108-6923-3.
  • Lam, Stephanie (2009). "Hop on Pop: Jiangshi Films in a Transnational Context". CineAction (78): 46–51.
  • Stokes, Lisa Odham (2007). Historical Dictionary of Hong Kong Cinema. Rowman & Littlefield. ISBN 978-0-8108-5520-5.
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