Papers by Emily J Peters
Printed commemorations of Renaissance pageantry have been used as important sources of knowledge ... more Printed commemorations of Renaissance pageantry have been used as important sources of knowledge about the people and circumstances surrounding key political events, with less attention paid to the internal structure and original function of the printed works themselves. This essay explores a particular commemorative book and its illustrations as a case study of the collaborative construction of civic identity in the sixteenth-century Netherlands. It considers the growing conception of print as a space for communal definition and political diplomacy, functioning not as a replacement for civic ritual, but an analog to it.
Book Reviews by Emily J Peters
Books by Emily J Peters
Bruegel und seine Zeit, 2023
The works of Michelangelo (1475–1564) remain an enduring source of awe and fascination more than ... more The works of Michelangelo (1475–1564) remain an enduring source of awe and fascination more than 500 years after his death. Michelangelo:Mind of the Master offers a new context for understanding the drawings of one of art’s greatest visionaries. Through a group of drawings held since 1793 in the Teylers Museum and once in the eminent collection of Queen Christina of Sweden (1626–1689), this book sheds new light on Michelangelo’s inventive preparations for his most important commissions in the realms of painting, sculpture, and architecture. Among other works, the volume features preliminary designs for some of the artist’s best-known projects, including the Sistine Chapel ceiling and the Medici Chapel tombs. Essays in the volume further explore the history and fate of Michelangelo’s drawings during his life, as well as the role of Queen Christina and her heirs in amassing a group of drawings that are among the best preserved by the master today.
Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are compos... more Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are composed entirely of lines. Artists began using this intaglio process in Europe as early as 1430. This captivating catalogue focuses on the height of the medium, from 1480 to 1650, when engravers made dramatic and rapid visual changes to engraving technique as they responded to the demands of reproducing artworks in other media. The Brilliant Line follows these visual transformations and offers new insight into the special inventiveness and technical virtuosity of Renaissance and Baroque (Early Modern) engravers. The three essays discuss how engraving’s restrictive materials and the physical process of engraving informed its visual language; the context for the spread of particular engraving styles throughout Europe; and the interests, knowledge, and skills that Renaissance viewers applied when viewing and comparing engravings by style or school.
Featuring works by Hieronymus Bosch (c. 1450-1516), Jan Gossaert (c. 1478-1532), Maarten van Heem... more Featuring works by Hieronymus Bosch (c. 1450-1516), Jan Gossaert (c. 1478-1532), Maarten van Heemskerck (1498-1574), Pieter Bruegel the Elder (c. 1525-1569), Hendrick Goltzius (1558-1617), and others, this book positions drawing in the Low Countries in the sixteenth century as a dynamic, multifaceted practice. Drawings played roles as varied as the artists who made them: they were designs for prints, paintings, stained glass windows, decorative objects, and tapestries, as well as tools for presentation, translation, and the display of knowledge and virtuosity. The artists' diversified urban communities shaped their drawing practices, as did shifting cultural and political circumstances surrounding Protestant Reform and the Eighty Years' War. In addition to the book's four essays, many of the more than eighty catalogue entries--selected from the holdings of The Albertina Museum and the Cleveland Museum of Art--present new research.
Book Chapers by Emily J Peters
Michelangelo: Mind of the Master, 2019
The works of Michelangelo (1475–1564) remain an enduring source of awe and fascination more than ... more The works of Michelangelo (1475–1564) remain an enduring source of awe and fascination more than 500 years after his death. Michelangelo:Mind of the Master offers a new context for understanding the drawings of one of art’s greatest visionaries. Through a group of drawings held since 1793 in the Teylers Museum and once in the eminent collection of Queen Christina of Sweden (1626–1689), this book sheds new light on Michelangelo’s inventive preparations for his most important commissions in the realms of painting, sculpture, and architecture. Among other works, the volume features preliminary designs for some of the artist’s best-known projects, including the Sistine Chapel ceiling and the Medici Chapel tombs. Essays in the volume further explore the history and fate of Michelangelo’s drawings during his life, as well as the role of Queen Christina and her heirs in amassing a group of drawings that are among the best preserved by the master today.
Uploads
Papers by Emily J Peters
Book Reviews by Emily J Peters
Books by Emily J Peters
Book Chapers by Emily J Peters