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Daring Fireball: Kottke on the Art and Power of Hypertextual Writing

Hypertext links are an information-density multiplier.

The way I’ve long thought about it is that traditional writing — like for print — feels two-dimensional. Writing for the web adds a third dimension. It’s not an equal dimension, though. It doesn’t turn writing from a flat plane into a full three-dimensional cube. It’s still primarily about the same two dimensions as old-fashioned writing. What hypertext links provide is an extra layer of depth. Just the fact that the links are there — even if you, the reader, don’t follow them — makes a sentence read slightly differently. It adds meaning in a way that is unique to the web as a medium for prose.

Long live hypertext! – Tracy Durnell’s Mind Garden

This is how I write:

As an online writer, my philosophy is link maximalism; links add another layer to my writing, whether I’m linking to an expansion of a particular idea or another person’s take, providing evidence or citation, or making a joke by juxtaposing text and target. Links reveal personality as much as the text. Linking allows us to stretch our ideas, embedding complexity, acknowledging ambiguity, holding contradictions.

Coming home | A Working Library

While one of the reasons oft declared for using POSSE is the ability to own your content, I’m less interested in ownership than I am in context. Writing on my own site has very different affordances: I’m not typing into a little box, but writing in a text file. I’m not surrounded by other people’s thinking, but located within my own body of work. As I played with setting this up, I could immediately feel how that would change the kinds of things I would say, and it felt good. Really good. Like putting on a favorite t-shirt, or coming home to my solid, quiet house after a long time away.

Mandy’s writing positively soars and sings in this beautiful piece!

There are two kinds of advertising – Chris Coyier

Contextual advertising works. Targeted advertising? Who knows!

Let’s see all that proof that 400+ requests for thirsty ass always-running JavaScript is just what we have to do to make advertising good.

Write Alt Text Like You’re Talking To A Friend – Cloud Four

This is good advice:

Write alternative text as if you’re describing the image to a friend.

a view source web

As a self-initiated learner, being able to view source brought to mind the experience of a slow walk through someone else’s map.

This ability to “observe” software makes HTML special to work with.

Can you feel the rhythm‽ · 13 March 2024

Adam makes a very good point here: the term “vertical rhythm” is quite chauvanistic, unconciously defaulting to top-to-bottom writing modes; the term “logical rhythm” is more universal (and scalable).

The Subversive Hyperlink - Jim Nielsen’s Blog

Subvert the status quo. Own a website. Make and share links.

Beyond the Frame | Untangling Non-Linearity

A fascinating look at the connections between hypertext and film editing. I’m a sucker for any article that cites both Ted Nelson and Walter Murch.

How independent writers are turning to AI

I missed this article when it was first published, but I have to say this is some truly web-native art direction: bravo!

Utopia WCAG warnings | Trys Mudford

Wouldn’t it be great if all web tools gave warnings like this?

As you generate and tweak your type scale, Utopia will now warn you if any steps fail WCAG SC 1.4.4, and tell you between which viewports the problem lies.

CSS Text balancing with text-wrap:balance - Ahmad Shadeed

Ahmad runs through some of the scenarios where text-wrap: balance could be handy.

Even though it’s not well-supported yet in browsers, there’s no reason not to start adding it to sites now; it’s classic progressive enhancement.

The perfect link - The A11Y Collective

How do we write, design, and code a link that works for everyone on every device? Let’s dive into the world of creating the perfect link, without making a pig’s breakfast of it.

www91.pdf

This is the flyer that Tim Berners-Lee and Robert Cailliau distributed at the Hypertext 91 Conference—the one where their submission was infamously rejected.

The WWW project merges the techniques of information rerieval and hypertext to make an easy but powerful global information system.

The project is based on the philosophy that much academic information should be freely available to anyone. lt aims to allow information sharing within internationally dispersed teams, and the dissemination of information by support groups.

An end to typographic widows on the web | Clagnut by Richard Rutter

Rich explains what text-wrap:balance does …and what it doesn’t.

ChatGPT Is a Blurry JPEG of the Web | The New Yorker

A very astute framing by Ted Chiang—large language models as a form of lossy compression for text.

When we’re dealing with sequences of words, lossy compression looks smarter than lossless compression.

A lot of uses have been proposed for large language models. Thinking about them as blurry JPEGs offers a way to evaluate what they might or might not be well suited for.

A CSS challenge: skewed highlight — Vadim Makeev

I did not know about box-decoration-break—sounds like a game-changer for text effects that wrap onto multiple lines.

How We Verified Ourselves on Mastodon — and How You Can Too – The Markup

It gives me warm fuzzies to see an indie web building block like rel="me" getting coverage like this.