Pablo Palomino
I am a historian of the globalization of culture in 20th-century Latin America and author of The Invention of Latin American Music. A Transnational History, Oxford University Press, 2020 (traducido al castellano como La invención de la música latinoamericana: una historia transnacional, Fondo de Cultura Económica, 2021)
The book illuminates Latin America's transnational musical markets, pedagogy, repertoires, state programs, diasporas, musicology, and diplomacy behind the very idea of "Latin American music."
At Emory University's Oxford College I teach Latin American and Caribbean Studies and interdisciplinary undergraduate and graduate courses. A former Mellon interdisciplinary fellow in the humanities (2017-2020), I foster intellectual and pedagogical collaborations across Emory's areas and departments.
At the University of Chicago I taught the M.A. Proseminar in Latin American Studies and the History seminars: "Progress and Development in Latin America," "Musical Globalization in Latin America," and "Argentine Histories."
At UC Berkeley I was doctoral student and then visiting scholar. In my hometown I taught modern Latin American social history at the University of Buenos Aires as a teaching assistant, and teachers-training courses on Argentine History and Memory at CePA - Memoria Abierta.
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Oxford College of Emory University - Asst. Prof. of Latin American and Caribbean Studies, 2017-
University of Chicago - CLAS Postdoctoral Lecturer, 2015-17
UC Berkeley - Visiting Scholar, 2014-15
History Ph.D., UC Berkeley, 2014
SSRC - IDRF Fellow and CLIR - Mellon Fellow, 2010-2011
Licenciado en Historia, Universidad de Buenos Aires, 2005
Supervisors: Mark Healey, Margaret Chowning, Richard Candida-Smith, Jocelyne Guilbault, and Mauricio Tenorio
The book illuminates Latin America's transnational musical markets, pedagogy, repertoires, state programs, diasporas, musicology, and diplomacy behind the very idea of "Latin American music."
At Emory University's Oxford College I teach Latin American and Caribbean Studies and interdisciplinary undergraduate and graduate courses. A former Mellon interdisciplinary fellow in the humanities (2017-2020), I foster intellectual and pedagogical collaborations across Emory's areas and departments.
At the University of Chicago I taught the M.A. Proseminar in Latin American Studies and the History seminars: "Progress and Development in Latin America," "Musical Globalization in Latin America," and "Argentine Histories."
At UC Berkeley I was doctoral student and then visiting scholar. In my hometown I taught modern Latin American social history at the University of Buenos Aires as a teaching assistant, and teachers-training courses on Argentine History and Memory at CePA - Memoria Abierta.
--
Oxford College of Emory University - Asst. Prof. of Latin American and Caribbean Studies, 2017-
University of Chicago - CLAS Postdoctoral Lecturer, 2015-17
UC Berkeley - Visiting Scholar, 2014-15
History Ph.D., UC Berkeley, 2014
SSRC - IDRF Fellow and CLIR - Mellon Fellow, 2010-2011
Licenciado en Historia, Universidad de Buenos Aires, 2005
Supervisors: Mark Healey, Margaret Chowning, Richard Candida-Smith, Jocelyne Guilbault, and Mauricio Tenorio
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Papers by Pablo Palomino
Books by Pablo Palomino
Other by Pablo Palomino
All seven articles share one structural feature––an extensive self-introduction in the spirit of Jessica Bissett Perea’s call for “intertribal visiting protocols” developed by critical Indigenous studies. This grounds each contribution by exposing the contingency of arguments and allows for a weaving of themes of space, boundary, and interconnection across articles. The forum’s topics range from world-making to relationality, from cripping musical taste to making Siamese music legible to colonial ears, and from listening for political taboos to problematizing “Latin American” music and theorizing intimacy through the notion of “scale” itself. Writing with candor, all contributors bring global music history into uncomfortable terrains.
Book Reviews by Pablo Palomino
Morgan Luker, The Tango Machine: Musical Culture in the Age of Expediency (University of Chicago Press, 2016)
Journal of Popular Music Studies, September 2018
Talks by Pablo Palomino
All seven articles share one structural feature––an extensive self-introduction in the spirit of Jessica Bissett Perea’s call for “intertribal visiting protocols” developed by critical Indigenous studies. This grounds each contribution by exposing the contingency of arguments and allows for a weaving of themes of space, boundary, and interconnection across articles. The forum’s topics range from world-making to relationality, from cripping musical taste to making Siamese music legible to colonial ears, and from listening for political taboos to problematizing “Latin American” music and theorizing intimacy through the notion of “scale” itself. Writing with candor, all contributors bring global music history into uncomfortable terrains.
Morgan Luker, The Tango Machine: Musical Culture in the Age of Expediency (University of Chicago Press, 2016)
Journal of Popular Music Studies, September 2018