5The video is divided into three parts: an interview with the two women, describing their sexu a... more 5The video is divided into three parts: an interview with the two women, describing their sexu ality and their thoughts on Lieberman, the exorcism/BDSM session and a music performance of an old Russian song. During the exorcism the pos sessed ”sub” cries out popular citations of Lieberman while being whipped by her exorcist/lover/dominatrix.
A conversation between Roee Rosen and Katarzyna Bojarska about the artists' oeuvre, his femal... more A conversation between Roee Rosen and Katarzyna Bojarska about the artists' oeuvre, his female porte-paroles, and his playing with history and art historical genres.
Conversation with Roee Rosen about over-identification as artistic strategy and whether artistic ... more Conversation with Roee Rosen about over-identification as artistic strategy and whether artistic freedom contributes to political unfreedom
C.H.O.S.E.N has been published as part of a series of contemporary art readers by the Israeli Cen... more C.H.O.S.E.N has been published as part of a series of contemporary art readers by the Israeli Center for Digital Art.
The Ideologies constituted in the modern era, Marxism, Nihilism, Communism, Socialism and Nazism, functioned at times as secular options for religious notions. These ideologies are founded on the messianic- profane desire of the modern person, professing singlehandedly to form both this and the next world as one reality. This anthology set out to examine.
Through Polish and Jewish culture, the way national or contemporary communities’ narratives are influenced by messianic thought, and how visions of individuals, nations or countries acting as agents of unique missions of liberations, salvations and intensifications are reflected in contemporary art.
The book is a co-production of the Israeli Center for Digital Art and Wyspa Institute for Art, Gdansk, Poland. It was published with the generous support of the Polish Institute in Israel, Adam Mickiewicz Institute, the Ministry of Culture and National Heritage, and the Ministry of Foreign Affairs of the Republic of Poland.
5The video is divided into three parts: an interview with the two women, describing their sexu a... more 5The video is divided into three parts: an interview with the two women, describing their sexu ality and their thoughts on Lieberman, the exorcism/BDSM session and a music performance of an old Russian song. During the exorcism the pos sessed ”sub” cries out popular citations of Lieberman while being whipped by her exorcist/lover/dominatrix.
A conversation between Roee Rosen and Katarzyna Bojarska about the artists' oeuvre, his femal... more A conversation between Roee Rosen and Katarzyna Bojarska about the artists' oeuvre, his female porte-paroles, and his playing with history and art historical genres.
Conversation with Roee Rosen about over-identification as artistic strategy and whether artistic ... more Conversation with Roee Rosen about over-identification as artistic strategy and whether artistic freedom contributes to political unfreedom
C.H.O.S.E.N has been published as part of a series of contemporary art readers by the Israeli Cen... more C.H.O.S.E.N has been published as part of a series of contemporary art readers by the Israeli Center for Digital Art.
The Ideologies constituted in the modern era, Marxism, Nihilism, Communism, Socialism and Nazism, functioned at times as secular options for religious notions. These ideologies are founded on the messianic- profane desire of the modern person, professing singlehandedly to form both this and the next world as one reality. This anthology set out to examine.
Through Polish and Jewish culture, the way national or contemporary communities’ narratives are influenced by messianic thought, and how visions of individuals, nations or countries acting as agents of unique missions of liberations, salvations and intensifications are reflected in contemporary art.
The book is a co-production of the Israeli Center for Digital Art and Wyspa Institute for Art, Gdansk, Poland. It was published with the generous support of the Polish Institute in Israel, Adam Mickiewicz Institute, the Ministry of Culture and National Heritage, and the Ministry of Foreign Affairs of the Republic of Poland.
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Papers by Roee Rosen
The Ideologies constituted in the modern era, Marxism, Nihilism, Communism, Socialism and Nazism, functioned at times as secular options for religious notions. These ideologies are founded on the messianic- profane desire of the modern person, professing singlehandedly to form both this and the next world as one reality. This anthology set out to examine.
Through Polish and Jewish culture, the way national or contemporary communities’ narratives are influenced by messianic thought, and how visions of individuals, nations or countries acting as agents of unique missions of liberations, salvations and intensifications are reflected in contemporary art.
The book is a co-production of the Israeli Center for Digital Art and Wyspa Institute for Art, Gdansk, Poland. It was published with the generous support of the Polish Institute in Israel, Adam Mickiewicz Institute, the Ministry of Culture and National Heritage, and the Ministry of Foreign Affairs of the Republic of Poland.
The Ideologies constituted in the modern era, Marxism, Nihilism, Communism, Socialism and Nazism, functioned at times as secular options for religious notions. These ideologies are founded on the messianic- profane desire of the modern person, professing singlehandedly to form both this and the next world as one reality. This anthology set out to examine.
Through Polish and Jewish culture, the way national or contemporary communities’ narratives are influenced by messianic thought, and how visions of individuals, nations or countries acting as agents of unique missions of liberations, salvations and intensifications are reflected in contemporary art.
The book is a co-production of the Israeli Center for Digital Art and Wyspa Institute for Art, Gdansk, Poland. It was published with the generous support of the Polish Institute in Israel, Adam Mickiewicz Institute, the Ministry of Culture and National Heritage, and the Ministry of Foreign Affairs of the Republic of Poland.