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Shut up the shutters and sit
in the shop
I thought, I thought of thinking of thanking you
Give papa a cup of proper
coffee in a copper coffee cup CONQUERING THE FEAR OF DELIVERING DECLAMATION WHAT IS DECLAMATION? It is a speech given by a person, using another author's piece of writing. It is memorized and given in front of an audience.
it includes inflections of emotion and hand or body
gestures which are used to convey the feeling of the piece The speech must have been previously delivered in public (by a government official for example)
Must be memorized and Speeches are to be ten
minutes in length (some areas' time limits vary)
Speech delivery should be honest and as if the words
were the speaker's own and eye contact is important
All body language and vocalizations need to work with
the piece to help better convey the message
All gestures need to be visible and purposeful and
speaker should have a strong stance No distracting movements (feet shifting, uncontrolled hand gestures, etc.)
Command the language!
Eye Contact This is a fairly simple concept but eye contact is fundamental. Yes, you are supposed to make the words live, but eye contact adds the edge to the performance. It draws the audience in and makes the performance more personal; like you are really speaking to them and not just reciting from memory. Eye contact adds the dramatic. Pending on how long you look at a person, or not, tells a different story. Play around with eye contact. When you really want to stress a point holding eye contact with another individual adds intensity. Warning: do not make people uncomfortable with your gaze! You want to speak to your audience, not scare them. Furthermore, do not just look at the judge. It is awkward and creates unwanted tension. Scan the room and include all audience members. Facials A speech without facials is like food without flavor-bland and boring. Dec. is not an acting event so treating a Dec. piece like a scene from "A Streetcar Named Desire" is not quite the right method, but "reacting" and feeling what your words mean is a great way to separate you from your competition. Too often Dec. speakers are blank faced and this comes off, at least to me, as a gulf between them and the words. It is okay to smile if your piece has a joke. If your speech is teasing at points or coy, it is okay to give a sly smirk. And if something disturbing is being said, then go ahead and show it. Rarely will you give BIG facials like you would in a play because then you will appear as a performer and not a speaker (different speeches require different things). There is a fine line, and only practice and reviews from yourself, coaches, judges, and peers can help you find that balance. Just refrain from being a cadaver. For all involved, keep a lively face and make all facials purposeful and seen!. Gestures Number one rule to always have on your brain: do not use gestures as a means to fill space. If you do the same hand extension every fifteen seconds you are being overly repetitive and erasing all purpose and impact you might have had. It is best to pre-plan gestures while at practice and train your body when to do what. Attempt to have a variety of gestures and use them as an emphasis to what you are saying. It will feel weird to have your hands at your side for what seems an eternity, but I promise you will look confident and sure of yourself. Excessive gesture twitching will lose you points, so train yourself and get some muscle memory working in your favor. Movement Think of movement as punctuation. In Dec. you are allowed to walk in your performance area, so take advantage of this to accentuate what you are saying. Your movement on a new point acts as a transition and breaks-up/punctuates your speech. This transition keeps your speech fresh and draws in your audience because movement is exciting and full of energy. Plan these movements out so you do not end up pacing the floor or bouncing. Three-four strong movements are really all you need. Most Declamation pieces I have seen have the speaker start center, go left/right, move left/right, back center, and then down towards the audience for the conclusion. This does not have to be your path, but this is the standard circuit and does make sense logistically. Vocals As important as your body is to help convey meaning, it is your voice that is the centerpiece. The words need to caressed and delivered in such a way that draws in your audience and tells the message of the speech. Variation is your greatest weapon. Changes in tempo, pitch, volume, tone, silence, any dynamics you can give, are going to help you rank higher. Note, pretending to be Al Pacino and yelling for the sake of yelling will not help (he's a professional, knows what he is doing, and chooses proper times to "yell" in the dialogue). Everything you do with your voice needs to be a deliberate choice. Every vocal action needs to. progress and reinforce what you are saying. Have all of this pre-gamed so blunders are rare in your performance. Also, this is a speaking event and not acting, so again, thinking you are Kevin Spacey giving a monologue might be too much. There is a fine line that you need to search out, but finding the proper mix will make you stand out. I have seen too many Declamations where the speaker never seemed connected to what they were saying because they did not feel the words THE MURDERESS I DEMAND DEATH