Melek 201A Serbest Ish
Melek 201A Serbest Ish
Melek 201A Serbest Ish
Sərbəst iş
Ad- Mələk
Soyad- Mustafayeva
Fakultə- Dekorativ-tətbiqi sənət
İxtisas- Xalça
Qrup- 201A
Kurs-2
Fənn- İngilis dili
My hobbies
THE HOBBY I LIKE MOST IS WATCHING TV. WHEN I
HAVE FREE TIME, I LOVE TO WATCH TELEVISION. IT
NEVER INTERFERES WITH MY STUDY. FIRST OF ALL, I
LIKE TO FINISH MY SCHOOL HOME TASK AND THEN
START WATCHING TV.
I THINK IT’S A GOOD HABIT BECAUSE WATCHING TV
BRINGS A LOT OF KNOWLEDGE IN ANY FIELD.
GENERALLY, I WATCH THE NEWS AND OTHER
CHANNELS SUCH AS DISCOVERY CHANNEL, ANIMAL
PLANET OR ANOTHER INFORMATIVE CHANNEL.
SOMETIMES, I WATCH VERY GOOD CARTOONS THAT
PROVIDE ME CREATIVE AND NEW IDEAS TO MAKE
CARTOONS AND ARTS.
There are different types of programs on TV
that are so crucial to enhance our awareness
about worldwide matters. TV channels also
hold different types of educative programs
such as history, economics, science, math,
culture, and geography etc. to develop our
knowledge.
MY PARENTS ADMIRE MY HOBBY AND
ALSO THEY ARE SO HAPPY WHEN THEY
JUST LISTEN TO THE WHOLE UPDATE
NEWS THROUGH MY VOICE. NOW, I
STUDY IN CLASS THREE AND EIGHT
YEARS OLD BOY. I DEVELOP MY HOBBY
SINCE MY CHILDHOOD.
WATCHING TELEVISION IN A PROPER
WAY GIVES SO IMPORTANT ROLES IN
ONE’S LIFE. IT HELPS US TO MAKE
SOMETHING CREATIVE. IT ALWAYS
KEEPS US AN UPDATE ABOUT ALL KINDS
OF NEWS AND VIEWS. IT INFORMS US
WHAT’S HAPPENING ACROSS THE
WORLD.
GETTING KNOWLEDGE ABOUT TODAY’S
INCIDENT IS SO IMPORTANT FOR
MODERN SOCIETY DUE TO A GREAT
LEVEL OF COMPETITION. IT GIVES A
LOT OF BENEFITS AS IT DEVELOPS OUR
KNOWLEDGE AND THOUGHTS. IT
ENRICHES OUR MIND OF THOUGHTS,
IDEAS, AND EXPERIENCES.
WOMAN ARTISTS
Shah Rukh Khan
Khan was born on 2 November 1965 into a Muslim family in New Delhi.[3] He spent the first five years of his
life in Mangalore, where his maternal grandfather, Iftikhar Ahmed, served as the chief engineer of the port
in the 1960s.[4][5][a] Khan's father, Meer Taj Mohammed Khan, was an Indian independence activist from
Peshawar who campaigned alongside the Khudai Khidmatgar, a nonviolent resistance movement led by
Abdul Ghaffar Khan (also known as Bacha Khan or the "Frontier Gandhi") that sought a
united and independent India.[7][8] Meer was a follower of Abdul Ghaffar Khan,[9] and affiliated with the
Indian National Congress .[10] As of 2010, Khan's paternal family was still living in the Shah Wali Qataal area
of Peshawar's Qissa Khwani Bazaar.[10] Meer moved to New Delhi in 1948 after the partition of India.[11]
Khan's mother, Lateef Fatima, was the daughter of
a senior government engineer.[12][b]
His parents were married in 1959.[
15]
Khan described himself on Twitter as "half
Hyderabadi (mother),
half Pathan (father), and some Kashmiri (grandmother)".
According to Khan his paternal grandfather,
Meer Jan Muhammad Khan, was an ethnic
Pashtun (Pathan) from Afghanistan.
[17][10][18]
His paternal cousins in Peshawar claim that the family speaks
Hindko and is originally from Kashmir,
contradicting the claim that his grandfather was from Afghanistan.
SHAH RUKH KHAN FILMOGRAPHY
Shah Rukh Khan is an Indian actor, producer and television personality who works in Hindi films.[1] He began his acting
career by playing a soldier in the Doordarshan series Fauji (1988), a role that garnered him recognition and led to
starring roles in more television shows.[2] He soon started receiving film offers and had his first release with the romantic
drama Deewana (1992), in which he played a supporting part. [3][4] Khan subsequently played villainous roles in the 1993
thrillers Baazigar and Darr, box office successes that established his career in Bollywood.[5] In 1995, Khan starred
opposite Kajol in Aditya Chopra's romance Dilwale Dulhania Le Jayenge, that became the longest running Indian film
of all time.[6] He continued to establish a reputation in romantic roles by playing opposite Madhuri Dixit in Dil To Pagal
Hai (1997), and Kajol in the Karan Johar-directed Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham... (2001).
[7][8]
In 1999, Khan collaborated with Aziz Mirza and Juhi Chawla to start a production company, Dreamz Unlimited, whose
first release was the comedy-drama Phir Bhi Dil Hai Hindustani (2000) starring Khan and Chawla.[9] The film was a
commercial failure as was their next production, Aśoka (2001), leading to a setback.[10] His career prospects improved in
2002 when he starred alongside Dixit and Aishwarya Rai in Devdas, a period romance that garnered him critical
acclaim.[11] In 2004, he collaborated with his wife Gauri Khan to launch another company, Red Chillies Entertainment,
whose first feature was the box office hit Main Hoon Na (2004).[12][13] Khan's popularity continued to increase in the
2000s as he played the romantic lead opposite younger actresses, [14] most notably Rani Mukerji and Preity Zinta, in
several top-grossing productions, including Kal Ho Naa Ho (2003) and Veer-Zaara (2004).[15][16][17] He also played against
type as a NASA scientist in the drama Swades (2004), a hockey coach in the sports film Chak De! India (2007), and an
autistic man in the drama My Name Is Khan (2010).[18]
From 2007 onwards, Khan began to star opposite a third generation of heroines, [19] most notably Deepika Padukone in
Om Shanti Om (2007) and Anushka Sharma in Rab Ne Bana Di Jodi (2008).[20] He went on to co-star with Padukone in
the action-comedies Chennai Express (2013) and Happy New Year (2014), and reunited with Kajol in Dilwale (2015), all
of which grossed over ₹3.4 billion (US$45 million) to rank among the highest-grossing Indian films.[21] He then starred
alongside Sharma in Jab Harry Met Sejal (2017) and Zero (2018), both of which were commercially unsuccessful. [22]
Seventeen of Khan's films have grossed over ₹1 billion (US$13 million) in global ticket sales.[21] With eight Filmfare
Awards for Best Actor, he shares the record for the most wins in the category with Dilip Kumar.[23] Khan has also
starred in several non-fiction films that have documented his popularity, including the Nasreen Munni Kabir-directed
documentary The Inner and Outer World of Shah Rukh Khan (2005).[24] From 2003 onwards, he has hosted several award
ceremonies, including ten Filmfare Awards and six Screen Awards. In addition, he has featured as the host of television
game shows, including Kaun Banega Crorepati (2007), and the talk show TED Talks India Nayi Soch
OM SHANTI OM
OM SHANTI OM IS A 2007 INDIAN HINDI-LANGUAGE
FANTASY MUSICAL ROMANTIC COMEDY-DRAMA FILM
WRITTEN AND DIRECTED BY FARAH KHAN, CO-
WRITTEN BY MAYUR PURI AND MUSHTAQ SHIEKH,
AND PRODUCED BY GAURI KHAN UNDER THE BANNER
OF RED CHILLIES ENTERTAINMENT. THE FILM STARS
SHAH RUKH KHAN AND DEEPIKA PADUKONE IN LEAD
ROLES WITH ARJUN RAMPAL, SHREYAS TALPADE,
AND KIRRON KHER IN SUPPORTING ROLES. SPANNING
THREE DECADES, THE FILM IS ABOUT OM MAKHIJA
(PLAYED BY SHAH RUKH KHAN), A POOR
JUNIOR FILM ARTIST IN 1977 WHO FALLS IN LOVE
WITH POPULAR FILM ACTRESS SHANTI KASHYAP
(PLAYED BY DEEPIKA PADUKONE). HER SECRET-
HUSBAND MUKESH MEHRA (PLAYED BY ARJUN
RAMPAL) WHO IS A PRODUCER, BETRAYS HER AND
MURDERS HER IN A FIRE. OM WITNESSES THIS AND
GETS SEVERELY INJURED WHILE TRYING TO RESCUE
HER, RESULTING IN HIS DEATH AS WELL. BEING
REBORN AS RICH SUPERSTAR OM KAPOOR IN 2007, HE
EVENTUALLY REMEMBERS HIS WHOLE PREVIOUS
LIFE AND SETS OUT MAKE MUKESH REALISE HIS
MISTAKE BY FINDING SHANTI'S DOPPELGÄNGER
SANDY BANSAL.
THE FILM ALSO SAW CAMEOS FROM MANY BOLLYWOOD CELEBRITIES IN
SEVERAL SEQUENCES AND SONGS. OM SHANTI OM WAS PRODUCED BY GAURI
KHAN ON A BUDGET OF ₹30 CRORE. FARAH CONCEIVED THE FILM WHILE
DIRECTING THE MUSICAL BOMBAY DREAMS (2002), WHICH WAS BASED ON
THE INDIAN FILM INDUSTRY. AFTER SHAH RUKH REJECTED THE FIRST
VERSION OF HER NEXT FILM HAPPY NEW YEAR, SHE WAS REMINDED OF OM
SHANTI OM; THE FILM'S TITLE DERIVES FROM A SIMILAR TITLED POPULAR
SONG FROM THE 1980 FILM KARZ. THE SOUNDTRACK ALBUM WAS COMPOSED
BY VISHAL–SHEKHAR, WITH LYRICS WRITTEN BY JAVED AKHTAR. THE
BACKGROUND SCORE WAS PERFORMED BY SANDEEP CHOWTA. THE ALBUM
RECEIVED POSITIVE REVIEWS AND WAS ALSO COMMERCIALLY SUCCESSFUL,
BECOMING THE HIGHEST-SELLING ALBUM OF THE YEAR IN INDIA.
THE FILM WAS THEATRICALLY RELEASED IN INDIA ON 9 NOVEMBER 2007
DURING DIWALI WEEKEND, OM SHANTI OM EARNED OVER ₹149 CRORE
WORLDWIDE BECOMING THE HIGHEST GROSSING BOLLYWOOD FILM OF
THE YEAR; IT RECEIVED POSITIVE REVIEWS, WITH PRAISE FOR THE
PERFORMANCES AND THE FILM'S SOUNDTRACK AND NARRATIVE. THE FILM
WON SEVERAL AWARDS IN MAJOR INDIAN FILM AWARD CEREMONIES. AT
THE 53RD FILMFARE AWARDS, IT RECEIVED A LEADING 12 NOMINATIONS,
WINNING FOR BEST FEMALE DEBUT AND BEST SPECIAL EFFECTS, AND ALSO
WON THE NATIONAL FILM AWARD FOR BEST PRODUCTION DESIGN
AZERBAIJAN MUSEUM
AZERBAIJAN MUSEUM IS THE MAJOR
ARCHAEOLOGICAL AND HISTORICAL
MUSEUM IN TABRIZ, IN THE NORTHWEST
PART OF IRAN (
EAST AZERBAIJAN PROVINCE). IT WAS
ESTABLISHED ON APRIL 1958.[1] THE
MUSEUM CONSISTS OF THREE MAJOR
HALLS, A SIDE YARD, OFFICE ROOMS AND
A LIBRARY. IT MOSTLY CONTAINS
OBJECTS DISCOVERED FROM
EXCAVATIONS IN IRANIAN AZERBAIJAN,
ALSO SOME ARTWORKS AND
SCULPTURES OF ARTISTS. ITS LIBRARY
CONTAINS MORE THAN 2500 BOOKS, BOTH
HANDWRITTEN AND PRINTED, ABOUT
HISTORY, ARCHAEOLOGY, ART AND
IRANIAN CULTURE.[2] APART FROM
NATIONAL MUSEUM OF IRAN IN TEHRAN,
AZERBAIJAN MUSEUM HAS THE LARGEST
COLLECTION BELONGING TO DIFFERENT
PERIODS OF IRAN'S HISTORY.
THE MUSEUM HAS THREE GALLERIES. THE FIRST GALLERY BEARS THE
OLDEST REMAINS FROM 5TH MILLENNIUM BC UNTIL SASSANIAN DYNASTY
(212-656 AD). THE MUSEUM'S MONUMENTS INCLUDE GODDESSES, RHYTONS,
TWO SKELETONS (MALE AND FEMALE) AND A CARVED SLAB OF MARBLE
KNOWN AS BISM ALLAH-STONE. THE SECOND GALLERY CONSISTS OF TWO
PARTS: ONE FOR ISLAMIC ARCHEOLOGY AND ANOTHER PART FOR COINS AND
SEALS. PART ONE INVOLVES POTTERY DATED FROM THE 10TH TO THE 19TH
CENTURIES. THE COINS OF THIS GALLERY (PART TWO), BEGAN WITH THE
ACHAMENID DYNASTY AND END IN THE QAJAR DYNASTY. THE DISPLAYED
SEALS AND STAMPS DATE FROM THE THIRD MILLENNIUM BC TO ISLAMIC
ERAS.
THE THIRD GALLERY INCLUDES SOME SCULPTURES MADE BY AHAD HOSSEINI
. THEY ARE MADE OF PLASTER AND REPRESENT THE SCULPTOR'S OWN IMAGE
ABOUT THE FATE OF MANKIND IN THE 20TH CENTURY.
IN THE YARD OF MUSEUM SOME STONE FIGURINES, STATUES, RAMS AND
INSCRIPTIONS ARE KEPT.
NATIONAL ART MUSEUM OF AZERBAIJAN
In 1936, the
Council of People's Commissars of
Azerbaijan SSR decided to separate the
Art department from the Azerbaijan
State Museum and organized it as an
independent museum. Expeditions
provided the museum with the first
exhibits. In addition, other exhibits were
purchased. The opening ceremony of the
museum's first exhibition was organized
in 1937 and in 1951, the museum moved
to the Baroque-style De Bour mansion
built at the end of the 19th century.
In July 1993, various artworks had been
stolen from the museum and were later
retrieved.
In 2006, the building was thoroughly reconstructed and the opening of a new exhibition took place in 2009. In
2011, the museum was declared to be of first National and then European Museum Standard (EUMS), meeting
international standards and criteria, as appropriate for a museum and implying high quality museum services
and professional experience; this was by unanimous decision of the Council of Directors of the European
Economic Chamber of Trade, Commerce and Industry – EEIG - located in Brussels.
There are approximately 9,000 scientific books and monographs, catalogues, albums and other professional
literature in the library of the museum. There is also a rare books collection of old publications.
Exhibits preserved in the collection of Azerbaijan National Museum of Art include antique works of art
that date from the 4th century BC. Ceramic bowls decorated with archaic ornamentation found in
Nakhchivan, Mingachevir, Füzuli and Khanlar (now Goy-gol); decorative lamps and glazed tiles of the
Seljuq period; parts of the friezes from the 13th century Bayil castle; 14th-18th century chests found in
Absheron and Shamakhi; fine manuscripts about the Qur’an and 16th century books about astrology;
original 17th-18th century Tabriz miniatures in tempera, gold water and watercolor; works by the
celebrated artists Mir Mohsun Navvab, Mirza Qadim Irevani, Usta Qambar Qarabaghi, by the first
professional artists in Azerbaijan and by our contemporaries; artistic metal items from the 16th and
17th centuries and samples of original fabric, embroidery, national costume and carpets and jewellery
from the 18th-20th centuries are preserved here.[4] Moreover, the collection of the national treasures, the
examples of statuary, fine and graphic arts and other decorative-applied arts of Western Europe (France
, Germany, Austria, Italy, Greece, Flanders, Denmark, Spain), the East (Iran, Turkey, Japan, China,
India, Egypt, Middle East) and Russia is available at the museum.
Collection
Seven of the rooms in the first building feature European art, and ten rooms
feature Russian art. European art includes works of Italian (Guercino,
Leandro Bassano, Francesco Solimena, Lorenzo Bartolini), French (Jules Dupré,
Gaspard Dughet, Pascal Dagnan-Bouveret, Jean-Joseph Benjamin-Constant),
Dutch/Flemish (Frans Hals, Michiel Jansz van Mierevelt, Adriaen Brouwer,
Adriaen van Ostade, Justus Sustermans, Pieter Claesz), German (
Johann Heinrich Roos, Friedrich August von Kaulbach) and Polish (Jan Styka)
painters.
The second edifice built in 1885 houses Eastern art, represented particularly by
Persian, Turkish, Chinese and Japanese art. Russian art is encompassed notably
by paintings of Karl Briullov, Alexey Venetsianov, Vasily Vereshchagin, Isaac
Levitan, Vladimir Makovsky, Valentin Serov, Vladimir Borovikovsky, Vasily
Tropinin, Konstantin Korovin and Ivan Shishkin. There are also restored samples
of Russian avant-garde.
Among Azerbaijani artists represented are painters Mir Mohsun Navvab, Bahruz
Kangarli, Tair Salakhov, Azim Azimzade, Salam Salamzade, Vidadi
Narimanbekov, Mikail Abdullayev, Togrul Narimanbekov and sculptor Omar
Eldarov. The works of Sattar Bahlulzade fill one entire room.
The museum also holds easel and book miniatures of 17th-19th centuries,
lacquered miniatures of 18th-19th centuries and collection of sherbet spoons,
made from mulberry tree.
The first works were obtained from Saint-Petersburg, Moscow and private
collections. The museum expositions were later exhibited in Canada (1966), Cuba
(1967), Syria (1968), France (1969), former Czechoslovakia, Algeria (both 1970),
Iraq (1971) etc
Azerbaijan Carpet Museum
The building where the museum is located was built in 1850, as a one-storeyed caravanserais. In
1915, the building was given to “Metropol” hotel and the second storey was rebuilt. Then, in
1918-1920s, workers of the Cabinet of Ministers of the Azerbaijan Democratic Republic lived
and worked there; in 1920-30s the labor union soviet of Azerbaijan was located there. [6][7]
On November 1, 1939, according to the order of the Council of People’s Commissars of the
Azerbaijan SSR under the number № 4972, a memorial museum named after Nizami was
created in this building in connection with the 800th anniversary of the Persian poet Nizami
Ganjavi. The building was overhauled by the project of architects Sadikh Dadashov and Mikayil
Huseynov, were placed sculptures in the façade and reconstructed two floors. Later, the
memorial museum was changed to the Museum of Azerbaijani Literature. Interior of the
museum was designed by Letif Kerimov. During World War II, when the 800th anniversary of
the Persian poet Nizami Ganjavi was celebrated in Leningrad Blockade, the placement work of
the museum’s exposition was continued. On May 14, 1945, the museum opened its doors to its
visitors only after the victory in the Great Patriotic War, in spite of that, the museum was
established in 1939.[8]
Twice, in 1959 and 1967, the museum was overhauled, expanded and upgraded. In 2001-2003,
the museum was changed again.
In summer, 2005, after the visit of Ilham Aliyev-the President of Azerbaijan on December 30,
2004, were prepared new projects, on the basis of which the museum was overhauled and
renewed.[9][10] The Cabinet of Ministers of Azerbaijan Republic assigned 13 million manats for
that reason. Area of the exposition was expanded 2500 square meters, and the number of halls
upgraded to 30 main and 10 auxiliary. If there were demonstrated only 1000 of 120000 exhibits
till the reconstruction, after the reconstruction the number of them reached 25000.