Emotion
Emotion
Emotion
Dr. Sahithya BR
Assistant Professor, Department of Clinical Psychology,
DIMHANS
Activity…
• Try to list all the emotions you feel during a day…
Introduction
• An emotion is a subjective state of being that we often
describe as our feelings.
SN Emotion Mood
1 Emotions typically have a clear cause. Moods, on the other hand, are
They are about something or someone often free-floating and diffuse
(You are angry at your sister, You are affective states.
awestruck by the Grand Canyon).
2 Emotions are typically brief, lasting only Moods endure longer, lasting for
seconds or minutes. hours, even days.
3 Emotions typically implicate the multiple Moods may be salient only at the
component systems. level of subjective experience.
4 Emotions are often conceptualized as Moods, are often conceptualized
fitting into discrete categories, like fear, as varying along the dimensions
anger, joy, and interest. of pleasantness and arousal level.
Components…
• An intense emotion has at least six components:
Subjective experience:
• The affective state or feeling tone the emotion brings.
• This component we most frequently recognize.
Thought and action tendencies:
• Urges to think and act in certain ways.
• Example, if you are angry, you may be tempted to act
aggressively.
Responses to emotion:
• Final component.
• It means how people cope with or react to their own emotion or
the situation that triggered it.
• Schematic Diagram of the Emotion Process.
(Lazarus, 1991; Rosenberg, 1998)
COGNITIVE APPRAISAL AND EMOTION
• The objective situation in which a person finds herself are not
themselves components of emotions, because they do not always
or directly trigger emotions.
• For these circumstances to produce an emotion in us, we would
need to interpret them as relevant to our personal goals or
wellbeing.
• The research says that once you get your body into a hunched-over
posture with tension only in your neck and you are constantly sighing,
you tend to feel sad.
• Question – But how do you know whether you are angry or frightened? Anger and
fear are so similar physiologically that your autonomic changes cannot tell you which
one you are experiencing
• According to the theory, the intensity of the physiological state—that is,
the degree of sympathetic nervous system arousal— determines the
intensity of the emotion, but a cognitive appraisal of the situation
identifies the type of emotion.
• If people could be induced to be in a general state of autonomic arousal,
the quality of their emotion would be determined solely by their
appraisal of the situation.
• Emotions result from the combination of two factors – an initial state of
unexplained arousal plus a cognitive explanation/appraisal for that
arousal.
The experiment…
• Participants in the study were given an injection of epinephrine,
which typically causes autonomic arousal – an increase in heart
and respiration rates, muscle tremors, and a jittery feeling.
• The experimenter then manipulated the information that the
participants were given regarding the effects of the injection.
• Some participants were correctly informed about the arousal
consequences of the drug, but others were given no information
about the drug’s physiological effects.
• The informed participants therefore had an explanation for their
sensations, whereas the uninformed participants did not.
• Participants were left in a waiting room with another person,
seemingly another participant but actually a partner of the
experimenter.
• The partner created either a happy situation or an angry situation.
• So, when you see the venomous snake, you feel fear at exactly
the same time that your body mounts its fight or flight
response. This emotional reaction would be separate and
independent of the physiological arousal, even though they co-
occur.
FACIAL EXPRESSION AND EMOTION
• The facial movements that accompany an emotion serve to
communicate the sender’s emotion, often eliciting emotion in those
who receive that communication.
• Function of emotional expression
• Communication of emotion as an important function - one that has
survival value for the species.
• Eg. Looking frightened may warn others that danger is present,
perceiving that someone is angry tells us that he or she may be
about to act aggressively, and seeing someone smile will make us
feel safe and drawn to them.
• Other research suggests that, in addition to their communicative
function, emotional expressions – in the face, body, and voice –
contribute to the subjective experience of emotion, just as appraisals
and internal bodily changes do.
• Facial expressions might at times even jumpstart the whole emotion
• Facial feedback Hypothesis
• The idea that facial expressions, in addition to their
communicative function, also contribute to our experience of
emotions is called the facial feedback hypothesis.
• This hypothesis runs parallel to the James–Lange theory: Just as
we receive feedback about (or perceive) our autonomic arousal,
so do we receive feedback about our facial expressions, and this
feedback can cause or intensify the experience of emotions.
• The experiment… (Strack, Martin, & Stepper,
1988)
• Participants rated cartoons for funniness while
holding a pen either in their teeth or in their
lips.
• Holding a pen in your teeth forces your face
into a smile, while holding it in your lips
prevents a smile.
• Participants who held the pen in their teeth
rated the cartoons as funnier than those who
held the pen in their lips.
• Another experiment… (Levenson, Ekman, &
Friesen, 1990)
• Producing particular emotional expressions led
to changes in heartbeat and skin temperature.
• Facial expressions may have an indirect effect
• Universality of expressions…
• Certain facial expressions seem to have a
universal meaning, regardless of the culture in
which an individual is raised.
• The universal expression of anger, for example,
involves a flushed face, brows lowered and drawn
together, flared nostrils, a clenched jaw, and
bared teeth.
• Experiment… (Ekman, 1982)
• When people from 5 countries (US, Brazil, Chile,
Argentina, Japan) viewed photos showing facial
expressions typical of happiness, anger, sadness,
disgust, fear, and surprise, they had little
difficulty identifying the emotion that each
expression conveyed.
• Even members of remote groups that had had virtually no
contact with Western cultures (the Fore and Dani peoples in New
Guinea) were able to identify the emotions represented by facial
expressions of people from Western cultures.