Polish graphic design

1947, Eryk Lipinski, Casablanca, 33 x 23in 1948, Henryk Tomaszewski, Citizen Kane, 34x24in Est. $1,200 1957, Waldemar Swierzy, Sunset Boulevard, 33.5 x 22.5in, Est. $4,500 1959, Maria Heidrich, Spellbound, 23 x 31.5in 1959 Franciszek Starowieyski, Satchmo the Great, 33 x 23in 1959, Marian Stachurski, Snows of Kilimanjaro, 34 x 23in 1973, Wiktor Gorka, Cabaret, 33 x 23in 1973, Waldemar Swierzy, Midnight Cowboy, 32 x 23in Est. $1,800 1978, Andrzej Klimowski, Taxi Driver, 38 x 26.5in 1978…

Jan Lenica (1928 -2001) was a Polish graphic designer and cartoonist. A graduate of the Architecture Department of Warsaw Polytechnic, Lenica became a poster illustrator and a collaborator on the early animation films. From 1963 - 1986 he lived and worked in France, while from 1987 he lived and worked in Berlin. He was a professor of graphic, poster, animated cartoon for many years at German high schools and the first professor of the animation class at the University of Kassel, Germany, in…

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Poster by Iskry

Poland has a remarkable and rich history when it comes to graphic design. The Polish School of Poster, well-known and respected around the globe, is but a piece of its graphic design legacy. Meet 18 incredible Polish graphic designers whose work continues to astound!

Take a look back on the long but forgotten history of graphic design in Communist Poland

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CYRK Clown Red Hand • 26 x 38" • Offset • INV. #4770 • Original poster: CYRK Clown Red Hand Linen backed in fine condition. In Poland, nearly all circus posters are generic, naming no performers or acts, or even the name of the circus (which of course was at any rate a nationalized monopoly under the Communist regime). Apparently, Poles feel that simply reminding people that the circus is in town is enough. [Rennert, PAI-XV, 471] This is an Original Lithograph Vintage Poster; it is not a…

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