Jack whitten

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Icons ★ Jack Whitten ★ ‘I’m dealing now with paint as a collage, paint as sculpture,’ he explained. ‘I don’t paint a painting, I make a painting.’ ‘Ode to Andy: For Andy Warhol’ (1986) showcases Whitten’s pioneering approach to painting and abstraction. At once painting, sculpture and collage, this work testifies both to Whitten’s ingenious use of acrylic paint and to his commitment to expanding abstraction into a vehicle for the communication of experiences both spiritual and social. Here,... Jack Whitten, Painting Sculpture, A Collage, Andy Warhol, Acrylic Paint, Painting & Drawing, Communication, Acrylic Painting, Spirituality

Icons ★ Jack Whitten ★ ‘I’m dealing now with paint as a collage, paint as sculpture,’ he explained. ‘I don’t paint a painting, I make a painting.’ ‘Ode to Andy: For Andy Warhol’ (1986) showcases Whitten’s pioneering approach to painting and abstraction. At once painting, sculpture and collage, this work testifies both to Whitten’s ingenious use of acrylic paint and to his commitment to expanding abstraction into a vehicle for the communication of experiences both spiritual and social…

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Jack Whitten, Dallas Museum Of Art, Walker Art Center, Inspiration Images, Museum Of Contemporary Art, Art Institute Of Chicago, Black Artists, Museum Of Modern Art, Abstract Paintings

Alexander Gray Associates artists: Chloë Bass, Ricardo Brey, Teresa Burga, Luis Camnitzer, Bethany Collins, Melvin Edwards, Harmony Hammond, Jennie C. Jones, Kang Seung Lee, Steve Locke, Carrie Moyer, Betty Parsons, Ronny Quevedo, Joan Semmel, Hassan Sharif, Regina Silveira, Valeska Soares, Hugh Steers, Ruby Sky Stiler

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New Museum - Jack Whitten - Other Exhibitions - Alexander Gray Associates Jack Whitten, Istoria Artei, Walker Art Center, Desktop Wallpaper Pattern, Sumi Ink, Whitney Museum, New Museum, Colour Field, Backdrops Backgrounds

NYC 1993: Experimental Jet Set, Trash and No StarNew Museum, New York, NY Featuring the work of Jack Whitten, the New Museum presents one of the first survey exhibitions on the art of the 1990s. Centering on the year 1993—and presenting works made, exhibited, or produced in New York City twenty years ago—the exhibition is conceived as a time capsule: an experiment in collective memory that attempts to capture a specific moment at the intersection of art, pop culture, and politics. NYC 1993…

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