Anamorphic lens cinematography

Atlas Lens Co. on Instagram: "🤺USAF Women in Sports🏀 Cinematography by @taylor_camarot Directed by @abigail.enright B-Cam/Steadicam Op by littlesteadi “This was my first shoot on the Mercury Lenses and they exceeded my expectations. You don’t get to shoot anamorphic on a commercial very often, but the 1.5x squeeze of these lenses struck the perfect balance for us. In open gate, we achieved a 2.25:1 ratio, so it was easy to crop to various standard formats. The versatility of these…

Professional optical & photoelectronic product supplier with advanced technology worldwide. Including anamorphic lens, camera and video tripods, monopods and photography light. Perfect companion for commercial directors, studio photographers, vloggers

CHRISTINE (1983) Director of Photography: Donald M. Morgan | Director: John Carpenter

Find out here everything you need to know about anamorphic vs spherical lenses and the optical differences between the two. The stunning anamorphic lens flares of The Neon Demon (2016) Directed by Nicolas Winding and cinematographer Natasha Braier. Shot with Cooke Xtal Express and Panavision C Series anamorphic prime lenses. The Neon Demon Aesthetic | anamorphic flare | lens flare | lens flare effect | spherical lenses | cinema aesthetic | cinematography lighting | film stills | movie

Have you ever heard of an anamorphic lens? If you’re a movie fan then you may have, but if not you’ve certainly seen them used in many films made for the

Andrea Gonzalez Mereles is using veteran cine glass on a modern camera. Andrea paired Cooke 1964 Vintage Anamorphic lenses from Old School Cameras with the ARRI Alexa Mini camera. Cooke 1964 Vintage Anamorphic Lenses Test from Andrea Gonzalez Mereles on Vimeo. This is a test of the Cooke 1964 Vintage Anamorphic Lenses from Old School […]

Street photography with a twist An anamorphic lens is normally used for cinematography, as it squeezes a wide-angle setup onto a normal sensor. The result of this is you have to see the world in a 16:9 ratio. Also, the lens is manual focus.

"Oppenheimer" (2023) Cinematography by Hoyte Van Hoytema . Camera & Lens: IMAX MKIII, Panavision Sphero 65 and Hasselblad Lenses IMAX MKIV,… | Instagram

This is the frame I want to base my cinematography from. The entire soft look, practically natural light. The cool tones from the morning sunrise and the silhouettes of the room emulate deep emotion. The shallow depth of field, anamorphic look, and cinematic bars gives the right amount of texture and composition to the image that I want.