Early European Literature

Download as pptx, pdf, or txt
Download as pptx, pdf, or txt
You are on page 1of 10

Notre Dame of Salaman College

Lebak, Sultan Kudarat

Early European
Literature

Romy O. delos Santos Jr.,LPT, MIE


Teacher
Introduction: Reading the Epic
With the fall of Rome, Europe slipped backward almost into
savagery. Here and there were great men, saints, and
mystics; but the mass of the people were helpless both
against nature and against their oppressors, the raiding
savages, the roaming criminals, the domineering nobles.
The very physical aspect of Europe was repellent-a
continent of ruins and forests dotted with rude forts,
miserable villages, tiny scattered towns joined by a few
rough roads, between which lay backwoods, areas where the
inhabitants were really as savage as those inhabiting Central
Africa.
These Dark Ages gave way to the Middle
Ages, representing the gradual but steady
and laborious progress of civilization.
Little by little, the darkness lifted and the
Greco-Roman civilization began to reassert
itself.
Roman civilization and culture had not
completely perished.
How much of it survived? Very little.

Through what channels did it survive? It


survived in the Christian Church, in the
monasteries. From very humble beginnings, the
Church was rising into power and authority.
Practically all intellectual pursuits and activities
took place in the monasteries.
Much of the progress of the Middle Ages was
educational.
Universities appeared like street lights being
lighted one by one after a blackout.
The University of Salermo was the first, rapidly
followed by the universities of Bologna, Paris,
Oxford, Cambridge, Salamanca, and Heidelberg.
At the same time, standards of scholarship rose in
certain monastic orders.
The learning and aesthetic sensibility which still
survived was preserved in the monasteries.
Reading the Epic
The epic is a major literary type in a nation's literature:
it is the earliest literary form to appear. The early epic
appears in a pristine morning light. It has its basis in
prehistory.
The epic is inseparable from the idea of grandeur, for it
must have magnitude.
Of epic deeds, war is the most obvious example; so an
epic can partly be described as "a narrative in verse full
of warlike adventures."
From this fundamental idea of grandeur, the first
inference to be drawn is that no man, purely as
an individual, can be the proper subject of an
epic.
A hero remains an individual although he rises
above the average human stature; but a hero
becomes an epic hero when he represents
something greater than himself-a nation, a race, a
faith.
The Iliad does not sing only of the anger and warlike deeds
of Achilles. It brings to mind the whole Trojan War which, in
the Homeric world, was an event of great magnitude and
importance.
The Aeneid, apart from the wanderings and warlike
adventures of Aeneas, opens an impressive prospect of the
destiny of imperial Rome.
The Song of Roland not only pictures the pride and
obstinacy of Roland but is also filled with the crusading zeal
of a man who represents Christianity against Islam.
In Europe, the Middle Ages was an age of epics, and
the oldest of these European epics is the English epic,
Beowulf.
It relates incidents which took place as early as A.D.
520. Its chief interest lies in the fact that it gives us a
picture of a stage of civilization earlier than any other
European epic.
The type of life described, the disorganized world of
tribal states, the raiding parties, and the gallant chiefs
are much like what are found in the Homeric epics.
The European countries produced a number of
epics, but only four stand out as major epics.
These are
• from Germany, the Nibelungenlied:
• from France, the Song of Roland;
• from Spain, El Cid;
• from Italy, the Divine Comedy.

You might also like