Streetcar - Scene 4
Streetcar - Scene 4
Streetcar - Scene 4
Do you think
How would an there’s ever a
How do you
audience react to good reason to
respond to the
Stella in this stay in an
scene’s ending?
scene? abusive
relationship?
Task: Let’s look at Scene 4 more closely
Each group will be given a quote to analyse
Extract 1 All right, Stella. I will repeat the question quietly now. How could you
come back in this place last night? Why, you must have slept with him!
The next morning, Stella rests peacefully in bed when Blanche, wild from a sleepless night, comes in.
Blanche is relieved to find Stella safe, but horrified that she has spent the night with Stanley. Stella
explains that Stanley gets into violent moods sometimes, but she likes him the way that he is––she is
“sort of––thrilled” by him. Blanche insists that Stella can still get out of her situation, but Stella explains
that she’s not in something she has “a desire to get out of.”
Look at the stage directions at the opening of this scene. What impressions are
formed and what inferences can the audience make?
Blanche, still frantic and erratic, states that she recently came across an old beau of hers, Shep
Huntleigh, (an oil millionaire from Texas). Blanche suggests that Shep could provide the money for
her and Stella to escape …Blanche starts to compose a telegram to him. Stella laughs at her.
Blanche says that she is broke, and Stella gives her five dollars of the ten that Stanley had given her
that morning as an apology.
Blanche bursts into a speech about Stanley, calling him an ape-like, bestial creature. “There’s even
something––sub-human” about him. Blanche cries with frustration, pleading, “Don’t––don’t hang
back with the brutes!” Unknown to both women in heated debate, Stanley has entered the
apartment covertly and has heard the whole heated debate.
Under the cover of a train’s noise, Stanley slips out and re-enters. Stella leaps into his
arms, and Stanley grins at Blanche as the “blue piano” music swells in the background.
1. This scene gets to the heart of the play: it’s all about sex. And in this
play sex is going to cause trouble. Blanche’s admission that Stanley is
a man ‘to go out with – once – twice – three times when the devil is in
you’ and her wild monologue on his bestial nature ring alarm bells: her
attraction to Stanley and her fear of that attraction is obvious.