Hahr-hispanic American Historical Review, May 1, 1976
... Latin American cinema: Film and history. Post a Comment. CONTRIBUTORS: Author: Burns, E. Brad... more ... Latin American cinema: Film and history. Post a Comment. CONTRIBUTORS: Author: Burns, E. Bradford. PUBLISHER: UCLA Latin American Center, University of California (Los Angeles). SERIES TITLE: YEAR: 1975. PUB TYPE: Book (ISBN 0879030267 ). VOLUME/EDITION: ...
This article attempts to redefine the discipline that utilizes technical images in history. It ha... more This article attempts to redefine the discipline that utilizes technical images in history. It has been known as &amp;ldquo;historia gr&amp;aacute;fica,&amp;rdquo; but the author argues that a more useful term might be &amp;ldquo;fotofonohistoria,&amp;rdquo; above all in the particular applications: photohistory, cinehistory, and videohistory.<br>Este artigo tenta redefinir a disciplina que utiliza as imagens t&amp;eacute;cnicas na Hist&amp;oacute;ria. Ela &amp;eacute; conhecida como &amp;ldquo;Hist&amp;oacute;ria Gr&amp;aacute;fica&amp;rdquo;, mas o autor argumenta que um termo mais adequado poderia ser o de &amp;ldquo;foto-fono-hist&amp;oacute;ria&amp;rdquo;, sobretudo nas aplica&amp;ccedil;&amp;otilde;es particulares: foto-hist&amp;oacute;ria, cine-hist&amp;oacute;ria, e video-hist&amp;oacute;ria.
History has been a central pillar in the ideological project of the Cuban Film Institute througho... more History has been a central pillar in the ideological project of the Cuban Film Institute throughout its existence. 1 Three months after the triumph of the revolution on January 1, 1959, the first cultural act of the new government was to create ICAIC (Instituto Cubano de Arte e Industria Cinematográficos). The law founding the film institute asserted-in its only reference to subject matter or genre forms-that, "Our history is a veritable goldmine of themes and heroes capable of cinematic incarnation, which will serve as a fountain of revolutionary inspiration, culture, and information." 2. Twenty years later, a long essay celebrated ICAIC's anniversary by extolling the various interconnections of film and history , and concluded that the latter was the emotional well-spring of Cuban cinema. 3 Shortly before the 20thanniversary , the greatest of the Cuban directors, Tomás Gutiérrez Alea summed up the priority accorded history in the film institute by stating. "Every foot of film we shoot is marked, in the final instance, by a concern with history." 4
Estudios Interdisciplinarios de América Latina y el Caribe, Nov 6, 2014
The most renowned Mexican photographer - and perhaps of all Latin America-, Manuel Alvarez Bravo,... more The most renowned Mexican photographer - and perhaps of all Latin America-, Manuel Alvarez Bravo, nonetheless followed a curiously irregular path to his consagration in the MOMA's exhibit and this sumptuous catalogue of his work.
Estamos en el mero principio de la búsqueda de cómo escribir la historia de y con fotografías. En... more Estamos en el mero principio de la búsqueda de cómo escribir la historia de y con fotografías. Enfatizo las palabras "de" y "con" porque pienso que corresponden a las dos maneras generales en que utilizamos la fotografía para historiar. Así, una historia de la fotografía se enfocaría sobre las formas de representación: analizaría las intenciones
Review: Literature And Arts Of The Americas, May 1, 2010
... for Historia gráfica de la Revolución, Gustavo Casasola attributes the collecting of material... more ... for Historia gráfica de la Revolución, Gustavo Casasola attributes the collecting of materials and the photography to Agustín Víctor, noting ... in Photography and Writing in Latin America: Double Exposures, edited by Marcy E. Schwartz and Mary Beth Tierney-Tello (Albuquerque ...
els seus comentaris sobre aquest article. També agraeixo a Eleazar López Zamora, director de la F... more els seus comentaris sobre aquest article. També agraeixo a Eleazar López Zamora, director de la Fototeca del Instituto Nacional de Antropología e Historia, de haver-me proveït de l'equipament necessari i del personal per copiar les imatges de la revista.
Hahr-hispanic American Historical Review, May 1, 1976
... Latin American cinema: Film and history. Post a Comment. CONTRIBUTORS: Author: Burns, E. Brad... more ... Latin American cinema: Film and history. Post a Comment. CONTRIBUTORS: Author: Burns, E. Bradford. PUBLISHER: UCLA Latin American Center, University of California (Los Angeles). SERIES TITLE: YEAR: 1975. PUB TYPE: Book (ISBN 0879030267 ). VOLUME/EDITION: ...
This article attempts to redefine the discipline that utilizes technical images in history. It ha... more This article attempts to redefine the discipline that utilizes technical images in history. It has been known as &amp;ldquo;historia gr&amp;aacute;fica,&amp;rdquo; but the author argues that a more useful term might be &amp;ldquo;fotofonohistoria,&amp;rdquo; above all in the particular applications: photohistory, cinehistory, and videohistory.<br>Este artigo tenta redefinir a disciplina que utiliza as imagens t&amp;eacute;cnicas na Hist&amp;oacute;ria. Ela &amp;eacute; conhecida como &amp;ldquo;Hist&amp;oacute;ria Gr&amp;aacute;fica&amp;rdquo;, mas o autor argumenta que um termo mais adequado poderia ser o de &amp;ldquo;foto-fono-hist&amp;oacute;ria&amp;rdquo;, sobretudo nas aplica&amp;ccedil;&amp;otilde;es particulares: foto-hist&amp;oacute;ria, cine-hist&amp;oacute;ria, e video-hist&amp;oacute;ria.
History has been a central pillar in the ideological project of the Cuban Film Institute througho... more History has been a central pillar in the ideological project of the Cuban Film Institute throughout its existence. 1 Three months after the triumph of the revolution on January 1, 1959, the first cultural act of the new government was to create ICAIC (Instituto Cubano de Arte e Industria Cinematográficos). The law founding the film institute asserted-in its only reference to subject matter or genre forms-that, "Our history is a veritable goldmine of themes and heroes capable of cinematic incarnation, which will serve as a fountain of revolutionary inspiration, culture, and information." 2. Twenty years later, a long essay celebrated ICAIC's anniversary by extolling the various interconnections of film and history , and concluded that the latter was the emotional well-spring of Cuban cinema. 3 Shortly before the 20thanniversary , the greatest of the Cuban directors, Tomás Gutiérrez Alea summed up the priority accorded history in the film institute by stating. "Every foot of film we shoot is marked, in the final instance, by a concern with history." 4
Estudios Interdisciplinarios de América Latina y el Caribe, Nov 6, 2014
The most renowned Mexican photographer - and perhaps of all Latin America-, Manuel Alvarez Bravo,... more The most renowned Mexican photographer - and perhaps of all Latin America-, Manuel Alvarez Bravo, nonetheless followed a curiously irregular path to his consagration in the MOMA's exhibit and this sumptuous catalogue of his work.
Estamos en el mero principio de la búsqueda de cómo escribir la historia de y con fotografías. En... more Estamos en el mero principio de la búsqueda de cómo escribir la historia de y con fotografías. Enfatizo las palabras "de" y "con" porque pienso que corresponden a las dos maneras generales en que utilizamos la fotografía para historiar. Así, una historia de la fotografía se enfocaría sobre las formas de representación: analizaría las intenciones
Review: Literature And Arts Of The Americas, May 1, 2010
... for Historia gráfica de la Revolución, Gustavo Casasola attributes the collecting of material... more ... for Historia gráfica de la Revolución, Gustavo Casasola attributes the collecting of materials and the photography to Agustín Víctor, noting ... in Photography and Writing in Latin America: Double Exposures, edited by Marcy E. Schwartz and Mary Beth Tierney-Tello (Albuquerque ...
els seus comentaris sobre aquest article. També agraeixo a Eleazar López Zamora, director de la F... more els seus comentaris sobre aquest article. També agraeixo a Eleazar López Zamora, director de la Fototeca del Instituto Nacional de Antropología e Historia, de haver-me proveït de l'equipament necessari i del personal per copiar les imatges de la revista.
Una historia moderna de imágenes descolonizadoras: El proyecto Edward Curtis, 2018
Este pequeño libro analiza la fotografía indigenista, enfocando sobre la obra de Edward Curtis y ... more Este pequeño libro analiza la fotografía indigenista, enfocando sobre la obra de Edward Curtis y Rita Leistner.
Este libro analiza la fotografía de la Revolución Mexicana. Está centrado en la fotografía, sobre... more Este libro analiza la fotografía de la Revolución Mexicana. Está centrado en la fotografía, sobre todo la de los mexicanos, que se hizo durante el periodo 1910 a 1920, para intentar descubrir quiénes tomaron esas imágenes, por qué y para quiénes las hicieron. Asimismo, examina cinco fotos que se han vuelto íconos.
This article explores the importance of photographic archives (fototecas) in preserving the sourc... more This article explores the importance of photographic archives (fototecas) in preserving the sources with which to create a national visual history and identity. It charts the arc from imperial photography of Mexico, lodged in European and U.S. archives, to the development of Mexican institutions dedicated to the preservation of the photographic patrimony. Particular attention is paid to the photography of indigenous peoples by foreigners and Mexicans, and the location of the archives in which that imagery is held. Some of the archives mentioned are found in Mexico: Archivo General de la Nación,
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