Alaia red dress

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Dress, Alaïa | Palais Galliera | Musée de la mode de la Ville de Paris Alaia Dress, Twisted Fabric, 10 February, Madeleine Vionnet, Azzedine Alaia, Gabrielle Chanel, 1990s Fashion, Design Clothing, Sister Wedding

Azzedine Alaïa has always admired the work of Madeleine Vionnet. The red colour, the bias cut in chiffon, the pointed cuts, the feigned nudity and the naked back with a clever cleavage formed by twists (twisted fabric) are all tributes from the designer to the seamstress. Created in 1997, this work met with renewed success sixteen years later, on 10 February 2013, when singer Rihanna wore an identical model on the red carpet leading up to the Grammy Awards ceremony.

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Azzedine Alaïa has always admired the work of Madeleine Vionnet. The red colour, the bias cut in chiffon, the pointed cuts, the feigned nudity and the naked back with a clever cleavage formed by twists (twisted fabric) are all tributes from the designer to the seamstress. Created in 1997, this work met with renewed success sixteen years later, on 10 February 2013, when singer Rihanna wore an identical model on the red carpet leading up to the Grammy Awards ceremony. Azzedine Alaia Couture, Vintage Alaia Dress, 2013 Red Carpet, Red Chiffon Dress, Alaia Dress, Twisted Fabric, 10 February, Azzedine Alaïa, Madeleine Vionnet

Azzedine Alaïa has always admired the work of Madeleine Vionnet. The red colour, the bias cut in chiffon, the pointed cuts, the feigned nudity and the naked back with a clever cleavage formed by twists (twisted fabric) are all tributes from the designer to the seamstress. Created in 1997, this work met with renewed success sixteen years later, on 10 February 2013, when singer Rihanna wore an identical model on the red carpet leading up to the Grammy Awards ceremony.

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Dress, Alaïa | Palais Galliera | Musée de la mode de la Ville de Paris Alaia Dress, Twisted Fabric, 10 February, Madeleine Vionnet, Bridesmaids Dress Inspiration, Virtual Travel, 1990s Fashion, Fantasy Gowns, Red Colour

Azzedine Alaïa has always admired the work of Madeleine Vionnet. The red colour, the bias cut in chiffon, the pointed cuts, the feigned nudity and the naked back with a clever cleavage formed by twists (twisted fabric) are all tributes from the designer to the seamstress. Created in 1997, this work met with renewed success sixteen years later, on 10 February 2013, when singer Rihanna wore an identical model on the red carpet leading up to the Grammy Awards ceremony.

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