
Petr Glombíček
Address: Nezamyslice, Czech Republic
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Papers by Petr Glombíček
The article interprets the not of “common sense” as presented in the works of Thomas Reid. The focus is not primarily on Reid’s epistemology or metaphysics or even on the history of the notion or its influence. Rather, the article is strictly concerned with Reid’s use of the term. The notion is considered vague by some interpreters and it is
confused with the “principles of common sense”. The “principles of common sense” play the role of axioms in the model of the human mind that Reid is aiming at, and
thanks to that they play the role of criteria since they are the rules of our thinking. We must only distinguish them from widely-shared prejudices. The “principles of common
sense” are propositions believed by every healthy adult who understands the propositions in question, considering them without any prejudice. They are integrated into the structures of different languages, they hold up against explicit criticism,
and the acceptance of these propositions does not have any absurd consequences. By the term “common sense”, on the other hand, Reid understands the faculty of judgment
in the area of sensory experience.
main sources to show what kind of content we can ascribe to the book. Its aim is to prove that Tractatus is not purely ractical exercise, however without stripping the book
of its therapeutic side. The first part considers the preface and the motto of the book
main sources to show what kind of content we can ascribe to the book. Its aim is to prove that Tractatus is not purely practical exercise, however, without stripping the book of its therapeutic side. This second part continues with interpretation of Wittgenstein’s correspndence with Russell, Frege, Ficker and comes to the conclusion for both
parts considering mutual relation of all the sources
works with the term koiné aisthésis in connection with perception as such. The author points to a third concept, which Aristotle, thanks to his work in physiology, has a general
ability to perceive, and which belongs to ethics: this is fronésis In an interpretation of fronésis there is also a place for the last directly relevant concept – orthos logos. Aristotle’s conception of conduct, which he sometimes interprets with the help of
a so-called practical syllogism, displays the role of recognised statements as the typical general premisses in these syllogisms, and the role of persons recognised for their
fronésis as the measure of the determining criteria for what is good conduct.
Taylor sketches two types of contemporary ethical projects. On the one hand he considers exclusive humanism, on the other the immanent antihumanism. The moral of Taylor’s story of modern secularism comes to his claim that the anti-humanism is enabled by humanism and humanism again by religiosity. According to him this comes to indispensability of religion: namely, some notion of transcendence is necessary for coherence of any set of values available to western man. Actually the originality inspiring its following is what he understands as the key element that is shared by the central claim of Christianity embodied in the notion of love (agape) overcoming the rigorism of explicit rules on the one hand and modern art as Ersatzreligion.
(Not only) this aspect of Taylor’s recent work is rooted in his lifelong interest in Hegel, who looked for such pairing of the ethics of authenticity with a sense for community that could overcome the limits of reflective rationality. We can interpret Taylor’s amendement to Hegel as a substitution of „support for differentiation in unity“ (or simply „culture“) for „love for neighbour“.
Books by Petr Glombíček
The translation is supplemented by an extensive introduction by the translator. The preface provides a context for understanding Vico’s philosophy, its cultural frame, Vico‘s life and works to focus subsequently on a central notion of his thought, namely sensus communis, tracing its origin to Roman Stoic philosophy, poetry and rhetorics.
The article interprets the not of “common sense” as presented in the works of Thomas Reid. The focus is not primarily on Reid’s epistemology or metaphysics or even on the history of the notion or its influence. Rather, the article is strictly concerned with Reid’s use of the term. The notion is considered vague by some interpreters and it is
confused with the “principles of common sense”. The “principles of common sense” play the role of axioms in the model of the human mind that Reid is aiming at, and
thanks to that they play the role of criteria since they are the rules of our thinking. We must only distinguish them from widely-shared prejudices. The “principles of common
sense” are propositions believed by every healthy adult who understands the propositions in question, considering them without any prejudice. They are integrated into the structures of different languages, they hold up against explicit criticism,
and the acceptance of these propositions does not have any absurd consequences. By the term “common sense”, on the other hand, Reid understands the faculty of judgment
in the area of sensory experience.
main sources to show what kind of content we can ascribe to the book. Its aim is to prove that Tractatus is not purely ractical exercise, however without stripping the book
of its therapeutic side. The first part considers the preface and the motto of the book
main sources to show what kind of content we can ascribe to the book. Its aim is to prove that Tractatus is not purely practical exercise, however, without stripping the book of its therapeutic side. This second part continues with interpretation of Wittgenstein’s correspndence with Russell, Frege, Ficker and comes to the conclusion for both
parts considering mutual relation of all the sources
works with the term koiné aisthésis in connection with perception as such. The author points to a third concept, which Aristotle, thanks to his work in physiology, has a general
ability to perceive, and which belongs to ethics: this is fronésis In an interpretation of fronésis there is also a place for the last directly relevant concept – orthos logos. Aristotle’s conception of conduct, which he sometimes interprets with the help of
a so-called practical syllogism, displays the role of recognised statements as the typical general premisses in these syllogisms, and the role of persons recognised for their
fronésis as the measure of the determining criteria for what is good conduct.
Taylor sketches two types of contemporary ethical projects. On the one hand he considers exclusive humanism, on the other the immanent antihumanism. The moral of Taylor’s story of modern secularism comes to his claim that the anti-humanism is enabled by humanism and humanism again by religiosity. According to him this comes to indispensability of religion: namely, some notion of transcendence is necessary for coherence of any set of values available to western man. Actually the originality inspiring its following is what he understands as the key element that is shared by the central claim of Christianity embodied in the notion of love (agape) overcoming the rigorism of explicit rules on the one hand and modern art as Ersatzreligion.
(Not only) this aspect of Taylor’s recent work is rooted in his lifelong interest in Hegel, who looked for such pairing of the ethics of authenticity with a sense for community that could overcome the limits of reflective rationality. We can interpret Taylor’s amendement to Hegel as a substitution of „support for differentiation in unity“ (or simply „culture“) for „love for neighbour“.
The translation is supplemented by an extensive introduction by the translator. The preface provides a context for understanding Vico’s philosophy, its cultural frame, Vico‘s life and works to focus subsequently on a central notion of his thought, namely sensus communis, tracing its origin to Roman Stoic philosophy, poetry and rhetorics.
In general the book presents an idea of irreducible variety in the meaning of common sense since Aristotle to the 18th century philosophy. However the focus is on reflections of common sense in the early modern philosophy.
In the first part deals with the roots of the modern notions of it in the ancient Greek and Roman thought. One of the chapters lists different notions preᘀguring the modern idea of common sense, as one can ᘀnd it in Aristotle’s work: the communal agreement of endoxa, the practical prudence of fronésis, the sensibility of koiné aisthésis. The next chapters supplements this by the evolution of some of the ideas in Roman rhetorics and philosophy. Besides the clue term of the rhetorical theory it mostly concerns the central notion of Seneca’s project, namely bona mens.
The early modern period is approached first from the perspective of Descartes’s project, centered on development of the faculty to judge, modelled on Seneca’s bona mens. It is followed by a treatment of Berkeley’s notion of common sense, presenting it as a variant of the Cartesian notion. Berkeley’s appeal to common sense, it is argued, however important to him, does not stress simply widely shared beliefs, but rather simple rationality: Berkeley asks his reader to judge his works with aention and without prejudice. With Descartes (as well as with Locke) he shares a background in the theological distinction of natural light of reason as opposed to divine light of grace and revelation.
Next two chapters consider a communal notion of common sense. First in the philosophy of Giamba汭ista Vico, who proposed the view of common sense as a shared set of values, relying on the classical theory of rhetorics. Ȥen in the philosophy of Anthony Cooper, the earl of Sha
esbury, who used the term as an alias of a central concept of his ethical theory, namely the benevolent affection. Shaftesbury came to use the expression in answer to objections (foremost by Mary Astell) concerning his test by ridicule, as presented in his Le汭er on Enthusiasm. It seems that it is Shaftesbury who was mainly responsible for the popularity of the expression „common sense“ in the philosophy of the 18th century
wri汭en in English. Surprisingly, it appears to happen by accident
as a consequence of Shaftesbury’s interest in re砯ection on ridicule
motivated by an attempt to cope with a satire of his early book
Inquiry concerning Virtue and Merit by Jonathan Swift, which was
implied in his highly popular A Tale of a Tub.
Two chapters are devoted to the so called Scottish school of common sense. It is argued that the very idea of an organized group spreading a common doctrine comes originally from Joseph Priestley’s polemics with Sco汭ish thinkers. Priestley’s construction was motivated by Oswald’s appeal to common sense in religious ma汭ers together with Bea汭ie’s popularity. Nevertheless the notions of common sense in their respective writings are close and prominent enough to justify the label of Sco汭ish school of common sense. However, as the analysis in the later chapter suggests, Reid’s popularity may overshadow the substantial ifluence of his teachers Alexander Gerard and George Turnbull.
The last section of the book is a Kantian one. Kant is presented here as an opponent of common sense philosophy, who was nevertheless influenced, via Johannes Nikoalus Tetens, by the Reidian notion of common sense in his concept of sensibility. His late notion of sensus communis aestheticus is presented here as mostly Humean in牥uence, mediated by an idiosyncrasy of the •rst German translation of Hume’s Essays. lis is followed by a presentation of Kantian ingluence on Hannah Arendt and Jean -Francois Lyotard.